MIC RODGERS Stunt Coordinator / 2Nd Unit Director

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MIC RODGERS Stunt Coordinator / 2Nd Unit Director MIC RODGERS Stunt Coordinator / 2nd Unit Director FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS HORSE SOLDIERS Nicolai Fuglsig Ellen Schwartz, Melissa Reid 2nd Unit Director/Stunt Coordinator Lionsgate / Black Label HACKSAW RIDGE Mel Gibson Bill Mechanic / Lionsgate / Cross Creek 2nd Unit Director/Stunt Coordinator Pictures POINT BREAK Ericson Core David Valdes / Warner Bros. / Alcon 2nd Unit Director/Stunt Coordinator THE BOY NEXT DOOR Rob Cohen Universal Pictures / Blumhouse 2nd Unit Director/Stunt Coordinator ABRAHAM LINCOLN: VAMPIRE HUNTER Timur Bekmambetov 21st Century Fox 2nd Unit Director/Stunt Coordinator STRAW DOGS Rod Lurie Screen Gems 2nd Unit Director/Stunt Coordinator FAST & FURIOUS Justin Lin Universal Pictures 2nd Unit Director FIGHTING Dito Montiel Misher Films 2nd Unit Director/Stunt Coordinator WANTED Timur Bekmambetov Universal Pictures 2nd Unit Director/Stunt Coordinator THE EYE David Moreu Lionsgate 2nd Unit Director & Xavier Palud APOCALYPTO Mel Gibson Icon Productions 2nd Unit Director/Stunt Coordinator MR. & MRS. SMITH Doug Liman 20th Century Fox / New Regency 2nd Unit Director/Stunt Coordinator CATWOMAN Pitof Warner Bros. 2nd Unit Director NATIONAL TREASURE Jon Turtletaub Jerry Bruckheimer Films / Disney 2nd Unit Director TAKING LIVES D.J. Caruso Warner Bros. 2nd Unit Director CATCH THAT KID Bart Freundlich Fox 2000 Pictures 2nd Unit Director CHARLIE’S ANGELS: FULL THROTTLE McG Sony Pictures 2nd Unit Director/Stunt Coordinator THE LAST CASTLE Rod Lurie Dreamworks 2nd Unit Director/Stunt Coordinator THE FAST & THE FURIOUS Rob Cohen Universal Pictures 2nd Unit Director/Stunt Coordinator TEXAS RANGERS Steve Minor Miramax 2nd Unit Director PAYBACK Brian Hegelund Paramount Pictures 2nd Unit Director/Stunt Coordinator LETHAL WEAPON 4 Richard Donner Warner Bros. 2nd Unit Director/Stunt Coordinator SPECIES II Peter Medak MGM 2nd Unit Director VOLCANO Mick Jackson 20th Century Fox 2nd Unit Director/Stunt Coordinator FLED Kevin Hooks MGM 2nd Unit Director NOTHING TO LOSE Steve Oederkirk Touchstone TWISTER Jan De Bont Warner Bros Stunt Coordinator VIRTUOSITY Brett Leonard Paramount Pictures 2nd Unit Director/Stunt Coordinator BRAVEHEART Mel Gibson Paramount Pictures 2nd Unit Director/Stunt Coordinator DROP ZONE John Badham Paramount Pictures 2nd Unit Director MAVERICK Richard Donner Warner Bros 2nd Unit Director/Stunt Coordinator INTERSECTION Mark Rydell Paramount Pictures Stunt Coordinator HEART AND SOULS Ron Underwood Universal Pictures 2nd Unit Director/Stunt Coordinator POINT OF NO RETURN Ron Underwood Warner Bros Stunt Coordinator LETHAL WEAPON 3 Richard Donner Warner Bros Stunt Coordinator YEAR OF THE COMET Peter Yates Castlerock 2nd Unit Director FOR THE BOYS Mark Rydell 20th Century Fox Stunt Coordinator RADIO FLYER Richard Donner Warner Bros. Stunt Coordinator BIRD ON A WIRE John Badham Universal Pictures Stunt Coordinator LETHAL WEAPON 2 Richard Donner Warner Bros Stunt Coordinator SCROOGED Richard Donner Paramount Pictures 2nd Unit Director/Stunt Coordinator RUN Geoff Burrows Hollywood Pictures 2nd Unit Director/Stunt Coordinator Television & Commercial credits available upon request .
Recommended publications
  • L3700 LETHAL WEAPON (USA, 1987) (Other Titles: Arma Lethale; Arme Fatale; Dodbringende Veben; Zwei Stahlharte Profis)
    L3700 LETHAL WEAPON (USA, 1987) (Other titles: Arma lethale; Arme fatale; Dodbringende veben; Zwei stahlharte profis) Credits: director, Richard Donner ; writer, Shane Black. Cast: Mel Gibson, Danny Glover, Gary Busey. Summary: Police thriller set in contemporary Los Angeles. Martin Riggs (Gibson) is no ordinary cop. He is a Vietnam veteran whose killing expertise and suicidal recklessness make him a lethal weapon to anyone he works against or with. Roger Murtaugh (Glover), also a veteran, is an easy-going homicide detective with a loving family, a big house, and a pension he does not want to lose. The only thing Murtaugh and Riggs have in common is that they hate to work with partners, but their partnership becomes the key to survival when a routine murder investigation turns into an all-out war with an international heroin ring. Ansen, David. “The arts: Movies: Urban Rambo” Newsweek 109 (May 16, 1987), p. 72. [Reprinted in Film review annual 1988] “L’Arme fatale” Cine-tele-revue 31 (Jul 30, 1987), p. 16-19. Boedeker, Hal. “Lethal weapon wastes Mel Gibson” Miami herald (Mar 6, 1987), p. 5D. Canby, Vincent. “Film view: Gun movies: Big bore and small caliber” New York times 136 (May 10, 1987), sec. 2, p. 17. Carr, Jay. “‘Lethal weapon’ is high-energy bullet ballet” Boston globe (Mar 6, 1987), Arts and film, p. 36. Christensen, Johs H. “Dodbringende veben” Levende billeder 3 (Sep 1, 1987), p. 51. Cunneff, T. [Lethal weapon] People weekly 27 (Mar 23, 1987), p. 8. Darnton, Nina. “At the movies: A new hit has the industry asking why” New York times 136 (Apr 3, 1987), p.
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  • Suggestions for Top 100 Family Films
    SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT..
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  • Robert Wise's the Day the Earth Stood Still Part I
    Robert Wise’s The Day the Earth Stood Still Part I: A Religious Film? By Anton Karl Kozlovic Fall 2013 Issue of KINEMA ROBERT WISE’S THE DAY THE EARTH STOOD STILL Part I: A RELIGIOUS FILM? Abstract Science fiction (SF) films have frequently been the home for subtextual biblical characters, particularly Christ-figures. Crafting these sacred subtexts can make the difference between an ordinary filmandan exceptional one. This investigation intends to explore the religious and other dimensions of the 1951 SF cult classic The Day the Earth Stood Still directed by Robert Wise. In Part 1 of this analytical triptych, the film’s reception as a UFO film with political, artificial intelligence (AI), police and philosophical dimensions was canvassed. It was argued that Wise’s film contains all of the above genre dimensions; however, it can bemore fully appreciated as a profoundly religious film wrapped in contemporary scientific garb. The forthcoming parts will explore the factual elements of this proposition in far greater analytical detail. Introduction: SF and Sacred Storytelling Historically speaking, science fiction (SF) films(1) have harboured numerous hidden biblical characters in typically covert forms. For example, Barry McMillan described many an SF alien as ”a ’transcendent’ being - a benign entity who brings wisdom and knowledge, the imparting of which brings resolution, insight and the beginnings of personal or political harmony” (360). Whilst Bonnie Brain argued that: ”The ascendancy of the aliens derives strongly from their aura of religious authority. Teachers, mystics, priests, or prophets, capable of ”miracles” and, in some cases, ”resurrection,” these aliens flirt with divinity” (226).
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  • L3702 LETHAL WEAPON 2 (USA, 1989) (Other Titles: Arma Lethale 2; Arme Fatale 2; Brennpunkt L.A.; Dodbringende Veben 2)
    L3702 LETHAL WEAPON 2 (USA, 1989) (Other titles: Arma lethale 2; Arme fatale 2; Brennpunkt L.A.; Dodbringende veben 2) Credits: director, Richard Donner ; writer, Jeffrey Boam. Cast: Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland. Summary: Police thriller set in contemporary Los Angeles. Detectives Riggs (Gibson) and Murtaugh (Glover) must guard a free-wheeling witness (Pesci) in a drug money laundering scheme run by South African diplomats. A comedy of car chases, gun battles, and under-water escapes. Ansen, David. “The arts: Movies: Gibson and Glover return: ‘Lethal weapon 2’ serves up sadism with a smile” 114 Newsweek (Jul 17, 1989), p. 53. [Reprinted in Film review annual 1990] Avins, Mimi. “Shot by shot” Premiere 2/12 (Aug 1989), p. 72-6. Baumann, Paul D. “Screen: Scorching the screen” Commonweal 116 (Oct 6, 1989), p. 529-30. Blair, Iain. “Movies: Mel’s lethal appeal: He’s got killer looks, but shucks, Gibson’s just one of the guys” Chicago tribune (Jul 9, 1989), Arts, p. 4. Blois, Marco de. “Lethal weapon II” 24 images 44-45 (autumn 1989), p. 109. Broeske, Pat H. “A high-caliber Danny Glover” Los Angeles times (Jul 11, 1989), Calendar, p. 1. “Business: Talk about placements” Newsweek 114 (Jul 31, 1989), p. 50. Carr, Jay. “Three stooges with guns” Boston globe (Jul 7, 1989), Arts and film, p. 41. Christensen, Johs H. “Dodbringende veben 2” Levende billeder 5 (Sep 1989), p. 47. Clark, Mike. “‘Lethal 2’ is loaded with bang and blanks” USA today (Jul 7, 1989), p. 1D. Cliff, Paul. “Movie trax” Film monthly 1 (Dec 1989), p.
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  • Lethal Weapon 2 (1989)
    Q3 2019 85 Tekst: Luc Quadackers AT THE MOVIES LETHAL WEAPON 2 (1989) Eerlijk is eerlijk: als er geen boekhouder in deze film voor zou komen, dan was ik na een kwartier afgehaakt. Een groot deel ontstijgt amper het B-niveau. Of zoals een vriend van mij zou zeggen: “In z’n genre is hij slecht.” De boekhouder lijkt vervolgens niet eens echt van belang te zijn voor het verhaal. Ongemerkt vormt Joe Pesci als boekhouder Leo Getz (‘Whatever you need, Leo gets’) echter de kurk waarop de film drijft. Getz is kroongetuige in een witwaszaak, waarin hij zelf de hand heeft gehad. Hij heeft bovendien geld afgeroomd van de boeven, die hem dat niet in dank afnemen (in de film wordt overigens geflirt met het ‘Robin Hood-element’). Twee agenten (Mel Gibson en Danny Glover), met een geheel eigen moraal en aanpak, moeten Getz beschermen tot aan de rechtszaak. Getz speelt verder geen belangrijke rol, maar gaat overal mee op pad en bemoeit zich met het politiewerk. Al zegt hij zelf: “I usually stay in the car.” Het mooiste vindt hij de politiewapens en het aanzetten van de sirene. Ook geeft Getz een vrij uitgebreide technische uitleg van een witwasconstructie (wat doet dat trouwens in de film, en wie begrijpt het zonder tien keer te kijken?) en een waarschuwing voor de drive-thru bij hamburgerketens: “Always go to the counter, never go through the drive-thru. They fuck you at the drive-thru.” Tijdens een martelsessie door de crooks houdt hij zijn rug recht (waarom dat nodig zou zijn is overigens onduidelijk).
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  • Film Reviews Jonathan Lighter
    Film Reviews Jonathan Lighter Lebanon (2009) he timeless figure of the raw recruit overpowered by the shock of battle first attracted the full gaze of literary attention in Crane’s Red Badge of Courage (1894- T 95). Generations of Americans eventually came to recognize Private Henry Fleming as the key fictional image of a young American soldier: confused, unprepared, and pretty much alone. But despite Crane’s pervasive ironies and his successful refutation of genteel literary treatments of warfare, The Red Badge can nonetheless be read as endorsing battle as a ticket to manhood and self-confidence. Not so the First World War verse of Lieutenant Wilfred Owen. Owen’s antiheroic, almost revolutionary poems introduced an enduring new archetype: the young soldier as a guileless victim, meaninglessly sacrificed to the vanity of civilians and politicians. Written, though not published during the war, Owen’s “Strange Meeting,” “The Parable of the Old Man and the Young,” and “Anthem for Doomed Youth,” especially, exemplify his judgment. Owen, a decorated officer who once described himself as a “pacifist with a very seared conscience,” portrays soldiers as young, helpless, innocent, and ill- starred. On the German side, the same theme pervades novelist Erich Maria Remarque’s All Quiet on the Western Front (1928): Lewis Milestone’s film adaptation (1930) is often ranked among the best war movies of all time. Unlike Crane, neither Owen nor Remarque detected in warfare any redeeming value; and by the late twentieth century, general revulsion of the educated against war solicited a wide acceptance of this sympathetic image among Western War, Literature & the Arts: an international journal of the humanities / Volume 32 / 2020 civilians—incomplete and sentimental as it is.
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  • Before Night Falls
    Before Night Falls Dir: Julian Schnabel, 2000 A review by A. Mary Murphy, Memorial University of Newfoundland, Canada There are two remarkable things about Before Night Falls, based on Reinaldo Arenas's homonymous memoir, and one remarkable reason for them. First, director Julian Schnabel maintains a physically-draining tension throughout much of the film; and second, he grants a centrality to writing that Arenas himself demands. He is able to accomplish these things because his Arenas is Javier Bardem. The foreknowledge that this is a film about a man in Castro's Cuba, and a man in prison there for a time, prepares an audience for explicit tortures that never come. The expectation persists, as it must have for the imprisoned and persecuted man, so that the emotional tension experienced by the audience provides a tiny entry into the overpowering and relentless tension of daily life for Arenas and everyone else who is not a perfect fit for the Revolutionary mold. In the midst of this the writer finds refuge in his writing. Before Night Falls is the story of a writer who has been persecuted even for being a writer, never mind for what he wrote or how he lived, and who writes regardless of the risks and costs. In the childhood backgrounding segment of the film, Schnabel clearly establishes this foundation by showing a grandfather who is so opposed to having a poet in his house that he relocates the family in order to remove young Reinaldo from the influence of a teacher who dares to speak of the boy's gift.
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  • Change Comes to Cardinal Owner Robert Yoho Said Outlaw Was Caught on a Security Camera Trespass- Ing Two Weeks Earlier
    Rays: Yarbrough pulled after 8 2/3 innings in 1-0 win /B1 MONDAY TODAY & next morning HIGH 91 Scattered LOW showers and storms. 76 PAGE A4 www.chronicleonline.com AUGUST 12, 2019 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOL. 124 ISSUE 308 NEWS Commissioner pushes for Baker Act facility BRIEFS Jeff Kinnard behavioral mental health care in Florida man Kinnard to request funding for facility The “purpose of our county.” this is to improve Earlier this year, the Florida trespassing at FRED HIERS Tuesday to consider funding a the behavioral Legislature awarded Citrus Staff writer Baker Act assessment facility. mental health care County $600,000 to provide Baker go-kart track Kinnard said he will ask the other in our county.” Act receiving services through crashes, dies Citrus County’s long struggle to commissioners to use tax reve- LifeStream Behavioral Services. PINELLAS PARK — A provide better mental health care nues from Duke Energy’s new LifeStream is a mental health to its residents could soon bear natural gas plants to fund the provider and has the state’s an- Florida man is dead after some fruit, as one county commis- project. Kinnard wants the building to be nual contract to provide an array crashing while racing his sioner looks to use new tax reve- Kinnard wants to use $300,000 converted to a standalone facility of mental health services in Cit- friend at a closed go-kart nues to buy a building that would this year and $700,000 next year to house a small number of resi- rus County.
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  • It's a Conspiracy
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  • SEAN FADEN VFX Supervisor Seanfaden.Com
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  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
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