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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
July 8–Aug 2 BRUNS AMPHITHEATER, ORINDA 510.548.9666 Eapfull-Page Template.Indd1
BY PEDRO CALDERÓN DE LA BARCA TRANSLATED AND ADAPTED BY NILO CRUZ DIRECTED BY LORETTA GRECO July 8–Aug 2 BRUNS AMPHITHEATER, ORINDA 510.548.9666 www.calshakes.org “ City National helps keep my financial life in tune.” So much of my life is always shifting; a different city, a different piece of music, a different ensemble. I need people who I can count on to help keep my financial life on course so I can focus on creating and sharing the “adventures” of classical music. City National shares my passion and is instrumental in helping me bring classical music to audiences all over the world. They enjoy being a part of what I do and love. That is the essence of a successful relationship. City National is The way up® for me. Michael Tilson Thomas Conductor, Educator and Composer Hear Michael’s complete story at Findyourwayup.com/Tuned2SF. Find your way up.SM Call (866) 618-5244 to speak with a personal banker. 15 City National Bank 15 City National 0 ©2 City National Personal Banking CNB MEMBER FDIC EAP full-page template.indd 1 5/29/15 1:57 PM FROM THE ARTISTIC DIRECTOR Reading Nilo Cruz’s adaptation of Life Is a Dream by Pedro Calderón de la Barca, I feel like I am in a dream. Not a theatrical dream, but a real one— fevered, strangely logical, at times terrifying, and then swiftly and surprisingly funny. And like all dreams that are especially vivid, it’s exhilarating as it vibrates in the mind long after the script is put down. -
00 Hauck Resume July 2019
RACHEL HAUCK DESIGN STUDIO: 212•643•2610 CELL: 917•557•3434 [email protected] REPRESENTATION: DI GLAZER, ICM PARTNERS 212•556•6820 NEW YORK BROADWAY DIRECTED BY HADESTOWN Rachel Chavkin Walter Kerr Theatre WHAT THE CONSTITUTION MEANS TO ME Oliver Butler Helen Hayes Theatre LATIN HISTORY FOR MORONS Tony Taccone Foxboro Company at Studio 54 RECENT OFF BROADWAY OTHELLO Ruben Santiago Hudson Public Theater Shakespeare in the Park TWELFTH NIGHT Oskar Eustis Public Theater Shakespeare in the Park HADESTOWN Rachel Chavkin National Theater, London WHAT THE CONSTITUTION MEANS TO ME Oliver Butler NYTW, Berkeley Rep, Clubbed Thumb THE LUCKY ONES Anne Kauffman Ars Nova AMY AND THE ORPHANS Scott Ellis Roundabout Pels Theater FUCKING A Jo Bonney Signature Theater A PARALLELOGRAM Michael Greif 2nd Stage WHAT THE CONSTITUTION MEANS TO ME Oliver Butler Clubbed Thumb ANIMAL Gaye Taylor Upchurch Atlantic Theater TINY BEAUTIFUL THINGS Thomas Kail Public Theater LATIN HISTORY FOR MORONS Tony Taccone Public Theater YOU’LL STILL CALL ME BY NAME Sonya Tayeh Jacob’s PillowNew York Live Arts HADESTOWN Rachel Chavkin New York Theater Workshop ALL THE WAYS TO SAY I LOVE YOU Leigh Silverman MCC ANTLIA PNEUMATICA Ken Rus Schmoll Playwrights Horizons DRY POWDER Thomas Kail Public Theater NIGHT IS A ROOM Bill Rauch Signature Theater HAMLET IN BED Lisa Peterson Rattlestick BRIGHT HALF LIFE Leigh Silverman Women’s Project OUR LADY OF KIBEHO Michael Greif Signature Theater GRAND CONCOURSE Kip Fagan Playwrights Horizons AND I AND SILENCE Caitlin McLeod Signature Theater -
The New Yorker
Kindle Edition, 2015 © The New Yorker COMMENT SEARCH AND RESCUE BY PHILIP GOUREVITCH On the evening of May 22, 1988, a hundred and ten Vietnamese men, women, and children huddled aboard a leaky forty-five-foot junk bound for Malaysia. For the price of an ounce of gold each—the traffickers’ fee for orchestrating the escape—they became boat people, joining the million or so others who had taken their chances on the South China Sea to flee Vietnam after the Communist takeover. No one knows how many of them died, but estimates rose as high as one in three. The group on the junk were told that their voyage would take four or five days, but on the third day the engine quit working. For the next two weeks, they drifted, while dozens of ships passed them by. They ran out of food and potable water, and some of them died. Then an American warship appeared, the U.S.S. Dubuque, under the command of Captain Alexander Balian, who stopped to inspect the boat and to give its occupants tinned meat, water, and a map. The rations didn’t last long. The nearest land was the Philippines, more than two hundred miles away, and it took eighteen days to get there. By then, only fifty-two of the boat people were left alive to tell how they had made it—by eating their dead shipmates. It was an extraordinary story, and it had an extraordinary consequence: Captain Balian, a much decorated Vietnam War veteran, was relieved of his command and court- martialled, for failing to offer adequate assistance to the passengers. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
BRIEF CHRONICLE Artistic Director the Official Newsmagazine of Writers’ Theatre Kathryn M
ISSUE twEnty-nInE MAY 2010 1 A STREETCAR NAMED DESIRE: On Stage Table of ConTenTs Dear Friends .................................................................................................... 3 “DroppeD overboarD… on Stage: A Streetcar Named Desire ...................................................................... 5 The Man. The Play. The Legend. ........................................................ 6 Director's Sidebar .................................................................................... 10 into an ocean Acting Cromer ............................................................................................. 12 Setting the Scene ..................................................................................... 13 Why Here? Why Now? ............................................................................ 14 Announcing the 2010/11 Season ................................................. 16 baCksTage: as blue as Event Wrap Up – Behind-the-Scenes Brunch ........................... 20 Event Wrap Up – Literary Luncheon ............................................ 22 Sponsor Salute ........................................................................................... 24 Tales of a True Fourth Grade Nothing .......................................... 26 Performance Calendar .......................................................................... 29 my first lover’s eyes!” - blanChe, A Streetcar named desire 2 A STREETCAR NAMED DESIRE: On Stage A STREETCAR NAMED DESIRE: On Stage 1 Michael halberstam tHe -
PRIDE PRE&JUDICE About Theatreworks Silicon Valley December 2019 | Volume 51, No
DECEMBER 2019 PRIDE PRE&JUDICE About TheatreWorks Silicon Valley December 2019 | Volume 51, No. 4 Welcome to TheatreWorks Silicon Valley and our 50th season of award-winning theatre! Led by Founding Artistic Director Robert Kelley and Executive Director Phil Santora, TheatreWorks Silicon Valley presents a wide range of productions and programming throughout the region. Tim Bond will become TheatreWorks’ second-ever Artistic Director following Robert Kelley’s retirement in June 2020. Founded in 1970, we continue to celebrate the human spirit and the diversity of our community, presenting contemporary plays and musicals, revitalizing great works of the past, championing arts education, and nurturing new works for the American theatre. TheatreWorks has produced 70 world premieres and over 160 US and regional premieres. In June 2019, TheatreWorks received the highest honor for a theatre not on Broadway— the American Theatre Wing’s 2019 Regional Theatre Tony Award®. TheatreWorks’ 2018/19 season included the world premiere of Hershey Felder: A Paris Love Story, the West Coast premiere of Marie and Rosetta, and regional premieres of Hold These Truths, Native Gardens, Tuck Everlasting, and Archduke. Our 2017 world premiere, The Prince of Egypt, is slated to open on London’s West End in February 2020. With an annual operating budget of $11 million, TheatreWorks produces eight mainstage productions at the Lucie Stern Theatre in Palo Alto and the Mountain View Center for the Performing Arts. Eighteen years ago, we launched the New Works Initiative, -
UNIVERSES, Whose Theatrical Works Fuse Poetry, Theatre, Jazz, Hip-Hop
Who Are UNIVERSES? UNIVERSES, whose theatrical works fuse poetry, theatre, jazz, hip-hop, politics, down-home blues and Spanish boleros, came together in 1995 in the open mic scene of New York City. Steven Sapp and Mildred Ruiz-Sapp were performers at the NuYorican Poets Café in Lower Manhattan who blended their talents. William Ruiz (a.k.a. Ninja) auditioned for UNIVERSES in 2004 after graduating from college and became a core member of the ensemble. Over the group’s 20-plus-year career, they have created and/or performed such pieces as The Ride (1998), Blue Suite (a.k.a. Eyewitness Blues) (2004), The Last Word (2005), One Shot in Lotus Position (2006) and others. They presented their pieces at places such as the Actors Theatre of Louisville’s Humana Festival of New American Plays, Berkeley Repertory Theatre and The Public Theater and have performed in Poland, Chile and Colombia. Their first show and one of their better- known works is Slanguage, which premiered in 2001 at the New York Theatre Workshop, directed by Jo Bonney. Since then, they have continued to write and perform nationally acclaimed shows that are socially conscious and rooted in historical narratives and icons. Ameriville, which premiered at the Actors Theatre of Louisville in 2009, focused on their observations of the people affected by, and their social commentary of, the politics surrounding, hurricane-ravaged New Orleans. For Party People, the group interviewed members of the Black Panther Party and the Young Lords to capture the challenges of their activism in the 1960s and the legacies of that work. -
Welcome to Picasso at the Lapin Agile! We're Thrilled to Kick Off 2017 With
FEBRUARY 2017 WELCOME JIM COX elcome to Picasso at the Lapin Agile! We’re thrilled to kick off 2017 with this funny, fascinating, and endlessly W surprising play. As we begin a new year, we also celebrate the phenomenal successes of 2016. Last year, the Globe broke box office records with hits like Meteor Shower (another Steve Martin comedy) and our acclaimed productions of October Sky and Sense and Sensibility. It was also an outstanding year for philanthropy. Individual donors gave generously to support our mission, and the Globe reaped the benefit of major foundation and government support. Our Arts Engagement Department successfully launched a slate of new programs funded in part by The James Irvine Foundation’s New California Arts Fund, and the National Endowment for the Arts awarded the Globe a major grant to support new play development. In every way, 2016 was a banner year for The Old Globe. We couldn’t imagine a better way to start 2017 than Picasso at the Lapin Agile. Not only does the production mark the welcome return of writer Steve Martin to the Globe, it pairs him with his longtime collaborator—and our Erna Finci Viterbi Artistic Director—Barry Edelstein. Here, Barry shepherds an all-star cast featuring returning Globe favorites alongside talented performers making their Globe debuts. 2016 will be a tough act to top, but this show bodes well for another banner year of great theatre in Balboa Park. We hope to see you often at the Globe in the coming year! MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. -
Pink Unicorn Program
M T H A E Y E OUT OF THE BOX 9 P I - S 2 C 5 THEATRICS O , P 2 A 0 L 1 A presents 9 C T O R A L I C E R I P L E Y in S ' G U I L D MUSIC & LYRICS BY STEPHEN SONDHEIM BOOK BY JAMES LAPINE BOOK E L I S E F O R I E R E D I E DIRECTION A M Y E . J O N E S @ootbtheatrics Opening Night: May 15, 2019 The Episcopal Actors' Guild 1 East 29th Street Elizabeth Flemming Ethan Paulini Producing Artistic Director Associate Artistic Director present Alice Ripley* in Out of the Box Theatrics' production of By Elise Forier Edie Technical Design Dialect Coach Costume Design Frank Hartley Rena Cook Hunter Dowell Board Operator Wardrobe Supervisor Joshua Christensen Carrie Greenberg Graphic Design General Management Asst. General Management Gabriella Garcia Maggie Snyder Cara Feuer Press Representative Production Stage Management Ron Lasko Theresa S. Carroll* Directed by AMY E. JONES+ * Actors' Equity OOTB is proud to hire members of + Stage Directors and Association Choreographers Society AUTHOR'S NOTE ELISE FORIER EDIE People often ask me “how much of this play is true?” The answer is, “All of it.” Also, “None of it.” All the events in this play happened to somebody. High school students across the country have been forbidden to start Gay and Straight Alliance clubs. The school picture event mentioned in this play really did happen to a child in Florida. Families across the country are being shunned, harassed and threatened by neighbors, and they suffer for allowing their transgender children to freely express their identities. -
MARTIN PAKLEDINAZ, Costume Designer
THE ELIXIR OF LOVE FOR FAMILIES PRODUCTION TEAM BIOGRAPHY MARTIN PAKLEDINAZ, Costume Designer Martin Pakledinaz is an American Tony Award-winning costume designer for stage and film. His work on Broadway includes The Pajama Game, The Trip to Bountiful, Wonderful Town, Thoroughly Modern Millie, Kiss Me, Kate, The Boys From Syracuse, The Diary Of Anne Frank, A Year With Frog And Toad, The Life, Anna Christie, The Father, and Golden Child. Off-Broadway work includes Two Gentlemen of Verona, Andrew Lippa's The Wild Party, Kimberly Akimbo, Give Me Your Answer, Do, Juvenalia, The Misanthrope, Kevin Kline's Hamlet, Twelve Dreams, Waste, and Troilus and Cressida. He won two Tony Awards for designing the costumes of Thoroughly Modern Millie and the 2000 revival of Kiss Me Kate, which also earned him the Drama Desk Award for Outstanding Costume Design. He has designed plays for the leading regional theatres of the United States, and the Royal Dramatic Theatre of Sweden. Opera credits include works at the New York Metropolitan Opera and the New York City Opera, as well as opera houses in Seattle, Los Angeles, St. Louis, Sante Fe, Houston, and Toronto. European houses include Salzburg, Paris, Amsterdam, Brussels, Helsinki, Gothenburg, and others. His dance credits include a long collaboration with Mark Morris, and dances for such diverse choreographers as George Balanchine, Eliot Feld, Deborah Hay, Daniel Pelzig, Kent Stowell, Helgi Tomasson, and Lila York. His collaborators in theatre include Rob Ashford, Gabriel Barre, Michael Blakemore, Scott Ellis, Colin Graham, Sir Peter Hall, Michael Kahn, James Lapine, Stephen Lawless, Kathleen Marshall, Charles Newell, David Petrarca, Peter Sellars, Bartlett Sher, Stephen Wadsworth, Garland Wright, and Francesca Zambello. -
Black Lives Matter
( NEWS COVID-19 UPDATES SOCIAL SELECTS HOLIDAY GIFT GUIDE CALENDAR SHOWS ' JOBS ' SHOP MENU DECEMBER 1, 2020 & LATEST NEWS MOST READ -50% -64% -64% -50% -50% -50% Raúl Esparza, Krysta Rodriguez, More Will Star in A Christmas Carol, Co-Adapted by In the News: A Sneak Peek of Samantha Barks as Queen Elsa, Amanda Kloots to Co Snoop Dogg, Loretta Devine, Joaquina Kalukango, More Tapped for Virtual Free Shipping + Free Returns Compete at Broadway Trivia Night, Stage Rugs.com Door With the Cast of Company, and More Watch the Of/cial Trailer for the Laura ! " # $ BENEFITS AND GALAS Benanti-Produced Documentary Special #WhileWeBreathe: A Night of Creative Protest Bene/t 41 NEW STORIES % Premieres July 29 BY OLIVIA CLEMENT JUL 29, 2020 The eveninG of creative protest features Patina Miller, Lynn Whit#eld, Marcus self-injecting SUBLOCADE into a vein (intravenously), it is only available through a restricted program called the SUBLOCADE REMS Program. Henderson, and more in world-premiere short works. • SUBLOCADE is not available in retail pharmacies. • Your SUBLOCADE injection will only be given to you by a certified healthcare provider. In an emergency, you or your family should tell the emergency medical staff that you are physically dependent on an opioid and are #WhileWeBreathe: A Night of Creative Protest | Premiering Wednesday, July 29 at 9PM E… being treated with SUBLOCADE. Watch later Share #WhileWeBreathe: A Night of Creative Protest, an eveninG of virtual world premieres bene#tinG justice-focused orGanizations, premieres July 29. The roster of performers for the one-night only bene#t includes Tony winner Patina Miller (Pippin, Madam Secretary), Emmy winner and Golden Globe nominee Lynn Whit#eld (Greenleaf, The Josephine Baker Story), Obie Award winner Ale Fuller (BLKS, Is God Is), Tony nominee Will Swenson (Jerry Springer: The Opera, Hair), and Get Out's Marcus Henderson.