El Regreso De Zurdok
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Licenciatura en Comunicación y Cultura Compañías Discográficas Independientes: Las indies como propuesta alternativa de industria cultural en la Ciudad de México Trabajo recepcional que para obtener el título de Licenciado en Comunicación y Cultura Presenta Edgar Hugo Navarro Corona Directora de trabajo recepcional Mtra. Graciela Martínez Matías México D.F. Agosto 2010 SISTEMA BIBLIOTECARIO DE INFORMACIÓN Y DOCUMENTACIÓN UNIVERSIDAD AUTÓNOMA DE LA CIUDAD DE MÉXICO COORDINACIÓN ACADÉMICA RESTRICCIONES DE USO PARA LAS TESIS DIGITALES DERECHOS RESERVADOS© La presente obra y cada uno de sus elementos está protegido por la Ley Federal del Derecho de Autor; por la Ley de la Universidad Autónoma de la Ciudad de México, así como lo dispuesto por el Estatuto General Orgánico de la Universidad Autónoma de la Ciudad de México; del mismo modo por lo establecido en el Acuerdo por el cual se aprueba la Norma mediante la que se Modifican, Adicionan y Derogan Diversas Disposiciones del Estatuto Orgánico de la Universidad de la Ciudad de México, aprobado por el Consejo de Gobierno el 29 de enero de 2002, con el objeto de definir las atribuciones de las diferentes unidades que forman la estructura de la Universidad Autónoma de la Ciudad de México como organismo público autónomo y lo establecido en el Reglamento de Titulación de la Universidad Autónoma de la Ciudad de México. Por lo que el uso de su contenido, así como cada una de las partes que lo integran y que están bajo la tutela de la Ley Federal de Derecho de Autor, obliga a quien haga uso de la presente obra a considerar que solo lo realizará si es para fines educativos, académicos, de investigación o informativos y se compromete a citar esta fuente, así como a su autor ó autores. -
Dur 13/08/2021
E VIERNES 13 DE AGOSTO DE 2021 [email protected] “Nunca te vayas”, la nueva odisea de Chetes El artista regio lanza mento de la grabación. La foto- ¿Sabías sencillo luego de un grafía también se hizo de manera análoga, superponiendo una ima- que...? proceso complejo de gen sobre otra. Aquí observamos El tema llega junto a “Detrás a Chetes en medio de lo que pare- producción. de la odisea”, un documental DECORTESÍA AGENCIAS ce ser una caja que registra la donde muestra cómo grabó voz. Esta caja está parada, lo que su nuevo disco. Portada del nuevo disco del músico mexicano. DANIELA LOMAS ALMAGUER da el efecto de proyectar la salida EL SIGLO DE DURANGO de voz hacia la boca. Durango Hasta ahora, los temas promo- Carrera cionales de este material son “Au- Unodelosmayoreséxitos Luego de su primer sencillo en llando a la luna”, “Perdí la cabe- de Chetes fue el disco años titulado “Alto riesgo”, el can- za”, “Será”, y “Campeón”. “Blanco fácil” con el que tante mexicano Chetes sigue traba- Los más de 20 años de carrera pasó a formar parte de La jando en música nueva y seguir no le impiden a Chetes traer al pre- Avanzada Regia. dando lo mejor para sus fans. sente herramientas como las gra- Y es ahora con el tema “Nunca te badoras análogas que habían que- vayas”, que el regio vuelve a expo- dado en la memoria de todo aman- Colaboraciones ner las emociones recargadas en el te de la música. En “Odisea magnética” temor a las despedidas, algo que ca- Todo el trabajo de “Odisea participaron los músicos si nunca se está preparado. -
Videoclip Del Rock Latino : Memoria Y Transnacionalidad
Diálogos Latinoamericanos Videoclip del Rock Latino : memoria Y transnacionalidad Amanda Rueda1 Una de las múltiples maneras de acercarnos a la discusión sobre la identidad, particularmente en América Latina, es a través de marcas, de símbolos o de imágenes presentes en diversos textos y objetos culturales. Estos objetos se renuevan permanentemente no sólo con el desarrollo de dispositivos de la comunicación como la televisión, sino también con la emergencia de nuevos productos culturales como el rock y sus videoclips, por ejemplo. El interés por el videoclip del rock latino aparece mirando MTV latino y dandonos cuenta que algunos de estos videoclips proponen una mirada bastante singular del territorio de origen : México, Argentina, Colombia, las grandes ciudades de estos países, y América Latina en general. Estas referencias aparecen no sólo en las letras y en la música (mezcla de músicas populares tradicionales y ritmos modernos del rock), sino también en las imágenes. Leyendo « La Colonización de lo Imaginario »2 de Sergio Gruzinsky, donde el autor describe las operaciones de resistencia presentes en las imágenes producidas por los indígenas mexicanos durante el proceso de integración de los elementos plásticos de la pintura del Renacimiento a sus modos de representación, nos preguntamos si este tipo de operaciones estéticas se encuentran en los objetos visuales contemporáneos, específicamente en el videoclip del rock latino ? Esta pregunta supone la existencia de un orden o modelo visual dominante frente al cual el videoclip, en tanto -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
Perspectives on New Wave Cumbia | Norient.Com 7 Oct 2021 06:12:57
Perspectives on New Wave Cumbia | norient.com 7 Oct 2021 06:12:57 Perspectives on New Wave Cumbia by Moses Iten Since the beginning of the 21st century «new wave cumbia» has been growing as an independent club culture simultaneously in several parts of the world. Innovative producers have reinvented the dance music-style cumbia and thus produced countless new subgenres. The common ground: they mix traditional Latin American cumbia-rhythms with rough electronic sounds. An insider perspective on a rapid evolution. From the Norient book Out of the Absurdity of Life (see and order here). https://norient.com/stories/new-wave-cumbia Page 1 of 15 Perspectives on New Wave Cumbia | norient.com 7 Oct 2021 06:12:58 Dreams are made of being at the right place at the right time and in early June 2007 I happened to arrive in Tijuana, Mexico. Tijuana had been proclaimed a new cultural Mecca by the US magazine Newsweek, largely due to the output of a group of artists called Nortec Collective and inadvertently spawned a new scene – a movement – called nor-tec (Mexican norteno folk music and techno). In 2001, the release of the compilation album Nortec Collective: The Tijuana Sessions Vol.1 (Palm Pictures) catapulted Tijuana from its reputation of being a sleazy, drug-crime infested Mexico/US border town to the frontline of hipness. Instantly it was hailed as a laboratory for artists exploring the clash of worlds: haves and have-nots, consumption and its leftovers, South meeting North, developed vs. underdeveloped nations, technology vs. folklore. After having hosted some of the first parties in Australia featuring members of the Nortec Collective back in 2005 and 2006, the connection was made. -
Mexico City Rock Band Mexrrissey Plays Morrissey’S Greatest Hits in Supercharged Tribute
Tweet it! Who’s ready to #MexMoz? Hear Morrissey’s greatest hits like never before, from Mexico with love by @Mexrrissey at @KimmelCenter 10/29 Press Contact: Amanda Conte 215-790-5847 [email protected] MEXICO CITY ROCK BAND MEXRRISSEY PLAYS MORRISSEY’S GREATEST HITS IN SUPERCHARGED TRIBUTE OCTOBER 29, 2016 "A delightful horn-infused love letter to Morrissey’s best solo work.” – Uncut “A brilliant, vibrant take on the songs.” – The Independent FOR IMMEDIATE RELEASE (Philadelphia, PA, August 25, 2016) –– In Mexico, Morrissey is more than just a musician; his songs of love, loss, and longing have nestled their way into the hearts of generations. That love has resurfaced with a new energy through Mexican rock band Mexrrissey, a team of musical gunslingers from Mexico’s hottest bands. The group has taken the greatest hits of iconic artists Morrissey and The Smiths and reinvented them with Mexican flare. For one-night-only, these hits will be performed at the Kimmel Center’s Merriam Theater, on October 29 at 8:00 p.m. as part of the Kimmel Center’s Philly ¡En Vivo! series. “It takes great talent to reimagine beloved songs from a new cultural perspective and Mexrrissey has found a knack for that ability,” said Ed Cambron, Executive Vice President of the Kimmel Center for the Performing Arts. “The group provides a vibrant new twist on these songs with Mexican embellishments that help us to appreciate the music in new ways. The perfect addition to our Philly ¡En Vivo! series!” Mexrrissey, comprised of stars from Mexico’s rock and pop worlds, are known for their brass and string interpretations of Morrissey’s iconic songs. -
Molotov Abre La Alhóndiga Cervantina Con Un Concierto
Comunicado No. 21 Ciudad de México, martes 10 de julio de 2018 En 2018 celebra 23 años de carrera musical Molotov abre la Alhóndiga cervantina con un concierto • Después de dieciséis años vuelve a pisar el escenario del FIC • Se presenta el jueves 11 de octubre, a las 20:00 horas, en la Explanada de la Alhóndiga de Granaditas Con 23 años de trayectoria, Molotov es la banda más representativa de la escena del rock en México y Latinoamérica por su versatilidad musical y estilo irreverente de hacer denuncia social, se presenta por segunda ocasión, la primera en 2002, en el Festival Internacional Cervantino, esta vez en su edición XLVI, en la Explanada de la Alhóndiga de Granaditas, el jueves 11 de octubre, a las 20:00 horas. Desde el primer momento de su irrupción con ¿Dónde jugarán las niñas?, en 1997, el grupo entró al centro de las controversias, tanto por la portada de su álbum como por sus temas Gimme tha power y Que no te haga bobo Jacobo. La crítica los comparó con Beastie Boys y Rage Against the Machine. Ese material fue un retrato del contexto económico, político y social de la época. Fue censurado e incluso prohibida su venta. Hacía una sátira al trabajo titulado ¿Dónde jugarán los niños? de Maná. El single abrió camino a nuevos bríos del rock en español y nuevas bandas hicieron su aparición, como Resorte, Control Machete, Plastilina Mosh y Genitallica, posicionó a las que ya estaban, entre ellas La Cuca, Fobia y Santa Sabina; pudo además forjar una nueva forma y contenido en la libertad de expresión. -
June 4Th 1998
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 6-4-1998 June 4th 1998 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "June 4th 1998" (1998). Coyote Chronicle (1984-). 407. https://scholarworks.lib.csusb.edu/coyote-chronicle/407 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. .'Tf- Volume 32 Issue 15 California State University, San Bernardino June 4,1998 Inside. Students, Staff Protest Special Spring'98 Proposition 226 & 227 Wrop-Up By Mary Ellen Abllez process already exists. Moreover, Chronicle Staff Writer the political influence of working families would be seriously com insert Ontario Mills was more than a promised. place to find a bargain last week. The rally was held after an all Dozens of protestors of Proposi day mobilization effort that in tion 226, including students and cluded several hours of precinct inside faculty of CSUSB, lined up along walking by union members, side Millikin Avenue to show soli friends, family, and students of Dr. darity against big business efforts Nancy Rose and Dr. Elsa Valdez. to undermine unions. "It's so important for young Proposition 226 prohibits people to get involved," said worker's rights organizations from former actor Ralph Waite, who News using member dues in support of played John Walton in the televi political campaigns or candidates sion series "The Waltons." Waite ....page 2 "unless authorized by each indi was a visitor to the local Union vidual member 12 months prior on Hall at the start of the day and has a form develped by the Fair Po recently changed his career from Features litical Practices Commission." It acting to politics. -
Music Production and Cultural Entrepreneurship in Today’S Havana: Elephants in the Room
MUSIC PRODUCTION AND CULTURAL ENTREPRENEURSHIP IN TODAY’S HAVANA: ELEPHANTS IN THE ROOM by Freddy Monasterio Barsó A thesis submitted to the Department of Cultural Studies In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (September, 2018) Copyright ©Freddy Monasterio Barsó, 2018 Abstract Cultural production and entrepreneurship are two major components of today’s global economic system as well as important drivers of social development. Recently, Cuba has introduced substantial reforms to its socialist economic model of central planning in order to face a three-decade crisis triggered by the demise of the USSR. The transition to a new model, known as the “update,” has two main objectives: to make the state sector more efficient by granting more autonomy to its organizations; and to develop alternative economic actors (small private businesses, cooperatives) and self-employment. Cultural production and entrepreneurship have been largely absent from the debates and decentralization policies driving the “update” agenda. This is mainly due to culture’s strategic role in the ideological narrative of the ruling political leadership, aided by a dysfunctional, conservative cultural bureaucracy. The goal of this study is to highlight the potential of cultural production and entrepreneurship for socioeconomic development in the context of neoliberal globalization. While Cuba is attempting to advance an alternative socialist project, its high economic dependency makes the island vulnerable to the forces of global neoliberalism. This study focuses on Havana’s music sector, particularly on the initiatives, musicians and music professionals operating in the informal economy that has emerged as a consequence of major contradictions and legal gaps stemming from an outdated cultural policy and ambiguous regulation. -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released.