Johnny Tillotson Without You / Cutie Pie Mp3, Flac, Wma

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Johnny Tillotson Without You / Cutie Pie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Without You / Cutie Pie Country: Sweden Released: 1961 Style: Pop Rock MP3 version RAR size: 1197 mb FLAC version RAR size: 1670 mb WMA version RAR size: 1918 mb Rating: 4.9 Votes: 316 Other Formats: XM MP1 AU DTS MPC AC3 MP3 Tracklist A Without You 2:06 B Cutie Pie 2:13 Companies, etc. Published By – Ridge Music Corp. Credits Conductor – Archie Bleyer Written-By – Johnny Tillotson Notes White & black labels. Not For Sale Sample Record Made in Sweden Barcode and Other Identifiers Matrix / Runout (Label, side A): M90W-4894 Matrix / Runout (Label, side B): M90W-4895 Rights Society: NCB Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Johnny Without You (7", 1404 Cadence 1404 US 1961 Tillotson Single) Without You / Cutie Johnny 1404 Pie (7", Single, Cadence 1404 US 1961 Tillotson Promo) Johnny Without You / Cutie London 45-HLA 9412 45-HLA 9412 UK 1961 Tillotson Pie (7", Single, DEM) Records Johnny Without You (7", GSS 115 Stateside GSS 115 Greece Unknown Tillotson Single) Johnny Without You / Cutie 1404 Cadence 1404 US 1961 Tillotson Pie (7", Single) Related Music albums to Without You / Cutie Pie by Johnny Tillotson Johnny Tillotson - Talk Back Trembling Lips / Another You Johnny Tillotson - Tommy Jones Johnny Tillotson - You Can Never Stop Me Loving You Johnny Tillotson - You're The Reason Johnny Tillotson - Dreamy Johnny Tillotson - Poetry In Motion Johnny Tillotson - Funny How Time Slips Away Johnny Tillotson - Johnny Tillotson Sings Our World Johnny Tillotson - The Very Best Of Johnny Tillotson Johnny Tillotson - Jimmy's Girl / Why Do I Love You So.

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1. 11 1 I WANT/L SAW HER-Beatles (Cap) 11.1 [U) BABY DON’T WEEP-James Brown (Kin) 2
February 17, 1964 Number Forty Three HIT OF THE WEEK; NAVY BLUE - Diane Renay (20th Fox) A top ten entry in the Carolinas, Florida, Alabama, Georgia, Texas, Tennessee, Kentucky and Virginia. Be sure you’re on it. It’s a heavy weight. CORRESPONDENTS POPULAR PICK; KISSIN' COUSINS/lT HURTS ME - Elvis Presley (RCA) An instant smashI A top seller and request getter in only a week. SURPRISE OF THE WEEK: TO THE AISLE - Jimmy Velvet (ABC) I am not convinced this can do it in the long pull, but it has pulled strong calls where it is programmed. Frank Jolle-WMAK-Nashvllle had one of the first dubs and went with it. A top five request for him. Activity at: WPGA, WTBC, WMOC, KOLE, WROV, WCAW, WNOR, WEKR, KVOL, WMBR, WMNZ, WMTS, WEED and WLBG. HOT ACTION RECORD: SEE THE FUNNY LITTLE CLOWN - Bobby Goldsboro (UA) It keeps building. Sales and/or requests in Tennessee, Texas, though it bombed in Dallas, Georgia, Alabama, Virginia, West Virginia, Kentucky, Louisiana, Arkansas, Mississippi, Florida and the Carolinas. SOUTHERN SURVEY CHOICE OF THE WEEK: MY HEART BELONGS TO ONLY YOU - Bobby Vinton (Epic) Hope you've been programming it from the album. Single is due out today. It’ll be another smash for the artist. SOUTHERN TOP TWENTY 1. 11 1 I WANT/l SAW HER-Beatles (Cap) 11. 1[U) BABY DON’T WEEP-James Brown (Kin) 2. 12 1 SHE LOVES YOU-Beatles (Swa) 12. 1l10 FOOL NEVER LEARNS-Andy Williams(Col) 3. <¡4; YOU DON'T OWN ME-Lesley Gore (Mer) 13 .
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“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
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Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.
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BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Johnny Tillotson TITLE The Outtakes LABEL Bear Family Records CATALOG # BCD 16815 PRICE-CODE BR EAN-CODE ÆxAKABMRy168153z ISBN-CODE 978-3-89916-564-7 FORMAT 2-CD Mini-Box (CD-size) with 60-page booklet GENRE Pop / Rock’n’Roll TRACKS 58 PLAYING TIME 166:39 G TwoCDs provide a superb collection of alternative takes recorded by Johnny Tillotson at CADENCE Records. G The set offers Johnny Tillotson fans and collectors an opportunity to hear the differences between early and later takes. G The material focuses on the first six years of Johnny Tillotson's recording career. INFORMATION BEAR FAMILY RECORDS is proud to present this most welcome entry in its series of studio outtakes releases that now includes the Everly Brothers, Johnny Cash, Billy Riley, Gene Vincent and Janis Martin. Johnny Tillotson is an international star who secured 26 entries on the 'Billboard' charts between 1958 and 1965. His biggest hit was Poetry In Motion which peaked at #2 in the States but managed to secure the number one position in the UK where it spent the first three weeks of 1961 at the top of the charts. These recordings, the great majority of which are released for the first time, give the listener the opportunity to hear songs de- velop in the studio. Some appear without later overdubs and orchestral backings that were included on the recordings first time round. Amajor highlight is the discovery of previously unheard versions of Poetry In Motion recorded in New York with King Curtis on sax.
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BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Johnny Tillotson TITLE Travelin’ On Foreign Grounds LABEL Bear Family Productions CATALOG # BCD 17379 PRICE-CODE AH EAN-CODE ÇxDTRBAMy173790z FORMAT 1 CD digipac with 32-page booklet GENRE Rock ‘n’ Roll TRACKS 24 PLAYING TIME 60:06 G Contains all of Tillotson's MGM-era international recordings in Italian, Spanish, German, and Japanese! G 24 tracks in crystal clear, remastered sound! G Contains detailed liner notes by Randy Fox drawn from a new interview with Johnny Tillotson! G Contains previously unissued recordings G 32-page booklet with many rare photos and a detailed discography! INFORMATION Johnny Tillotson was already a proven hitmaker with the fifteen pop hits he had scored for CADENCE RECORDS between 1959 and 1963 when he signed with MGM RECORDS in 1964. Tillotson's brand of smooth pop combined with a country sense of lyricism had also proven to be popular in many countries outside the U.S., and MGM's international division saw opportunities for even greater success. Between 1964 and 1966, Tillotson re-recorded many of his hit records in other languages, as well as a handful of recordings with no English-language equivalents. This new collection gathers all 24 of Tillotson's international recordings – in Italian, Spanish, German, and Japanese. Included are non-English versions of his big hits like Talk Back Trembling Lips, Worried Guy and She Understands Me. Also included is the Ita- lian hit Non a caso il destino (ci ha fatto incontrare) that Tillotson performed at the 1965 Sanremo Music Festival and his two #1 Japanese pop hits, Namida Kun Sayonara (Goodbye Mr.
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