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Jack the Ripper: the Divided Self and the Alien Other in Late-Victorian Culture and Society
Jack the Ripper: The Divided Self and the Alien Other in Late-Victorian Culture and Society Michael Plater Submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy 18 July 2018 Faculty of Arts The University of Melbourne ii ABSTRACT This thesis examines late nineteenth-century public and media representations of the infamous “Jack the Ripper” murders of 1888. Focusing on two of the most popular theories of the day – Jack as exotic “alien” foreigner and Jack as divided British “gentleman” – it contends that these representations drew upon a series of emergent social and cultural anxieties in relation to notions of the “self” and the “other.” Examining the widespread contention that “no Englishman” could have committed the crimes, it explores late-Victorian conceptions of Englishness and documents the way in which the Ripper crimes represented a threat to these dominant notions of British identity and masculinity. In doing so, it argues that late-Victorian fears of the external, foreign “other” ultimately masked deeper anxieties relating to the hidden, unconscious, instinctual self and the “other within.” Moreover, it reveals how these psychological concerns were connected to emergent social anxieties regarding degeneration, atavism and the “beast in man.” As such, it evaluates the wider psychological and sociological impact of the case, arguing that the crimes revealed the deep sense of fracture, duality and instability that lay beneath the surface of late-Victorian English life, undermining and challenging dominant notions of progress, civilisation and social advancement. Situating the Ripper narrative within a broader framework of late-nineteenth century cultural uncertainty and crisis, it therefore argues that the crimes (and, more specifically, populist perceptions of these crimes) represented a key defining moment in British history, serving to condense and consolidate a whole series of late-Victorian fears in relation to selfhood and identity. -
Vol 28 No.2 April May 2006 the Market Porter, SE1. See Page
April May Vol 28 2006 No.2 The Market Porter, SE1. See page 12. London Drinker is published by Mike Editorial Hammersley on behalf of the London Branches of CAMRA, the Campaign TIME TO GET WILD ABOUT MILD for Real Ale Limited, and edited by n May CAMRA members will once again be turning their thoughts to Geoff Strawbridge. supporting one of our oldest beer styles. The focus of this campaign is Material for publication should I preferably be sent by e-mail to Mild Day on 6th May. [email protected]. Sales at beer festivals in the London area show that this style of beer is very Press releases and letters by post popular amongst beer aficionados, with stocks of it running out long before should be sent to Tony Hedger, the last cask has been drained. There has also been a small increase in the Apartment 11, 3 Bewley Street, London SW19 1XE number of pubs selling it too. Changes to pubs or beers should be But what is a mild? Normally under 4% in ABV, they range from black to reported to Capital Pubcheck, dark brown to pale amber in colour. Malty and possibly sweet tones 2 Sandtoft Road, London SE7 7LR dominate the flavour profile but there may be a light hop flavour or aroma. or by e-mail to [email protected]. Slight butterscotch flavours may also be noted. Pale milds have a lightly For publication in June 2006, please fruity aroma and gentle hoppiness. Dark milds may have a light roast malt send electronic documents to the Editor or caramel character in aroma and taste. -
Mitre Square Revisited News Reports, Reviews and Other Items Are Copyright © 2009 Ripperologist
RIPPEROLOGIST MAGAZINE Issue 104, July 2009 QUOTE FOR JULY: Andre the Giant. Jack the Ripper. Dennis the Menace. Each has left a unique mark in his respective field, whether it be wrestling, serial killing or neighborhood mischief-making. Mr. The Entertainer has similarly ridden his own mid-moniker demonstrative adjective to the top of the eponymous entertainment field. Cedric the Entertainer at the Ryman - King of Comedy Julie Seabaugh, Nashville Scene , 30 May 2009. We would like to acknowledge the valuable assistance given by Features the following people in the production of this issue of Ripperologist: John Bennett — Thank you! Editorial E- Reading The views, conclusions and opinions expressed in signed Paul Begg articles, essays, letters and other items published in Ripperologist are those of the authors and do not necessarily Suede and the Ripper reflect the views, conclusions and opinions of Ripperologist or Don Souden its editors. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Hell on Earth: The Murder of Marie Suchánková - Ripperologist and its editorial team. Michaela Kořistová We occasionally use material we believe has been placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of some - City Beat: PC Harvey thing we have published we will be pleased to make a prop - Neil Bell and Robert Clack er acknowledgement. The contents of Ripperologist No. 104 July 2009, including the co mpilation of al l materials and the unsigned articles, essays, Mitre Square Revisited news reports, reviews and other items are copyright © 2009 Ripperologist. -
The CAMRA Regional Inventory for London Pub Interiors of Special Historic Interest Using the Regional Inventory
C THE CAMPAIGN FOR REAL ALE The CAMRA Regional Inventory for London Pub Interiors of Special Historic Interest Using the Regional Inventory The information The Regional Inventory listings are found on pages 13–47, where the entries are arranged alphabetically by postal districts and, within these, by pub names. The exceptions are outer London districts which are listed towards the end. Key Listed status Statutory listing: whether a pub building is statutorily listed or not is spelled out, together with the grade at which it is listed LPA Local planning authority: giving the name of the London borough responsible for local planning and listed building matters ✩ National Inventory: pubs which are also on CAMRA’s National Inventory of Pub interiors of Outstanding Historic Interest Public transport London is well served by public transport and few of the pubs listed are far from a bus stop, Underground or rail station. The choice is often considerable and users will have no di≤culty in easily reaching almost every pub with the aid of a street map and a transport guide. A few cautionary words The sole concern of this Regional Inventory is with the internal historic fabric of pubs – not with qualities like their atmosphere, friendliness or availability of real ale that are featured in other CAMRA pub guides. Many Regional Inventory pubs are rich in these qualities too, of course, and most of them, but by no means all, serve real ale. But inclusion in this booklet is for a pub’s physical attributes only, and is not to be construed as a recommendation in any other sense. -
The Whitechapel Murders
The Whitechapel Murders 1. Emma Elizabeth Smith - Osbourne Street 2. Martha Tabram - Gunthorpe Street The Canonical Five 3. Mary Ann Nichols - Buck’s Row 4. Annie Chapman - 29 Hanbury Street 5. Elizabeth Stride - Dutfield’s Yard 6. Catherine Eddowes – Mitre Square 7. Mary Jane Kelly - 13 Miller’s Court 8. Rose Mylett - Clarke’s Yard 9. Alice McKenzie - Castle Alley 10. The Pinchin Street Torso - Pinchin Street 11. Frances Coles – Swallow Gardens The Whitechapel Murders Of the eleven Whitechapel Murders, it is widely believed that Jack the Ripper is directly responsible for five of them. It is possible that the Ripper may have claimed more than five victims, but most experts agree that at least five of the East End murders were the work of Jack the Ripper. Emma Elizabeth Smith The first victim in the series of Whitechapel Murders was a prostitute by the name of Emma Elizabeth Smith. She was attacked and raped on Osbourn Street in Whitechapel on 3 April 1888. During the sexual assault, her attackers inserted a blunt object into her vagina, an injury which would take her life the following day. Before she died the next day at a London hospital, Smith told authorities that two or three men, one of them a teenager, were responsible for her attack. The press had linked Smith’s murder to the subsequent Whitechapel Murders, but most experts later believed that particular murder to be the result of random gang violence. Martha Tabram The next victim in the series of Whitechapel Murders was Martha Tabram, a prostitute in the East End. -
Jack the Ripper
Year 8 Home Learning, January 2021 (Jack the Ripper) th Lesson 2: What was Whitechapel like in the 19 Century? LO: To be able to explain what the conditions of Whitechapel, London were like at the time of the Ripper murders. Success criteria: ❑ I can describe the events of the Jack the Ripper case. ❑ I can explain what it was like in Whitechapel in the 1800s ❑ I can analyse why these conditions might have had an impact on the Jack the Ripper case. Suggested video links: ● (Jack the Ripper story): https://www.youtube.com/watch?v=Ofnp-zucJxE th ● (18 Century Whitechapel): https://www.youtube.com/watch?v=YQQCBZdnkdY Key takeaway knowledge: • East end London was poor • Whitechapel in the east end was extremely poor • People lived in cramped housing • There was lots of crime • Life was extremely difficult Year 8 Home Learning, January 2021 (Jack the Ripper) Main activity Summarise the story of the murders by summarising each paragraph in 1-2 bullet points on the right-hand side, then give each paragraph a title on the left-hand side. Paragraph The story of Jack the Ripper from the BBC Summarise in 1 title or 2 bullet points. The identity of the killer of five - or possibly six - women in the East End of London in 1888 has remained a mystery, but the case has continued to horrify and fascinate. Between August and November 1888,the Whitechapel area of London was the scene of five brutal murders. The killer was dubbed 'Jack the Ripper'. All the women murdered were prostitutes, and all except for one - Elizabeth Stride - were horribly mutilated. -
Along the Jack the Ripper Trails by Denrique Preudhomme E-Mail: [email protected]
Along the Jack the Ripper Trails by Denrique Preudhomme E-mail: [email protected] An utter fascination of mine, the mid-19th-century mystery of Jack the Ripper, an unidentified serial killer believed to have committed London's most notorious unsolved murders. Ripper was believed to have committed the grotesque murders of five prostitutes in the then impoverished area of Whitechapel located in East London (Armijo, Guess, & Jinzo, 2007). The neighborhood was crime-filled and heavily populated by eastern European Jewish refugees, as well as Irish immigrants (Gibson, 2002). A pub laden Commercial Street was an invitation for sex-workers, believed to be the main thoroughfare the victims traveled before their savagery deaths – presumed to have been committed by Jack the Ripper, also coined "the Whitechapel Murderer" (Gibson, 2002). Whitechapel Murder Painting depicting one of Jack the Ripper’s victims found in Whitechapel, Image credit: Susan Lechmere Given my long-time fascination with the Whitechapel murders, I journeyed to the Whitechapel area to gather information on the unsolved mysteries. I began my journey at the Whitechapel Underground (Tube) station, traveling east along Whitechapel Road, a community densely populated by middle-eastern and muslin settlers with a host of landmarks, which includes the Royal London Hospital, East London Mosque and the London Ambassador College. An unassuming gentleman directed me to the heart of the Whitechapel murders, the epicenter of its history, a pub called the Ten Bells. A friendly bartender freely provided information on the murders, highlighting the connection between the Ten Bells and the notorious killings. I enjoyed a glass of white wine while I documented details. -
Whitechapel's Wax Chamber of Horrors, 1888
Whitechapel’s Wax Chamber of Horrors, 1888 By MIKE HAWLEY A waxwork ‘chamber of horrors’1 museum exhibiting ‘vilely executed waxen figures’2 of the most notorious homicides of Victorian times operated in 1888 at just a few minutes’ walking distance from the location of the Mary Ann Nichols murder scene. The museum’s main attraction were images of the Ripper victims which were added to the display as they were murdered! By February 1889, the museum displayed a total of six images of the murdered women,3 beginning with the unfortunate Martha Tabram, who had met her death on 7 August 1888. In his 1892 memoirs, Worship Street Police Court Magistrate Montague Williams recalled his walk through this chamber of horrors in early September 1888: There lay a horrible presentment in wax of Matilda Turner [Martha Tabram], the first victim, as well as one of Mary Ann Nichols, whose body was found in Buck’s Row. The heads were represented as being nearly severed from the bodies, and in each case there were shown, in red paint, three terrible gashes reaching from the abdomen to the ribs.4 Not only did the proprietor of the waxwork museum operate a chamber of horrors, but he also offered live entertainment nightly in the adjacent building.5 Ever cognizant of the money-making formula consisting of, first, satisfying the public’s desire for vice - in this case violence against women – and, secondly, adding a pinch of sex, the proprietor had as the main attraction of the show a tough young lady named Miss Juanita. -
Dalley Quinci Jack the Ripper
Jack the Ripper BY: QUINCI DALLEY Who was Jack the Ripper u Was an unidentified serial killer u He terrorized the impoverished towns of London in1888 u Nicknamed the Whitechapel Murderer and the Leather Apron When u Terrorized the streets of London in 1888 u First Murder: August 7th u Last: September 10th Victims u Typically female prostitutes from the slums of London u Young to middle age women u At least five women Victims u Mary Ann Nichols u Annie Chapman u Elizabeth Stride u Catherine Eddowes u Mary Jane Kelly u Known as the Canonical 5 How Women Were Killed Slit their throats Removed the internal organs from at least three women Murders u Conducted late at night u Typically close to the end of each month u Murders became more brutal as time went on Investigation u A large team of policemen went from house to house to investigate throughout Whitechapel u They followed the same steps as modern police work u More than 2,000 people were interviewed u About 300 people were investigated u 80 people were detained u But they never found the perpetrator Suspects Since 1888 100 suspects have been named Making Jack the Ripper and his legacy live on Walter Sickert u Many different theories about Jack the Ripper’s identity were brought forth u One being Victorian Painter Walter Sickert u Polish Migrant u Grandson to Queen Victoria Letters u Letters were allegedly sent from the killer to the London Police u These were to taunt the officers u Talked of gruesome actions and more murders to come Letters u The name “Jack the Ripper” came from the -
AMEER BEN ALI NINA and HOWARD BROWN with the Face of ‘Frenchy’
June 2020 No. 167 AMEER BEN ALI NINA AND HOWARD BROWN with the face of ‘Frenchy’ sheilLa JONES AND JIM BURNS MICHAEL HAWLEY • ADAM WOOD • BRUCE COLLIE SPOTLIGHT ON RIPPERCAST VICTORIAN FICTION • PRESS TRAWL the latest book reviewsRipperologist 118 January 2011 1 Ripperologist 167 JUNE 2020 EDITORIAL: CONTEXT IS KING Adam Wood FRANCIS TUMBLETY AND JOHN WILKES BOOTH’S ERRAND BOY Michael L. Hawley THE SWANSON MARGINALIA: MORE SCRIBBLINGS Adam Wood MRS. BOOTH’S MOST UNUSUAL ENQUIRY BUREAU Sheilla Jones and Jim Burns CENTRAL NEWS Bruce Collie Spotlight on Rippercast: THE ROYAL CONSPIRACY A-GO-GO Part One AMEER BEN ALI AND AN ACTOR’S TALE Nina and Howard Brown Press Trawl THE SHORT REIGN OF LEATHER APRON VICTORIAN FICTION Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.MangoBooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. The contents of Ripperologist No. -
A PDF of the Meeting Point and Catch up Directions
MEETING POINT DETAILS FOR THE JACK THE RIPPER TOUR Exit One of Aldgate East Station is located directly outside Aldgate Tower THE TOUR DEPARTS AT 7PM FROM EXIT ONE OF ALDGATE EAST UNDERGROUND STATION at the Junction of Whitechapel High Street and Leman Street. E1 8FA Aldgate East is in zone one of the underground and is on the District (green) and Hammersmith and City (pink) Lines. To ensure that you do not miss the tour, when planning your journey we suggest you allow 3 minutes for each underground station you will be passing through on your journey to Aldgate East Underground Station and then add a safety net of 10 minutes to allow for any tube delays. IMPORTANT Please do not go to Aldgate Station by mistake. This is a totally different station and our tour does not meet there. Make sure that you go to Aldgate East Underground Station. PLEASE ARRIVE BY 6.50PM To ensure that you do not miss the start time (7pm) please aim to arrive outside Exit One of Aldgate East Underground Station by 6.50pm. We are unable to wait for latecomers. PLEASE BE SURE TO GO OUT OF THE CORRECT EXIT - DIRECTIONS TO EXIT ONE When you arrive at Aldgate East Station, to reach Exit One you will need turn left off the train, if you are coming from Central London. If you are coming from the East of London you will need to turn right off the train. Having done so, walk along the platform, go up the stairs and through the ticket barrier and Exit One is the exit on the left. -
F Roast Sunday Lunch; (3.15) Eagle Ale House ; (4.15) Draft House Northcote
FREE Vol 35 Oct/Nov No 5 2013 The Bell, Walthamstow – see page 44 23-25 NEW END • HAMPSTEAD VILLAGE • NW3 1JD We show live Premiership Football Best Tel: 020 7794 0258 London Pub of the Year 2011 twitter: @dukeofhamilton Fancy a Pint Reviewers www.thedukeofhamilton.com Awards www.thedukenewendtheatre.comAll ales £2.70 a pint Mondays and for Tuesdays. live jazz, See plays website and accousticfor ales on music tap. Editorial London Drinker is published certainly not bad or failing. It just has the on behalf of the misfortUne to be located on a corner site London Branches of CAMRA, the opposite a tube station in an ideal location Campaign for Real Ale Limited, for a supermarket and is owned by a pubco and edited by Tony Hedger. that has vast debts to service. Material for publication should preferably be We have covered the scope and Use of sent by e-mail to [email protected]. ACVs and Article 4 Directions in some Correspondents unable to send letters to the PUBS – THE DEBATE CONTINUES detail in recent editions so I will not repeat editors electronically may post them to think that it is fair to say that CAMRA is that information here but, in cases like the Brian Sheridan at 4, Arundel House, Heathfield cUrrently doing more than it has ever Wheatsheaf, we must maintain our efforts. Road, Croydon CR0 1EZ. I done to save pUbs from closUre. Many of Sadly, despite genUine sUccesses like the Ivy Press releases should be sent by email to these are community pubs – what we once HoUse in Peckham, we are fighting with one [email protected] woUld have called ‘locals’.