DOCSLIB.ORG

Insideradio.Com

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Insideradio.Com 800.275.2840 MORE NEWS» insideradio.com THE MOST TRUSTED NEWS IN RADIO THURSDAY, JANUARY 15, 2015 Radio’s best weapon for 2015 may be going after promotional dollars. Where’s the growth in marketing? It’s not advertising, at least in the traditional sense. The big gains are in promotions according to Borrell Associates president Gordon Borrell, who told an Inside Radio webinar yesterday that it’s a trend line that has him feeling good about radio’s future. Borrell estimates $104.1 billion was spent on advertising last year, a 22% decline compared to a decade ago. At the same time Borrell says businesses spent 73% more last year on promotions compared to 2005. The firm says promotional spending topped $212 billion last year. “When you look at what people are spending in advertising versus marketing, it is huge — this is where the money is,” Borrell said. It is spread across contests, coupons, events, sponsorships and a variety of digital marketing. Borrell said many companies believe they don’t need to spend as much on traditional spot buys since they have their own media within easy reach in the form of their own website. But consumers need to know it’s out there. “This is why we’re so enthusiastic about radio because it knows promotions better than any other medium,” he said, adding, “There’s great opportunity here.” Borrell: Radio will be among the few local media to grow in 2015. Promotions spending may be growing more rapidly, but Borrell Associates estimates traditional local advertising will also pick up steam in 2015. The firm forecasts total U.S. local ad spending will increase 11.3% to $115.9 billion this year. How does radio fit in? Borrell projects the industry’s local revenue will increase 2.6% to $10.96 million. Most other media, including local TV, newspapers, and local out-of-home media will each see their revenue slide. “There is secular erosion for all print media — there’s big erosion and you ought to be going after those advertisers,” Gordon Borrell said yesterday. His team says local online spending will grow the most, projecting a 42% spurt this year. Cinema advertising is estimated to increase 24% with Borrell predicting a 5% gain for local cable TV. If you missed yesterday’s Radio Forecast 2015 webinar stay tuned for details on how to catch the replay! Kagan: 2014 produced radio’s most active deal market since in three years. Crunching data from all of the radio deals announced in 2014, SNL Kagan pegs the total value of sales at $1.51 billion, a 48% increase from a year earlier. It was the best performing year since 2011 when the industry watched the combination of Cumulus Media and Citadel Broadcasting. “There were some larger $100 million deals last year, but there were a lot of smaller deals too,” SNL Kagan senior analyst Justin Nielson points out. Seventy percent of all radio stations sold last year were in market No. 75 or smaller. “This area has become the most active part of a still vibrant broadcast deal market,” Nielson says. The average FM sold for $2.5 million last year, up $500,000 from 2013. And SNL Kagan says the typical AM sale totaled $860,000. That was a $100,000 gain over a year earlier. “There’s a dearth of private equity funding and there isn’t a lot of capital coming into the radio sector, so those are still good levels for strategic synergies for a lot of the larger players,” Nielson says. Average sale multiple holds steady: report. SNL Kagan says the typical broadcast cash flow multiple for radio stations was essentially unchanged last year, with the average at 6.9-times compared to an average 7.0-times multiple in 2013. “That’s where typically you see deals being valued,” SNL Kagan senior analyst Justin Nielson says. “For buyers, it seems [email protected] | 800.275.2840 PG 1 NEWS insideradio.com THURSDAY, JANUARY 15, 2015 like a good time to buy radio stations, especially at those levels.” He expects the current multiple level to hold into the year unless there’s a bigger than expected spike in revenue growth. Kagan currently projects radio revenue will increase 1.5% in 2015. “Radio is on better footing than it was five years ago and I think that the digital initiatives, especially among the larger group owners, are pointing to future growth potential for the business,” he says. Unlike radio, where volume and prices increased last year, SNL Kagan says the pace of sales slowed in television with a drop in the number of stations that traded last year. But while the TV deal market did not repeat 2013’s record-breaking $12.4 billion tally, Nielson points out that last year’s total TV station sale value is still larger than all the radio sales from 2009 to 2012 combined. Read this week’s Inside Radio’s Deal Digest on Page 5. Survey: Spotify users are more likely to be radio listeners. A new study offers more evidence that the growth of digital music services is additive to radio listening, rather than cannibalizing it. Streamers are 9% more likely to listen to the radio than non-streamers, according to a new global survey conducted by comScore and commissioned by Spotify. The correlation between streaming and radio usage is more pronounced among Spotify users, who are 19% more likely to listen to the radio. Streamers are more likely than non-streamers to listen to music in virtually every location surveyed, from at home, in the car and at work to surfing the web, exercising and reading. The survey of 500 respondents in nine countries, including the U.S., turned up some key lifestyle differences between those who stream and those who don’t. Streamers are slightly less likely than non-steamers to drive a car, truck or SUV weekly and more than 1.5 times as likely to use public transportation weekly, which is likely connected to streaming services’ early traction in urban cities and among younger demos. Streamers have wider music tastes and are nearly twice as likely to enjoy hip-hop and techno/electronic. Non-streamers, on the other hand, over-index on easy listening and country. The study also reinforced the notion that streamers are a desirable group for brand marketers. They’re nearly twice as likely as non-streamers to advocate for and feel emotionally connected to brands. Star power remains a lobbying card that the music industry likes to play. The music business won’t just count on songwriters and musicians to deliver hits in 2015. It will also increasingly turn to them to help make the case for stronger royalty legislation on Capitol Hill. A mid-December meeting with aides to House Speaker John Boehner and other Republican congressional staffers included Aloe Blacc, the songwriter behind Avicii’s massive hit “Wake Me Up.” This week the country act The Band Perry took to the halls of Congress for the Recording Academy’s annual Grammys on the Hill event. It was billed as a way to “reinforce the value of music as Congress considers revisions to laws that affect music creators.” While not a new lobbying tactic, leveraging well-known performers and songwriters is likely to go far beyond Grammys on the Hill. The National Music Publishers Association, the Recording Industry Association of America, SoundExchange and the Future of Music Coalition are all expected to bring musicians to Washington. “The attention Ohio Rep. Aaron that a star brings to the issue, sometimes you just can’t get from Washington lobbyists,” Recording Schock takes selfie Academy VP Daryl Friedman tells Politico. “They do relate to each other.” The debate over music with The Band Perry royalties has grown to cover a wide ground, from the Copyright Royalty Board’s digital rate setting, to rights for songs recorded before 1972 to broadcast radio’s performance royalty exemption. Music copyrights remain in congressional bulls-eye. Returning House Judiciary Committee chair Bob Goodlatte (R- VA) plans to keep pushing forward on a rewrite of copyright law, a move that will include a focus on music and royalties. In a speech yesterday in Washington, Goodlatte said he plans to continue the “important work” started during the 113th Congress. The goal of the review, according to Goodlatte, has been “to determine whether the copyright laws are still working in the digital age to reward creativity and innovation.” Many in the music community argue that the lack of a radio performance royalty isn’t working for them any longer, and hope a multiyear effort to change that law will finally produce results. Goodlatte’s committee has so far held 18 hearings on copyright law and he says they’re planning more. He’s also promising to meet with the industries impacted, including radio and the record labels. “We intend to work together with all the stakeholders — from the technology community to the content community — to find consensus on the areas of the [email protected] | 800.275.2840 PG 2 NEWS insideradio.com THURSDAY, JANUARY 15, 2015 Copyright Act that need improvement,” Goodlatte said. Steven Marks, the top lawyer at the Recording Industry Association of America (RIAA), says declining music downloads is working to undercut broadcast radio’s argument that airplay promotes record sales. “What we need to focus on is fair market value for all of these different uses — that includes terrestrial radio,” he told the Consumer Electronics Show last week in Las Vegas. Marks also dismissed reports about a growing rift between songwriters, artists, record labels, and performance rights organizations over how music royalties should be divvied up.
Load more

Recommended publications
  • Federal Communications Commission Before the Federal
    Federal Communications Commission Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Existing Shareholders of Clear Channel ) BTCCT-20061212AVR Communications, Inc. ) BTCH-20061212CCF, et al. (Transferors) ) BTCH-20061212BYE, et al. and ) BTCH-20061212BZT, et al. Shareholders of Thomas H. Lee ) BTC-20061212BXW, et al. Equity Fund VI, L.P., ) BTCTVL-20061212CDD Bain Capital (CC) IX, L.P., ) BTCH-20061212AET, et al. and BT Triple Crown Capital ) BTC-20061212BNM, et al. Holdings III, Inc. ) BTCH-20061212CDE, et al. (Transferees) ) BTCCT-20061212CEI, et al. ) BTCCT-20061212CEO For Consent to Transfers of Control of ) BTCH-20061212AVS, et al. ) BTCCT-20061212BFW, et al. Ackerley Broadcasting – Fresno, LLC ) BTC-20061212CEP, et al. Ackerley Broadcasting Operations, LLC; ) BTCH-20061212CFF, et al. AMFM Broadcasting Licenses, LLC; ) BTCH-20070619AKF AMFM Radio Licenses, LLC; ) AMFM Texas Licenses Limited Partnership; ) Bel Meade Broadcasting Company, Inc. ) Capstar TX Limited Partnership; ) CC Licenses, LLC; CCB Texas Licenses, L.P.; ) Central NY News, Inc.; Citicasters Co.; ) Citicasters Licenses, L.P.; Clear Channel ) Broadcasting Licenses, Inc.; ) Jacor Broadcasting Corporation; and Jacor ) Broadcasting of Colorado, Inc. ) ) and ) ) Existing Shareholders of Clear Channel ) BAL-20070619ABU, et al. Communications, Inc. (Assignors) ) BALH-20070619AKA, et al. and ) BALH-20070619AEY, et al. Aloha Station Trust, LLC, as Trustee ) BAL-20070619AHH, et al. (Assignee) ) BALH-20070619ACB, et al. ) BALH-20070619AIT, et al. For Consent to Assignment of Licenses of ) BALH-20070627ACN ) BALH-20070627ACO, et al. Jacor Broadcasting Corporation; ) BAL-20070906ADP CC Licenses, LLC; AMFM Radio ) BALH-20070906ADQ Licenses, LLC; Citicasters Licenses, LP; ) Capstar TX Limited Partnership; and ) Clear Channel Broadcasting Licenses, Inc. ) Federal Communications Commission ERRATUM Released: January 30, 2008 By the Media Bureau: On January 24, 2008, the Commission released a Memorandum Opinion and Order(MO&O),FCC 08-3, in the above-captioned proceeding.
    [Show full text]
  • KOSF Don Bleu & Carolyn
    Holiday 2014 Campaign Recap Contents Overview Assets Live & Produced Spots Social Experiential Digital Results Contacts Campaign Overview Objective Drive retail sales of coffee and tea holiday gifts, blends, seasonal drinks in the San Francisco Bay Area and Washington D.C. metro during this pivotal and record short retail season. Strategy iHeartMedia will leverage organic DJ chatter promoting the brand and area locations with top on-air personalities, social networks and experiential marketing in high traffic locations. Net Investment Combined markets: $180,000 Campaign Overview ENDORSEMENT Commercial Messaging ● 11/10-11/17 MUSIC ● 12/01-12/22 ● 11/10-11/17 Peet’s Sampling ● San Francisco and :30 ● 12/01-12/22 ● onsites Washington D.C. ● Schedule weighted ● key retail areas around key shopping ● supported on- :15 dates line and on-air Social ● All talent support the campaign with social features NOV DEC Holiday Shopping Season BLACKBLACK FRIDAY 1 3 Only 3 Power Weekends between 60% One of just 26 days, Black 2 Thanksgiving and Christmas Friday, is a key Of Holiday to drive sales for the year purchase are revenue day in the shortest shopping Made Thanksgiving weekend season possible Campaign: San Francisco Talent Sana G & Miss Kimmie KMEL-FM Renel & Christie AM Drive KISQ-FM Rhythmic CHR AM Drive Rhythmic AC Sandy & Marcus D. Don Bleu & Carolyn KIOI-FM KOSF-FM AM Drive AM Drive Adult Contemporary Classic Hits Armstrong & Getty JV & Selena KKSF-AM KYLD-FM AM Drive AM Drive News Talk Pop CHR Campaign: Washington D.C. Talent Aly Jacobs Loo Katz WMZQ-FM WASH-FM AM Drive AM Drive Country Adult Contemporary Lisa Berigan WBIG-FM Afternoons Classic Hits Intern John WIHT-FM AM Drive Contemporary.
    [Show full text]
  • US V. Entercom Communications Corp. and CBS Corporation
    Case 1:17-cv-02268 Document 1 Filed 11/01/17 Page 1 of 10 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA UNITED STATES OF AMERICA United States Department of Justice Antitrust Division 450 Fifth Street, N.W., Suite 4000 Washington, DC 20530, Plaintiff, v. ENTERCOM COMMUNICATIONS CORP. 401 E. City Avenue Suite 809 Bala Cynwyd, PA 19004, and CBS CORPORATION 51 W. 52nd Street New York, NY 10019, Defendants. COMPLAINT The United States of America brings this civil action to enjoin the proposed acquisition of CBS Radio, Inc. by Entercom Communications Corporation, and to obtain other equitable relief. The acquisition likely would substantially lessen competition for the sale of radio advertising to advertisers targeting English-language listeners in the Boston, Sacramento, and San Francisco Designated Market Areas (“DMAs”), in violation of Section 7 of the Clayton Act, 15 U.S.C. § 18. The United States alleges as follows: Case 1:17-cv-02268 Document 1 Filed 11/01/17 Page 2 of 10 I. NATURE OF THE ACTION 1. Pursuant to an Agreement and Plan of Merger dated February 2, 2017, between Entercom, CBS Radio, Inc. and CBS Corporation, Entercom agreed to acquire CBS Radio in a Reverse Morris Trust transaction valued at over $1.6 billion. CBS Radio is a subsidiary of CBS Corporation. 2. Entercom and CBS Radio own and operate broadcast radio stations in various locations throughout the United States, including multiple stations in Boston, Massachusetts, Sacramento, California, and San Francisco, California. Entercom and CBS Radio compete head- to-head for the business of local and national companies that seek to advertise on English- language broadcast radio stations in these three DMAs.
    [Show full text]
  • Legitimizing Pay to Play: Marketizing Radio Content Through a Responsive Auction Mechanism
    LEGITIMIZING PAY TO PLAY: MARKETIZING RADIO CONTENT THROUGH A RESPONSIVE AUCTION MECHANISM Alon Rotem* I. INTRODUCTION ............................................. 130 II. RADIO REGULATION BACKGROUND / HISTORY ........ 131 A. Government Enforced Public Interest Standards...... 131 B. Marketization of the Public Interest Doctrine ........ 133 C. The Impact of the 1996 Telecommunications Act on License Renewals .................................... 134 III. PAYOLA RULES ............................................ 135 A. Payola Rules Impact on the Recording Industry ...... 136 B. A Brief History of Payola Transgressions ............ 137 C. Falloutfrom Recent Payola Prosecution .............. 139 D. Modern Payola Rules Ambiguity ..................... 139 IV. IMPACT OF TECHNOLOGY AND AUCTIONS ON BROAD- CAST SCARCITY ............................................ 140 A. The Rise and Evolution of Technology-Driven A uctions ....... ..................................... 141 B. Applying the Auction Mechanism to Radio Content Programm ing ........................................ 141 * J.D. Candidate 2007, University of California, Berkeley, Boalt Hall School of Law. B.S. Managerial Economics, 2001, University of California, Davis. I would like to thank my wife, Nicole, parents, Doron and Batsheva, and brothers, Tommy and Jonathan for their love, support, and encouragement. Additionally, I would like to thank Professor Howard Shelanski for his wisdom and guidance in the "Telecommunications Law & Policy" class for which this comment was written. Special thanks to Paul Cohune, who has generously de- voted his time to editing this and virtually every paper I have written in the last 10 years, to Zach Katz for sharing his profound knowledge of the music industry, and to my future col- leagues at Ropes & Gray, LLP. I am also very grateful for the assistance of the editors of the UCLA Entertainment Law Review. Mr. Rotem welcomes comments at alon.rotem@ gmail.com.
    [Show full text]
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage
    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
    [Show full text]
  • BIO Kate Delaney Is an Emmy-Award Winning Journalist and Speaker Who
    BIO Kate Delaney is an Emmy-award winning journalist and speaker who has interviewed more than 15,000 people, including U.S. presidents, top CEOs and Hall of Fame athletes. As a woman hosting a successful, highly rated radio talk show, she became a pioneer in broadcasting. In addition to her popular speaking engagements across the country. Kate has hosted shows on the NBC Sports Radio Network, WFAN in New York City and KRLD in Dallas, Texas. Currently she hosts the Kate Delaney show that includes Forbes Books Radio a weekly feature showcasing movers and shakers in the business world. It reaches three million people. She’s the author of three popular books, Level the Playing Field (2011) and Invade the Man Cave (2016). Her latest business book published by Forbes, Deal Your Own Destiny, Increase Your Odds, Win Big and Become Extraordinary is receiving rave reviews As a successful business owner, she’s most proud of working with the Texas Rangers baseball club on closing a $25 million radio rights deal for CBS radio when she worked as Executive Sports Director. Kate has served as a Keynote speaker and consultant for companies such as: Deloitte, Stanley Oil and Gas, Forbes, UPS, Fox, AT&T, Cisco, and Exxon/Mobil, Kraft and many more. She also gave a TED style talk at the Forbes Insider’s Summit. Kate is the Past President of the National Speakers Association in North Texas and serves on the advisory board of the Dallas Network Bar. DNB is millionaire Phil Romano’s high-tech members only Professional network hub.
    [Show full text]
  • ​Jasmine Sadry
    ​Jasmine Sadry BIO: Radio/TV/Podcast personality, host, emcee, and social media influencer. Jasmine Sadry is a broadcaster based out of Dallas,Texas and currently co-hosts the "First & 10's Podcast” (a satirical sports talk show which also airs on WJOX-FM in Birmingham, Alabama) and “Locked On Big 12 Podcast” (an entertainment sports talk show that highlights all teams in the Big 12 Conference). Working in media/broadcasting for 19 years, Jasmine has worked for Cumulus, iHeart Media, KVUE-TV, ESPN, CBS Radio, Clear Channel, Fox Sports Radio, and The Dallas Cowboys, doing everything from sports/guy talk to news, music driven formats, anchoring, reporting, emceeing and producing/editing. She has served as co-host to nationally syndicated radio and TV host, Chris Jagger on “The Jagger Show”. She has been a producer, the host of her own shows (one of which was syndicated in Houston and Atlanta) was part of the Dallas Cowboys broadcast team for the official flagship radio station and has done assorted TV work. Her written articles have been featured on ESPN, Forbes, Cosmo, and The Washington Post websites. She has also written and produced comedic bits for her respective shows, complete with character voices and keyboard accompaniment. One of her bits was featured on MTV2's "Ain't That America." She was also seen as a character in an episode of TNT's "Dallas". In addition to a storied broadcasting career, Jasmine has done commercial film work with national partners AutoZone and Top Golf and her voice over work includes national commercials ranging from CNN, Fox, Ideal Image, Apartments.com, Raising Cane’s, Yahoo!, eHarmony, Reliant Energy, Sleep Experts, Cinemark, Chevy, and many local spots for restaurants and local TV stations.
    [Show full text]
  • Station Ownership and Programming in Radio
    FCC Media Ownership Study #5: Station Ownership and Programming in Radio By Tasneem Chipty CRA International, Inc. June 24, 2007 * CRA International, Inc., 200 Clarendon Street, T-33, Boston, MA 02116. I would like to thank Rashmi Melgiri, Matt List, and Caterina Nelson for helpful discussions and valuable assistance. The opinions expressed here are my own and do not necessarily reflect those of CRA International, Inc., or any of its other employees. Station Ownership and Programming in Radio by Tasneem Chipty, CRA International, June, 2007 I. Introduction Out of concern that common ownership of media may stifle diversity of voices and viewpoints, the Federal Communications Commission (“FCC”) has historically placed limits on the degree of common ownership of local radio stations, as well as on cross-ownership among radio stations, television stations, and newspapers serving the same local area. The 1996 Telecommunications Act loosened local radio station ownership restrictions, to different degrees across markets of different sizes, and it lifted all limits on radio station ownership at the national level. Subsequent FCC rule changes permitted common ownership of television and radio stations in the same market and also permitted a certain degree of cross-ownership between radio stations and newspapers. These changes have resulted in a wave of radio station mergers as well as a number of cross-media acquisitions, shifting control over programming content to fewer hands. For example, the number of radio stations owned or operated by Clear Channel Communications increased from about 196 stations in 1997 to 1,183 stations in 2005; the number of stations owned or operated by CBS (formerly known as Infinity) increased from 160 in 1997 to 178 in 2005; and the number of stations owned or operated by ABC increased from 29 in 1997 to 71 in 2005.
    [Show full text]
  • Stations Monitored
    Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM
    [Show full text]
  • Seth-Cantor.Pdf
    196 West Madison Avenue #16C • Dumont, NJ 07628 C: (845) 536-1705 • [email protected] • www.sethcantor.com ____________________________________________________________________________________________________ On-Air ENTERCOM COMMUNICATIONS Update Anchor • Update Anchor – SiriusXM Satellite Radio CBS Sports Radio / WCBS-880 • Update Anchor – CBS Sports Radio, WCBS-880, WFAN, 1010-WINS, Bloomberg 2017 – 2018, 2019 - Present • Update Anchor – KOMO AM/FM in Seattle and NBC News Radio WFAN 66-AM & 101.9-FM / 1010-WINS • St. Francis College Division I Basketball Play-by-Play 2019 – Present • Eleven Sports’ National Ivy League Football Coverage – Sideline Reporter • New York Boulders Can-Am League Baseball (with $3+ million in sales revenue) • Army West Point Basketball fill-in SIRIUSXM SATELLITE RADIO • Cornell University Football and Lacrosse fill-in Update Anchor • Pace University Football and Basketball NFL, MLB, NBA, Mad Dog Sports Radio • MSG Varsity Lacrosse 2018 – Present • United States Merchant Marine Academy Football • City University of New York Athletic Conference Basketball • St. John’s University Men’s Lacrosse and Women’s Basketball fill-in NEW YORK BOULDERS BASEBALL • Manhattan College Men’s Basketball fill-in Play-by-Play, Business Development • Ithaca College Football, Basketball and Baseball (Sports Director – WICB) Pomona, NY 2011 – 2018, 2019 - Present References David Brunner, Agent President – DB & Associates LEARFIELD / IMG COLLEGE (484) 695-5187; [email protected] General Manager, Multimedia George Mason Sports Properties Crys Quimby 2018 – 2019 Former National Programming Director – iHeartMedia’s NBC News Radio, 24/7 News (917) 846-7065; [email protected] IHEARTMEDIA’S 24/7 NEWS David Mayurnik Sports Update Anchor Executive Producer – CBS Sports Radio / Entercom New York NYC’s WCBS-880, NBC News Radio (212) 352-2444; [email protected] Bloomberg Radio, KOMO News Radio 2016 – 2017 Glenn Braica Head Men’s Basketball Coach – St.
    [Show full text]
  • Soldiers of Misfortune
    U.S. Violations of the Optional Protocol on the Involvement of Children in Armed Conflict SOLDIERS OF MISFORTUNE Abusive U.S. Military Recruitment and Failure to Protect Child Soldiers Jania Sandoval (right) speaks with U.S. Army recruiter Sfc. Luis Medina at Wright College in Chicago. (Photo by Scott Olson/Getty Images) ABOUT THE ACLU ........................................................................................................ 1 INTRODUCTION AND EXECUTIVE SUMMARY.................................................... 2 RECOMMENDATIONS.................................................................................................. 5 I. TARGETING OF YOUTH UNDER 17 FOR MILITARY RECRUITMENT (Article 3(1)-(2)) ................................................................................................................ 8 a. Recruiters in High Schools Target Students Under 17 ........................................... 9 a. Joint Advertising Market Research & Studies (JAMRS) Database Targets Youth Under 17 for Recruitment ............................................................................................. 11 b. Junior Reserve Officer Training Corps (JROTC) Target Children as Young as 14 for Recruitment ............................................................................................................. 12 c. Middle School Cadet Corps (MSCC), or Pre-JROTC, Targets Children as Young as 11 .............................................................................................................................
    [Show full text]
  • Beverly and Its Library; Report of a Self-Study of Beverly, Massachusetts, and the Beverly Public Library
    DOCUMENT RESUME ED 124 192 IR 00 585 NelsonegBarbara;. And Others AUTHOR . ,. TITLE Beverlrand Itstibrary; Report of a.elf-Study of Beverly, Massachusetts, and the Beve y Public Library. INSTITUTION Beverly Public Library, Mass. PUB DATE' 76 NOTE 146p. '1 JOBS PRICE BP-$0.83 BC-87.35 Plus POstage. DESCRIPTORS *Community Characteristics; Community R sources; Library Adainiptration; Library Pacilit es; *Library Planning; .LibraryiUse Role; *Library Servi ep; *Public Libiaries; Studies \ , - IDENTIPiEES Massachusetts (Beverly) ----, o // ABSTRACT This extensive study of the Beverly, Massachusetts,, ublic Library begins with a description of the community, including dem is characteristics and social, governmental, and educational activities and organization. A chronicle of library governance,, facilities, financial resources, and collections is also includbd. Library services are described in detail, with information concerning program size, cost, and effectiveness. Tables andcharts are. used extensively. (EM) at N ******************** ************************************************** Documents ac ired by ERIC include many informal unpublished * * materials not available from othefsources. ERIC makes everkeffort,* * to obtain the best copy available. Nevertheless,items of marginalt * * reproducibility are often encountered and this affects thequality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Docusent, Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document.Reproductions * *.supplied by EDRS are the best that can be made from the original. * #4g*********##f******************************************************** S Yu beverly and it / library I report of a self-study ofi beverly,massOchuseitts 41, and th , beverly public library 1976 U S OE MENT OF HEALTH. EDUCATION W NATIONAL INSTITUTE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO. OUCEO EXACTLY AS RECEIVED FROM, THE PERSON OR ORGANIZATION ORIGIN.
    [Show full text]