DOCSLIB.ORG

Universidade De São Paulo

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Universidade De São Paulo UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE LETRAS MODERNAS PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS LINGUÍSTICOS E LITERÁRIOS EM INGLÊS Elizabeth Belleza Flandoli Dramaturgia e Ficção Curta: Um estudo de suas ligações e projeções na Obra teatral de Tennessee Williams [1911-1983] Tese apresentada ao Programa de Estudos Linguísticos e Literários em Inglês do Departamento de Letras Modernas da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo como requisito parcial para obtenção do título de Doutor em Letras. Orientadora: Profª. Drª. Maria Sílvia Betti São Paulo 2016 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Catalogação na Publicação Serviço de Biblioteca e Documentação Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo Flandoli, Elizabeth Belleza F583d Dramaturgia e ficção curta: um estudo de suas ligações e projeções na obra teatral de Tennessee Williams [1911-1983] / Elizabeth Belleza Flandoli ; orientadora Maria Silvia Betti. - São Paulo, 2016. 216 f. Tese (Doutorado)- Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo. Departamento de Letras Modernas. Área de concentração: Estudos Linguísticos e Literários em Inglês. 1. Dramaturgia. 2. Ficção curta. 3. Peças teatrais. 4. Contos. 5. Tennessee Williams. I. Betti, Maria Silvia, orient. II. Título. FLANDOLI, Elizabeth Belleza. DRAMATURGIA E FICÇÃO CURTA: um estudo de suas ligações e projeções na obra teatral de Tennessee Williams. Tese (Doutorado) apresentada à Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo para obtenção do título de Doutor em Letras. Aprovado em: Banca Examinadora Prof. Dr. ______________________________ Instituição_________________________ Julgamento____________________________ Assinatura__________________________ Prof. Dr. ______________________________ Instituição_________________________ Julgamento____________________________ Assinatura__________________________ Prof. Dr. ______________________________ Instituição_________________________ Julgamento____________________________ Assinatura__________________________ Prof. Dr. ______________________________ Instituição_________________________ Julgamento____________________________ Assinatura__________________________ Dedico este trabalho aos meus familiares: com todo amor, admiração e gratidão por haver recebido apoio, carinho e presença ao longo do período de elaboração deste trabalho. AGRADECIMENTOS Gostaria de agradecer a todos os que de alguma maneira me iluminaram e auxiliaram nessa trajetória: À Profª. Drª. Maria Silvia Betti, pelo direcionamento, sugestões e revisões que me muito me ensinaram e guiaram pelo caminho do crescimento acadêmico e intelectual durante os anos de convivência e ao me acolher como orientanda de doutorado. À CAPES, pelo apoio ao possibilitar a realização de minha pesquisa de 2013-2016. Aos Profs. Drs. Marco Antonio Guerra e Fúlvio Flores Torres por sugestões valiosas de leituras e acréscimos na qualificação. Ao ator e tradutor Augusto César Santos, por ceder a sua tradução da peça longa The Night of the Iguana [A Noite do Iguana] durante a pesquisa, antes mesmo de sua publicação. Ao diretor do GRUPO TAPA, Eduardo Tolentino, pelas esclarecedoras leituras dramáticas, encenações de peças de Tennessee Williams, além de nos conceder debates enriquecedores após as apresentações. À minha família: Mirian Belleza Flandoli, Jean Franklin de Lima e Giovanna Flandoli Franklin de Lima, pela compreensão, cooperação e paciência em vista de minha constante dedicação à pesquisa. Aos meus pais: agradeço o companheirismo, o incentivo e a ajuda nos estudos sempre. À memória de meu pai, Fernando Flandoli, e por todo o apoio incondicional e leituras compartilhadas com minha mãe, Mirian Belleza Flandoli. Aos meus amigos e professores, presentes ontem (in memorium: Rosa Erlichman), hoje e sempre, por partilharem comigo o mundo do teatro e o conhecimento: ao Prof. Dr. Daniel Puglia, à minha orientadora de mestrado, Profª Drª Munira Mutran e à amiga Profª Drª Maureen Murphy, por todos os livros e pelo valioso aconselhamento. Aos bibliotecários da FFLCH e da ECA, solícitos em facilitar o caminho; em especial, agradeço muito a atenção dispensada por Charles Pereira Campos na orientação da pesquisa e da formatação. RESUMO FLANDOLI, E. B. Dramaturgia e Ficção Curta: um estudo de suas ligações e projeções na obra teatral de Tennessee Williams [1911-1983]. 2016. f. Tese (Doutorado) – Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, São Paulo, 2016. A proposta desta tese é comprovar o número expressivo da obra ficcional de Tennessee Williams, relativamente extensa por abranger cerca de cinquenta contos, que representou de formas variadas a gênese ficcional de peças posteriores, além de apontar casos de peças vistas como matrizes que prefiguram a matéria ficcional de contos ou até mesmo de roteiros cinematográficos criados pelo autor. A predominância dos episódios em que os contos se colocam como matrizes ficcionais de importantes trabalhos dramatúrgicos do escritor foi constatada através do levantamento e da análise da produção dramatúrgica e ficcional de Tennessee Williams. Ao empreendermos o estudo analítico de três peças em um ato e uma peça em três atos [peça longa], foi possível estabelecermos a relação entre as peças e a estrutura ficcional dos contos, assim como apresentar um entendimento mais profundo dos processos formais e dos elos compositivos ligando sua ficção curta e a dramaturgia: The Dark Room [O Quarto Escuro, peça e conto, de aproximadamente 1939/1940], Something Unspoken [Algo não Dito, peça de 1953] e Happy August the Tenth [Feliz Dez de Agosto, conto de 1970]; Twenty-seven Wagons Full of Cotton [Vinte e sete Carros de Algodão, conto de 1935] e a peça em um ato de mesmo título [escrita antes de 1946] e The Night of the Iguana [A Noite do Iguana: conto escrito entre 1946-48 e peça de mesmo título, em um ato, de 1959 e em três atos, de 1961]. Dessa forma, o diálogo entre diversos tipos de arte foi mapeado e as representações da história na dramaturgia e em sua ficção curta investigadas. Palavras-chave: Tennessee Williams. Peças. Contos. Matrizes ficcionais. ABSTRACT FLANDOLI, E. B. Drama and Fiction: a study of its links and projections in the theater of Tennessee Williams [1911-1983]. 2016. p. Thesis (Doctorate) – Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, São Paulo, 2016. The purpose of this thesis is to prove the expressive number of short stories by Tennessee Williams, relatively high to be composed of around fifty short stories which represented in various manners the genesis of later theater plays, besides highlighting cases of plays seen/ considered sources of short-story telling or even screenplays written by the author. The supremacy of episodes in which the short stories are seen as fictional sources of dramaturgic works by the writer was confirmed by verifying and analyzing the theater and the production/creation of short stories by Tennessee Williams. By doing the analytical study of three theater plays in one-act and a three-act play [full- length play] it was possible to establish the relationship between the theater plays and the structure of the short stories as well as present a more profound understanding of the formal processes and the links between the plays and his short stories: The Dark Room [O Quarto Escuro, theater play and short story, approximately 1939/1940], Something Unspoken [Algo não Dito, play, 1953] and Happy August the Tenth [Feliz Dez de Agosto, short story, 1970]; Twenty-seven Wagons Full of Cotton [Vinte e sete Carros de Algodão, short story, 1935] and the one-act play with the same title [written before 1946] e The Night of the Iguana [A Noite do Iguana: short story written between 1946-48 and the play with the same title, in one act, in 1959 and in three acts, in 1961]. Therefore, the dialogue among various types of art was studied, besides the sources of inspiration of the playwright and the representations of history on drama and in his short stories investigated. Key words: Tennessee Williams. Theater plays. Short stories. Fictional sources. SUMÁRIO INTRODUÇÃO 8 CAPÍTULO I 1.1 A TRAJETÓRIA DE THOMAS LANIER WILLIAMS III a 11 TENNESSEE WILLIAMS 1.2 CENÁRIO PARA TENNESSEE WILLIAMS 24 1.3 JUSTIFICATIVA 43 1.4 HIPÓTESE E CONSTITUIÇÃO DA TESE 48 CAPÍTULO II: PEÇAS COMO MATRIZES FICCIONAIS PARA CONTOS 2.1 PEÇA E CONTO: THE DARK ROOM [O QUARTO ESCURO] 50 2.2 PEÇA E CONTO: SOMETHING UNSPOKEN [ALGO NÃO DITO] E HAPPY AUGUST THE TENTH [FELIZ DEZ DE AGOSTO] 70 CAPÍTULO III: CONTOS COMO MATRIZES FICIONAIS PARA PEÇAS 3.1 CONTO E PEÇA EM UM ATO: 100 27 WAGONS FULL OF COTTON [27 CARROS DE ALGODÃO] 3.2 CONTO E PEÇAS EM UM ATO E EM TRÊS ATOS: 128 THE NIGHT OF THE IGUANA [A NOITE DO IGUANA] 4 CONSIDERAÇÕES FINAIS 174 REFERÊNCIAS BIBLIOGRÁFICAS 189 SITES ACESSADOS 194 APÊNDICE A - 196 MATRIZES FICCIONAIS DE TENNESSEE WILLIAMS APÊNDICE B - DESDOBRAMENTOS: 212 ROTEIROS CINEMATOGRÁFICOS, VERSÕES FÍLMICAS E APRESENTAÇÕES TELEVISIVAS 8 INTRODUÇÃO Muito para o passado e o presente. O futuro é denominado ‘talvez’, que é a única maneira possível de chamar o futuro. E o importante é não permitir que isto o amedronte.1 Tennessee Williams A relação entre a dramaturgia de Tennessee Williams e a ficção curta tem sido fonte de interesse
Load more

Recommended publications
  • Catalog Sixty-Five Log Sixty-Five
    Royal Books Royal Royal Cata Books catalog sixty-five log Sixty-Five log royalbooks.com THE CELLULOID PAPER TRAIL Royal Books is pleased to announce the publication of The Celluloid Paper Trail by Terms and Conditions Oak Knoll Press, the first book All books are first editions unless indicated otherwise. ever published on film script All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected identification and description, by new archival covers. Single, unframed photographs lavishly illustrated and detailed, housed in new, archival mats. designed for any book scholar, In many cases, more detailed physical descriptions for including collectors, archivists, archives, manuscripts, film scripts, and other ephemeral items can be found on our website. librarians, and dealers. Any item is returnable within 30 days for a full refund. Books may be reserved by telephone, fax, or email, Available now at royalbooks.com. and are subject to prior sale. Payment can be made by credit card or, if preferred, by check or money order with an invoice. Libraries and institutions may be billed Please feel free to let us know if you would like according to preference. Reciprocal courtesies extended your copy signed or inscribed by the author. to dealers. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS Priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter.
    [Show full text]
  • COFA for 54 Bond Street, Manhattan, Docket 082647
    THE NEW YORK CITY LANDMARKS PRESERVATION COMMISSION 1 CENTRE STREET 9TH FLOOR NORTH NEW YORK NY 10007 TEL: 212 669-7700 FAX: 212 669-7780 PERMIT CERTIFICATE OF APPROPRIATENESS ISSUE DATE: EXPIRATION DATE: DOCKET #: COFA #: 11/26/2007 10/23/2013 08-2647 COFA 08-5144 ADDRESS BOROUGH: BLOCK/LOT: 54 BOND STREET INDIVIDUAL LANDMARK BOUWERIE LANE THEATRE MANHATTAN 530/41 Display This Permit While Work Is In Progress ISSUED TO: Adam Gordon 92 Jane Street New York, NY 10014 Pursuant to Section 25-307 of the Administrative Code of the City of New York, the Landmarks Preservation Commission, at the Public Meeting of October 23, 2007, following the Public Hearing of October 23, 2007, voted to grant a Certificate of Appropriateness for the proposed work at the subject premises, as put forth in your application completed on September 27, 2007. The work as approved consists of the removal of two painted iron fire escapes, attached to the south-facing facade, repairing the cast iron cladding where the fire escapes were attached, and touching up the painted façade, all as shown in drawings LPC1 through LPC-5, all dated October 23, 2007, prepared by Steven Harris Architects, LLP, and presented at the Public Hearing and the Public Meeting. In reviewing this proposal, the Commission noted that the designation report describes this individual landmark as a French Second Empire style building designed by Henry Engelbert and built in 1874. The Commission also noted that fire escapes were added to many 19th century buildings after the Triangle Shirtwaist Fire in the early 20th century.
    [Show full text]
  • CTA-E-BROCHURE.Pdf
    About Us CTA Architects P.C. offers a wide range of architectural services for urban living. Established in 1987, we have worked primarily on large buildings. We specialize in new design, restoration, rehabilitation, interior design, affordable housing and historic preservation. We have an excellent reputation for being trustworthy and thorough. Architectural Record has recognized us as one of the top 300 architecture firms in the country for 2016 and 2017. Our key personnel are directly involved in every project. Through our team approach and commitment to training, each staff member has an extensive knowledge of design, materials and technology, and benefits from a stimulating and creative environment. Our low employee turnover rate enables us to meet the high standards our clients have come to expect. Bronx Charter School for Excellence 3 IS 187K 1. Design 2. Historic Preservation 3. Exterior Restoration Contents 08-11 BRONX CHARTER SCHOOL FOR EXCELLENCE 48-49 36 GRAMMERCY PARK EAST 88-89 GOUVENEUR COURT 12-13 BALMAIN NEW YORK FLAGSHIP STORE 50-53 JAFFE ART THEATER INTERIOR 90-91 230 RIVERSIDE DRIVE 14-15 308 EAST 30TH STREET 54-55 JAFFE ART THEATER EXTERIOR 92-95 IRISH HUNGER MEMORIAL 16-17 17 PITT STREET 56-57 CHEROKEE APARTMENTS 96-97 I.S. 187K 18-19 GRAND STREET REHABILITATION 58-59 18 EAST 82ND STREET 98-99 MORNINGSIDE GARDENS TH 20-21 300 CENTRAL PARK WEST 60-61 CHAPEL OF THE SISTERS 100-101 900 5 AVENUE 22-23 LOWER EASTSIDE GIRLS CLUB 62-63 PROSPECT CEMETERY 102-103 SILVER TOWERS 24-25 ARABELLA 101 64-65 ST.
    [Show full text]
  • Celia Ipiotis and Jeff Bush Eye on the Arts Archive [Finding Aid]. Music
    Celia Ipiotis and Jeff Bush Eye on the Arts Archive Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2011 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2013572127 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu018016 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2018 Collection Summary Title: Celia Ipiotis and Jeff Bush Eye on the Arts Archive Span Dates: 1994-2009 Call No.: ML31.I65 Creator: Ipiotis, Celia; Bush, Jeffrey C. Extent: 12,546 items Extent: 54 containers Extent: 28 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2013572127 Summary: The collection consists of programs, clippings, and press materials that cover New York City performances of music, dance, theater, as well as film and video. Selected Search Terms The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically. People Bush, Jeffrey C. Bush, Jeffrey C. Bush, Jeffrey C. Celia Ipiotis and Jeff Bush Eye on the Arts archive. 1994-2009. Ipiotis, Celia. Ipiotis, Celia. Organizations Arts Resources in Collaboration, Inc. Subjects Ballet. Dance companies--United States. Dance in motion pictures, television, etc.--United States. Dance--United States--History. Dance--United States.
    [Show full text]
  • East Village • Little Italy • Chinatown
    Lower East Side EAST VILLAGE • LITTLE ITALY • CHINATOWN Streets & Bridges Cooper Square, B2 Gouverneur St, J10 Pell St, L3 Amalgamated Housing, G10 Chatham Towers, M3 Cooper Square Hotel, C2 First Houses, C5 Holy Trinity Ukrainian Orthodox Church, H3 Lillian Wald Houses, C11 Mulberry Street Branch NY Public Library, F1 Off Soho Suites Hotel, G3 PS 20, E6 St. Stanislaus Church, B5 United Jewish Council, J9 Abraham E. Kazan St, G10 Crosby St, F-H1 Grand St, H8-11, J3 Peretz Square, D6 Angel Orensanz Cultural Center, E6 # Children’s Museum of the Arts, H1 # Cooper Union, A2 First Roumanian American Congregation, F6 Home of the Sages of Israel, G9 Little Missionary Day Nursery, A5 Mulberry Street Theater, K2 # Old Merchant's House, C2 PS 42, J6 St. Theresa RC Church, K7 # US Customs Courthouse, M1 Allen St, F-J5 Delancey St, G4-11 Great Jones St, D2 Pike Slip, M7 Anthology Film Archives, D4 Chinatown Day Care, L4 Cooper Union/Hewitt Building, B2 # First Shearith Israel Graveyard, M4 Hotel 91, L5 Love A Lot Preschool, F7 Museum at Eldridge St/Eldridge St Open Door Senior Citizens Center, H2 PS 63, C5 Sara D. Roosevelt Park, F4, H4 Universal Church, C4 Key Astor Place, B1 Delancey St North, F11 Gustav Hartman Square, D9 Pike St, L6 Assembly of God Church in the Village, B2 Chinatown YMCA, E3 Corlears Hook Park, J12 Forsyth Satellite Academy, E4 Hotel Mulberry, L2 Lower East Side Conservancy, J8 Synagogue, K5 Orpheum Theatre, B4 PS 64, B7 School for Global Leaders, E7 University Neighborhood HS, J10 Attorney St, E8, F8 Division St, K6, L4 Henry
    [Show full text]
  • FEBRUARY 2005 V O L X V # 6 P.O
    V o l X V # 6 o f t h e Performing Arts PERFORMER FEBRUARY 2005 French Woods Festival Informing The French Woods Community The THE PERFORMER IS YOUR NEWSLETTER!!! The Performer is only as good as the contributions we receive from the French Woods community. Let us know what is going on in your life. Your camp friends love to hear what you are doing. Do you have a performance or concert coming up? Have you seen or spoken to French Woods friends? How did your sports team do this season? We also welcome your photos and any creative writing you may want to see in print. Itʼs your big chance! Write us at P.O. Box 770100, Coral Springs, FL 33077-0100 or give us a call at 1-800-634-1703. You can also send us e-mail at [email protected]. Visit our website at www. frenchwoods.com. We all love hearing from you! All the news that’s fit to print. See yourself in the French Woods Performer. 1-800-634-1703 in FL 954-346-7455 FL in 1-800-634-1703 Coral Springs, Florida 33077 33077 Florida Springs, Coral PO Box 770100 Box PO WINTER OFFICE WINTER of the Performing Arts Performing the of French Woods Festival Festival Woods French Dear Frenchwoodite, Here we go again! As you read this Important Papers Just Registered! newsletter Barbara and I are in Australia on a hiring trip. We will visit three cities; Brisbane, Donʼt panic! We are planning to send out all 2005 Melborne and Sydney.
    [Show full text]
  • Case Statements
    Rebecca Amato City University of New York, The Graduate Center [email protected] Case Statement for NCPH Working Group Public History and Gentrification: A Contentious Relationship Developing the East Village Land use is on the minds of New Yorkers. Since 2002, more than 9400 blocks of the city have been rezoned by the Department of City Planning, comprising about 108 neighborhoods. The massive and rapid rezoning project is part of Mayor Michael Bloomberg’s PlaNYC 2030, the first city-wide proposal to imagine a comprehensive city plan in New York since 1961. Indeed, most of the neighborhoods under review for zoning changes have not seen such alteration since that year, and for several of them left abandoned by infrastructural improvements like subway lines and parks, a new look from the Department of City Planning appears to be a boon, heralding new investment and better services. Other neighborhoods, however, have reacted to rezoning with trepidation. Known as a “pro-development” mayor, Michael Bloomberg’s PlaNYC sounds to many like a call to raze old neighborhoods and build anew. Preservationists and residents (often, these are the same people) fear a loss of historically significant buildings and a more intangible element, “neighborhood character.” As one New Yorker put it, “I believe that Manhattan dies a little each time middle and working class housing is lost to planned luxury condominium development. Without diversity, which has always made New York special, Manhattan will shortly become a dull sprawling bedroom community for celebrities, Wall Street financiers, rich out-of-towners, and foreign investors." The focus of this case statement is Manhattan’s East Village neighborhood and it involves two general areas of discussion: the ways in which public-historians-as-preservationists have attempted to combat development efforts in the East Village, and the involvement of nearby New York University in pressuring the neighborhood to accommodate its student population through the construction of new dormitories and classrooms.
    [Show full text]
  • Preface 1 Columbus to Columbia (Via St Louis): Separating Fact from Fiction
    Notes Preface 1. Qtd. in T, 202. 2. N, 457. 1 Columbus to Columbia (via St Louis): Separating Fact from Fiction 1. T, 37. 2. Ibid., 42–44. 3. Allean Hale, an eminent Williams scholar, has made this point repeatedly, the latest effort coming from her article, ‘Tennessee Williams’ St Louis Blues’, in David Kaplan’s Tenn at One Hundred: The Reputation of Tennessee Williams. 4. T, 39. 5. Ibid., 79. The Williamses were to live in the flat for nearly ten years. 6. NSE, 27. 7. RMT, 19. 8. T, 44–45. 9. Ibid., 44. Leverich notes that Cornelius would escape the War due to his near blindness in one eye, the result of a childhood injury (39, 46). Prophetically, eye problems would be the reason for his son having been declared IV-F years later and thus ineligible for the draft during World War II. 10. L I, 5. The widow Rose Williams in the comic is ‘so strict’ that her previous nine husbands have all ‘commided suicid’ (6, sic). Violence in Williams’s writing was already well established from an early age. 11. Kolin, ‘“Isolated”’, 33–39. 12. Williams, ‘Isolated’, 2. 13. Ibid. 14. Qtd. in Kolin, ‘“Isolated”’, 35. 15. T, 77, 65. 16. KS, 48. As Esther Jackson notes, ‘In his concept of form, then, Williams recapit- ulates certain ideas drawn from the romantic tradition’ (31; see also 34–36). 17. T, 140. 18. Written when he was a ninth grader, Williams’s ecological tract, ‘Demon Smoke’, about the smog problem that St Louis faced daily, appeared in Blewett Junior Life Yearbook in June 1925.
    [Show full text]
  • NOHO HISTORIC DISTRICT EXTENSION Designation Report
    NOHO HISTORIC DISTRICT EXTENSION Designation Report New York City Landmarks Preservation Commission May 13, 2008 Cover photograph: 48-52 Great Jones Street (A.V. Porter, 1896-97). Carl Forster, 2008. NOHO HISTORIC DISTRICT EXTENSION Designation Report Essay by Marianne S. Percival and Kathryn Horak Building Descriptions and Architects’ and Builders’ Appendix by Marianne S. Percival Editorial Assistance by Jay Shockley and Virginia Kurshan Research Assistance Christopher Brazee, Amanda Davis and Theresa Noonan Research Department Mary Beth Betts, Director Photographs by Carl Forster, Marianne S. Percival and Jennifer Most Map by Jennifer Most Commissioners Robert B. Tierney, Chair Pablo E. Vengoechea, Vice-Chair Stephen F. Byrns Christopher Moore Diana Chapin Margery Perlmutter Joan Gerner Jan Hird Pokorny Roberta Brandes Gratz Elizabeth Ryan Roberta Washington Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS NOHO HISTORIC DISTRICT EXTENSION MAP ......................................................................1 TESTIMONY AT THE PUBLIC HEARING .................................................................................2 BOUNDARY DESCRIPTION........................................................................................................2 SUMMARY.....................................................................................................................................4 THE HISTORIC AND ARCHITECTURAL DEVELOPMENT OF THE NOHO HISTORIC DISTRICT EXTENSION
    [Show full text]
  • Vol. 34, No. 2 Winter 2007
    Vol. 34, No. 2 TLA’s 70th Anniversary Year Winter 2007 REGISTER NOW FOR TLA'S SECOND SYMPOSIUM ON PERFORMANCE RECLAMATION, Friday, February 16, at NYU. See page 23 for details and information on how to sign-up. Theatre Library Association Presents Registration for the Theatre Library Association Performance Reclamation Symposium Symposium is $75. TLA members and seniors pay $50. American Society for Theatre Research members will receive a one-year TLA membership as part of their The Theatre Library Association (TLA) – in conjunction $75 registration. Full-time students may register for with Mint Theater, New York City Center Encores!, and $25 and receive a complimentary one-year Jacob’s Pillow Dance Festival – announces its second membership. Symposium, Performance Reclamation: Research, Discovery, and Interpretation. Martha S. LoMonaco, President of Theatre Library Association, remarks, “After the success of our first Exploring the complex challenges of staging works symposium on Performance Documentation and recovered from dramatic and musical repertories, three Preservation in an Online Environment in 2003, we in-depth case studies of remounting works of drama, wanted to tackle issues of performance reclamation musical theatre, and modern dance will be presented to explore the research library’s unique and proactive on Friday, February 16, 2007 from 9:00 AM – 5:00PM partnership in this exciting process.” at the Kimmel Center for University Life at New York University, 70 Washington Square South at LaGuardia This Theatre Library Association Symposium is Place, New York City. made possible through the generous support of the Gladys Krieble Delmas and Shubert Foundations. Known for excavating buried theatrical treasures, artists For the program schedule: and dramaturgs from Mint Theater, Encores! and http://tla.library.unt.edu/symposiaworkfileindexpage_file Jacob’s Pillow will take the audience on a theatrical dig s/symposiumagenda.htm – rediscovering musical scores, recovered KENNETH SCHLESINGER choreography, and forgotten plays.
    [Show full text]
  • A Dartmouth '76 Odyssey
    2001: A Dartmouth ’76 Odyssey The 25th Reunion Book of The Class of 1976 Baker Tower Via Northwest Buttress (Hanover, N. H.) Class 5.9, A2. Time: 3 hours. First ascent: Ted Scheu and John Olsen, June 13, 1976. The original 1 party took an additional ⁄2 hour placing a 76 marker on the face, since removed. Note it is not necessary to secure the permission of the land- holder before making this climb. A report of con- ditions on the route would be appreciated; contact Dean’s Office, Parkhurst Hall, (603) 646-2243. This is an athletic and picturesque climb that (for nostalgic reasons) should be included in the 50 Classic Climbs of North America. Views from the summit stretch southward toward the bucolic Connecticut River valley and north to Mt. Cube, Moosilauke, and the beckoning Presidential Range. The overall flavor is of moderate exposure on solid rock, with the main limitation being the absence of protection on much of the route. Approach via the Appalachian Trail to the well-worn path south of the Tower, and circle the tower to its NW corner near Kiewit. The first pitch is quite 1 vertical on offset mortised brick, offering ⁄2-inch hand and toeholds to below the second-story over- hang. Protection is available at this point using the painter’s bolt in the eaves. A difficult 5.9 mantle move surmounts the overhang (there is a good hand- hold in the unseen gutter above). From this point, ascend the ridgeline (Class 3, friction) to the next vertical section, climbed in identical fashion to the first.
    [Show full text]
  • SOHO-CAST IRON HISTORIC DISTRICT EXTENSION Designation Report
    SOHO-CAST IRON HISTORIC DISTRICT EXTENSION Designation Report May 11, 2010 Cover Photograph: 386-388 to 392-394 West Broadway Christopher D. Brazee, 2010 SOHO-CAST IRON HISTORIC DISTRICT EXTENSION Designation Report Prepared by Donald G. Presa Edited by Mary Beth Betts Director of Research Photographs by Christopher D. Brazee and Donald G. Presa Map by Jennifer L. Most Commissioners Robert B. Tierney, Chair Pablo E. Vengoechea, Vice-Chair Frederick Bland Christopher Moore Stephen F. Byrns Margery Perlmutter Diana Chapin Elizabeth Ryan Joan Gerner Roberta Washington Roberta Brandes Gratz Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS SOHO-CAST IRON HISTORIC DISTRICT EXTENSION MAP .................................................1 TESTIMONY AT THE PUBLIC HEARING .................................................................................2 BOUNDARY DESCRIPTION ........................................................................................................2 SUMMARY .....................................................................................................................................5 THE HISTORIC AND ARCHITECTURAL DEVELOPMENT OF THE SOHO-CAST IRON HISTORIC DISTRICT EXTENSION Early History and Colonial Development of the SoHo-Cast Iron Historic District Extension..............................................................................................................................7 SoHo in the post-Revolutionary War Period through 1850 .................................................9
    [Show full text]