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September 1980 CAA Newsletter

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r Volume 5, Number 3 September 1980 nominations for eM board of directors The .1980 Nominating Committee has submitted it,;; initial slate of FREDERICK J. CUMMINGS twelve nominees to serve on the CAA Board of Directors from 1981 to The Detroit Institute of Arts 1985. Of these, six will be selected by the Committee as its final slate and formally proposed for election at the Annual Members Business BA Willamette Univ, 1954; MA Harvard Univ, Meeting to be held at the San Francisco Hilton February 26, 198L To 1956; PhD Univ Chicago, 1966. POSITIONS: acting assist the Committee in making its final selection, all individual director, Univ Missouri Mus Art and Archaeol­ members of the Association are invited to cast their votes on the ogy, 1963-64; editor, The Art Quarterly, preferential ballot. 1966-69, curator European Art, Detroit Inst For members' convenience the preferential ballot is in the form of a Arts, 1964-67; asst director, 1967-73; director, prepaid business reply card which is being mailed separately. Please 1973 -. EXHIBITIONS ORGANIZED: co-organizer return it promptly; ballots must be postmarked)1o later than 15 Oct. Romantic Art in Britain: Paintings and Drawings, co-author catalog, A brief curriculum vitae for each candidate is given below, followed 1968; Rembrandt after 300 Years, 1969-70; French Impressionist and by a list of present Board members. Please retain this information until Post-Impressionist Paintings from the USSR, 1973; TwiHght of the you receive your ballot. Medict~ Late Baroque Art in Florence 1670-1743, catalog, 1973; co­ organizer Painting in France 1774-1830: The Age of Revolution, catalog, 1974··75; Matisse-The Paper Cut-Outs, 1977; The Second PAMELA ASKEW Empire (1850-70),1978. OTHERPuBLlcA'rIONs: The Detroit Institute of Vassar College Arts Illustrated Handbook, 1971; Selected Works from The Detroit Institute of Arts, 1979; also numerous articles. AWARDS: officer in the BA Vassar ColI, 1946; MA lnst Fine Arts, NYU, Order of Merit of the Italian Republic, 1975; officer in the Order of 1951; PhD Courtauld lnst, Univ London, 1954. Merit of the French Government, 1976. CAA ACTIVITIES: board of POSITIONS: asst art librarian, Vassar Coll, directors, 1971-76; chr, Sub-committee on museum-university rela­ 1946-47; instructor to fun prof, Vassar Coll, tions, 1972-76 . • ~.49-; dept chr, 1971-74. PUBLICATIONS: "Fer- h.ando Gonzaga's Patronage of the Pictorial JAROSLAV FOLDA A~ts: The Villa Favorita," The Art Bulletin, University of North Carolina 1978; "Domenico Fetti's Portrait of an Actor Reconsidered," The Burlington Magazine, 1978; numerous other articles and reviews in The Art Bulletin, The Burlington Magazine, Women Artists 1550- BA Princeton Univ, 1962; PhD Johns Hopkins ~<•• e!ltI Univ, 1968. POSITIONS: asst to full prof, Univ 1950, Print Review, The Gurrier Gallery ofArt Bulletin,journalofthe North Carolina, 1968-. PUBLICATIONS: co-editor Warburgand Gourtauld Institutes, Art News, others. AWARDS: Amer and contributor, A Medieval Treasury from Council Learned Soc fellow, 1965-66; Fulbright fellow, 1965-66; Southeastern Collectt'ons, 1971; Crusader Manu­ visiting fellow, School of Historical Studies, Institute for Advanced SCrtpt Illumination at St. Jean d'Acre: 1275- Study, 1976-77. PROFESSIONAL ACTIVITIES: Fulbright-Hays Commis­ 1291, 1976; contributor and assistinged., A His­ sion, screening committee for art history, 1972-75. tory of the Crusades, 1977; articles in Byzantinoslabica, Scrtptorium, Levant, others. AWARDS: Fulbright fellow, 1966-·67; Dumbarton Oaks BLANCHE R. BROWN Junior fellow, 1967-68; NEH fellow, 1974-75; Arner Council Learned New York University Soc grant-in-aid, 1973; Amer Philosophical Soc grant-in-aid, 1978. PROFESSIONAL ACTIVITIES: Internatl Center Medieval Art, board of MA Inst Fine Arts, NYU, 1938; PhD 1967. POSI­ directors, 1979-; Medieval Academy of Amer, 1963-; Societe TIONS: staff lecturer, Metropolitan Mus Art, franl,;aise d'archeologie. CAA ACTIVITIES: read papers at annual 1941-65; assoc to full prof, New York Univ, meetings, 1970, 1972; nominating committee, 1979; chr, session on 1966-. PUBLICATIONS: Ptolemaic Paintings and Mediterranean Crosscurrents, 1980 annual meeting. Mosaics, CAA Monograph, 1957; Five Cities: An Art Guide to Athens, Rome, Florence, Paris, F. HAMILTON HAZLEHURST London, 1966; Anticlassicism in Greek Sculp- 'IF Vanderbilt University ture ofthe 4th Century B. c., CAA Monograph, 1973; in preparation, history of Early Hellenistic art; numerous articles in Studies for an BA Princeton Univ, 1949; MFA 1952; PhD 1956, Editor: ... in Memory ofMilton S. Fox, Essays in Honor ofH. W.Jan­ POSITIONS: asst instructor to instructor, Princeton son, New, York Tt'mes Magazine, Natural History Magazine, others. Univ, 1951-56; lecturer and research asst, Frick EXHIBITIONS ORGANIZED: Circa 1776, Grey Art Gallery, NYU, 1976; Collection, 1956-57; lecturer, Princeton Theo­ Changes in Perspective, Grey Art Gallery, NYU, 1978. AWARDS: Amer logical Seminary, 1956-57; assoc prof, Univ Council Learned Soc fellow, 1959-60; NEH fellow, 1976-77; Gug­ Georgia, 1957-63; assoc prof to full prof and ; \heim fellow, 1978-79. PROFESSIONAL ACTIVITIES: founding dept chr, Vanderbilt Univ, 1963-. PUBLICA­ !,Fnber, LF.A. Alumni Society. CAA ACTIVITIES: chr, session on An- TIONS: Jacques Boyceau and the French Formal Garden, 1966; co­ cle<nt art, 1977 annual meeting; read papers at several other annual editor, The French Formal Garden, 1974; Gardens of Illusion: The meetings. Continued on p. 2, col. 1 Inominations for CAA board of directors Inominations for CAA board of directors Genius of Andre Le Nostre, funded in part by grant from Millard HOWARDENA PINDELL JASON SELEY NEA planning grant, 1980. PROFESSIONAL ACTIVITIES: board member, Meiss Publication Fund, 1980; numerous articles in Gazette des State University of New York, Stony Brook Cornell University Mid-American College Art Association, 1977 -; board member, Mid­ Beaux-Arts, The Art Bulletin, others. AWARDS: Fulbright fellow, west Art History Society, 1978-; board member, National Council of 1953-54; Arner Council Learned Soc grant-in-aid, 1967; Arner BFA Boston Univ, 1965; MFA Yale Univ, 1967. ,AB Cornell Univ, 1940. POSITIONS; assoc prof Art Administrators, 1978-; advisory screening committee in art and Philosophical Soc grant, ] 967; Madison Sarratt Prize for Excellence in POSITIONS: asst, Garvin ColI, YaleUniv, 1966--67; ;:ulpture, Hofstra Univ, 1953-65; assoc prof art history, Council for International Exchange of Scholars, 1976 -; Undergraduate Teaching, 1970. PROFESSIONAL ACTIVITIES: South­ exhibition asst, Dept National and International sculpture, NYU, 1965-67; prof sculpture and editorial board, Sixteenth Century journal, 1977 -. CAA ACTIVITIES: eastern ColI Arts Conf, president, 1973--74; board of directors, Circulating Exhibitions, Mus Mod Art, 1967-69; dept chr, Cornell Univ, 1968-80; dean, Coll committee on standards for MFA degree, 1976-77; committee on 1977-79; chr, Third International Colloquium on Landscape Ar­ curatorial assistant, Drawings and Prints, 1969- _ Architecture, Art & Planning, Cornell Univ, standards for BA/BFAdegree, 1978-79; chr, Distinguished Teaching chitecture, Dumbarton Oaks, 1973; chaired sessions at Soc Architec­ 71; asst curator to assoc curator, Prints and Illus- , 1980-,; also numerous visiting artist and artist­ of Art History Award selection committee, 1979; member, special tural Historians annual meetings; board of trustees, Harpeth Hall trated Books, 1971-79; assoc prof, SUNY, Stony., in-residence, EXHIBITIONS: solo Le Centre d'Art, panel on job placement, 1978 annual meeting. School. CAA ACTIVITIES: chr, nominating committee, 1969; read paper Brook, 1979-. EXHIBITIONS: solo AIR Gallery, NYC, 1973; Sonja Haiti, 1946, 1948, 1949; Amer British Art Center, NYC, 1947, 1948; at 1977 annual meeting. Henie Onstad Foundation, Norway, 1976; Cincinnati Art Acad, 1978; Kornblee Gallery, NYC, 1962, 1964, 1967, 1969; Andrew Dickson Lerner Heller Gallery, NYC, 1980; others; numerous group exhibi­ White Mus Art, Cornell Univ, 1965; Davison Art Center, Wesleyan tions including New American GraPhicArt, Fogg Art Mus, 1973; New Univ, 1969; Amerika House, Germany, 1971; Louis K. Meisel Gallery, CURRENT BOARD OF DIRECTORS WOLF KAHN Ways with Paper, Natl Gallery, 1978; Black Artists: Abstractions, NYC, 1974, 1978; Everson Mus Art, Syracuse, 1977; retrospective Hunter College PSI, 1980. COLLECTIONS: Metropolitan Mus Art, Philadelphia Mus Herbert F. Johnson Mus Art and Albany Inst History and Art, 1980; PRESIDENT: Joshua C. Taylor, National Collection of Fine Arts Art, Fogg Art Mus, Whitney Mu~ Amer Art, Mus Mod Art, Roy others; numerous group exhibitions U.S. and abroad. COLLECTIONS: VICE PRESIDENT: Lucy Freeman Sandler, New York University BA Univ Chicago, 1951; also studied with Hans Neuberger Mus, many others. AWARDS: Mather Prize for Sculpture, Everson Mus Art; Hirshhorn Mus; Herbert F, Johnson Mus Art, Cor­ SECRETARY: John R. Martin, Princeton University Hofmann. POSITIONS: instructor, Cooper Union, Art Inst Chicago, 1957; NEA fellow for painting, 1972-73; NEA/ nell Univ; Whitney Mus Amer Art; Univ California, Berkeley; Mus TREASURER; Richard Ravenscroft, Philadelphia National Bank 1961-77; also taught at Columbia Univ, 1977- Japan US Friendship Comm fellow for painting, 1980-81. PROFES­ Mod Art, Nat! Gall Canada; others. AWARDS: US State Dept and US COUNSEL: Gilbert S. Edelson, Rosenman Colin Freund Lewis & Cohen 78; RISD, 1978-79; Queens CoIl, 1979; adj assoc SIONAL ACTIVITIES: visual
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