Return to Peyton Place Free
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
James Dean: Magnificent Failure
Gay San Francisco: Eyewitness Drummer 133 James Dean: Magnificent Failure Written in 1960 and revised in September 1961, this feature essay was published in Preview: The Family Entertainment Guide, June 1962. I. Author’s Eyewitness Historical-Context Introduction written July 29, 2007 II. The feature article as published in Preview: The Family Entertainment Guide, June 1962 III. Eyewitness Illustrations I. Author’s Eyewitness Historical-Context Introduction written July 29, 2007 Revealing the Iconography of Drummer: When James Dean Met Marlon Brando, Heath Ledger, and Jake Gyllenhaal Marlon Brando: “Stella!” James Dean: “You’re tearing me apart.” Jake Gyllenhaal to Heath Ledger: “I wish I knew how to quit you.” As soon as we teenagers invented and liberated our tortured selves in the pop culture of the deadly dull 1950s, my leather bomber jacket morphed in meaning from “play clothing” to teen symbol. I was swept up by the movie Blackboard Jungle (1955) and its theme song, Bill Haley’s “Rock around the Clock,” which was played every ten minutes on the radio because no other white rock-n-roll songs yet existed. At the same instant, I found my first lover in James Dean, in his jackets, his motorcycle, his face, his attitude, his verite. When he was killed at age twenty-four on September 30, 1955, I was sixteen, a junior in high school, and stricken with grief. Even though I was in the Catholic seminary and was a sexually pure boy, art and literature and movies cancelled my chances of being paro- chial. (In 2007, it is more difficult to come out as a progressive Catholic ©Jack Fritscher, Ph.D., All Rights Reserved—posted 05-05-2017 HOW TO LEGALLY QUOTE FROM THIS BOOK 134 Jack Fritscher, Ph.D. -
'Continuing Peyton Place: Das Melodrama Und
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2016 Continuing Peyton Place: Das Melodrama und seine Bastarde Binotto, Johannes Abstract: Angelehnt an Gilles Deleuzes Projekt einer Bastardisierung innerhalb der Philosophiegeschichte skizziert der vorliegende Beitrag eine Medienphilosophie der Bastardisierung anhand des Bastardgenres des Melodrams. Insbesondere der melodramatische Roman Peyton Place und seine diversen, transme- dialen Wiedergeburten erweist sich so als Schauplatz einer komplexen Selbstreflexion, in welcher die verschiedenen Medien nicht zuletzt auch ihre eigene, ungewisse und illegitime Genealogie zur Diskussion stellen. Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-122335 Book Section Originally published at: Binotto, Johannes (2016). Continuing Peyton Place: Das Melodrama und seine Bastarde. In: Ritzer, Ivo; Schulze, Peter. Transmediale Genre-Passagen : Interdisziplinäre Perspektiven. Wiesbaden: Springer, 269-288. in: Ivo Ritzer, Peter W. Schulze (Hg.): Transmediale Genre-Passagen. Interdisziplinäre Perspektiven, Wiesbaden: Springer VS 2016, S. 269-288. Continuing Peyton Place: Das Melodrama und seine Bastarde Johannes Binotto …les chemins imaginaires, par où le desir de l’enfant trouve à s’identifier au manque- à-être de la mère. (…die imaginären Wege, über die das Begehren des Kindes sich identifizieren kann mit dem Fehlen-an-Sein der Mutter.) Jacques Lacan (1966, S. 565) In einer seiner gewiss berüchtigsten Formulierungen beschreibt Gilles Deleuze das eigene Projekt einer anderen Philosophiegeschichte als „eine Art Arschfickerei […] oder, was auf dasselbe hinausläuft, unbefleckte Empfängnis. Ich stellte mir vor, einen Autor von hinten zu nehmen und ihm ein Kind zu machen, das seines, aber trotzdem monströs wäre“ (1993, S. -
Peyton Place U.S
Peter Pan Slightly David Bean Director Tootles Ian Tucker Jerome Robbins Ostrich Joan Tewkesbury Crocodile Norman Shelly Programming Wendy (as adult) Ann Connolly History NBC Nibs Paris Theodore Two hours; March 7, 1955 Noodler Frank Lindsay Executive Producer Further Reading Richard Halliday Hanson, Bruce K., The Peter Pan Chronicles: The Nearly /00 - Year History of the "Boy Who Wouldn't Grow Up," Secau- Producer cus, New Jersey: Carol. 1993 Martin, Mary, My Heart Belongs, New Quill, 1984 Fred York: Coe Rivadue, Barry, Mary Martin: A Bio-Bibliography, New York: Greenwood, 1991 Peyton Place U.S. Serial Melodrama When it appeared on ABC, at that time still the third - in Latin America, telenovela, and Francophone ranked U.S. network, Peyton Place, a prime -time pro- Canada, telerornan.) Set in a small New England town, gram based on the Grace Metalious novel, was an Peyton Place dealt with the secrets and scandals of two experiment for American television in both content generations of the town's inhabitants. An unmarried and scheduling. Premiering in the fall of 1964, Peyton woman, Constance MacKenzie, and her daughter, Alli- Place was offered in two serialized installments per son, were placed at the dramatic center of the story. week, Tuesday and Thursday nights, a first for Ameri- Constance (played by 1950s film melodrama star can prime -time television. Initially drawing more at- Dorothy Malone) eventually married Allison's father. tention for its moral tone than for its unique Elliott Carson, when he was released from prison, scheduling, the serial was launched amid an atmo- though his rival Dr. -
Wheeler Inn Abfi-S
DAILY TRIBUNE-EXAMINER Dillon, VmdkeLl^sl^,^-------------- . Tuesday, August 1,1972 Rage 3 ■ •', > - 1 - f! BASEMENT APARTMENT, Light Housekeeping. Clean and quiet, private entrance. Phone 683-5534. RENTALS AVAILABLE. Call 683- 5441 before 9 p.m. j§ | tg t s s s i l s CALL BRIGGS Livestock Bill pf Sale. Miscellaneous mmmmm Wells-Pumps-Installation Bound Books with piiginal and DON’T drive a dirty car. Robo . Dealer for Red Jacket permanent . duplicate, com makes it easy to keep clean. Complete Water Systems plete with carbon, Dillon Robo, Highway 41, Dillon. Ph. 683-5732 Dillon Ttibune-Examiner. 1972 KAWASAKI 350 Dirt Bike. FOR SALE: Mobile Homes af BROOKSIDE VACATION Call 683-2341 John. Shady Nook Court. Come See our. TRAILER PARK, 2% miles from Display. Elkhorn Hot Springs and 1 mile, GERMAN SHEPHERD Puppies. from Maverick Mt. Ski Area. Sell or trade for guns, 683-2506 For Sale, Real Estate Vital Statistics Excellent fishing and swimming, evenings. complete hookups, daily, weekly Have you lost Eyeglasses or FOR SALE: West of Dillon 3>/2 MONUMENTS & MARKERS and monthly rates. Write in care Keys in the last year? We have FOR SALE: Three baby poodles, acres developed, Ideal location of Southwestern Montana of John Mayfield, Polaris, five pair glasses, four sets of no papers, $10 each, 683-2449. overlooking Beaverhead Valley. Cemetery monuments and Montana. keys and one rosary. Please markers. Leonard L. Must sell. Phone evenings 683- G.E. WASHER and Dryer. Good ^ W^ofs Doing? • Sick Call claim if yours. Tribune- Mashino. Phone 683-2015. THE proven carpet cleaner Blue .2935. -
SECRET Ut)So PLANE DISINTEGRATES
HIGH T 5/24/ 5.4 AT ( 0025 5/24/ 4 0 A~ i922 1327 VOL 3 No. !!26 KWAJALE i"l .. !I.,ARSHALl iSLANDS WEDNESDAY 23 MAY 1962 NEWS IN BRIEF SECRET Ut)So PLANE DISINTEGRATES WASHr~GTO~ -- PRES'DfNT KENNEDY MUNICH, GERMANY. MA~ 22 (UPu)--A U S NAVY RECONNA~SSANCE PLANE CARRYING SAvS THE U S MUST ALWAYS DiSP~AY 26 PERSONS ~NJ SE:RET RADAR DETECTION DE\ ~CES TORE APART IN FLiGHT ABOUT TWO CONCERN FOR RE~UGEES ~ROM COMMUN~SM MjlES ABOVE THE EARTH A~D CRASHED "L~KE A GRENADE" SIX MilES EAST o~ MUN!CH HE SA'D---"THERE /S NO fv10RE DRAMATffC TODAY PROOF O~ T~E VAk/DiTY OF OU~ CONCEPT POL CE AND M _I ·~R' AUTHORI1JES SAID THERE WAS NO S~GN Of S0R~ VORS OF MAN AND HIS NEEDS THAN THE CON AN AR~Y OrCJCIAL SA!D, "THERE ARE 26 KNOWN DEAD" HE SAID 20 BODIES HAVE T'NUi~G ~LOW O~ REFUGEES TO THE FREE BEEN cOUND AND A StARCH WAS CONT~NlrNG FOR THE OTHERS WORLD" rlE MADE THE STATEMENT iN AN AiR rORCE SPOKESMAN SAiD THE rOUR-ENGINE SUDER-CONSTELLATION CARRIED A MESSAGE TO THE U S COMM!TTEE FOR FivE NAV1 OFF'CERS, ~7 NAVY ENLISTED MEN AND FOUR ARMY ENL[STED MEN REFUGEES THE COMMITTEE wANTS THE THE PLANE W~S ASSIGNED TO A U.S NAVY BASE AT ROTA, SPAIN ijT FLEW TO U S TO WELCO~E CHRNESE REFUGEES FRANKFURT'S RHINE-MA~N A~R BASE SuNDAY ENTERING HONG KONG TO THE FREE THREE LAOS PRINCES EXPECTED AND WAS TO HAVE RETURNED AfTER TODAY'S V-.ORl.D NAViGAT~ONAL TRAiNiNG fLIGHT TO RESUME TALKS SOON THE CAUSE Of r~: CRASH WAS NO~ YET SEVERAL THOUS~ND MORE REFUGEES V1£TJANE, LACS: MAV 2~ (UP~)--WE3TERN KNOW BUT WiTNESSES SAID THE PLANE ~ROM RED CM~~A STREAMED 'NTO HONG Q,OLOMATS -
Knowing and Being Known: Sexual Delinquency, Stardom, and Adolescent Girlhood in Midcentury American Film
University of Kentucky UKnowledge Theses and Dissertations--English English 2014 KNOWING AND BEING KNOWN: SEXUAL DELINQUENCY, STARDOM, AND ADOLESCENT GIRLHOOD IN MIDCENTURY AMERICAN FILM Michael Todd Hendricks University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Hendricks, Michael Todd, "KNOWING AND BEING KNOWN: SEXUAL DELINQUENCY, STARDOM, AND ADOLESCENT GIRLHOOD IN MIDCENTURY AMERICAN FILM" (2014). Theses and Dissertations--English. 14. https://uknowledge.uky.edu/english_etds/14 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
PEYTON PLACE Episode 415
PEYTON PLACE Episode 415 PEYTON Place Episode 415 Lundi 11 mars 1968 NARRATION : WARNER ANDERSON Betty Anderson Cord a été mariée avec Rodney Harrington. Le mariage a été bref et s’est soldé par un divorce. Mais la maturité aidant, Rodney et Betty se sont retrouvés et planifient à nouveau un mariage. Mais Betty a soudain appris que la portée disparue Allison, qui voyait Rodney, a donné naissance à un bébé. Ce soir, Betty a le sentiment que les pensées de Rodney vont vers la fille qu’il a autrefois aimé. INTRO Betty marche sur le quai. Rodney est assit sur un banc. Betty se dirige vers lui. SCENE 1 Betty et Rodney discutent du bébé de Jill, pensant qu’il s’agit de celui d’Allison. Il raconte à Betty la conversation qu’il a eu avec Jill concernant le bébé. Betty est sûre d’une chose, elle ne veut pas être une mère pour le bébé d’Allison Mackenzie. SCENE 2 Constance et Elliot parlent du bébé. Constance raconte comment elle et sa mère sont allées dans un magasin à Boston, et comment sa mère a prit la photo d’un pilote de la Navy. Constance savait qu’elle avait trouvé là Mr Mackenzie. SCENE 3 Au garage, Rodney parle avec Leslie du bébé. Leslie lui dit qu’il a reçu une note de Steven. Leslie conseille à son fils de ne pas confondre la conscience avec un mauvais jugement. Après toutes ces années, il admet qu’il est à l’origine du divorce de Betty et Rodney. -
Ape Chronicles #035
For a Man! PLANET OF THE APES 1957 The Three Faces of Eve ARMY ARCHERD WHO IS WHO ? 1957 Peyton Place FILMOGRAPHY 1957 No Down Payment 1958 Teacher's Pet (uncredited) FILMOGRAPHY (AtoZ) 1957 Kiss Them for Me 1963 Under the Yum Yum Tree Compiled by Luiz Saulo Adami 1957 A Hatful of Rain 1964 What a Way to Go! (uncredited) http://www.mcanet.com.br/lostinspace/apes/ 1957 Forty Guns 1966 The Oscar (uncredited) apes.html 1957 The Enemy Below 1968 The Young Runaways (uncredited) [email protected] 1957 An Affair to Remember 1968 Planet of the Apes (uncredited) AUTHOR NOTES 1958 The Roots of Heaven 1968 Wild in the Streets Thanks to Alexandre Negrão Paladini, from 1958 Rally' Round the Flag, Boys! 1970 Beneath the Planet of the Apes Brazil; Terry Hoknes, from Canadá; Jeff 1958 The Young Lions (uncredited) Krueger, from United States of America; 1958 The Long, Hot Summer 1971 Escape from the Planet of the Apes and Philip Madden, from England. 1958 Ten North Frederick 1972 Conquest of the Planet of the Apes 1958 The Fly (uncredited) 1959 Woman Obsessed 1973 Battle for the Planet of the Apes To remind a film, an actor or an actress, a 1959 The Man Who Understood Women (uncredited) musical score, an impact image, it is not so 1959 Journey to the Center of the Earth/Trip 1974 The Outfit difficult for us, spectators of movies or TV. to the Center of the Earth 1976 Won Ton Ton, the Dog Who Saved Really difficult is to remind from where else 1959 The Diary of Anne Frank Hollywood we knew this or that professional. -
Parents and Surrogate Parents
Parents and Surrogate Parents Harriet Jordan, 2003 Written as part of the M.Litt. program at the University of Sydney, in the subject Pulp Fiction: Medieval and Modern. The relationship most commonly represented in literature is probably the romantic/sexual relationship between a man and a woman (or, occasionally, between two people of the same gender). However, the parent-child relationship is found almost as frequently. This is not always a biological relationship: a text will often make it clear that two people from different generations exist in either a formal or informal surrogate parent-child relationship. The main action of Floris and Blauncheflour is initiated by the fairly standard situation of a parent who does not agree with his child’s choice of romantic partner. In this case, there is a slight twist, in that the Saracen king is effectively father to both children, even though he only has a blood relationship with Floris. However, when he realises that the children love each other, and “when they were of age, / That her love wolde noght swage, / Nor he might noght her love withdraw / When Florys shuld wife after the lawe”1, he shows no hesitation in sacrificing Blauncheflour to protect the future of his biological child. It is only the intervention of his Queen that prevents him from ordering Blauncheflour’s death; and, had Floris not attempted suicide over her supposed “death”, it is likely that he would never have learned the truth. Although he is ultimately redeemed, the King fails both his child and his surrogate child in the handling of this situation. -
Bowling Green State University in Partial Fulfillment of the Requirements for the Degree Of
DEVELOPMENT AND IMPLEMENTATION OF A FEMINIST LITERARY PERSPECTIVE Susan Koppelman Cornillon A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1975 Graduate School Representativ BOWLING GREEN STATE UNIVERSITY LIBRARY a. © 1975 SUSAN KOPPELMAN CORNILLON ALL RIGHTS RESERVED ii 610310 -SM» A'W VMi .^00 ABSTRACT This study examines the need for feminist criticism and how best to fill it. Feminist criticism is needed to restore objectivity to a literature and criticism distorted by sexism. The most pernicious effects of masculine bias upon the cre ation and consumption of literature are expressed through the literary-critical establishment--publishers, critics, profes sors, and librarians. Sexist criticism in its most insidious form masks biased evaluations as objective description, and removes literature and criticism from its socio-historical context. The subjec tive distortion implicit in a sexist perspective is fundamen tally hierarchical; it imposes a vertical evaluative structure upon a multi-faceted socio-historical reality. A critical per spective that divorces evaluative distinctions from a socio- historical rationale, whilst claiming that these idealistic dis tinctions are anything more than objectifications of subjective bias, and uses that structure to determine the creation and con sumption of literature, seriously censors writers' and readers' perception of history and society, censorship that for women has proven spiritually crippling and murderous. So traditionally evaluative literary categorizations have been ignored. To liberate the literary-critical establishment from con trol by the masculino-centric critical conspiracy, means must be provided to unite feminist critics in creating and propaga ting feminist perspectives. -
The Register, 1960-04-01
North Carolina Agricultural and Technical State University Aggie Digital Collections and Scholarship NCAT Student Newspapers Digital Collections 4-1-1960 The Register, 1960-04-01 North Carolina Agricutural and Technical State University Follow this and additional works at: https://digital.library.ncat.edu/atregister Recommended Citation North Carolina Agricutural and Technical State University, "The Register, 1960-04-01" (1960). NCAT Student Newspapers. 162. https://digital.library.ncat.edu/atregister/162 This Book is brought to you for free and open access by the Digital Collections at Aggie Digital Collections and Scholarship. It has been accepted for inclusion in NCAT Student Newspapers by an authorized administrator of Aggie Digital Collections and Scholarship. For more information, please contact [email protected]. u____m I • C iM wm wr THE. AGRICULTURAL AMD TECHNICAL, COLLEGE * 7??<? Cream of* Cotfuqe Meuss," %\^J —WTTZZ y mmm^ K VOLUME XXXI No. 12 THE A&T COLLEGE REGISTER, GREENSBORO, N. C. FRIDAY, APRIL 1, 1960 Register Captures Third Successive 'First' FOOD SERVICE TO IMPROVE!!" Paper Rated By Surplus Funds Said To Specialists In Be Reason For Change Journalism The A&T College REGISTER mer ited another first place rating in In Dining Hall Policy the Annual contest of the Scholastic Pness Association. The REGISTER was listed in the category for print ed newspapers of senior colleges and To Serve Steak Family Style universities. The entries to the con test ares classified by type of pub At Thursday Evening Meals lication, method of publication, school level and size of school. Campus food service authorities announced last Monday This marks the third time in suc cession that the REGISTER has re that T-Bone steaks (with all the trimmings) will be served in ceived a first place rating. -
Beyond "Main Street": Small Towns in Post- "Revolt" American Literature Rachael Price University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2016 Beyond "Main Street": Small Towns in Post- "Revolt" American Literature Rachael Price University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the American Literature Commons, Comparative Literature Commons, and the Modern Literature Commons Recommended Citation Price, Rachael, "Beyond "Main Street": Small Towns in Post-"Revolt" American Literature" (2016). Theses and Dissertations. 1476. http://scholarworks.uark.edu/etd/1476 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Beyond Main Street: Small Towns in Post-“Revolt” American Literature A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Rachael Price State University of New York at Geneseo Bachelor of Arts in English, 2000 State University of New York at New Paltz Master of Arts in English, 2005 May 2016 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. __________________________________ Dr. Lisa Hinrichsen Dissertation Director __________________________________ ________________________________ Dr. Susan Marren Dr. Keith Booker Committee Member Committee Member Abstract “Beyond Main Street” examines the impact and legacy of the literary movement that Carl Van Doren, in an infamous 1920 article from The Nation, referred to as the “revolt from the village.” This movement, which is widely acknowledged to encompass such writers as Edgar Lee Masters, Sherwood Anderson, and Sinclair Lewis, pushed back against the primacy of the heretofore-dominant pastoral tradition when it came to depictions of rural America.