Robert Frost and the Clearing in the Wilderness I
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Robert Frosts Poetry: the Duality of the Senex
ROBERT FROSTS POETRY: THE DUALITY OF THE SENEX SONJA VALČIĆ UDK: 820(73).FROST, R. Filozofski fakultet u Zadru Izvorni znanstveni članak Faculty o f Philosophy in Zadar Original scientific paper Primljeno. 1999_10_12 Received The senex archetype in Frost's poetry is used extensively, it serves him to portray three antithetical aspects of human condition, aspects characterized by both positive and negative categories. These categories are not portrayed as static divisions, but as poles dinamically and complexly interrelated. This paper examines three of Frost's works "Mending Wall", "An Old Man's Winter Night" and "Directive" as examples for the study of the paradoxical senex consciousness. While the archetypal senex figures in the "Directive" and "An Old Man's Winter Night" represent primarily the antithetical aspects of the nature of humans, the senex protagonists in the "Mending Wall" reflect the inherent binary oppositions and ambivalence within the contradictory and paradoxical world of humankind. Thus, we can say, that Frost's portrayal of the archetype of the senex acknowledges the symbolic paradigm of the human condition. I. Robert Frost has long been considered the "Wise Old Man" of American twentieth-century poets, not simply because of his public persona, or mask, but because, as I shall explore in this paper, so much of his poetry and the characters in his poetry manifest the temperament, nature, principles and ordering qualities of the senex archetype. Senex is the Latin word for old man (or old woman). Personifications of the archetype appear everywhere in Frost's work as the guide, judge, father, mentor, philosopher, literate farmer, king, ruler (President and Governor), preacher, hermit, outcast, exile and ogre. -
Ambivalence in the Poetry of Robert Frost Approved
AMBIVALENCE IN THE POETRY OF ROBERT FROST APPROVED: / /' 4- fell Major Professor •f l> Minor Frofessoi Director of the Department, of English Dean of the Graduate School AMBIVALENCE IN THE POETRY OF ROBERT FROST THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By- Patricia F. White, B. A. Denton, Texas August, 1967 TABLE OP CONTENTS Chapter Page I. INTRODUCTION 1 II. AMBIVALENCE: A CENTRAL ASPECT OF FROST'S POETRY 14 III. ESCAPE AND RETURN ..... 28 IV. ADVANCE AND RETREAT ..... 39 V. ROMANTICISM AND REALISM 58 VI. FAITH AND SKEPTICISM 77 VII. CONCLUSION 93 BIBLIOGRAPHY 97 in CHAPTER I INTRODUCTION / One of the most striking features of Frost's poetry / \ noted by critics who have surveyed the body of his work is that quality which has been variously described in such ^ terms as contrariety, polarity, contradiction, or opposition and which is referred to in this study by the all-inclusive x term ambivalence. Critics have responded to this quality in Frost with varying degrees of both sympathy and antipathy, the particular response depending, at least in part, on the temperamental bias that the critic, no matter how carefully he guards his objectivity, brings to his subject. Among those critics who deny to Frost a front rank position among the great poets of the century, especially those critics who eye with suspicion Frost's enormous popularity among the Philistines, it seems to be those qualities related directly or indirectly to his ambivalence that are a chief target of critical comment. -
A Bibliography and Analysis of Robert Frost Monographs in the Rare Book Collection at the University of North Carolina at Chapel Hill
April S. Brewer. The First Editions of Robert Frost: A Bibliography and Analysis of Robert Frost Monographs in the Rare Book Collection at the University of North Carolina at Chapel Hill. A Master’s Paper for the M.S. in L.S degree. April, 2007. 41 pages. Advisor: Charles B. McNamara This paper is a detailed analysis of the first edition monographs by four-time Pulitzer Prize winning poet Robert Frost in the Rare Book Collection (RBC) at the University of North Carolina at Chapel Hill. It includes a biographical sketch and information about the collection, including the donation of a large amount of materials by Clifford P. Lyons, a former UNC professor. This paper also compares the RBC's collection to other notable Frost collections. The bulk of this paper is a detailed bibliography with a condition analysis of the first editions held by the RBC. There is also a detailed desiderata list and recommendations for the future development for the RBC's Frost collection. Headings: Frost, Robert, 1874-1963 – Bibliography Special collections – Collection development University of North Carolina at Chapel Hill. Rare Book Collection. THE FIRST EDITIONS OF ROBERT FROST: A BIBLIOGRAPHY AND ANALYSIS OF ROBERT FROST MONOGRAPHS IN THE RARE BOOK COLLECTION AT THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL by April S. Brewer A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina April 2007 Approved by _______________________________________ Charles B. -
Chapter - IV CHAPTER-IV
Chapter - IV CHAPTER-IV THE FROST UNIVERSE: A STUDY IN MAJOR IMAGES AND SYMBOLS "Pipes in hands": Early Phase (1913 - 1916) His (Frost's) primary artistic achievement, which is an enviable one, in spite of shortcomings, rests on his blending thought and emotion and symbolic imagery within the confines of the lyric. It would seem to be an essential part of both his theory and practice to start with a single image, or to start with an image of action, and then to endow either or both with a figurativeness of meaning, which is not fully understood by the reader until the extensions of meaning are found to transcend the physical. Thompson, Lawrance. Robert Frost. Minneapolis: University of Minnesota Press, 1959. 38. ... [I]n Frost the symbol, presented (mite casually as an image, opens outward upon a vista of meaning. The vista does not have any definite terminus and in the farthest distance ifades into vague areas of suggestion. Lynen, John F. The Pastoral Art of Robert Frost. New Haven: Yale University Press, 1960. 27. Frost's firstAolume, A Boy's Will (1913), "the Record of a Phase of Post- adolescence"', begins with a sonnet "Into My Own". It opens up the nexus of Frostian imagery wedded to the dark woods. Since Frost's poetic being has been shaped and reshaped by the woods, and the woods and the poetic being are almost 71 inseparable in Frost poetry, the study of this chapter hence begins with our observations on woods imagery: One of my wishes is that those dark trees, So old and firm they scarcely show the breeze, Were not, as't were, the merest mask of gloom, But stretched away unto the edge of doom. -
Abbreviations
Abbreviations ABW: A Boy’s Will, Robert Frost (London: David Nutt, 1913). ACL: Amherst College Library, Amherst, Mas sa chu setts. AFR: A Further Range, Robert Frost (New York: Henry Holt, 1936). Agnes Scott: Special Collections and Archives, McCain Library, Agnes Scott College, Decatur, Georgia. Alger: Private collection of Pat Alger, Nashville, Tennessee. AL: Autograph letter, unsigned. ALS: Autograph letter, signed. ALS- photostat: Autograph letter, signed, photostat. AAP: Acad emy of American Poets, New York, New York. AWT: A Witness Tree, Robert Frost (New York: Henry Holt, 1942). Bauman: Bauman Rare Books, New York. Berkeley: Bancroft Library, University of California, Berkeley. Bodleian: Special Collections, Bodleian Libraries, University of Oxford. Bowdoin: Bowdoin College, George. J. Mitchell Department of Special Collections and Archives. BPL: Boston Public Library, Boston, Mas sa chu setts. BU: Boston University, Howard Gotlieb Archival Research Center. Chicago: University of Chicago, Special Collections Research Center, Chicago, Illinois. Columbia: Columbia University Library, New York. Cornell: Cornell University, Rare and Manuscript Collection, Cornell University Library, Ithaca, New York. xvi Abbreviations CP 1930: Collected Poems of Robert Frost (New York: Henry Holt, 1930). CP 1939: Collected Poems of Robert Frost (New York: Henry Holt, 1939). CP 1949: Complete Poems of Robert Frost (New York: Henry Holt, 1949). CPPP: Robert Frost: Collected Poems, Prose and Plays, ed. Richard Poirier and Mark Richardson (New York: Library of Amer i ca, 1995). CPRF: The Collected Prose of Robert Frost, ed. Mark Richardson (Cambridge: Harvard University Press, 2007). Crane: Robert Frost: A Descriptive Cata logue of Books and Manuscripts in the Clifton Waller Barrett Library, Joan St. -
Translating Mimesis of Orality
Translating mimesis of orality: Robert Frost’s poetry in Catalan and Italian Marcello Giugliano TESI DOCTORAL UPF / ANY 2012 DIRECTORS DE LA TESI Dra. Victòria Alsina Dr. Dídac Pujol DEPARTAMENT DE TRADUCCIÓ I CIÈNCIES DEL LLENGUATGE Ai miei genitori Acknowledgements My first thank you goes to my supervisors, Dr. Victòria Alsina and Dr. Dídac Pujol. Their critical guidance, their insightful comments, their constant support and human understanding have provided me with the tools necessary to take on the numerous challenges of my research with enthusiasm. I would also like to thank Dr. Jenny Brumme for helping me to solve my many doubts on some theoretical issues during our long conversations, in which a smile and a humorous comment never failed. My special thanks are also for Dr. Luis Pegenaute, Dr. José Francisco Ruiz Casanova, and Dr. Patrick Zabalbeascoa for never hiding when they met me in the corridors of the faculty or never diverting their eyes in despair. Thank you for always being ready to give me recommendations and for patiently listening to my only subject of conversation during the last four years. During the project, I have had the privilege to make two research stays abroad. The first, in 2009, in Leuven, Belgium, at the Center for Translation Studies (CETRA), and the second in 2010 at the Translation Center of the University of Massachusetts at Amherst, USA. I would like to give a heartfelt thank you to my tutors there, Dr. Reine Meylaerts and Dr. Maria Tymoczko respectively, for their tutoring and for offering me the chance to attend classes and seminars during my stay there, converting that period into a fruitful and exciting experience. -
Behind His Father's Saying: Robert Frost's Wisdom Tradition
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2014 Behind His Father's Saying: Robert Frost's Wisdom Tradition James H. Altman University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, History Commons, and the Philosophy Commons Repository Citation Altman, James H., "Behind His Father's Saying: Robert Frost's Wisdom Tradition" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2056. http://dx.doi.org/10.34917/5836075 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. BEHIND HIS FATHER’S SAYING: ROBERT FROST’S WISDOM TRADITION by James Altman Bachelor of Science in Secondary Education University of Nevada, Las Vegas 2004 Master of Arts in English University of Nevada, Las Vegas 2008 A dissertation submitted in partial -
Freedom and Association in the Poetry of Robert Frost
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1991 Freedom and Association in the Poetry of Robert Frost Adrian Marcus Thirkell College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Thirkell, Adrian Marcus, "Freedom and Association in the Poetry of Robert Frost" (1991). Dissertations, Theses, and Masters Projects. Paper 1539625678. https://dx.doi.org/doi:10.21220/s2-157x-e946 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. FREEDOM AND ASSOCIATION IN THE POETRY OF ROBERT FROST A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Adrian Marcus Thirkell 1991 APPROVAL SHEET This thesis is submitted in partial fulfillment the requirements for the degree of MASTER OF ARTS Adrian M. Thirkell Approved, April 1991 Scott Donaldson, Chair [/(J William F. Davis Henry Hart ABSTRACT In a letter from England to Sydney Cox (2nd May 1913), Frost expressed admiration for the virtue of having leisure enough to "dig in the ground for the unutilitarian flower." Frost liked his flowers "wild," and distinguished himself in his search for them: " [f]ar as I have walked in pursuit of the Cypripedium, I have never met another in the woods on the same quest. -
The Collected Poems of Robert Frost Pdf, Epub, Ebook
THE COLLECTED POEMS OF ROBERT FROST PDF, EPUB, EBOOK Robert Frost | 224 pages | 26 Jan 2017 | Book Sales Inc | 9780785834236 | English | United States The Collected Poems of Robert Frost PDF Book Sign in to Purchase Instantly. Pulitzer Prize for Poetry Nothing gold can stay. Founded in by the Academy of American Poets, By the way, I have dozens of Butterfly Weed plants in my backyard beyond the mowed part of the field, where it won't grow--takes a month, peaks near July 4 here in SE Massachusetts. Is this book good for a reserch paper becaus on but all the book in the library are old and i can barley read them please reply? Both are able to be lost but physical control is what seems best for me The Lord of the Rings Ser. Near fine in a very good dust jacket. Want to Read Currently Reading Read. I used to love Robert Frost but he no longer speaks to me except for a few of his poems. Results 1 - 16 of RFA 30 ea U. Published by Halcyon House , New York Incarcerated at twenty, he began to read everything he could find from Shakespeare and Malcolm X to Einstein and Robert Frost. I have it in me so much nearer home To scare myself with my own desert places. We do not guarantee that these techniques will work for you. Resources for Teachers. His variety of style keeps you reading wthout relent. Loneliness --II. First printing limited signed issue of 1, copies, with a misprint on line 8, p. -
Robert Frost Collection
Robert Frost Collection Drew University’s Robert Frost Collection is a fully cataloged collection of printed materials made possible through the generous donation of John Galen McEllhenney. Included are numerous limited editions in slipcases, first editions with dust jackets, presentation copies, 16 Christmas card printings of Frost’s poems executed by the Spiral Press for Frost and his circle, 3 bibliographies, 8 proof sheets from the Clymer and Green bibliography, and 3 original photographs of Frost, Louis Untermeyer and Wallace Stegner. Summary: Books Christmas Cards Photographs Proof Sheets Summary: Title: Robert Frost Collection Location: Drew University Library Restrictions: Unrestricted Cite as: [Drew call number] Robert Frost Collection, Drew University Special Collections, Madison, N.J. Books Adams, Frederick B. To Russia With Frost. Boston: Club of Odd Volumes, 1963. 1st ed., with slipcase. Anthology of Magazine Verse for 1915. William Stanley Braithwaite, ed. New York: Gomme and Marshall, 1915. Blumenthal, Joseph. Robert Frost and His Printers. Austin: W. Thomas Taylor, 1985. With slipcase. Clymer, W.B. Shubrick, and Charles R. Green. Robert Frost: A Bibliography. Amherst, Mass.: Jones Library, 1937. Crane, Joan St. C. Robert Frost: A Descriptive Catalog of Books and Manuscripts in the Clifton Waller Barrett Library, University of Virginia. Charlottesville: University of Virginia Press, 1974. Cox, Sidney, Robert Frost: Original “Ordinary Man.” New York: Henry Holt, 1929. With dust jacket. Frost, Lesley. New Hampshire’s Child: The Derry Journals of Lesley Frost. Albany: State University of New York Press, 1969. With dust jacket. ` ----. A Boy’s Will. New York: Henry Holt, 1915. 1st American ed., 2nd state, with dust jacket. -
A Defensive Eye: Anxiety, Fear and Form in the Poetry of Robert Frost
A Defensive Eye: Anxiety, Fear and Form in the Poetry of Robert Frost Lisa Hinrichsen Boston University This essay argues that Robert Frost’s poems enact a poetic and psychic process of displac- ing and managing generalized anxiety through converting it into object-specific fear. Drawing upon the psychoanalytical work of Sigmund Freud, Dominick LaCapra and Eric Santner, this essay analyzes how and why Robert Frost’s poems display a “defensive eye”: a self-protective relationship to the world dependent upon a continual switching of visual and linguistic perspectives that diffuses the pressures interior to the poem and cre- ates a “momentary stay against confusion.” Through close readings of “The Vantage Point,” “The Mending Wall,” “The Wood-Pile,” “The Fear,” “An Old Man’s Winter Night” and “A Considerable Speck,” the essay traces Frost’s visual preoccupation with boundaries, walls, doors, and frames that demarcate spatial limits, and describes how the poem negotiates the psychological and linguistic tension between containment and catharsis. Keywords: Robert Frost / anxiety / fear / Eric Santner / Sigmund Freud My whole anxiety is for myself as a performer. Am I any good? That’s what I’d like to know and all I need to know. — Robert Frost (Letter to Kimball Flaccus, October 26, 1930) he problem of anxiety,” wrote Sigmund Freud in his 1917 Introductory Lec- tures, “is a nodal point at which the most various and important questions Tconverge, a riddle whose solution would be bound to throw a flood of light on our own mental existence” (Introductory Lectures on Psychoanalysis 393). Psycho- analytic critics have long noted literature’s power to process psychic experience: Suzanne Henke, for example, notes the way in which narrative offers a kind of talking cure — what she calls “scriptotherapy” — through the process of confronting and verbalizing experience (Shattered Subjects: Trauma and Testimony in Woman’s Life Writing, 1998). -
August, 1975 Dixon, David C., Nature and Human Experience in The
nSi NATURE AND HUMAN EXPERIENCE IN THE POETRY OF ROBERT FROST THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By David C. Dixon, B. A. Denton, Texas August, 1975 Dixon, David C., Nature and Human Experience in the Poetr of Robert Frost. Master of Arts (English), August, 1975, 119 pp., bibliography, 14 titles. This study seeks to demonstrate that nature provided Frost an objective background against which he could measure the validity of human experience and gain a fuller under- standing of it. The experiences examined with reference to the poetr include loneliness, anxiety, sorrow, and hope. Attention is given to the influence of Frost's philosophical skepticism upon his poetry. The study reveals that Frost discovered correspondences between nature and human experience which clarified his per- spective of existence. The experiences of loneliness, anxiety, and sorrow were found to relate to Frost's feeling of separation from nature and from the source of existence. The experience of hope was found to relate to Frost's vision of the wholeness and unity of life, a vision which derives from humanity's common source with nature. TABLE OF CONTENTS Chapter Page I. PHILOSOPHICAL SKEPTICISM: CONTRAST BETWEEN NATURE AND HUMAN EXPERIENCE . 1 II. LONELINESS . 23 III. ANXIETY . 42 IV. SORROW . , . .. ..76 A V. HOPE . 98 VI. NATURE AS CLARIFICATION OF EXISTENCE . 113 BIBLIOGRAPHY . , . 118 ii CHAPTER I PHILOSOPHICAL SKEPTICISM: CONTRAST BETWEEN NATURE AND HUMAN EXPERIENCE One of the most significant clues for the interpretation of Robert Frost's poetry comes from his description of a poem as "a clarification of life."' The fact that Frost perceived life as needing clarification suggests something of his questioning outlook.