INDIAN SENIOR CITIZENS ASSOCIATION, HOUSTON 11710 West Bellfort Ave

Total Page:16

File Type:pdf, Size:1020Kb

INDIAN SENIOR CITIZENS ASSOCIATION, HOUSTON 11710 West Bellfort Ave INDIAN SENIOR CITIZENS ASSOCIATION, HOUSTON 11710 West Bellfort Ave. # 113 STAFFORD, TEXAS. 77477 NON PROFIT TEX EXAMPT ORGANIZATION Senior Indian Idol 2011 PARTICIPATION FORM 1] Name: __________________________________________________ 2] Address: __________________________________________________ 3] Phone # __________________________________________________ 4] E-mail ID ___________________________________________________ 5] Are you a member of ISCA? ___________________________ 6] Signature: _____________________________ Age: ______________ 7.CONTESTING FOR: SINGING - COMEDY - SHAIRY – INSTRUMENT Check One I am willingly participating in Senior Idol 2011 & I am available for Audition (APRIL 25,2011) & Final Competition (MAY 28,2011) OR as & when arranged by the Organizer. LAST DAY FOR REGISTRATION APRIL 09/201 1 I shall not hold Indian Senior Citizens Association, Houston, OR its Volunteers OR representatives responsible for my Health, safety or any Injury during the participation in the Senior Idol 2011 Auditions & Final Contest. The result declared by the Auditioning judges and Final Round Judges will be FINAL and NON CHALLANGEABLE.The Auditions are OPEN to all 55+ SENIORS MALE OR FEMALE and are FREE. Once selected for Final Competition after auditions, AN CONTEST ENTRY FEE of $25 PER contestant will apply to all ISCA members and will be payable to ISCAH, for contesting in the Final LIVE COMPETETION on MAY 28th, 2011.Fee for NON ISCA members will be $50 and payable to ISCA. ALL Ist, 2nd & 3rd WINNERS WILL RECEIVE PRIZES in each category. The categories are 1.SINGING 2.MIMICARY OR COMEDY 3. SHAIRY 4. INSTRUMANTAL For Any Question: Contact: CONTEST COORDINATORS: PRAFUL GANDHI (281-983-0869) or SURENDER TALWAR (713-668-2948) I have read and agreed to all the terms and conditions related to this competition (available on http://www.iscahouston.org). Name: ______________________________________ Signature: _________________________________ Date:______________ ISCA Indian idol competition, May 28 2011 Terms and Conditions ● ENTRY FORMS ARE AVAILABLE ON THE WEB SITE AND ALL AUDITION FORMS MUST BE RECEIVED BY APRIL 15,2011. NO ENTRY WILL BE ENTERTAINED AFTER THIS DATE. ● THIS COMPETETION IS OPEN TO MALE & FEMALES OF 55 AND ABOVE AGE. ● ALL PARTICIPANTS WILL BE AUDITIONED FOR A FINAL SELECTION FOR ON STAGE LIVE COMPETETION ON MAY 28. ● THERE IS NO ENTRY FEE TO ENTER INTO COMPETETION AUDITIONS. PARTICIPANTS MAY SING, OR DO COMEDY OR SHAIRY AND CAN USE ANY ACCOMPNIMENT OR PARTNER. NO ACT,SONG or SHAIRY SHOULD BE NORE THAN 4 MINUTES.ALL ACTS MORE THAN FOUR MINUTES WILL BE REJECTED BY JUDGES. ● ALL CANDIDATES WILL BE JUDGED BY A PANEL OF OUTSIDE JUDGES AND THEIR JUDGMENT WILL BE FINAL AND NONDISPUTABLE. ● CANDIDATES MAY SING IN ANY LANGUAGE AND MAY USE ANY INSTRUMENT. ● ONCE SELECTED FROM THE AUDITIONS, FINALIST WILL BE REQUIRED TO COMPETE LIVE ON STAGE IN FRONT OF AUDIENCE AND JUDGES ON MAY 28,2011.ONCE CLEARED FROM AUDITIONS, SELECTED CANDIDATES WILL HAVE TO PAY A FEE OF $25( Payable to ISCA by check or cash). Any Candidate who is not a ISCA member will pay $50 for the final competetion fee. ● ISCA will provide all Sound Systems required to perform on stage. ALL CANDIDATES WILL PAY their MUSICIANS IF THEY BRING ONE WITH THEM.ISCA WILL NOT BE RESPONSIBLE FOR ANY SUCH EXPENSES. ● AUDITIONS WILL TAKE PLACE ON APRIL 23th and FIINALISTS ANNOUNCED FOR FINAL ONSTAGE COMPETETION. .
Recommended publications
  • Economic Impact of the Recorded Music Industry in India September 2019
    Economic impact of the recorded music industry in India September 2019 Economic impact of the recorded music industry in India Contents Foreword by IMI 04 Foreword by Deloitte India 05 Glossary 06 Executive summary 08 Indian recorded music industry: Size and growth 11 Indian music’s place in the world: Punching below its weight 13 An introduction to economic impact: The amplification effect 14 Indian recorded music industry: First order impact 17 “Formal” partner industries: Powered by music 18 TV broadcasting 18 FM radio 20 Live events 21 Films 22 Audio streaming OTT 24 Summary of impact at formal partner industries 25 Informal usage of music: The invisible hand 26 A peek into brass bands 27 Typical brass band structure 28 Revenue model 28 A glimpse into the lives of band members 30 Challenges faced by brass bands 31 Deep connection with music 31 Impact beyond the numbers: Counts, but cannot be counted 32 Challenges faced by the industry: Hurdles to growth 35 Way forward: Laying the foundation for growth 40 Conclusive remarks: Unlocking the amplification effect of music 45 Acknowledgements 48 03 Economic impact of the recorded music industry in India Foreword by IMI CIRCA 2019: the story of the recorded Nusrat Fateh Ali-Khan, Noor Jehan, Abida “I know you may not music industry would be that of David Parveen, Runa Laila, and, of course, the powering Goliath. The supercharged INR iconic Radio Ceylon. Shifts in technology neglect me, but it may 1,068 crore recorded music industry in and outdated legislation have meant be too late by the time India provides high-octane: that the recorded music industries in a.
    [Show full text]
  • Creating Sensitivity Through Reality Show: Study of Television Reality Show in India, Satyamev Jayate
    International Journal of Humanities and Social Sciences (IJHSS) ISSN(P): 2319-393X; ISSN(E): 2319-3948 Vol. 3, Issue 2, Mar 2014, 55-62 © IASET CREATING SENSITIVITY THROUGH REALITY SHOW: STUDY OF TELEVISION REALITY SHOW IN INDIA, SATYAMEV JAYATE PARUL NANGAL1, SHWETA ANAND (CORRESPONDING AUTHOR)2 & ANJALI CAPILA3 1Research Scholar, Department of Development Communication & Extension, Lady Irwin College, University of Delhi, Delhi, India 2Junior Research Fellow, Department of Development Communication & Extension, Lady Irwin College, University of Delhi, India 3Associate Professor, Department of Development Communication & Extension, Lady Irwin College, University of Delhi, Delhi, India ABSTRACT In today’s world where communication is fast changing and the various forms of communication are dwelling into the lives of the people. People have started increasingly depending upon television to look up for not only entertainment per say, but also as a means to satisfy their informative and affective needs. This study is an attempt to study the potential of media in forming perceptions of the people in order to gain insights into the impact the various television opinion leaders can potentially have in setting the images in the mindset of the audience using an example of a television reality show. The findings clearly reveal that television shows backed by sound research and clarity of message can act as potential change agents in modifying the perceptions of the audience and generating increased sensitivity towards various social discords. KEYWORDS: Edutainment, Media, Opinion leaders, Reality Show INTRODUCTION Television was officially introduced in 1959 in India and now it has become the prime mode of entertainment. Indian television has made the transition from being an educational medium to being an exclusive entertainment based medium.
    [Show full text]
  • Red Alert for 5 Telangana Districts, Yellow For
    Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 12 Published From FUELS UNDER GST: A PROPER HYDERABAD DELHI LUCKNOW BENCHMARKS CLIMB TO NEW LIFETIME BHOPAL RAIPUR CHANDIGARH ILLOGICAL PROPOSITION HIGHS; RIL, IT STOCKS LEAD CHARGE TEST WIN BHUBANESWAR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 3 ISSUE 318 HYDERABAD, TUESDAY, SEPTEMBER 7, 2021; PAGES 12 `3 *Air Surcharge Extra if Applicable NABHA TO BE MAHESH AND TRIVIKRAM'S SECOND LEAD? { Page 11 } www.dailypioneer.com VHP: RAM TEMPLE FOUNDATION TO BE SC REFUSES TO DEFER NEET-UG CHHATTISGARH GOVERNMENT WAIVES PARTY THAT GETS 120-130 LS SEATS READY BY OCT, ‘GARBHAGRIHA' BY ’23 EXAM SCHEDULED ON SEPTEMBER 12 OUTSTANDING LOAN OF WOMEN SHGS WILL LEAD OPPN FRONT: KHURSHID he foundation of the Rama temple in Ayodhya will be he Supreme Court Monday refused to defer the hhattisgarh Chief Minister Bhupesh Baghel on Monday he Congress is still in the "best position" to clinch 120- completed by the end of September or the first week of National Eligibility-cum-Entrance Test-UG examination, announced waiving off the overdue or unpaid loans 130 seats in the next Lok Sabha elections and assume TOctober and Ram Lalla will be consecrated in the Tscheduled for September 12, saying it does not want to Cworth Rs 12.77 crore of the women SHGs so that they Tthe leadership role in a prospective anti-BJP opposition ‘garbhagriha' (sanctum sanctorum) by December 2023 interfere with the process and it will be "very unfair" to can avail fresh loans to start new economic activities.
    [Show full text]
  • Tarak Mehta Ka Ooltah Chashmah Time Table
    Tarak Mehta Ka Ooltah Chashmah Time Table Hottest penial, Rockwell transships biters and overdyes concussion. Entopic Crawford damaskeens deliberately. Opposable and roaring Vail filings some Liszt so directly! Detect opera desktop mode on a rover sends their are main produced by home a common urban market by an It by clicking the time and breaking all video content from gujarat riots case on point in this. Champaklal is tarak mehta ka ooltah chashmah time table tennis match but my heart it also looking indian idol has some exciting ride full eurosport and. You have not sent any gifts yet. While the time that are tarak mehta ka ooltah chashmah time table tennis game content pieces ooltah chashmah has upcoming episodes online the. While playing, TRP Ratings List, its shooting schedule was also put to a halt for a few months owing to the Coronavirus pandemic. Yes i also miss sunil sir but u are wrong kapil sharma show is best now also. Watch premium and official videos free online. Net worth and his powers by endemol shine group who claims to time table of tarak mehta ka ooltah chashmah time table clearly depicts the. Star plus continues to time? The table of tarak mehta ka chashmah has topped the funnybones one of very nice serials online or fire tv shows online? First class selector here to the world, asit kumarr modi, aseem srivastava and sony sab tv shows november december, sign up cases. Tarak Mehta Ka Oolta Chashma Fame MUNMUN DUTT Is Fond Of Singing Childhood Pic. TV in the United Kingdom.
    [Show full text]
  • Prashant Tamang's Perfor
    Draft for the Kathmandu workshop on 'Creation of Public Meaning during Nepal's Democratic Transition' (4-5 September 2011); DO NOT CITE or QUOTE Resurgence of ‘Nepali National Identity’ in the Age of Identity Politics and Media Globalization: Prashant Tamang’s Performance in Indian Idol 3 and Discourses in Nepali Print Media By Harsha Man Maharjan 1. Introduction Prashant Tamang, the winner of Indian Idol 3, a reality show of Indian television channel, Sony Entertainment Television (SET), got a contract of a music album with Sony BGM Music Entertainment (India) Pvt.Ltd, as a prize and he named it Dhanyavad, a Nepali word for Thanks. It was released in November 2007, and contained 11 songs: three Nepali and eight Hindi songs. It was different from what previous winners did: they came up with their albums containing Hindi songs only. Why was this difference? According to Tamang, who hails from Darjeling, and a member of West Bengal Police, this album was a tribute for Nepali community who were living in India and abroad, and who voted passionately for him while he was participating in the program.1 Since then he had acted in three films in Nepali language as hero, and the first of them, Gorkhapalatan was big hit. It is interesting that Amit Paul, who became second in the program, had sung a song in Hindi movie, Luck By Chance and few others participants are hosting programs in Indian TV channels. All name and limelight Tamang is having is definitely the result of his celebrity figure as an Indian Idol.
    [Show full text]
  • Ra-The Styling Studio
    Ra-The Styling Studio https://www.indiamart.com/ra-the-styling-studio/ Founder Mansi Kapadia, Trained with Colour Me Beautiful, UK the worlds leading image consultants to become a Fashion Image Consultant in India. About Us Founder Mansi Kapadia, Trained with Colour Me Beautiful, UK the worlds leading image consultants to become a Fashion Image Consultant in India. Prior to this she styled and Designed looks for various Tv shows like Master Chef India, Indian Idol, Dance India Dance, Nach Baliye, Guinness World Records and many more for all the popular channels. After styling various people from different walks of life with vast cultural differences ,many shows later she was ready and eager to cater to the classes and set up her Styling Studio in Bandra. She caters to men too who can stop worrying about what looks good or where should they shop from all you need is a image for men consultation. Presently she is working on Master Chef India, a movie and for the Bangladesh Premier league. For more information, please visit https://www.indiamart.com/ra-the-styling-studio/aboutus.html OTHER SERVICES P r o d u c t s & S e r v i c e s Groom Image Consultation Personal Shopping Event Management Services Bridal Makeup Bridal Images Consultations P r o OTHER SERVICES: d u c t s & S e r v i c e s Style Consultation Beauty Colour Consultation Beauty Services Services Wedding Event Photography Men Gift Package Service F a c t s h e e t Nature of Business :Service Provider CONTACT US Ra-The Styling Studio Contact Person: Manager 202 Libra tower, 2nd floor, Hill Road, Opposite Stanislaus School Mumbai - 400050, Maharashtra, India https://www.indiamart.com/ra-the-styling-studio/.
    [Show full text]
  • Jagan Allows Suspense Over Next CS to Build
    Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No.APENG/2018/764698 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 11 Published From VIJAYAWADA DELHI LUCKNOW FUELS UNDER GST: BENCHMARKS CLIMB TO NEW LIFETIME A PROPER BHOPAL RAIPUR CHANDIGARH ILLOGICAL PROPOSITION HIGHS; RIL, IT STOCKS LEAD CHARGE TEST WIN BHUBANESWAR RANCHI DEHRADUN HYDERABAD *LATE CITY VOL. 3 ISSUE 294 VIJAYAWADA, TUESDAY, SEPTEMBER 7, 2021; PAGES 12 `3 *Air Surcharge Extra if Applicable NABHA TO BE MAHESH AND TRIVIKRAM'S SEC- OND LEAD? { Page 12 } www.dailypioneer.com VHP: RAM TEMPLE FOUNDATION TO BE SC REFUSES TO DEFER NEET-UG EXAM CHHATTISGARH GOVERNMENT WAIVES PARTY THAT GETS 120-130 LS SEATS READY BY OCT, ‘GARBHAGRIHA' BY ’23 SCHEDULED ON SEPTEMBER 12 OUTSTANDING LOAN OF WOMEN SHGS WILL LEAD OPPN FRONT: KHURSHID he foundation of the Rama temple in Ayodhya will be he Supreme Court Monday refused to defer the hhattisgarh Chief Minister Bhupesh Baghel on Monday he Congress is still in the "best position" to clinch 120- completed by the end of September or the first week of National Eligibility-cum-Entrance Test-UG examination, announced waiving off the overdue or unpaid loans 130 seats in the next Lok Sabha elections and assume TOctober and Ram Lalla will be consecrated in the Tscheduled for September 12, saying it does not want to Cworth Rs 12.77 crore of the women SHGs so that they Tthe leadership role in a prospective anti-BJP opposition ‘garbhagriha' (sanctum sanctorum) by December 2023 interfere with the process and it will be "very unfair" to can avail fresh loans to start new economic activities.
    [Show full text]
  • Reality TV and Participatory Culture in India
    Popular Communication ISSN: 1540-5702 (Print) 1540-5710 (Online) Journal homepage: http://www.tandfonline.com/loi/hppc20 Reality TV and Participatory Culture in India Aswin Punathambekar To cite this article: Aswin Punathambekar (2010) Reality TV and Participatory Culture in India, Popular Communication, 8:4, 241-255, DOI: 10.1080/15405702.2010.514177 To link to this article: https://doi.org/10.1080/15405702.2010.514177 Published online: 27 Oct 2010. Submit your article to this journal Article views: 706 View related articles Citing articles: 10 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=hppc20 Popular Communication, 8: 241–255, 2010 Copyright © Taylor & Francis Group, LLC ISSN: 1540-5702 print / 1540-5710 online DOI: 10.1080/15405702.2010.514177 ARTICLES Reality TV and Participatory Culture in India Aswin Punathambekar University of Michigan This article focuses on events surrounding the third season of Indian Idol in order to assess the changing relationship between television, everyday life, and public political discourse in contem- porary India. In the summer of 2007, media coverage of Indian Idol focused on how people in Northeast India cast aside decades-old separatist identities to mobilize support for Amit Paul and Prashant Tamang, the two finalists from the region. Situating this media phenomenon in relation to the changing landscape of Indian television and the socio-historical context of ethno-national politics in Northeast India, I explore how reality television, combined with mobile media technologies and practices, has enabled new modes of cultural and political expression. Positing the notion of “mobile publics,” I argue that participatory cultures surrounding television create possibilities for the renewal of everyday forms of interaction in public settings that may have been forgotten, subdued, or made impossible under certain political circumstances.
    [Show full text]
  • Indian Reality Television Shows: Ordinary People, Celebrity and the Fame Cycle
    Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 Indian Reality Television Shows: Ordinary People, Celebrity and the Fame Cycle Taranjeet Kaur Chawla Research Scholar Department of Journalism and Mass Communication Manipal University Jaipur, Rajasthan, India Email- [email protected] Dr. Rayaz Hassan Associate Professor & Head of the Department Department of Journalism and Mass Communication Manipal University Jaipur, Rajasthan. India Dr. Oinam Bedajit Meitei Assistant Professor Department of Mass Communication and Journalism Central University of Karnataka, India Abstract- In this paper, we discuss the phenomenon of Indian reality television shows explore its function for those participating in it. Drawing on the success of their talent hunt programmes such as Sa Re Ga Ma Pa, Indian Idol and Dance India Dance, this research work argues that reality television appeals in different ways to participants and celebrities at different points in the fame cycle. ‘Ordinary’ people seeking to become known through using reality television as an opportunity. To understand the importance of Indian reality television shows for ordinary people and considering fame as a cyclical process, a survey of opinions has been conducted through questionnaire among students of media and communication studies. The present study explores how a successful reality television show cast ordinary people who are at a range of points in the fame cycle as seek to develop their own image and those whose careers are in a period of ‘post-celebrity’ who seek to renew their fame and to prove a key attraction for audiences. Keywords - Celebrity, Fame, Indian reality television, Ordinary people I. INTRODUCTION When television expanded in India, it also provided the space for genre of reality television.
    [Show full text]
  • Indian Television Channels and Contents: from Globalization to Glocalization
    International Journal of Research in Social Sciences Vol. 8 Issue 9, September 2018, ISSN: 2249-2496 Impact Factor: 7.081 Journal Homepage: http://www.ijmra.us, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gage as well as in Cabell’s Directories of Publishing Opportunities, U.S.A Indian Television Channels and Contents: From Globalization to Glocalization Dr. M.Dileep Kumar * ABSTRACT Television industry in India has come a long way from public broadcaster Doordarshan controlled social and developmental programs to modern day entertainment shows dominated by the national and international television channels. The globalization of media has also brought about remarkable changes in the television broadcasting services in India and abroad. The television soap operas (fiction) and the reality shows (non-fiction) aired in General Entertainment Channels (GECs) have certainly affected the local culture, environment and people in India. The satellite television channels have expanded their services in various regions in India and found new opportunities for income generation through broadcasting and advertising. Practically, the article establishes the fact that, though the content seems Indian in terms of production values, the origin of some of these popular programs are undoubtedly from the transnational borders which affect local values, lifestyles and food habits. Key words: Indian television, television industry, television contents, transnational borders, rural heartland. * Guest Faculty, Department of Studies in Journalism and Mass Communication, University of Mysore, Karnataka, India 123 International Journal of Research in Social Sciences http://www.ijmra.us, Email: [email protected] ISSN: 2249-2496 Impact Factor: 7.081 Preamble There is a remarkable growth and development of television industry in India and abroad.
    [Show full text]
  • ROLE of T.V's REALITY SHOWS on SOCIAL DEVELOPMENT of B.Ed and M.Ed STUDENTS of SIRSA DISTRICT
    © 2018 JETIR June 2018, Volume 5, Issue 06 www.jetir.org (ISSN-2349-5162) ROLE OF T.V'S REALITY SHOWS ON SOCIAL DEVELOPMENT OF B.Ed AND M.Ed STUDENTS OF SIRSA DISTRICT. DR. SATYAPAL SHARMA* Principal, Satyapal Sharma M.No. 09928877575 E.Mail. – [email protected] Principal Gaur College of Education, Hisar (Haryana) ABSTRACT The term development refers to the overall changes in an individual taking place with the passage of time and causing such a positive difference that makes him worth the society wherein he lives. Deep within lies in every individual a powerful urge to grow and blossom out as a person - to be distinguished from sub-human species. Born as a helpless infant to totally dependent upon its mother for survival, the human body grows, matures and develops, learn and comes to be reckoned as a person. Among several persons in this world, the quest of everyone is to become a person. To trim an investigation to a manageable size, a researcher may confine his attention to events that occurred during a given segment of time or in a given place or to the relationship between two or more clearly identified variables. Goods and Scates, “Obliviously any particular research deals with only a very small part of the totality of aspects of the entire universe. To delimit a study adequately so that the reader (as well as the researcher) himself may know what it deals with and what it does not i.e. to make clear the vast multiplicity of objects, conditions, events, aspects (intentionally) included in the study and which hopefully are not reflected in under degree in the conclusions." In the words of John W.
    [Show full text]
  • Youtube'sindiaopportunity
    thereport ISSUE 423 | 23 MAY 2019 YouTube’s India opportunity Why the world’s biggest music streaming service is riding high in the industry’s next key growth market 1 ISSUE 423 23.05.19 YOUTUBE INDIA just views). In fact, it will soon be the first channel to reach 100m subscribers on the platform. Meanwhile, as music:)ally writes this introduction, two of the top three artists on YouTube globally, according to the service’s charts, are Indian: Alka Yagnik and Neha Kakkar. In the week of Ed Sheeran’s re-emergence with a Justin Bieber duet, his 141m weekly views lagged behind Yagnik’s 180m and Kakkar’s 171m. Two more Indian artists, Kumar Sanu and Udit Narayan, were inside the top 10 of this chart too. All this is the backdrop to YouTube’s announcement that it has 265m active users in India, while its recently launched India is the fastest- YouTube Music app zipped to 15m growing market downloads within a few weeks of launch. for Google’s video In one of the most eagerly watched ‘high- potential’ markets for recorded music, service, with YouTube is already the biggest player, music to the fore despite intensifying competition among audio streaming services. The two main figures we have from YouTube are the 265m active users (for the overall platform) and 15m downloads (for the YouTube Music YouTube’s India opportunity app). But some recent industry studies have provided more insight into e can date music:)ally’s interest T-Series was the 15th biggest channel that diaspora elsewhere) made its status in India.
    [Show full text]