Myth and Society in Ancient Greece
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The Roles of Solon in Plato's Dialogues
The Roles of Solon in Plato’s Dialogues Dissertation Presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Samuel Ortencio Flores, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Bruce Heiden, Advisor Anthony Kaldellis Richard Fletcher Greg Anderson Copyrighy by Samuel Ortencio Flores 2013 Abstract This dissertation is a study of Plato’s use and adaptation of an earlier model and tradition of wisdom based on the thought and legacy of the sixth-century archon, legislator, and poet Solon. Solon is cited and/or quoted thirty-four times in Plato’s dialogues, and alluded to many more times. My study shows that these references and allusions have deeper meaning when contextualized within the reception of Solon in the classical period. For Plato, Solon is a rhetorically powerful figure in advancing the relatively new practice of philosophy in Athens. While Solon himself did not adequately establish justice in the city, his legacy provided a model upon which Platonic philosophy could improve. Chapter One surveys the passing references to Solon in the dialogues as an introduction to my chapters on the dialogues in which Solon is a very prominent figure, Timaeus- Critias, Republic, and Laws. Chapter Two examines Critias’ use of his ancestor Solon to establish his own philosophic credentials. Chapter Three suggests that Socrates re- appropriates the aims and themes of Solon’s political poetry for Socratic philosophy. Chapter Four suggests that Solon provides a legislative model which Plato reconstructs in the Laws for the philosopher to supplant the role of legislator in Greek thought. -
SHC Task 60'S Report, Existing PVT Systems and Solutions
Existing PVT systems and solutions IEA SHC TASK 60 | PVT SYSTEMS Existing PVT systems and solutions SHC Task 60/Report A1 Editor: Thomas Ramschak (AEE INTEC) Authors (in alphabetical order): Aleksis Baggenstos (SPF) Alexander Mellor (Naked Energy) Antonio Gagliano (UNICT) Carsten Corino (Sunoyster) Daniel Zenhäusern (SPF) Diogo Cabral (Solarus) Glen Ryan (Sunovate) Isabel Guedea (EndeF) Laetitia Brottier (DualSun) Uli Ruoff (RUOFF energietechnik GmbH) Maike Schubert (ZHAW) Manuel Lämmle (Fraunhofer ISE) Marco Pellegrini (UNIBO) Mark Dannemand (DTU) Marta Cañada (Abora Solar) Niels Radisch (Ramboll) Nikola Pokorny (UCEEB CTU) Thomas Ramschak (AEE INTEC) Date: May 1st, 2020 Report number, DOI 10.18777/ieashc-task60-2020-0001 Cover Photo credit: Endef The contents of this report do not necessarily reflect the viewpoints or policies of the International Energy Agency (IEA) or its member countries, the IEA Solar Heating and Cooling Technology Collaboration Programme (SHC TCP) members or the participating researchers. IEA Solar Heating and Cooling Technology Collaboration Programme (IEA SHC) The Solar Heating and Cooling Technology Collaboration Programme was founded in 1977 as one of the first multilateral technology initiatives ("Implementing Agreements") of the International Energy Agency. Its mission is “To enhance collective knowledge and application of solar heating and cooling through international collaboration to reach the goal set in the vision of solar thermal energy meeting 50% of low temperature heating and cooling demand by 2050.” -
OMC | Data Export
Zoia Barzakh, "Entry on: The Grandson of Perseus. Book 2: The Son of the Lame Alcaeus [Внук Персея. Книга вторая: Сын хромого Алкея] by Henry Lion Oldie [The pen name of Ukrainian fantasy fiction writers Dmitry Gromov and Oleg Ladyzhensky] ", peer-reviewed by Lisa Maurice and Elizabeth Hale. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2018). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/462. Entry version as of September 23, 2021. Henry Lion Oldie [The pen name of Ukrainian fantasy fiction writers Dmitry Gromov and Oleg Ladyzhensky] The Grandson of Perseus. Book 2: The Son of the Lame Alcaeus [Внук Персея. Книга вторая: Сын хромого Алкея] Russia (2012) TAGS: Acrisius Alcaeus Alcmene Amphitryon Argos Atreus Cephalus Comaetho Creon Dionysus Electryon Human sacrifices Mycenae Pelops Perseus Poseidon Pterolaus Teleboans Teumessian fox Thyestes Tyrinth Zeus We are still trying to obtain permission for posting the original cover. General information The Grandson of Perseus. Book 2: The Son of the Lame Alcaeus Title of the work [Внук Персея. Книга вторая: Сын хромого Алкея] Country of the First Edition Russia Country/countries of popularity Russia; Ukraine; Belarus; Moldova Original Language Russian First Edition Date 2012 Генри Лайон Олди, Внук Персея. Книга вторая: Сын хромого Алкея. Москва: Издательство «Эксмо-Пресс», 2012, 416 стр. First Edition Details [Henry Lion Oldie, The Grandson of Perseus. Book 2: The Son Of the Lame Alcaeus. Moscow: Exmo-Press, 2012, 416 pp.] ISBN 9785699554379 Genre Fantasy fiction, Mythological fiction, Myths, Novels Target Audience Young adults (15-25) Author of the Entry Zoia Barzakh, Bar Ilan University, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood.. -
The Erotics of Imperialism: 5Th Century Literary Representations of Helen & Alcibiades
The Erotics of Imperialism: 5th Century Literary Representations of Helen & Alcibiades Sarah Elizabeth Gonzalez Submitted in Partial Fulfillment of the Prerequisite for Honors in The Classical Studies Department under the advisement of Kate Gilhuly May 2020 © 2020 Sarah Elizabeth Gonzalez Contents Acknowledgements………………………………………………………………………………..3 Introduction………………………………………………………………………………………..5 Eros Unleashed Translation Note………………………………………………………………………………….10 Chapter 1…………………………………………………………………………………………11 The Literary History of Helen Chapter 2…………………………………………………………………………………………40 Imperialistic Intent and Genre Play in Euripides’ Helen Chapter 3…………………………………………………………………………………………80 Political Eroticism in Book 6 of The History of the Peloponnesian War Conclusion……………………………………………………………………………………...121 Eros Interrupted Bibliography……………………………………………………………………………………135 2 Acknowledgements This thesis was a labor of love -- and not the chaotic love I discuss in this thesis! While I was piloting this thesis ship, there were numerous crew mates behind the scenes helping me keep this project afloat. Without you, this ship would not have reached the harbor with as much ease or grace. First, to my thesis committee: Kate Gilhuly, Carol Dougherty and William Cain. To my thesis advisor and volunteer life coach, Kate Gilhuly: Thank you for taking on this project with me, and for having faith in the final product from the very beginning. Under your supervision, I have grown as both an academic and an adult. I cannot envision my time at Wellesley without your guidance and friendship. To my second reader, Carol Dougherty: Thank you for your helpful insight and encouragement throughout the composition of this thesis. As a result of your mentorship over the years, I have learned to think boldly and challenge myself to proudly vocalize my thoughts. If I had not enrolled in your Beginning Greek course my first year, this thesis might have been very different. -
Universidade Do Estado Do Rio De Janeiro Centro De Ciências Sociais Instituto De Filosofia E Ciências Humanas
Universidade do Estado do Rio de Janeiro Centro de Ciências Sociais Instituto de Filosofia e Ciências Humanas Luis Filipe Bantim de Assumpção Discurso e Representação sobre as práticas rituais dos esparciatas e dos seus basileus na Lacedemônia, do século V a.C Rio de Janeiro 2014 Luis Filipe Bantim de Assumpção Discurso e representação sobre as práticas rituais dos esparciatas e dos seus basileus na Lacedemônia, do século V a.C Dissertação apresentada, como requisito para a obtenção do título de Mestre, ao Programa de Pós-Graduação em História, da Universidade do Estado do Rio de Janeiro. Área de concentração: História Política. Orientadora: Profª. Dra. Maria Regina Candido. Rio de Janeiro 2014 CATALOGAÇÃO NA FONTE UERJ/REDE SIRIUS/ BIBLIOTECA CCS/A A851 Assumpção, Luis Felipe Bantim Discurso e representação sobre as práticas rituais dos esparciatas e dos seus basileus na Lacedemônia do século V a.C /Luis Felipe Bantim Assumpção. – 2014. 284 f. Orientadora: Maria Regina Candido. Dissertação (mestrado) - Universidade do Estado do Rio de Janeiro, Instituto de Filosofia e Ciências Humanas. Bibliografia. 1. História antiga – Teses. 2. Civilização clássica - Teses. I.Candido, Maria Regina. II. Universidade do Estado do Rio de Janeiro. Instituto de Filosofia e Ciências Humanas. III. Título. CDU 931 Autorizo apenas para fins acadêmicos e científicos, a reprodução total ou parcial desta dissertação, desde que citada a fonte. _____________________________________ ___________________________ Assinatura Data Luis Filipe Bantim de Assumpção Discurso e Representação sobre as práticas rituais dos esparciatas e dos seus basileus na Lacedemônia, do século V a.C Dissertação apresentada, como requisito parcial para obtenção do título de Mestre, ao Programa de Pós-Graduação em História, da Universidade do Estado do Rio de Janeiro. -
Update 4.9 'Omen of Change'
Update 4.9 ‘Omen of Change’ Contents Abyss ..................................................................................................................................................3 Instances ............................................................................................................................................5 Error Corrections ............................................................................................................................7 Fortress Battles ...................................................................................................................................8 New Fortress Battle Times ..............................................................................................................9 PvP .....................................................................................................................................................9 Items ..................................................................................................................................................9 Error Corrections .......................................................................................................................... 17 UI...................................................................................................................................................... 18 Error Corrections .......................................................................................................................... 24 Quests ............................................................................................................................................. -
Chapter Five: Cupid and Psyche
Chapter Five: Cupid and Psyche (from Mythology for Today Hamilton’s Mythology) 1. Venus becomes jealous because Psyche’s surpassing beauty has transfixed all the mortals, so that they forget Venus, and neglect her temples and altars. 2. Venus plans to have her son, Cupid, shoot Psyche with a love arrow, so that Psyche will fall in love with a hideous creature. Venus’ plan fails because Cupid himself falls in love with the beautiful Psyche. 3. Psyche’s father believes that he must leave her on the summit to be claimed by her serpent‐husband, for this is what he has been told by the Oracle of Apollo. However, the truth is that Cupid has arranged this himself, so that he can carry Psyche away as his own bride. 4. Her sisters become jealous of Psyche’s superior riches and treasures. 5. Psyche is torn between her love for and her faith in her husband, and the doubt and fear her sisters cause her to feel. She is unable to live with the uncertainty of not knowing the truth. 6. When Psyche sees that her husband is a beautiful youth, she feels too ashamed of her suspicion that she is about to plunge the knife intended for him into her own breast. However, her hand trembles and the knife falls. This faltering saves her own life, but also causes her to drip some lamp oil on Cupid, who sees that she has betrayed him and runs away. 7. Psyche is made to separate by kind a huge mixed mass of tiny grains; ants separate them for her. -
Names of Botanical Genera Inspired by Mythology
Names of botanical genera inspired by mythology Iliana Ilieva * University of Forestry, Sofia, Bulgaria. GSC Biological and Pharmaceutical Sciences, 2021, 14(03), 008–018 Publication history: Received on 16 January 2021; revised on 15 February 2021; accepted on 17 February 2021 Article DOI: https://doi.org/10.30574/gscbps.2021.14.3.0050 Abstract The present article is a part of the project "Linguistic structure of binomial botanical denominations". It explores the denominations of botanical genera that originate from the names of different mythological characters – deities, heroes as well as some gods’ attributes. The examined names are picked based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012. The names of the plants are arranged in alphabetical order. Beside each Latin name is indicated its English common name and the family that the particular genus belongs to. The article examines the etymology of each name, adding a short account of the myth based on which the name itself is created. An index of ancient authors at the end of the article includes the writers whose works have been used to clarify the etymology of botanical genera names. Keywords: Botanical genera names; Etymology; Mythology 1. Introduction The present research is a part of the larger project "Linguistic structure of binomial botanical denominations", based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012 [1]. The article deals with the botanical genera appellations that originate from the names of different mythological figures – deities, heroes as well as some gods’ attributes. According to ICBN (International Code of Botanical Nomenclature), "The name of a genus is a noun in the nominative singular, or a word treated as such, and is written with an initial capital letter (see Art. -
Homer – the Iliad
HOMER – THE ILIAD Homer is the author of both The Iliad and The Odyssey. He lived in Ionia – which is now modern day Turkey – between the years of 900-700 BC. Both of the above epics provided the framework for Greek education and thought. Homer was a blind bard, one who is a professional story teller, an oral historian. Epos or epic means story. An epic is a particular type of story; it involves one with a hero in the midst of a battle. The subject of the poem is the Trojan War which happened approximately in 1200 BC. This was 400 years before the poem was told by Homer. This story would have been read aloud by Homer and other bards that came after him. It was passed down generation to generation by memory. One can only imagine how valuable memory was during that time period – there were no hard drives or memory sticks. On a tangential note, one could see how this poem influenced a culture; to be educated was to memorize a particular set of poems or stories which could be cross-referenced with other people’s memory of those particular stories. The information would be public and not private. The Iliad is one of the greatest stories ever told – a war between two peoples; the Greeks from the West and the Trojans from the East. The purpose of this story is to praise Achilles. The two worlds are brought into focus; the world of the divine order and the human order. The hero of the story is to bring greater order and harmony between these two orders. -
Alcmaeon in Psophis
Alcmaeon in Psophis Psophis was said to have been originally called Erymanthus, and its territory to have been ravaged by the Erymanthian Boar.Pausanias, "Description of Greece" viii. 24. § 2-10] [Hecat. "on Stephanus of Byzantium s.v." polytonic|Ψωφίς] [Apollodorus, ii. Alcmaeon (mythology) â” In Greek mythology, Alcmaeon, or Alkmáon, was the son of Amphiaraus and Eriphyle. As one of the Epigoni, he was a leader of the Argives who attacked Thebes, taking the city in retaliation for the deaths of their fathers, the Seven Against Thebes ⦠Alcmaeon in Psophis. Year: between 180 and 200 AD. Scripts: Alcmaeon in Psophis by Euripides. Genres: Tragedy. Psophis. How to cite this ancient performance. Alcmaeon in Psophis, accessed at http://www.apgrd.ox.ac.uk/ancient- performance/performance/98 <16 September 2018>. Alcmaeon in Psophis (Ancient Greek: Ἀλκμαίων ὠδιὰ Ψωφῖδος, AlkmaiÅn ho dia Psophidos) is a play by Athenian playwright Euripides. The play has been lost except for a few surviving fragments. It was first produced in 438 BCE in a tetralogy that also included the extant Alcestis and the lost Cretan Women and Telephus. The story is believed to have incorporated the death of Argive hero Alcmaeon.[1]. Alcmaeon in Psophis. Alcmaeon (mythology)'s wiki: In Greek mythology, Alcmaeon (Greek: Ἀλκμαίων), was the son of Amphiaraus and Eriphyle. As one of the Epigoni, he was a leader of the Argives who attacked Thebes, taking the city in retaliation for the deaths of their fathers, the Seven Against Thebes, wh. -
1 Name 2 Zeus in Myth
Zeus For other uses, see Zeus (disambiguation). Zeus (English pronunciation: /ˈzjuːs/[3] ZEWS); Ancient Greek Ζεύς Zeús, pronounced [zdeǔ̯s] in Classical Attic; Modern Greek: Δίας Días pronounced [ˈði.as]) is the god of sky and thunder and the ruler of the Olympians of Mount Olympus. The name Zeus is cognate with the first element of Roman Jupiter, and Zeus and Jupiter became closely identified with each other. Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort The Chariot of Zeus, from an 1879 Stories from the Greek is Dione: according to the Iliad, he is the father of Tragedians by Alfred Church. Aphrodite by Dione.[4] He is known for his erotic es- capades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, the Proto-Indo-European god of the daytime sky, also [10][11] Persephone (by Demeter), Dionysus, Perseus, Heracles, called *Dyeus ph2tēr (“Sky Father”). The god is Helen of Troy, Minos, and the Muses (by Mnemosyne); known under this name in the Rigveda (Vedic San- by Hera, he is usually said to have fathered Ares, Hebe skrit Dyaus/Dyaus Pita), Latin (compare Jupiter, from and Hephaestus.[5] Iuppiter, deriving from the Proto-Indo-European voca- [12] tive *dyeu-ph2tēr), deriving from the root *dyeu- As Walter Burkert points out in his book, Greek Religion, (“to shine”, and in its many derivatives, “sky, heaven, “Even the gods who are not his natural children address [10] [6] god”). -
Homer and Hesiod
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 1-1-1997 Homer and Hesiod Ralph M. Rosen University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classical Literature and Philology Commons Recommended Citation Rosen, R. M. (1997). Homer and Hesiod. Retrieved from https://repository.upenn.edu/classics_papers/7 Postprint version. Published in A New Companion to Homer, edited by Barry Powell and Ian Morris, Mnemosyne: Bibliotheca classica Batava, Supplementum 163 (New York: Brill, 1997), pages 463-488. The author has asserted his right to include this material in ScholarlyCommons@Penn. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/7 For more information, please contact [email protected]. Homer and Hesiod Abstract One of the most frustrating aspects of Homeric studies is that so little literary material outside the Homeric corpus itself survives to enhance our understanding of the cultural landscape of the period. Recent scholarship suggests that a large and diverse poetic tradition lay behind the figure we refer to as "Homer," but little of it survives. Indeed we have little continuous written Greek for another century. The one exception is Hesiod, who composed two extant poems, the Theogony and Works and Days, and possibly several others, including the Shield of Heracles and the Catalogue of Women. As we shall see, while Hesiodic poetry was not occupied specifically with heroic themes, it was part of the same formal tradition of epic, sharing with Homer key metrical, dialectal, and dictional features.