DOCSLIB.ORG

Liste Pianistes De Jazz

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

LISTE PIANISTES DE JAZZ Jazz-Piano, Jazzpianisten, jazzpiano, jazzpianists, Klavier, Pianisten, Pianist, Improvisation, American Songbook, Real Book, Jazz, Blues Piano, Bluespiano, Barrellhouse Piano, Ragtime, New Orleans Jazz, Chicago Jazz, Gospel, Dixieland, Big Band Jazz, Westcoast Jazz, Country Music, Cool Jazz, Swing, Boogie Woogie, Harlem Piano, Stride Piano, Bebop, Hard Bop, Free Jazz, Latin Jazz, Bossa Nova, Sa mba Pop, Rock, New Age, Salsa, Fusion, Electric Jazz, Jazzrock, World Music, European Jazz, ECM, Funk Jazz, Postbop, Smooth Jazz, Pop Jazz, Contemporary Jazz, Klavierunterricht, Klaviermusik, Pianoforte, Unterrichtsliteratur, Popularmusik, Jazzliteratur, Jazzgeschichte, History of Jazzpiano, History of Jazz, Geschichte des Jazz, Geschichte des Jazzpiano, Jazz lernen, learn jazz, Jazzpiano Methode, jazzpiano method, Jazz Harmonielehre, jazz harmony, Jazzkomposition, jazz composition, K laviertechnik, piano technique, Jazz scales, Blue Note, Jazz Phrasierung, jazz phrasing, Jazzstudium, Jazz education Early Roots, Traditional Jazz, Ragtime, Blues, New Orleans Jazz, Dixieland, Harlem Piano, Stride Piano, Swing Scott Joplin Jelly Roll Morton James P. Johnson Willie the Lion Smith Eubie Blake Fats Waller Duke Ellington Earl Hines Count Basie Clarence Pinetop Smith Mary Lou Williams Teddy Wilson Nat "King" Cole Dorothy Donegan Art Tatum Erroll Garner George Gershwin Teddy Wilson Meade Lux Lewis ... Blues Piano, Boogie Woogie, New Orleans Blues Pianists Pete Johnson Albert Ammons Professor Longhair, Roy Bird Dr. John, Mac Rebennack James Booker Little Willie Littlefield Jimmy Yancey Otis Spann Piano Red Rosevelt Sykes Big Maceo Memphis Slim Champion Jack Dupree Charles "Cow Cow" Davenport Tuts Washington Huey "Piano" Smith Big Joe Duskin Jay McShann Little Brother Montgomery Floyd Dixon John Oscar Eddie Miller George Noble Pinetop Perkins Pinetop Smith Erwin Helfer Detroit Junior Barrelhouse Chuck Allen Toussaint Lafayette Leake Cow Cow Davenport ... Modern Jazz: Bebop, Hard Bop, Cool Jazz, Westcoast Jazz Oscar Peterson Thelonius Monk Bud Powell Phines Newborn Ahmad Jamal Tadd Dameron Hank Jones Jaki Byard Red Garland Tommy Flanagan Barry Harris Sir Roland Hanna Horace Silver Wynton Kelly Ray Bryant Ramsey Lewis Les Mc Cann Bobby Timmons Herbie Hancock Bill Evans George Shearing Marian Mc Partland John Lewis Dave Brubeck Roger Kellaway Lennie Tristano John Lewis Michel Legrand Horace Parlan ... Free Jazz, Freestyle, Non-traditional Pianists Cecil Talyor Sun Ra Don Pullen Mc Coy Tyner Paul Bley Ran Blake Mal Waldron Makoto Ozone Carla Bley Clare Fischer Yosuke Yamashita Aki Takase ... Soul, Gospel, Rhythm and Blues Pianists Ray Charles Fats Domino Jerry Lee Lewis James Cleveland Thomas Dorsey Richard Tee ... Electronic Jazz, Fusion, Jazzrock Pianists / Keyboardists Joe Zawinul Steve Weingart Lyle Mays George Duke Dave Grusin Joe Sample Russell Ferrante Jan Hammer Ramsey Lewis Keiko Matsui Hiromi Jeff Lorber Stu Goldberg ... Neo Traditional, Postbop, Contemporary Mainstream Pianists Jimmy Rowles Dick Hyman Ray Shermann Dick Wellstood Dave Mc Kenna Gene Harris Oscar Peterson Monty Alexander Cedar Walton JoAnne Brackeen Kenny Barron Adam Makowicz Kenny Kirkland Andy LaVerne Tete Montoliu Mike Wofford Stanley Cowell Barry Harris Alen Broadbent Bill Mays John Campbell Warren Bernhardt Hal Galper Buddy Montgomery Ted Rosenthal Kenny Werner Jessica Williams Kenny Drew Don Friedman John Hicks Ray Santisi Duke Jordan Andrew Hill Roger Kellaway Ellis Larkins Jacques Loussier Jim McNeely John Mehegan Walter Norris Andre Previn Martial Solal Bobby Timmons Gerald Wiggins Denny Zeitlin Marc Cary John Campbell Ralph Sutton John Coliani Allen Farnham James Williams .. LATIN JAZZ PIANISTS Chucho Valdes Michel Camilo Eliane Elias Gonzalo Rubalcaba Eddie Palmieri Danilo Perez Omar Sosa Hilton Ruiz Ramon Valle Ruben Gonzalez Contemporary Jazz Pianists, Neoromantic Jazz Pianists Keith Jarrett Chick Corea Michel Petrucciani Steve Kuhn Toshiko Akiyoshi Richie Beirach Brad Mehldau Billy Childs Fred Hersch Jacky Terasson Geri Allen Mulgrew Miller Mike Nock George Cables Bill Dobbins John Taylor Leonid Chizhik ... Pop / Progressive Rock Pianists / Keyboardists Elton John Keith Emerson Jordan Rudess Tori Amos Oksana Kolesnikova Vanessa Carlton Jo Ann Castle Russ Conway Billy Joel Alicia Keys Barry Manilow Joni Mitchell Stevie Wonder Gary Brooker Floyd Cramer Jools Holland Carole King Nicky Hopkins Bruce Hornsby Jon Lord Little Richard Leon Russell Rick Wakeman Jeff Gutcheon Ike Turner ... World Music Pianists Egberto Gismonti Abdullah Ibrahim Dollar Brand Aziza Mustafa Zadeh ... Popular Jazz, New Age, Smooth Jazz Pianists Norah Jones Diana Krall George Winston Bob James Vince Guaraldi Jamie Cullum Peter Cincotti David Benoit David Kikoski David Osborne Bob Baldwin Bob James Bobby Lyle David Benoit Elliot Levine Freddie Ravel Joe Sample Philippe Saisse ... European Jazz Pianists Modern & Contemporary Jazz: Wolfgang Dauner Walter Norris Joachim Kühn Jasper van't Hof Esbjörn Svensson Leszek Mozdzer Bobo Stenson Enrico Pieranunzi Christoph Spendel Dieter Glawischnig Barbara Dennerlein (organ) ... Traditional Jazz: Axel Zwingenberger Paul Kuhn Gottfried Böttger ... Composers Arrangers (Piano) Hoagy Carmichael Tadd Dameron Gil Evans George Gershwin Antonio Carlos Jobim Michel Legrand Ivan Lins Hermeto Pascoal Billy Strayhorn John Williams Major Figures Ketil Bjørnstad Cyrus Chestnut Sonny Clark Bill Cunliffe Manfredo Fest Benny Green Billy Taylor Michael Wolff Junior Mance ... Young Generation Jazz Pianists international Sarah Jane Sion Renee Rosnes Jacky Terasson Marc Copland Jean Michel Pilc Eldar Djangirov Eric Reed Moncef Genoud Cyrius Chestnut Benny Green Aaron Goldberg Hidecki Takao Rachel Z George Kahn Billy Charlap Harry Connick Stephen Scott Geoff Keezer ... .
Recommended publications
  • • Issue 45.Indd

    • Issue 45.Indd

    THE BOOGIE MAN Boogie pianist Ben Waters has a new record out, entitled ‘Boogie 4 Stu’, paying tribute to Ian Stewart, a founding member of The Rolling Stones, who went on to become their road manager. As a long term fan of Stewart and his playing, Ben talked to his friend Charlie Watts about paying tribute with an album. Watts immediately wanted to be a part of it, which led to fellow Stones Mick Jagger, Ronnie Wood and Keith Richards hurling themsleves into the fray. Ex-Stones man Bill Wyman threw his name into the hat, along with fellow gifted ivory tinkler Jools Holland. With a star studded guest list, a portrait of Ian Stewart being commissioned by Sir Peter Blake for the cover and proceeds from the album going toward raising funds for the British Heart Foundation, James Gaden thought it was time Ben got to tell people all about it. Ben, you’re an experienced pianist in your own right and have worked with a host of big names - for readers unfamiliar with your work, can you provide a brief overview of your work to date? I started playing piano when I was about 14ish. My first exposure to this kind of music was Ian Stewart playing at my aunt and uncle’s 25th wedding anniversary. Shortly after this, Fats Domino’s 60th Birthday was on TV with Ray Charles and Jerry ‘Boogie For Stu’, as I mentioned just then, this was because of his love for Lionel Lee Lewis. I really fell in love with the music and wanted to start playing.
  • Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275

    Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275

    Introspection: Neglected Jazz Figures of the 1950s and early 1960s New World NW 275 In the contemporary world of platinum albums and music stations that have adopted limited programming (such as choosing from the Top Forty), even the most acclaimed jazz geniuses—the Armstrongs, Ellingtons, and Parkers—are neglected in terms of the amount of their music that gets heard. Acknowledgment by critics and historians works against neglect, of course, but is no guarantee that a musician will be heard either, just as a few records issued under someone’s name are not truly synonymous with attention. In this album we are concerned with musicians who have found it difficult—occasionally impossible—to record and publicly perform their own music. These six men, who by no means exhaust the legion of the neglected, are linked by the individuality and high quality of their conceptions, as well as by the tenaciousness of their struggle to maintain those conceptions in a world that at best has remained indifferent. Such perseverance in a hostile environment suggests the familiar melodramatic narrative of the suffering artist, and indeed these men have endured a disproportionate share of misfortunes and horrors. That four of the six are now dead indicates the severity of the struggle; the enduring strength of their music, however, is proof that none of these artists was ultimately defeated. Selecting the fifties and sixties as the focus for our investigation is hardly mandatory, for we might look back to earlier years and consider such players as Joe Smith (1902-1937), the supremely lyrical trumpeter who contributed so much to the music of Bessie Smith and Fletcher Henderson; or Dick Wilson (1911-1941), the promising tenor saxophonist featured with Andy Kirk’s Clouds of Joy; or Frankie Newton (1906-1954), whose unique muted-trumpet sound was overlooked during the swing era and whose leftist politics contributed to further neglect.
  • Mise En Page 1

    Mise En Page 1

    NANCY , ville d’échange, dynamique, jeune, première ville universitaire du grand Est, s’impose frustrée. Comme jadis au CMCN et maintenant à Music Academy International, nous sommes des comme un des pôles culturels et artistiques européens. Point chaud du rock, capitale du jazz, européens convaincus. La vocation internationale de notre école n’est pas uniquement dictée par la haut-lieu de la musique classique, Nancy a le goût de la scène. Du club de jazz intimiste à “l’Autre situation géographique de Nancy (dans un rayon de 350 km nous touchons Paris et 6 pays, dans un Canal”, scène de Rock, chanson & électro ultra-équipée, en passant par la salle de concerts rayon de 950 km nous touchons Brest et 11 pays), mais également par l’enrichissement culturel et majestueuse jusqu’au Zénith imposant, Nancy accueille à bras ouverts les musiciens de tous économique qui se présente à l’artiste qui profite de l’ouverture des frontières. horizons. Music Academy International est implantée à proximité de trois parcs, à deux pas de la célèbre place Stanislas, en plein centre ville dans un quartier sympathique et sécurisant. Pour cette raison Music Academy International entre autres, accueille nombre d’artistes étrangers réputés. Music Academy se félicite également d’un partenariat privilégié avec une vingtaine des INTERNATIONAL : Le caractère universel de la musique et plus particulièrement les qualités de plus grandes écoles du monde entier. Mais ne nous y trompons pas, même si à Music Academy le brassage et d’intégration des courants actuels, interdit de délimiter son champ d’action, de rester mot “International” prend toute sa mesure, même si les accents sont multiples, même si tous les replié sur son territoire national.
  • The History and Development of Jazz Piano : a New Perspective for Educators

    The History and Development of Jazz Piano : a New Perspective for Educators

    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr.
  • Boogie News Ausgabe Juni 2016

    Boogie News Ausgabe Juni 2016

    Boogie News Ausgabe Juni 2016 Liebe Freunde des Boogie und Blues, „aber bitte mit Sahne“ Dieser Song von Udo Jürgens zeigt, dass die Session im Mai die einer anderen Art war. Zwei hervorragende Pianisten wie Daniel Paterok und Peter Asmuth improvisierten und brillierten mit alten „Gassenhauern“, Filmmusiken und stand up comedy der aller feinsten Art. Dann gab es noch eine Weltpremiere: Daniel Paterok hat gesungen und gar nicht schlecht. Insgesamt, wenn auch anders, ein gelungener Abend. Patrick Ziegler am 15.06. erneut in Altenberge Im Jahre 2013 bekam er den Boogie Woogie Award in der Kategorie „bester deutscher Nachwuchspianist“. Patrick hat als Kind nur für kurze Zeit einen Klavierlehrer und dann hat er sich alles autodidaktisch beigebracht. Patrick Ziegler ist ein junger Boogie Woogie Pianist aus Hockenheim und trotz seiner jungen Jahre bereits ein echter Meister seines Fachs. In den letzten Jahren hat er es verstanden sich in der nationalen und internationalen Boogie-Szene Gehör zu verschaffen und gilt längst nicht mehr nur als Geheimtipp. Sein Spiel ist stark an den Stil des Blues & Boogie Meisters Vince Weber angelegt, gewinnt durch die ebenfalls vorhandene Liebe zur „klassischen“ Ausrichtung á la Albert Ammons und Pete Johnson an Tiefe und wird durch seinen ausdrucksstarken Gesang unverwechselbar. Er spielte bereits u. a. mit Bob Seeley, dem letzten lebenden Pianisten, der noch bei den alten Chicagoer Stars gelernt hat. In Europa trat Patrick bei internationalen Festivals in Frankreich und Belgien auf und saß mit Jean-Pierre Bertrand, Renaud Patigny, Ben Waters und Gene Taylor am Piano. Was sagt Patrick über sich: 1989 erblickte ich in Heidelberg das Licht der Welt.
  • 7.Moerser Boogie Night

    7.Moerser Boogie Night

    Eine Veranstaltung des Moerser Stadtmarketings in Zusammenarbeit mit Paul und Iris Jahns in der Musikschule der Stadt Moers, Filder Straße 126, 47447 Moers Jörg Hegemann (Piano), Witten – www.joerghegemann.info Moerser Boogie Night Frank Muschalle (Piano), Berlin – www.frankmuschalle.de im Martinstift Thomas Aufermann (Vocals), München Reinhard „Django“ Kroll (Bass), Dortmund Jörg Hegemann & Jan Freund (Drums), Ibbenbüren Frank Muschalle an zwei Flügeln Thomas Aufermann (Vocals) 7. Reinhard „Django“ Kroll (Bass) Karten Jan Freund (Schlagzeug) MoersMarketing GmbH Homberger Straße 4 (Königlicher Hof) Info u. Kartenversand 47441 Moers Paul Jahns Mit freundlicher Unterstützung Tel. 0 28 41 - 88 22 60 Schillerstraße 27 www.moers-stadtportal.de 47445 Moers Eintritt 19,50 EUR Freitag, 25. September 2015, 20.00 Uhr E-Mail: [email protected] Tel. 0 28 41 - 4 34 70 zzgl. VVK-Gebühr www.grafic-vision.de Martinstift – Kammermusiksaal Jörg Hegemann & Frank Muschalle an 176 Tasten Im wundervollen Ambiente des Kammermu- Zwingenberger, Vince Weber, Rolf Lebeda, Gott- tation und die ebenfalls entstandenen Audiomit- ältesten Jazzband des Ruhrgebietes. Bevor der Thomas Aufermann, geb. 1966 in Witten an der siksaales der Stadt Moers garantiert der Boogie fried Böttger und Jean-Pierre Bertrand. Seit 2007 schnitte sind mehr als sehens- und hörenswert. Boogie Woogie in den letzten Jahren mehr und Ruhr, entdeckte bereits in jugendlichem Alter sei- Woogie, dieser faszienierende und mitreißende ist er musikalischer Leiter des „BOOGIE WOOGIE Neben verschiedenen Tourneen durch Deutsch- mehr zum Zentrum seines musikalischen Wir- ne Liebe zu Blues und Boogie Woogie und speziell Pianostil zwischen Blues, Swing und Rock 'n' Roll, CONGRESS“ in der Philharmonie Essen und seit land, Österreich und die Schweiz war er 2004 mit kens wurde, ist er bundesweit in Jazzclubs und zu Big Joe Turner, den großen Boogie-Shouter, der vorgetragen von Meistern ihres Faches, einen un- 2009 musikalischer Leiter der jährlichen Ver- seinem Trio zu Gast beim „Internationalen Jazzfe- auf Festivals aufgetreten.
  • June 2020 Volume 87 / Number 6

    June 2020 Volume 87 / Number 6

    JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
  • Rhythm & Blues Rhythm & Blues S E U L B & M H T Y

    Rhythm & Blues Rhythm & Blues S E U L B & M H T Y

    64 RHYTHM & BLUES RHYTHM & BLUES ARTHUR ALEXANDER JESSE BELVIN THE MONU MENT YEARS CD CHD 805 € 17.75 GUESS WHO? THE RCA VICTOR (Baby) For You- The Other Woman (In My Life)- Stay By Me- Me And RECORD INGS (2-CD) CD CH2 1020 € 23.25 Mine- Show Me The Road- Turn Around (And Try Me)- Baby This CD-1:- Secret Love- Love Is Here To Stay- Ol’Man River- Now You Baby That- Baby I Love You- In My Sorrow- I Want To Marry You- In Know- Zing! Went The My Baby’s Eyes- Love’s Where Life Begins- Miles And Miles From Strings Of My Heart- Home- You Don’t Love Me (You Don’t Care)- I Need You Baby- Guess Who- Witch craft- We’re Gonna Hate Ourselves In The Morn ing- Spanish Harlem- My Funny Valen tine- Concerte Jungle- Talk ing Care Of A Woman- Set Me Free- Bye Bye Funny- Take Me Back To Love- Another Time, Another Place- Cry Like A Baby- Glory Road- The Island- (I’m Afraid) The Call Me Honey- The Migrant- Lover Please- In The Middle Of It All Masquer ade Is Over- · (1965-72 ‘Monument’) (77:39/28) In den Jahren 1965-72 Alright, Okay, You Win- entstandene Aufnahmen in seinem eigenwilligen Stil, einer Ever Since We Met- Pledg- Mischung aus Soul und Country Music / his songs were covered ing My Love- My Girl Is Just by the Stones and Beatles. Unique country-soul music. Enough Woman For Me- SIL AUSTIN Volare (Nel Blu Dipinto Di SWINGSATION CD 547 876 € 16.75 Blu)- Old MacDonald (The Dogwood Junc tion- Wildwood- Slow Walk- Pink Shade Of Blue- Charg ers)- Dandilyon Walkin’ And Talkin’- Fine (The Charg ers)- CD-2:- Brown Frame- Train Whis- Give Me Love- I’ll Never
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast

    Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast

    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
  • Un Concept Polyvalent : Jean-Pierre Bertrand Créateur D'événements

    Un Concept Polyvalent : Jean-Pierre Bertrand Créateur D'événements

    Un concept polyvalent : Quelques Revue de presse : Références Figure talentueuse du Boogie « made in France », Jean-Pierre Bertrand Jean-Pierre Bertrand se produit : reprend avec bonheur les standards du jazz en boogie et des compositions personnelles très originales. : En piano solo Festivals JAZZMAN : En duo de pianos Den Haag Jazz Festival Jean-Pierre Bertrand (Hollande) : En trio (piano, contrebasse, Le jeu fruité de Jean-Pierre Bertrand marie des influences Swing et Jazz. Les Nuits Jazz & SOULBAG Le moteur à rythme batterie) Boogie Piano (Paris) : En quintet (piano, Jean-Pierre Bertrand et ses complices offrent au public une musique “Boogie Swingers” quintet Shake the Lake contrebasse, batterie, (Autriche) dynamique, un fabuleux voyage au pays du Boogie. NICE-MATIN sSax alto et sax ténor) Boogie Woogie : En Orchestre (piano, contrebasse, batterie, meeting Jean-Pierre Bertrand is one of the prolific boogie woogie pianists of today sax alto, sax ténor, guitare, trombone) (Allemagne, Autriche) spreading the seeds of this wonderful music both in France as well as Cincinnati internationally. Blues Festival (USA) Steve Dore (boogiewoogie.com) Jean-Pierre Festival de Boogie de La Roquebrou Jean-Pierre possesses a creative charme which enables him to blend original Bertrand Boogie Woogie with other musical influences from the swinging, happy side Piano à Auxerre and still keep the authentic feeling of the Bluesy roots of Boogie, very much Blues et Boogie Woogie créateur Jazz à Bagatelle like Albert Ammons did in the 1940s. (Marseille) Axel ZWINGENBERGER – International Blues & Boogie pianist. d’événements : La Fabrik (Hambourg) 62449 - Crédits photos : V.Colignon – J.P. Amouroux – Olivier Figoni HTP – J.P.
  • Downbeat.Com November 2015 U.K. £4.00

    Downbeat.Com November 2015 U.K. £4.00

    NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk;
  • We Offer Thanks to the Artists Who've Played the Nighttown Stage

    We Offer Thanks to the Artists Who've Played the Nighttown Stage

    www.nighttowncleveland.com Brendan Ring, Proprietor Jim Wadsworth, JWP Productions, Music Director We offer thanks to the artists who’ve played the Nighttown stage. Aaron Diehl Alex Ligertwood Amina Figarova Anne E. DeChant Aaron Goldberg Alex Skolnick Anat Cohen Annie Raines Aaron Kleinstub Alexis Cole Andrea Beaton Annie Sellick Aaron Weinstein Ali Ryerson Andrea Capozzoli Anthony Molinaro Abalone Dots Alisdair Fraser Andreas Kapsalis Antoine Dunn Abe LaMarca Ahmad Jamal ! Basia ! Benny Golson ! Bob James ! Brooker T. Jones Archie McElrath Brian Auger ! Count Basie Orchestra ! Dick Cavett ! Dick Gregory Adam Makowicz Arnold Lee Esperanza Spaulding ! Hugh Masekela ! Jane Monheit ! J.D. Souther Adam Niewood Jean Luc Ponty ! Jimmy Smith ! Joe Sample ! Joao Donato Arnold McCuller Manhattan TransFer ! Maynard Ferguson ! McCoy Tyner Adrian Legg Mort Sahl ! Peter Yarrow ! Stanley Clarke ! Stevie Wonder Arto Jarvela/Kaivama Toots Thielemans Adrienne Hindmarsh Arturo O’Farrill YellowJackets ! Tommy Tune ! Wynton Marsalis ! Afro Rican Ensemble Allan Harris The Manhattan TransFerAndy Brown Astral Project Ahmad Jamal Allan Vache Andy Frasco Audrey Ryan Airto Moreira Almeda Trio Andy Hunter Avashai Cohen Alash Ensemble Alon Yavnai Andy Narell Avery Sharpe Albare Altan Ann Hampton Callaway Bad Plus Alex Bevan Alvin Frazier Ann Rabson Baldwin Wallace Musical Theater Department Alex Bugnon Amanda Martinez Anne Cochran Balkan Strings Banu Gibson Bob James Buzz Cronquist Christian Howes Barb Jungr Bob Reynolds BW Beatles Christian Scott Barbara Barrett Bobby Broom CaliFornia Guitar Trio Christine Lavin Barbara Knight Bobby Caldwell Carl Cafagna Chuchito Valdes Barbara Rosene Bobby Few Carmen Castaldi Chucho Valdes Baron Browne Bobby Floyd Carol Sudhalter Chuck Loeb Basia Bobby Sanabria Carol Welsman Chuck Redd Battlefield Band Circa 1939 Benny Golson Claudia Acuna Benny Green Claudia Hommel Benny Sharoni Clay Ross Beppe Gambetta Cleveland Hts.