REGORD SURV T ' 'T\, -- .-."- NEW ENGLAND's ORIGINAL ?\ 1 '{I'"T \

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$REGORD SURV T ' 'T\, -- .-.$ WHIL * STARS OF THE \)IrEEK * REGORD SURV t ' 't\, -- .-."- NEW ENGLAND'S ORIGINAL ?\ 1 '{i'"t \. DIAL l4fi \ ". THE FUTURE SONIC SPOT ON YOUR DIALI I VoL V April 18, 1960 No. L6 @ @ Bob Walsh Jack Chadderton Don Masters George tennell 6 to 9 A.M. I A.M. to 12 Noon 12 Noon to 2 P.M. 2 P.M.to Signoff * * GREATER BOSTON'S TOP 3O * * 1. NIGHT Wilson ]ackie L6. GOOD TIMIN' ]immy ]ones 2. GREENFIELDS The Brothers Four 17. THE OLD LAMPLIGHTER The Browns 3. STUCK ON YOU . Elvis Presley 18. CLEMENTINE Bobby Darin 4. I LOYE THE WAY YOU LOVE . Marv ]ohnson 19. WHAT AM I LIVING FOR Conway Twitty 5. STAIRWAY TO HEAVEN Neil Sedaka 20. PAPER ROSES Anita Bryant 6. BARBARA . The Temptations 2L. STEP BY STEP The Crests 7. LET THE LITTLE GIRL DANCE Bitly Bland 22,. FANNIE MAE Buster Brown 8. MOUNTAIN OF LOVE Harold Dorman *23. BECAUSE OF I/TY PRIDE THE FIRETTIES 9. THE MADISON Al Brown 24. HE'LL HAVE TO GO fim Reeves 10. SINK THE BISMARCK ]ohnny lforton 25. FOOTSTEPS Steve Lawrence 11. SIXTEEN REASONS Connie Stevens 26. DON'T THROW AWAY THOSE T'DROPS F. Avalon 12. WHERE IS MY ANGEL Deane Ilawley 27 " OLD BLACK JOE |erry Lee Lewis 13. MY EMPTY ROOM Little Anthony 28, I ONLY WANT YOU Passions t4. TILL TOMORROW Janice lfarper 29. GOT A GIRL The Four Preps 15. CRADLE OF LOVE Johnny Preston 30. LOVE YOU SO Ron Holden ON THE YYAY NOBODY LOVES ME LIKE YOU The Flamingos SWINGING SCHOOL Bobby Rydell CATHY'S CLOWN Evedy Bros. HOLY ONE |erry Glenn BURNING BRIDGES Jack Scott BABY WHAT DO YOU WANT ]immy Reed HALF A BLOCK FROM AN ANGEL . Danleers ROCKIN'RED WING Sammy Masters FOR LOVE . Lloyd Price FREE FOR ALL Billy & Lillie YOU'RE SINGING OUR LOVE SONG Wallace GOING DOWN TO TOWN Cile Turner |erry LISTEN LOVE PLEDGING MY LOVE johnny Tillotson MY Rod Lauren SUDDENLY WHEN YOU WISH UPON A STAR Dion & Belmonts Nick DeMatteo PENNIES FROM HEAVEN The Skyliners SOMEDAY . Della Reese BEFORE I GROW TOO OLD Fats Domino LAST CHANCE Collay & Satellites THE TIES THAT BIND Brook Benton YOUNG EMOTIONS Ricky Nelson MR. LUCKY Ifenry Mancini HOT NEW ALBUMS HE'LL HAVE TO STAY Black |eanne LONELY FOR YOU Carlton Gary Stites YOU DON'T KNOW ME Lenny Welch TOGETHER Dot Louis Prima & Keely Smith AFTER YOU |ohnny McKay SOLD OUT Capitol The Kingston Trio WHIL Hit Record "JUAAP OVER" Freddy Cannon.

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1. 11 1 I WANT/L SAW HER-Beatles (Cap) 11.1 [U) BABY DON’T WEEP-James Brown (Kin) 2
February 17, 1964 Number Forty Three HIT OF THE WEEK; NAVY BLUE - Diane Renay (20th Fox) A top ten entry in the Carolinas, Florida, Alabama, Georgia, Texas, Tennessee, Kentucky and Virginia. Be sure you’re on it. It’s a heavy weight. CORRESPONDENTS POPULAR PICK; KISSIN' COUSINS/lT HURTS ME - Elvis Presley (RCA) An instant smashI A top seller and request getter in only a week. SURPRISE OF THE WEEK: TO THE AISLE - Jimmy Velvet (ABC) I am not convinced this can do it in the long pull, but it has pulled strong calls where it is programmed. Frank Jolle-WMAK-Nashvllle had one of the first dubs and went with it. A top five request for him. Activity at: WPGA, WTBC, WMOC, KOLE, WROV, WCAW, WNOR, WEKR, KVOL, WMBR, WMNZ, WMTS, WEED and WLBG. HOT ACTION RECORD: SEE THE FUNNY LITTLE CLOWN - Bobby Goldsboro (UA) It keeps building. Sales and/or requests in Tennessee, Texas, though it bombed in Dallas, Georgia, Alabama, Virginia, West Virginia, Kentucky, Louisiana, Arkansas, Mississippi, Florida and the Carolinas. SOUTHERN SURVEY CHOICE OF THE WEEK: MY HEART BELONGS TO ONLY YOU - Bobby Vinton (Epic) Hope you've been programming it from the album. Single is due out today. It’ll be another smash for the artist. SOUTHERN TOP TWENTY 1. 11 1 I WANT/l SAW HER-Beatles (Cap) 11. 1[U) BABY DON’T WEEP-James Brown (Kin) 2. 12 1 SHE LOVES YOU-Beatles (Swa) 12. 1l10 FOOL NEVER LEARNS-Andy Williams(Col) 3. <¡4; YOU DON'T OWN ME-Lesley Gore (Mer) 13 .
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Where the Action Is! Where the Action Is!
[Mobile book] Where the Action Is! Where the Action Is! 7w1QS7lKf Where the Action Is! 4HGxX5Eyc RQ-22623 vyNwSLE38 USmix/Data/US-2011 c3MPWuhiE 3.5/5 From 410 Reviews wIMbx6iD5 Freddy Cannon, Mark Bego YUQLiAYoY audiobook | *ebooks | Download PDF | ePub | DOC sllPRDBVx 71kU0tNRF bCAPvWIix vTSv01BK1 lBtHCN8Hr hXpqOqfCm rT7UQR046 BothGzo4X 7 of 7 people found the following review helpful. Freddy Cannon is WHERE BfoDVCyPC THE ACTION IS!By CatI loved this book! It was fun to follow Freddy on his XoBUJIxEm rise from obscurity to major rock roll star. Along the way, we are introduced to rQqTQbbWV numerous other superstars from the 50's, 60's, 70's 80's. I don't want to give lBzEIpopO anything away, but the Elvis appearances are priceless! An interesting and bwUjulCnV exciting read.4 of 5 people found the following review helpful. Where The 1QAc3p7bY Action Is ! Freddy " Boom Boom " CannonBy Frank A. Buongervino Jr.Freddy AtC3SuvvS " Boom Boom " Cannon was still is a great Rock Roller.He resents being r8R5DrWh2 lumped in with the other Teenage Idols.He thinks he's better than that. I agree 10h52PFlj with him.In reading this book I found him not to be100 % truthful.April 17, VLINcqWAB 1960 = Eddie Cochran died in a limo crash, while on tour in England.Freddy 8QeBxyuKI says he was there. My research finds this not to be true.Freddy holds the title 8cA1NF2Kf for most appearances on American Bandstand.I think this is true. I think the JUJZRCu4B number he uses is inflated.You'll enjoy this book. Don't believe everything that Hzi6QxKpn Freddy says.0 of 0 people found the following review helpful.
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INDUCTEES and Nominees
INDUCTEES a n d n o m in ees ft SAM COOKE January 22nd, 1935 Chicago, Illinois Died December 11th, 1964 Los Angeles, California In 1956, Sam Cooke released his first pop song, tin’ the Night Away,” “Bring It on Home to Me” and “Lovable,” under the name Dale Cooke so as not to “Another Saturday Night.” Cooke established his own alienate the gospel following he’d amassed in his five record label (Sar/Derby) and publishing company years as lead vocalist for the Soul Stirrers. One of (Kags Music) — significant moves for a Mack artist of eight sons of a Baptist minister, Cooke saw the divi that time — and returned to the world of gospel to sion between the secular and the sanctified; so did Art help other performers enter the world of pop. Among Rupe of the Specialty label, who dropped Cooke them: Bobby Womack, Johnnie Taylor, Billy Preston when his pop aspirations became dear. Cooke’s fa and Lou Rawls. ther, mi the other hand, gave Sam has Messing. A year Although Cooke announced in February 1964 that later, Cooke recorded “You Send Me,” a song he’d he would cut back on performing in order to devote written himself, for the Keen label. It sold 1.7 million more time to songwriting and administrating his label, copies and readied Number One on both the pop and he was never far from the public eye. In June of that R&B charts. year, a 70-foot billboard in New York City advertised Cooke never really crossed over, though he com- Cooke’s two-week engagement at the Copacabana; in b in ed —Mending sensuality and spirituality, sophistica September, he appeared on the première episode of tion and soul, matinee-idol looks and gospel-singer S h in d ig ! with the Everly Brothers, the Righteous poise.
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The 2016 Grooveyard Great 88 Results
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BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Johnny Tillotson TITLE The Outtakes LABEL Bear Family Records CATALOG # BCD 16815 PRICE-CODE BR EAN-CODE ÆxAKABMRy168153z ISBN-CODE 978-3-89916-564-7 FORMAT 2-CD Mini-Box (CD-size) with 60-page booklet GENRE Pop / Rock’n’Roll TRACKS 58 PLAYING TIME 166:39 G TwoCDs provide a superb collection of alternative takes recorded by Johnny Tillotson at CADENCE Records. G The set offers Johnny Tillotson fans and collectors an opportunity to hear the differences between early and later takes. G The material focuses on the first six years of Johnny Tillotson's recording career. INFORMATION BEAR FAMILY RECORDS is proud to present this most welcome entry in its series of studio outtakes releases that now includes the Everly Brothers, Johnny Cash, Billy Riley, Gene Vincent and Janis Martin. Johnny Tillotson is an international star who secured 26 entries on the 'Billboard' charts between 1958 and 1965. His biggest hit was Poetry In Motion which peaked at #2 in the States but managed to secure the number one position in the UK where it spent the first three weeks of 1961 at the top of the charts. These recordings, the great majority of which are released for the first time, give the listener the opportunity to hear songs de- velop in the studio. Some appear without later overdubs and orchestral backings that were included on the recordings first time round. Amajor highlight is the discovery of previously unheard versions of Poetry In Motion recorded in New York with King Curtis on sax.
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Empirical Musicology Review Vol. 10, No. 3, 2015 “The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Harmonic Syntax in Popular Music from the 1960s HUBERT LÉVEILLÉ GAUVIN [1] Schulich School of Music, McGill University ABSTRACT: The goal of this research is to investigate the pitch structures of popular music in the 1960s through a large corpus study in order to identify any consistent changes in harmonic and tonal syntax. More specifically, two studies based on the Billboard DataSet (Burgoyne, Wild & Fujinaga, 2011; Burgoyne, 2011), a new corpus presenting transcriptions for more than 700 songs, are presented. The first study looks at the incidence of multi-tonic songs throughout the decade, while the second study focuses on the incidence of flat-side harmonies (e.g. bIII, bVI, and bVII) over the same period of time. While no difference was observed in the frequency of multi-tonic songs, the study showed a significant increase in the incidence of flat-side harmonies during the second half of the decade. Submitted 2014 September 16; accepted 2015 April 9. KEYWORDS: popular music, corpus, Billboard, harmony, modulation IN January 1964 Bob Dylan released “The Times They Are A-Changin,” a politically-charged protest song encouraging changes in American society. Indeed the 1960s were a time of great political, but also sociological and cultural changes, accompanied by equally important developments in popular music. Many music scholars have addressed the attitudinal shift associated with this period, noting that “[r]ock musicians no longer aspire[d] so much to be professionals and craftspeople” but “artists” (Covach, 2006, p.
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Inductees M ) Nominees
INDUCTEES M ) NOMINEES EVERLY BROTHERS Bom Don Everty February let, 1937 Brownie, Kentucky Bom Phil Everiy January 19th, 1939 Brownie, Kentucky In The Everiy Brothers’ Rock and Roll Odyssey, a marked the beginning of a string of hits between video documentary made around the time of the 1957 and 1962 on Cadence and, later, Warner duo’s London reunion concert in 1983 — ten years af Bros., including “Wake Up, little Susie,” “AD I Have ter their breakup on a Southern California stage — to Do Is Dream,” “Bird Dog,” “When Will I Be Don and Phil narrate their own story. They still seem Loved” and their sill-time best seQer, “Cathy’s Clown.” a little in awe of their vocal talent, looking upon it as a Their songs offered a beguiling vision of adolescent sort of genetic gift. The modesty lends them an ingen romance, in which precociousness inched out inno uous quality that belies their years. The sons of a trav cence. eling country-and-western team, Ike and Margaret Even after the hits stopped, the Evertys’ influence Everty, the brothers first performed with their family continued to grow. Performers from the Beatles to on the road and on the radio. Then, as angelic-look Simon & Garfunkel and Linda Ronstadt imitated and ing teenagers, they transformed the sounds of their covered their material. Even the Rolling Stones owed Kentucky country roots into a bittersweet form of a debt to them: on their first tour of Great Britain, the rock ami roll. Stones opened for the Everlys. And the Everlys’ Their first hit, “Bye Bye Love,” penned by hus- voices, as well as their influence, endured.
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Jukebox Oldies
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Zsat 140614 146 Songs, 4.8 Hours, 735.2 MB
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Songs About U.S. Cities
Songs about U.S. Cities Here’s the 30-page list I compiled from Wikipedia: Abilene Abilene by George Hamilton IV Akron My City Was Gone by The Pretenders Downtown (Akron) by The Pretenders Albuquerque Albuquerque by Weird Al Yankovic Point Me in the Direction of Albuquerque by Tony Romeo Albuquerque by Neil Young Albuquerque by Sons of the Desert Bring Em Out by T.I. The Promised Land Chuck Berry Space Between Us Sister Hazel By the Time I Get to Phoenix Frank Sinatra, Dean Martin, Roger Miller Train Kept A Rollin' Stray Cats Wanted Man Johnny Cash, Bob Dylan, Nick Cave Blue Bedroom Toby Keith Get Your Kicks on Route 66 Perry Como Cowboy Movie David Crosby Make it Clap Busta Rhymes Allentown Allentown by Billy Joel Allentown Jail by Kingston Trio Amarillo Is This the Way to Amarillo by Neil Sedaka and Howard Greenfield Amarillo by Morning by George Strait If Hollywood Don't Need You (Honey I Still Do) by Don Williams Amarillo Sky by Jason Aldean Anchorage Anchorage by Michelle Shocked Atlanta ATL alt. rock song by Butch Walker, from Sycamore Meadows 2008 Atlanta Lady by Marty Balin (of Jefferson Airplane) Atlanta by Stone Temple Pilots, from No. 4 1999 Atlanta Burned Again Last Night by country group Atlanta, from Pictures 1983 Bad Education by Tilly and the Wall 2006 Badstreet U.S.A by Michael Hayes (wrestler) 1987 Communicating Doors by The Extra Lens (From Undercard, 2010) Hot 'Lanta (instrumental) by The Allman Brothers, from At Fillmore East 1971 F.I.L.A (Forever I Love Atlanta) by Lil Scrappy feat.
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