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Asian American Romantic Comedies and Sociopolitical Influences
FROM PRINT TO SCREEN: ASIAN AMERICAN ROMANTIC COMEDIES AND SOCIOPOLITICAL INFLUENCES Karena S. Yu TC 660H Plan II Honors Program The University of Texas at Austin May 2019 ______________________________ Madhavi Mallapragada, Ph.D. Department of Radio-Television-Film Supervising Professor ______________________________ Chiu-Mi Lai, Ph.D. Department of Asian Studies Second Reader Abstract Author: Karena S. Yu Title: From Print to Screen: Asian American Romantic Comedies and Sociopolitical Influences Supervisor: Madhavi Mallapragada, Ph.D. In this thesis, I examine how sociopolitical contexts and production cultures have affected how original Asian American narrative texts have been adapted into mainstream romantic comedies. I begin by defining several terms used throughout my thesis: race, ethnicity, Asian American, and humor/comedy. Then, I give a history of Asian American media portrayals, as these earlier images have profoundly affected the ways in which Asian Americans are seen in media today. Finally, I compare the adaptation of humor in two case studies, Flower Drum Song (1961) which was created by Rodgers and Hammerstein, and Crazy Rich Asians (2018) which was directed by Jon M. Chu. From this analysis, I argue that both seek to undercut the perpetual foreigner myth, but the difference in sociocultural incentives and control of production have resulted in more nuanced portrayals of some Asian Americans in the latter case. However, its tendency to push towards the mainstream has limited its ability to challenge stereotyped representations, and it continues to privilege an Americentric perspective. 2 Acknowledgements I owe this thesis to the support and love of many people. To Dr. Mallapragada, thank you for helping me shape my topic through both your class and our meetings. -
Chinese Ethnic Branding Strategies and the Roles of Language in the Movie Crazy Rich Asians
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI CHINESE ETHNIC BRANDING STRATEGIES AND THE ROLES OF LANGUAGE IN THE MOVIE CRAZY RICH ASIANS A Thesis Presented to The Graduate Program in English Language Studies in Partial Fulfillment of the Requirements for the Degree of Magister Humaniora (M.Hum) in English Language Studies By Fennie Karline Rosario Tenau Student Number: 186332004 THE GRADUATE PROGRAM OF ENGLISH LANGUAGE STUDIES SANATA DHARMA UNIVERSITY YOGYAKARTA 2020 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI “ He has made everything beautiful in its time. He has also set eternity in the human heart, yet no one can find out what God has done from beginning to end.” - Ecclesiastes 3:11- I dedicated this Thesis to My angel mother, Margaretha Warayaan. iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Tenau, Fennie Karline Rosario. 2020. Chinese Ethnic Branding Strategies and The Roles of Language in The Movie Crazy Rich Asians. Yogyakarta: English Language Studies. Graduate Program. Sanata Dharma University. Chinese attempt to show their existence in the world‘s eyes can be seen in their branding. Branding is important in the aspect of ethnicity because it creates certain assumptions about an ethnic group. They try to show their identity by using several strategies both in explicit and implicit ways. However, Chinese themselves barely participate in Hollywood movies as the main characters. Crazy Rich Asians then appears as a movie that highlights the real-life portrayal of Chinese and diaspora in real life. Much of the plot conflict focuses on the Eastern- educated family welcoming Rachel, a Chinese-American as a part of them. Most of the main characters classify themselves as culturally Chinese, so they are playing Chinese ethnicity characters. -
Crazy Rich Asians a Pre-Conference DRAFT
Singaporean Culinary Heritage from Bestseller to Blockbuster: Crazy Rich Asians A pre-conference DRAFT by Michelle E. Bloom, Professor, French and Comparative Literature, University of California, Riverside, [email protected] DRAFT DRAFT DRAFT DRAFT NOT FOR CIRCULATION beyond the Food, Heritage and Community Conference, Prague, ProgressiveConnexions, March 2019. I will show 1-2 clips at the conference for discussion, so great if you can read my drafty draft in advance! Thanks. Kevin Kwan‘s novel Crazy Rich Asians spent 20 weeks atop the New York Times Bestseller List when it came out in 2013, (Bamberger 2017) then attained record sales boosted by John Chu‘s 2018 film adaptation, which broke box office records in the US, grossing more money than any other film in about a decade. (Mendelsohn 2013; It did not do the same in Asia, but that‘s another story). The blockbuster was groundbreaking for its all-Asian cast. My attention to food in Kwan‘s ―chick lit‖ novels and Chu‘s romcom constitutes a more unusual focus than race, ethnicity and social class. Looking at Crazy Rich Asians through the optic of the alimentary reflects the primacy of food in Singapore and the blurring of boundaries in Singaporean alimentary culture between social classes and ethnicities. My attention to food also aligns with the contemporary fascination with food in media, be it cooking shows, food films, or food scenes. As reflected by the importance of Brad Bird‘s 2007 2 animated Disney-Pixar feature Ratatouille, the genre of the food film is not restricted to arthouse film nor should we ignore the representation of food in popular literature. -
Diasporic Narratives and Global Asia a Dissertation
CAPITALIZING RACE: DIASPORIC NARRATIVES AND GLOBAL ASIA A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY YUAN DING IN PARTIAL FULFILLMENT OF THE REQUIERMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ADVISOR: JOSEPHINE LEE August 2019 © Yuan Ding, 2019 Acknowledgements My sincerest gratitude goes to my dissertation advisor, Josephine Lee, who can always be counted on for prompt feedback on edits, and responses to last-minute requests for signatures, letters, and emergency meetings. Without her gentle urging and patient guidance, I would not have been able to finish this dissertation on time. Her tutelage, kind yet firm, has become a model I strive to achieve in my own advising and mentoring practice. I would also like to thank my other dissertation committee members, Jani Scandura, Jigna Desai and Shevvy Craig, who have read and critiqued this work in its various inchoate forms, and offered invaluable suggestions for revision. This dissertation is finished with the generous support of the Guangzhou Fellowship offered by the English Department, as well as the University’s Graduate Research Partnership Program Fellowship, which granted me the opportunity to take a year and two summers off teaching, to devote fully to research and writing. My loving gratitude goes to those who offered counsel, friendship, encouragement and a shoulder to cry on when things got tough. I’m thinking especially of Na-Rae Kim, Eunha Na, Thea Sircar and Bomi Yoon, who had been my writing partners at different stages of the writing process. I’m enormously grateful for the countless hours spent in their quiet companionship. -
An Analysis of Social Classes and Its Conflicts in Kevin
AN ANALYSIS OF SOCIAL CLASSES AND ITS CONFLICTS IN KEVIN KWAN‘S CRAZY RICH ASIAN NOVEL A THESIS BY: ARIFAH ULFA NASUTION REG. NO. 150705013 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from the Department of English, Faculty of Cultural Studies, University of Sumatera Utara, Medan. The examination is held in Department of English, Faculty of Cultural Studies, University of Sumatera Utara on October 25th, 2019. Dean of Faculty of Cultural Studies University of Sumatera Utara Dr. Budi Agustono, M.S. NIP. 19600805 198703 1 001 Board of Examiners Rahmadsyah Rangkuti, M.A., Ph.D. Dr. Siti Norma Nasution, M.Hum. Drs. Parlindungan Purba, M.Hum. Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from the Department of English, Faculty of Cultural Studies, University of Sumatera Utara, Medan. The examination is held in Department of English, Faculty of Cultural Studies, University of Sumatera Utara on October 25th, 2019. Dean of Faculty of Cultural Studies University of Sumatera Utara Dr. Budi Agustono, M.S. NIP. 19600805 198703 1 001 Board of Examiners Rahmadsyah Rangkuti, M.A., Ph.D. Dr. Siti Norma Nasution, M.Hum. Drs. Parlindungan Purba, M.Hum. AUTHOR‘S DECLARATION I, ARIFAH ULFA NST, DECLARE THAT I AM THE SOLE AUTHOR OF THIS THESIS EXCEPT WHERE REFERENCE IS MADE IN THE TEXT OF THIS THESIS. THIS THESIS CONTAINS NO MATERIAL PUBLISHED ELSEWHERE OR EXTRACTED IN WHOLE OR IN PART FROM A THESIS BY WHICH I HAVE QUALIFIED FOR OR AWARDED ANOTHER DEGREE. -
Crazy Rich Asians: a Tale of Immigration, Globalization and Consumption in East Asia
Markets, Globalization & Development Review Volume 4 Number 3 Article 5 2019 Crazy Rich Asians: A tale of immigration, globalization and consumption in East Asia Giana M. Eckhardt Royal Holloway University of London Finola Kerrigan University of Birmingham, UK Follow this and additional works at: https://digitalcommons.uri.edu/mgdr Part of the Anthropology Commons, Economics Commons, Film and Media Studies Commons, Marketing Commons, Other Business Commons, and the Sociology Commons Recommended Citation Eckhardt, Giana M. and Kerrigan, Finola (2019) "Crazy Rich Asians: A tale of immigration, globalization and consumption in East Asia," Markets, Globalization & Development Review: Vol. 4: No. 3, Article 5. DOI: 10.23860/MGDR-2019-04-03-05 Available at: https://digitalcommons.uri.edu/mgdr/vol4/iss3/5https://digitalcommons.uri.edu/mgdr/vol4/ iss3/5 This Media Review is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Markets, Globalization & Development Review by an authorized editor of DigitalCommons@URI. For more information, please contact [email protected]. Crazy Rich Asians: A tale of immigration, globalization and consumption in East Asia This media review is available in Markets, Globalization & Development Review: https://digitalcommons.uri.edu/ mgdr/vol4/iss3/5 Eckhardt and Kerrigan: CRA: Immigration, Globalization, Consumption Crazy Rich Asians: A Tale of Immigration, Globalization and Consumption in East Asia Introduction In 2018, Crazy Rich Asians (CRA) burst onto our screens, taking over $26 million for its opening weekend in the US (Box Office Mojo 2019). The team behind the film had gambled correctly in turning down a Netflix deal that would have skipped a theatrical release, to take a less lucrative offer from Warner Brothers (Sun and Ford 2018).