THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN, THE HARPSICHORD AND CHURCH MUSIC

Sixty.Strltmtll r ear, No. I - Ji'llOle No. 793 DECEMBER. 1975

... , T ~ ~ ~ I j,.

Th. 1915 instrument at Natr. Dame des Vlctoires Church, San Francisco, reslored by Jack M. Betharels. (S.e page 7, col. 1)

Th. new Noack organ at Zion Episcopal Church, Aome, Now York. (5 •• page I , col. 4,

Delmar Baptist Church, St. Louis, Missouri, the new O'lon by Robert L Sip •• (Se. page 8, col. 4)

Florida Stat. University's neW Holtkamp organ. ISee page 8, col. 3)

Th. organ 01 the Basilica of Quebec, Quebec City, Canada, recently rebuih by Bernard Cav.li.r. (S.e page 14, col. 3) New Re~ordings THE DIAPASON Established in 1909

Revie,,'ed by Robert SchunemaJl An IntenuJtional Monthly Devoted to the OTgdn. the Harpsichord and Church Music

With the ChristlUas season coming also sume c\'idcllce of wavering (uneven DECEMBER, 1975 EJllo, upon us, last minute gifts will be on lIIotor speed) ill the master tape. But 101E1' SCHUNEMAN many musician's minds. what with all all this cannot ultimately dctr.lct from the fine musical ,,"orth of the r«onl­ FEATURES \ the rush of reheanab and pcrConn:mcei The ID:ematklllal Harpsichord for the se;a.son without letup. For musi· ing, Do)choir buffs will want to hear CompeUUoa ill Pam - DOItOtHY ROSER c;1i friends. Teco rdin~ often supply the this recording of one of America', (jnl.'St A Report A.lidon' EeIi,., need for last minute Ideas. l11is month', choirs of men and 00)"1. by Arthur Lcrwre"ce 3 WE5LEY VOS grnb·bag of ncw reco rdings prm'ides a Of 3 different order is Music at St. Hallowe'e", "ROSS," and Hope "ariet), of musical experiences New York City. Although Chorales (Dr Organ (Master Works for has pro\'ided me with many nne hOUR alone (along with 3t least one Viennese the recording docs gi\'e one the impres. Organ, Vol. 10, Nonesuch, H·71510), of listening - a rnre thing for the critic~ organist) in this country :as a perfonner sion of sitting in the na\"c while the The historic organ (descrihed in detail re\"iewer. of this late Brucknenan style. As a choir is far away, this very distant re· by Mr. Murray in lhe No\'embcr, 19i4 is· There are lIut too man)' champions of !litudent of BnlCkncr and Leschetizky. lationship does destroy polyphonic and slle of THE DIAPASON) is at this time the music of Leo Son-erbl' around today, and as a young cellist with the Vienna textual darity on the recoruing, I'er· being mm'ed 10 Mankato. Minnesota fol· hut one of them is Gordon Wilson of Philharmonic under Mahler. Schmidt haps there was too much :lItempt to lowing the demolishing of St. Marr', the music facult)· at Ohio State Unh-er· was one o( the few organ composers make up for the lack of such acoustics Chun:h as part of Roston', "urban re­ sit)'. For many )"ears now he has played to IISC the Bruckner·Mahler tradition in In SL 111omas's home seuing. There is men'al," s.) it is pro\'idential Ihat Mr. the mmic of Sowerbr . and particularly (Co',II;"ucd, pag~ 13)

2 THE DIAPASON The Concout5 International de Cla\'c· ,'!everaJ wcek.!i prior 10 the contest, Mr. do was held in Paris, France. September The Iniernational Harpsi~hord Gilhert had shared a pro~m with 16·20, 1975. This was the second such counter tenor Rene Jacobs. Smce I ha\'e harpsichord event to be held in Paris mentioned the exemplary perfonnances in recent years and comprised a com­ COlDpetition in Pa.·is of Gilbert and Leonhardt in another petition, open to players between lhe article recently. I will say only that ages of 20 and 32. jUdf5cd by a distin­ each played in the manner we ha\'e come guished international JIIT)'. Associated A Report hy A"thur Lawrence to expect, and each used a Paris Dowd. with it Were c\'cning recitals by some of The rather frantic scheduling of the the jurors and others, and noon recitals Fe!;t;,",1 ~slir1t11 in the French tradition played by selected competitors. All these performed an hour· long n;cital of the Gilbert (Canada), Gustav Lwnhardt of last-minute changes and additions events were under the allspices of the rollowing works. played in his or her (Holland), George Malcolm (England). made it impossible to attend all the tenth annual ,,'esti\'al de Paris, 3 order o( preference: Farnahy: VI' Taih Rafael Puyana (Columbia). J. P. Ram­ concerts, and I therefore regret not being diverse concert series lasting (rom mid. All; Frescobaldi: Toccata ruma (Book pal (France), and Luciano Sgrizzi (Swit­ able to comment on several, or those I July to the end of September. I): Louis Couperin: Prelude i" F Ma­ lerland) • Illness prevented Zuzana did hear, 1 would mention especially the The competition attracted some 36 ,or; Fran~ois Couperin: excerpts from Ruzickova (CzechosIO\'akia) and Colin program of Rafael Puyana, an exciting entrants from Europe, America. and the the Second Order (Allemand "La I.a­ Tilney (England) (rom participating. perfonner who seems to have changed Orient. Since the required repertoire for Iwr;euse," Suonde Co-uranU, La Gar­ One procedure of the competition was his ideas about performance considerably the three levels of the coulest was both "in, Les Papillons): Handel: S"ite 6 open to question: no attempt was made since the da)'s he regularly pla}'ed a extensive and difficult. it was not sur· i" 1# Minor; a 5-7 minute piece or the 10 presen'e the anonymity o( the con­ Ple),cl. Now he plays a handsome 1973 prising that most of the players were t.andidate's choice (20th century works tt.'stants. The public and the jUl1' alike Rubio, after Taskill. and. although he quite pro£icient. Nalumlly. they ex­ excluded): a short piece in the French were made aware, by published lists and still em p loy s many registrational hibited various stylei of perfonm111ce, classic style chosen hy the jury and announcements, of the name and coun­ changes, the musical disruption is mini­ but, in general, the playing was thought­ gi\'en to the candidate an hour earlier: trl' of each player, and students of the mized by his instrument. Rhythmic in­ ful and informed. Some played from and Martinu; De"x Impromptus. It was judges were not exc1udt.-d. It is thus con­ It.'usity is still his forte, aud his playing memory. but many used lUusic, since the interesting to note that the only 20th ceh'able that a student of one of the or the Soler Fallfla"go was absolutel\' rules pennitted this. Some approached century works in the whole contest were jurors could have entered and been a electric. Since no encore could cap such the harpsichord from the standpoint of these two attracti\'e and idiomatic pit.'Ces. winner. The selection of a large and a hypnotic tour d~ force, Mr. Puyana pianistic technique, but many treated Both the first and second Ic\'cls or \'aried jury, from se\'eral musical tradi­ played a final work hy Cabezon. as a it as an instrument ha\'ing its own legi­ the contest had been held in a small tions and countries, howe\'er, probably mo\'ing tomIJeall to the late Mme la timate technique. Likewise. attitudei to­ auditorium at the Ecole de Medaine. to was aimed at preserving some fairness, Comtt."SSC de Chambure. a great friend ward registrational changes \'aried. hut which the public was admitted; usually, :md the chainnan was to \'Ote only in of the harpsichord in Paris, whose ret were mostly tasteful. All in all. the play­ there were sc\'eral dozen present. often the case of a tie. cent death had just become known. ing was of a higher and marc musical including other conteitants, hut never As an adjunct to the compctitiun. It remains only to he said of George quality than might ha\'e ht.'Cn expected, a huge crowd. The final round, howe\'er, there were a number of concerts, and Malcolm's program ,that the playing was and I was told that the general IcveI was was a public concert at the Maiso" de public interest in harpsichord music is good, and the instrument by Anthony considerabl)' betlcr than that of the £irsl Radio Fra"u, and the large audience quite lh'ely now in Paris. This is due Side)' (Paris, 1972) seemed something competition two ycars ago. There was was ill\'ited to cast its own \'ote for olle in part to the visits of several interna­ of a compromise between a historic copy little of the altitude which relegatei the of the four finalists. The works required tionalll'-known players; to the presence and a modem production instrument. harpsichord to the status of an inferior or each were Bach: Toccata and Fugue of se\'eral resident performers: to the usc The middle mO\'ement of the Bach F­ ancestor of the piano. in C Minot', BWV 911 ; and Bacll' Son· of some historic instruments now being Millor Conurto, BWV 1056, was espe­ The contestants had their choice of ata 6 in C Major for \'joHn and harpsi­ played again, as well as new harpsi­ cially lo\'ely. and the Handel Organ three instruments to pia)': one historic, chord, B'VV 1019, the latter with Marie­ chords from the shops of Europe's finest Concerto in Bb-Major. Op. 4/6, worked one a modern copy hascd on a historic Christine Milliere as violinist. At this lion-production buildef!!; and not least well on harpsichord (a \'ersion (or harp prototype. and one a lion-historically le\'el, all the perfonnances were extreme­ of all to the Concours International it­ is also known) . But it was surely offen­ oriented modern instrument. These were ly compelent, and each exhibited sea­ self. sive to the many harpsichordists present a 1627 Ruckers with 18th cellt'")' TIn .,le­ soned playing, After a long e\'ening From the first day or the competi­ to see an unused harpsichord on stage ment, a 1974 Paris Don-d, and a recent and subsequent deliheration of the tion, there was a noon recital e\'ef)' day during the two string suiles d'awll from Sperrhake. Only one candidate played judges, the winners were announced fur eight days: entitled AnimntiOtl The Fairy Quun of Purcell that began the Ruckers, which. despite a \'ery rich shortly before I a.m. to the waiting Clavuin, these were played by selecled the program. The string ensemhle from and beautiful tone, was said to have a crowd. The first prize was not awarded. competitors and other }'oung players in the Orchestra Natio"al played (Iuile pro­ dif£icult action. and only one uscd the but the second prize was won by Anhur the same hall where the fint two rounds ficiently, but their anonymous conductor Sperrhake. For the remainder, the Dowd Haas of the United States. Both the were held. In addition to much playing led pcrfonnances which were patently pro\'ided a scnsith'e and responsive in­ third prize and the IJrix du Jm Mic were uf the required works, \'arious other unstylish - every note was exactly as an strument, beautiful both to see and to awarded to Yannick Le Gaillard or Paris. pieces by the same composers and by arranger had put it on the page, wilh· hear. This two-manual harpsichord has Haas and Lc Gaillard both had played ningham, Dahm, Bull, Byrd, Cabezon, out ornamentation. articulation of the three choirs (2 x 8', I x 4') , handstops, in a musical but unaffected style; each I1 c= lla Ciaia, Duphly, Fouqueray. Gih· dance phrases, or harpsichord continuol and sho\'e coupler: it is fashioned with allowed himseU some of the liherties hons. Haydn. Kuhnau, Philips, A word on the seUtIlg of the evening the quality for which Dowd's Boston­ which we today heJie\e to be ap­ SwccHnck, and Vh'aldi-Bach were heard, concerts is in order. The), all took place built instruments arc known - crafLc;­ propriate to the Baroque style, hut These programs scn-ed the dual purpose in one of sc\'eral historic churches, where manship now being produced equally by neither went beyond that point. Another of giving some of the contestants further the richness of stained glas.c; contributed his Paris shop under the expert direct contestant played from memory with a I)crforming experience and providing greatl), to the aura, and the hard sur· tion of Reinhard \'on Nagel. romantic and mannered flair: this pl;ty· Ihe public with more good playing, faces of stone noors and walls enhanced In the first stage of the contest, which ing was admittedly musical, but uot Enning programs were played by the sound. The Church of Saint-~verin, occupied two days, each competitor st)lish. and its exponent did not win a ~hne Dreyfus (Rameall, L , Couperin. where the majority were held, is espe­ played 15 minutes, The works required pri7e. Haas played from music, whilc Scarlatti), Mr. Leonhardt (Kuhnau, cially nOlewortlty in sllch respects, were Bach: Prelude and Fugue i" C I.e Gaillard played the toccata frolll Bohm, J.5. Bach, C.P.E. Bach) , Mr. One might wish for a series of events Major, BWV 870 (WTC Il/I); Scarlatti: memory until he was twice stymied hy Puyana (Bach, F. Couperin, Scarlatti. with fewer last· min ute changei and two Sonatas in Bb Major, K.544,5: and a memory slip at the same point: he left Soler), and Mr. Malcolm (Handel and \"ague announcements, but the manage­ Rameau: L'Entrt!lien des mllses, the stagc in disgust. hut returned with Uach concertos). The concert assigned ment of the Concours International de Thirteen rlayers were ad\'anced to the music to gi\'e an assured reading of the to Mr. Tilney was played by the Amer­ Cla\'ecin is to be congratulated for a sccond le\'e, which also reqUired two piece, much to public apprm'al. ican harpsichordist, William Christic=. harpsichord festival which produced days, and in\'Ol\'ed the greatest bulk The member.!i of the jury were and concerts by John Whitelaw and much interest and acrh'ity, and some of prepared literature. Each conte~tant Huguette Dreyfus (France), Kenneth Irina Ivanova were added at the end. fine playing.

quality of life and culture in the city Dallowe~en~ ··DOSS,,"~ and Dope wlluld be greatly affected h}' the con· Here & There tinuation of the Symphony, Organists and choir directors sold hun­ Sa,'e a SYlDphony dreds of $4 tickets to two gala benefit concerts held in the city's recently re· Edward Moogk was presented In an In­ furbished Music Hall. Local Pop, Rock, formative talk on recorded sound for the hy Donald F. Jensen Country·'Vestern combos, together with Ottowa Centre of the Royal Canadian CoJ­ two church-affiliated choral groups, sev­ lege of Organlsls at St. Andrew's Presby· eral outstanding solo perfonners and terlan Church in Ottawa an September 29th. A Hallowe'c=n "Lollipops" Concert was as a black but comely 'V ASP flew in, the Symphony ill'lel( presented the con­ Mr. Moogk, author of one volume of the a fiendish milestone of ghoulish enter­ chased by a can of Raid and a fly­ certs in the theme of .. A Fun Festh'al - history of recorded sound In Canada from tainment and a culminating effort by catcher. She continued her flight all m-er Country to Classics." That benefit was the beginnings to 1930, and currently pre­ local church mU.!iiciam to help rescue the pedal board of the splendid Holt­ cle\'eloped by Thomas Carey, renowned pa ring a sequel to It. Is head of the Recorded the Oklahoma Symphony Orchestra from kamp organ with a siuling rendition of haritone of Oklahoma Unlversit)'. and Sound Section, Music Division of the Na­ impending financial doom. The eleven ' ~n r i n lio "s 011 n TII ('",,. of Ptr ~fw;" i IJ\' hi.!i equally famous wife, Carol Brice_ tional library of Canada. He played the p.m. program Hallowe'en night featured Thalhcn-Ball. ' Beyond the thousands or dollars raised oldest existing sound an record In the world. the city's leading organists in "mon­ Ainslee Cox, completing his first }ear at the benefit, the tear-off registration an address by Lord Stanley of Preston, Can­ sterous" perfonnances of e\'erything as conductor of the Oklahoma Sympho­ on the program provided a calling list ada's Governor General. at the Taranto from J. S. Bach's Toccata in D minor ny, was emcee of the frightful extrava­ that enabled a "phonathon" committee Industrial ExhlbllJon on Sept. TT . 1888. Mr. to P.D.Q, Bach's Toot Suite (S. 212-). ganza which was but part of a tremen· of volunteen to extted their goal of Moogk gave several examples of early at· Garishly costumed perfonners in Okla­ dous community effort to mount an $62,000 in new subscriptions for Sym ­ tempts to record music, such as Emile Ber­ homa City University's Smith Chapel orchestral season this year_ phony tickets this year. Ir ner's attempt to record the argon In Mon­ pro\'Oked a capacity audience to near In true pioneering spirit, a group of A separate HOSS committee has de­ tteol in 1898. Although recording techniques h}'Slena in such terrifying selections as Symphony devotees under the banner o( \'eloped new patronage for the orchestra. are much more refined today. Centre mem­ Grieg's I" tile Hall 01 Ille Mountain HOSS (Help Our Symphony Survive) encouraging the core group which has bers were pleasantly surprised at the quahty Ki"g by Antone Godding in football began a campaign which has ultimately llndenvritten support for the past 38 of some of the old recordings which took uniform and helmet, Gounod's Flweral assured not QIlly a season this year but years. place under very trying conditions. March of a Ma rionette by Fred Haley has laid a more stable foundation for The Oklahoma S}mphony has been as "Zorro," Ganh Edmundson's Gar· the future, Typical of individual efforts saved -by a HOSS, by organists playing goyles by 'Vilma Jensen as gypsy ror· throughout the c.ommunity wa.!i that of the O.K. Cllorale, by Rock musicians Terry Charles was honored by the city of tunc teller, and Saint-Saens' Dan ~ e Ma­ Fred Halc},. whose bcne£it orffoll1 recital and high school pianists in benefit per. Dunedin, Florida on October 9th when the cabre introduced b)' bell·tolling Guild at 51. Luke's Uniled Methodist Church rormances, but mostly by people like mayor of Dunedin declared the dote ''Terry Dean Barbara Flemmg_ and request for symphony donations organist Mona Preuss who alone raised Cha rles Day." Mr. Charles, organist of the In full concert attire and stOCking · gained O\'er $650 in contributions. A O\'er $1000 among choir and church Kfrk of Dunedin, where he has led the de­ co\'ered face, Myles Criss eeriely offered principal strategy in all fund raising was members and friends. For }ears rhe Sym· sign and Installation of a large pipe argon the Hen, Swan, and Scherzo· Cats from explaining to prospective donors and phony has labored to bring music to the and presented many theatre organ concerti, the barnyard pens of Messrs. Rameau. subscribers that even though they were people. Finally, the labors of HOSS was honored for his unique contribution to Saint-Sae"s, and Langlais. Linda Smith ne\'er to attend the perfonnances, the have brough people to the symphony. the life of the city.

DECEMBER, 1975 :I In dulci jubilo from the Orgel-Buechlein Resolved!

By John O'Donnell

J. S. Bach's anoDic setting of the panson of Bach's fair copies and pub­ be rejected. older practice_ Quantz similady requires macaronic Christmas chorale In dulci lished versions with manusaipb whose At this poinl o[ stalemate one is that triplets be played "round and Illbilo ha3 long been an arena of musi­ circulation was limited to the Bach bound to agree with the sentiment ex­ equal" (rund und egtJl) without hurry­ cological dispute. The puzzles created household or organ gallery reveals that pressed in the chorale under discus­ ing the first two notes "lest they 50und within its mere 37 mC3sures ha\'c given the former categories are frequently sion - Eia, waren wir da! as though they have yet another crook:" rise to a variety of speculation and ar­ more precise notatlon:tlly. The Ouver· We must begin anew with an exam­ but he goes on to suggest that "the first gument concerning the pedal compaMi ture of the Zweyler Theil der Clavier ination of Bach's text. [t should be note of a triplet . . . may be: held of the Weimar SchlM11drche org;an on Ubrmg is a well lmown example. where noticed immediately that white the .lightly"'" the one hand and the conflict of binary the notation of the "household" version piece is notated in 3/2 lime yet all the Collins cites numerous instances in and ternary rhythms on the other. This (Bach Ms. 1'226. Deutsche St.a.atsbihlio­ lernary proportions, whether tribrachic which dactylic and anapestic ~ucrns paper is concerned with the latter prob· thek, Berlin) . in the key of c or trochaic. :lfe notaled. at one rhyth­ interchange at random with trip1ets in ta lem. but for the sake of completeness (Example 2.) mic level 100 low, as j[ in 3/ 4 time. various movement& o[ Bach's canl..;1las. the fonner will be briefly di$mis~ fint. is tidied up in the publishrd version, Thus while there is sufUcient contem­ Furthermore his romp:uison o[ the Kirn­ In the Autogr.>ph (B.ch M.. P285. in b, as follows: porary evidence to establish th::tt equally berger and Ahnikol manuscripts of the notated eighth-notes confonn rhythmic­ Prelude in f-sharp of the second book Deuuche Staaublbliothek. Berlin) In (Example 2b) duld jubilo is nola ted on two staves, ally to prevailing triplet eighth·notes, of the "48" shows that the re50lution of If, as argued, Bach's dbtinction be­ yet there is nothing to indicate that triplets to dactylic and anapestic fig­ in common with most other organ mu­ tween the equally notated quarter-notes sic of the period. and the indication equally notated quarter·notes should on ures is the solution to this problematic and the trochaic figures is intentional. ll any occasion adopt ternary rhythm, al­ movement - and an esthetiCllly su­ Ped. is given above the tenor line. that it becomes apparent tha.t the standard is, the comes of the canon, The editors though by extension of the principle perb solution, one is bound to addl assimilation cannot apl?ly. Must one it might have been possible had the Moreover one may cite the various of the Bach·Gesellschaft simply rele­ then accept that In du/" ,ubilo is to be gated this line to a third slave in ac­ triplets been notated at the "proper" manuscripts of the chorale If lie;,. Gott cordance with later con\'ention!l of or­ performed "as written?" How this would quarter-note level. in der Hijh sei ehr (BWV 662), in gan notation, thereby unwittingly giving delight those staunch supporters of the The 5Ohuion to this enigma has been which the tripleu in m_ 14 o[ the Leip. written text whose duty it is to protect provided by Michael Collius in his ex­ zig Autograph had formerly been no­ rise to the speculation that Bach had the composer and his work hom the at bis disposal an organ whose pedal haustive and fascinating doctoral dis­ tated 3.5 anapesu, and in one copy compass extended upwards to f·sharp'_ devious machinations of musicologistsl sertation The Performance 0/ Co/arl! ' (Sammlung Mempell.Preller) ocror :u But there are certain authorities who tion, SeJquinlterl!, and Hemiolia (1450· dactyls: Such an argument is easily dismissed, advocate this, arguing that one should for the practice of soloing out canti 1750).1 Collins' original intention was (Ex.mple 5) simply allow the individua.l voices to to study triplets "from the time of the What, then. is the resolution of In /irmi of inner voice5 on stops of four­ take their own rhythms without con· foot pitch had been docr:ibcd a century late Baroque, roughly during the life­ duld jubilol Surprisinglr. Collins, while ciowly executing a conflict of binary time of 1.5. Bach," but "it soon becam(' advising that "each me odic configura­ earlier by Scheidt' and had remained a and ternary proportioru.· To this it common practice of German org:m pb.y. evident that the origin of the 'triplet tion must be studied by itself to dis­ mwt be said that the audible dfect is ing since that Lime. problem' lay hidden far earlier in the mver internal rhythmic and harmonic still one of p~rtional mnOict. some­ history of musical notation. Indeed, the justification for one resolution or an­ The real puzzle is one o[ rhythm, the thing quite different from the rhythmic time-honored 'two·against-threc" prob­ roots are to be [ound in the notation other,"S is conlent to dismiss I,. du/ci abandon characteristic of Baroque ('n­ and performanCe o[ ule proponional sys­ jubilo, whose triplets "cenainly need to lem. The resolution o[ the conflict be­ semble perfonnance. That such con­ tween binary and ternary rhythms by tem of mensural notation." The result­ be resolved," with the speCUlation that Dict was estheticall)' alien to the Ba­ the assimilation of the (ormer to the ing objeetil'e o[ his dis.5ertation "''as "to "probably the doubling o[ the (int .. _ roque is clear &om the of evidence ou latter is one of the few Baroque per­ bodr. assemble, insofar as pos.sible, all infor­ note of each uiplet is advisable: Thls shOWing how rhylhms shou d be assimi­ mation concerning the notation and per­ seems feuible if applied to the opening [onnance conventions to ha\'e gained lated,· and at least one writeT of the reasonably widespread currency. It was formance o[ triplets between the ap­ measures. but one lOOn encounters un­ 1 period advised "ne\'er to put three proximate dates 1450 and 1750.''10 acceptable progressions, such as the fol ­ described by Dofmetsch in 1915 and is notes against two, this being one of the l The history of problems and solu­ Jowing: similarly treated by Donington who most prohibited of Musial states; be­ quotes three measures o[ In duld jubilo tions is a complex one, but the nota­ (Ex.mple 6) cause besides repulsion of the ear in tion of triplets at one rhythmic level All of these will be solved II the ',hoPie to illustrate "misleading crochets [sicl] hearing the combination of three notes expanded to triplet rhythm:" too low, still occasionally encountered figure adopts an anapestic pattern. Ap­ against two, the result of it is also a (Example I) in Bach's day, was a remnant o[ the proaching the lame problem from tne good deal of con[wlon"'" Additionally, practice of usfng coloration to indicate melOdic Ilspect the natural evolution of His intention is that the rhythms of from the technical standpoint there is a m. 25 be adopted throughout - a imperfection, that hi, binary pro~rtion. the line will produce the .ame rhythmic certain unnaturalness, a faa noted by Thus a triplet of eighth·notes mtght be­ result: standard solution, and a reasonable one C.P.E. Bach who, in arguing for assim­ perhaps. especially when ronsidered in come either a quarter and two eighths (Example 7) ilation, 5latet that 1i~1 performance or two eighths and a quarter, depend­ Further it will be noticed that all posi· relation to the last movement o[ the of notated conDieu "is often disagrttable fourth trio sonata., discussed simultan­ ing on mntext. Georg Quitschreiber. tive aspecu of Bach's notational align· and always di£6cult.'0,1 one of the numerow theorists who ment are retained. and m. 54 and !6 cowly, in which equal and dotted binary furLhennore. an examination of the rhphms require :wlmilation to the pre­ documented this practice earty in the in particular become tedmJcalIy more autograph reveals some interesting 17th century, stated that "this number satisfactory. In acrordance with the old vailing ternary rhythm. The notational alignments. Admiuwly there Is a certain inconsistencies mlly then be dismissed 3 by three black notes me:lDS thllt the rules for coloration the trochaic ttiplet.s danger in following this coune o[ e\'i­ first or third is to be sung as white."u will become dotted figures: as an o\'ersight, or, more plausibly, as dence sinCe a literal performance of a typical instance of the complete aban­ He was of course describing a higher (Example 8) many of Bach's works in accordance with note level than used by Bach, but in don suppo5edly exercised by composers their manuscript alignments would Where the third note of one triplet is o[ the lSaroque in the matter of equally 1735 Johann Mattheson used Bach', tied to the first of another it is these prove catastrophic. But there are usually rhythmic levels in his iIlusU3tion o[ the and unequally notated rhythms. reasons for poor alignment, concerned tied notes which take the longer values: In a study in progress one hopes to scsquialtera o[ the "ancients_" Having (Example 9) mainly with cramping at the end of a described the practice of coloration, demonstrate that Bach's notation in page, or with having notated a particu­ Kirnbetger's manuscript of the above­ the fourth trio sonata and elsewhere making "black notes of whhe ones. and mentioned Prelude indIca.tes thu: lar voice fint and not having feft suf­ white notes of black ones," he illustrates is not as arbitrary us currently supposed. ficient room [or a greater number of (Example 10) On the contrary his notation is exact, sesquialtera "in perfonnance . . . ac­ notes in another voice. The last two cording to today's notation:''U Through reference to Bach's use of dac­ not in tenns of literal adherence to measures of In du/ci jubilo are aamped tylic and anapestic patterns elsewhere notated values. bllt in that it indicates in Slid, a way that no condu,ions con­ (Example 5a) one is IIOOn able to reconstruct the en­ his intended distinctions of articula­ cerning alignment could be drawn, and· This is a resolution of the (allowing: tire piece. In the following resolution tion. Likewise, notation:lI inconsistencies the alignment in m. ! 1 is particularly (Ex.mple 3b) 5/4 Ume has been adopted. Bach's most would seem to have no place in In duld bad sinCe Bach did not leave himself It will be noticed that this is a (lroblem likely notation had he ch05Cn to present jubilo, a concise: mm'ernent occupying sufficient space to indlca.te the sharp similar to that posed by In dula jubilo. 11. resolved venion: only a double page in the manwaipt In many instances thb practice was in the alto ,"'0 ice. On the other hand in (Example II) and, morCQver, one of a collection of rn. 20 and 29 where the: tenor line undoubl

4 THE DIAPASON

• ~l61 'lI311W3::>30

'" - L"'l I \ 1 nnn_ - .. 4- •• - \:.I - ~ I:U f'- - , -- '"- - ...... ,... I ..... \ d.l -fi I 1"1 \ 1'.,1- . IUt; . __.a- ~ .... . I '""' It'" I \t ... ~ . \ III" 6 Ill:! "" \ 1 J riD u

I UaI W L:l' t t \ I,;J::: ~ \..l= .. • 0 , ..... ,... • t-·~ "It 4- - .. • r-.I • : - " mInI) ~Ib~ . . \ n:...... nU In.rnn (> - - - III Ill'llr-. '1.1 h 1'\1 , , 1'-' • '-I' -p Lt..... " 'tl·· 'I I IrMf'l ,'''3

_ .t.l::> .

...... , I • , r r '-IT "_. -....; 'C ...... - - - I' U "-rt-t+ '--. ~- ~t"J f;:.~ ". ". .... "'"' 1'1=1,... ,-, ...... n ll''dl'l I». r - - : ...... _ ..... ~l I 1 I I I T f I I I .-. .... \

""f't'rd I Q d ;- "" -r- ~""'r er"l Im ~ tIo. .... I,"", ,....., ,.., ~1'foI.J Im.fl= . ~~ "i , I I I ~ 1 I II .• :3 \1":'1 .. It + .. I N.-(J I r-,...... 1.11 - . d' , II' 1-tl1.t.J:. ~t; I , I , I I i (i,!1) Jt 4"1 I I .... r ('"t 't~ In dulci jubilo aSM>ClalC..'d with joy, In 1675 Isaac Vos· Scheilte for wntmg out embellishments ill such a m:mller as an)' one would which belonged pro~rly within the do· think they kept no time at all, and (CoFilitwed ITom p. 4) SIUS required lhe use of the dactyl "to express what is dlu'-I"l ano joyolls:rm main of the performer? And that Badt yet thcy ne\'cr rail their gross meas· rcsol\'c(1 10 Ihe following manner: In 17!9 Johann Mattheson associated himself considered that there were sev­ ures.'ozr (Example 12) the dactyl with "seriolls" (emsthallten) eral !IOlutiolls to such problelll$ may be Thus the dactyls aud anape~ts in The [olUmnil)" (If the pas.o;agc certainly or "jocular" ( s clll~nl:'lItlen) melodie$. illustrated by e-xamplell from his earlier In dlllr"; jubilo may he Irealed :!cc:nrd· gaills illll1lcasu ...... lJl)· (mm such a 1l.".uJin~. according to tempo.¥! while the anapest and final \'cl"5ions of the (horate Nun illg to the pcrronllt'r's whim, lnll ""ilia· Second, lhe U~ 11£ :.111 archaic, but not was more t'Hecth't! in "airy" ('''/Iig'-'') It"",,,, ,Ir!,. Il~idetl HeirlHld (RWV 659): out disturbing the IIIdric regularity lit obsolete. 1I0(011ioll is possibly symbolic alld "exotic" (Jremdeu) melodics."D (Example 1:S) the whole. An excellent piece for prac· of the Latin lille, the "old" language. Retuming to practical matters it must In conclusion it may be advisable to tice to this end is the Invention in B- Furthermore, the notation of aiternale be slated Ihat, given the principle of offer a few words concerning other as· 03t, of which Ex. 19a represents Bach's voices in lIon1l31 and unresolved (onns resolution of triplets. a performer steep· peets of perrormance practice. Although lIotation, Ex. 19b a notation which hc pro\ ides a symbolic parallel to the ma­ ed in Baroque music and posses.sed of a this is properly beyond (ho scope of the might just as easily ha\'e employed, and caronic t.:xl with its mixture of verna· Mlund hannonic sense will be able to present paper, yet one has found that Ex. 19c a vain attempt to notate the cubr and unlraml:lled lines - mnenron­ read and perronn such pa.ssa~ in un· the adoption of one Baroque perronn­ irr:ltiollal values ""hich a Baroque per· ie mwic! rewh'ed notation with complete ease. ance convention wilhout oUlers usually fonner may have adopted: The picce is rich in other points of with the advantage thai where there are Icads to the rel'eclion of the first since (Example 19) symbolism. The canonic Irealment alII optional resolutions he is free to exert it is esthetica.l y uncomfortable. Thus But we have over·stepped the bounds be seen as an illustration of Trahe me his individuality of choice, just as in the application of inequality is unsatis· of this study. The matter at haud. the POl! ie ("draw me a£ter thee"). The so man)' matters relating to sud1 as· factory without quantitath'e accent, enigmatiC notation of In dtdd jubiJo, is repeated quarter-notes may fer-resent the pects as tempo. rh)·thm. embellishment whid1 in tum reqUires a non·legato ap· resolvedl tintinnabulations of die Selle' en ("limall and continuo realization. In music. after proach to structural \'alues and the con­ bells"). BUl the prcvaiHng thought is all. it is the perrormance. not the printed sequent use of aniculation silences. all NOTES I Samuel Scheidt. Teh/e'."•• 11&:11, Pari Ill. that of jO): Tn riu/ci jubilo ("in sweet page, ""hieh is the finished work of art. p11lportioned according to metric consid­ Hamburs. 1624. New edilion, kipziS. 1966. jubilation'), N,m Jinger und Jeid Iroll and il is in kceping with the spirit of erations. Most organ playing todilf still 'Arnold DolmetKh. The Inttrpreteljon 111 'he f'lIOW sing and be joyful"). Coe/orum the Baroque that each performance be has at its roots the grand legato of M1dic 0/ 'he XVlJlh aNd XVII/,h C,,,rurieJ gtllldia ("the joys of hca\·cn·'). UM reganled as an individual work of art. the Lemmcns·Widor·Dupre school which R,vefll,,1 by Cont,mporary EviJeNU. London. Jlml garwin ("' where al·e jo)'3;'J. Ac­ The definitive performance. like the is, naturally. suited to the bulk of organ (1915]. New edition, London, [19441, Reprint cording to the doctrine of the aHeclions gralllaphone. is a product of the 20th music of the past century, but di.:unetric· edited by R. Alec: Hannan, Seatde and London, 1969, pp. 65-70. both lJactyls ano :mapests are closely centul)·. Was nol 8ach ceruured by ally oppo!iCd (0 that of the Baroque. • Robert Doninlton, Ti,. t"'erp,ttIJlio,, 0/ &rl)' One usually hears the melody of In "'lUic. London, 1963, New Venion. London, dulci jubilo perronned as 197". pp. 4&1.-t68. (Example HOI) 'Inlucstingly Kimbergu's copy of /" tlulci E".11 whereas an organist of Bach's time j1l6i10 praenred all of &.ch's IUpposed nola­ would have played approximately tiona! inconslstcncict. I wish to apraa my IIt":1titude 10 Mme B. Poll of the Bibliothcque (Example I4b) du Consenratoire Royal de Musique, Bnwell, this being an application of quantita­ for bavins provKled G photocopy of thi. manu' tive :uxent, dcscribctJ by Prinu.ss and IICript. Walther" under the term qll4ralitas in­ 'Students of Anton Heillu have told me that tr;nseca, by Heinichen- as rwtae vir· this is his aplanalion of the matter. tuaJder lougae, and by Mattheson'" in • See references bl OoninS'on, 01'. ci'" pp. terms of imJt~rlic"e gellall. It will apply , Giannantonio Bannu, Compentiio .\IuJieo also to the quaner-notes: -.• •• Per'e SotconJe, [17451, p. III. Tr:anslated (Example 15) by Michael Collins, "The Performance of An illust.ra.tion of thi~ quantitative Triplets in Ihe 171b and 18th Centurics," accentuation occurs in the opening 10urruJ a/ 'he Amenc.cllr. Mauicolo,iefll Soti"y. _14 XIX (1966). p. 31 ... chorus of thc cantata Es ist das Heil • Cad Philipp Emanuel Bach, Verlud lI,b" tHIS kommeu her (BWV 9) where in dj, wahr, Ar' JGJ Cltlvier ZM Jpitt,,,. Berlin, HmO ttIDiffl ! MOO ttlj'talJf II! 3/'1 time groups of six eighth·notes in 1753. Tr:anslaled and edited by William J. 4. the flute and oboe parts have staccato Mitchell, New York, 1!J.I9, p. 160. indications ovcr all notes except the t Stanford Unh·cnity, Ph.D .• 1963. For publi· first of the mcasure: cation of the main arsuments see Michael Col· lint, "The Perlwmance of Scsquiahera and (Example 16) Uemiolia in the 16th Century," lour"ol 111 '/r.e The "triplets" may be articulated as Am,rica" MlUieolo,ictJi Socie'Y, XVII (l9&l). three·note patterns sepamted by arti­ pp. 5·28, and the article lilted under note 7. culation silences or according to a var~ All future references are to Ihe di5l:erlalion, iety of other patterns repeatedly indi­ lit Collins, op. cit., p. 1. &,11+-_ cated by Bach in his instrumcntal wo rks U Gears Quitschreiber, ,ul.lncbutchl,ill lu" Ew.14~ Ju I .. , ... fl. LeiJQi., 1607. Tr.uulated by Colli"" aud cantaW! 01' . cir., p. 3'Z. (Example 17) 11 Johann Mauhcson. KI,ine Gerctrcl·&JJ· - But what of the Baroque freedom of Schul• . Hamburr, 1735. Tr:amlated by Collins, ~HnJf r r ~tj1. d'iHlr UW op. cit., p. 115. which one reads so much but hears so little? It must be emphasized that the ~ Leopold Mozart, Verlueh einer ,",,,J/ieitefl Violiruchul.. Aupburs, 1756. Tr.tRllated by pmctices mentioncd above wue habits Editha Knocker, London, 1948. Second edition, to the Baroque performer but require 19:51 , p. 103. exposition here since they violate the 1.10 lobua Joachim Quaal&. Vn'lItll ,i",r Aft· habits of the modern performer. It is W,lll,., Jie FlfJrle 'fllVrrnUe z., ,pi",,,. &,I;n, the performer's right to exercise his wiu 1752. Tr..ntiated and edited by Edward R. in subtle rhytllmic manipulations of Reilly, London, JOOG, p. 1' 1. the lower (decorative) note levels while YOI'. nt., pp. 246-252. retaining the proportioned regularity of It 0/1. dt., pp. 2505.256. the slTuctuml values. This is perplex­ rr OJ!. dt" p. 258. ing to the modem performer who is II Op. nt., p. 178. tl In hill edition of Buxtehude', OlPn worb adept at temporal tampering with the JDlef lIedar adjults these to the " proper" level. slructural ,;alues, but having undcnaken .. haac Vosaius, D. J!fJtmlltu". c.n'" ott viri· ycars of training to play rhythmiC pat­ bNJ rhy,lami, London, 1673. Translated by Jobn terns "as written" is completely at a Brown in A Diuerfa,ifJ,. on ,,,- Rue. U,.ion. loss when asked to create subtle variet), e"d Power, 'he Pto,rotuioru, Sep.ro,ill1U anJ of figu["ation. One will do well to con· Cor",p,ioJU, 11/ Po,try and Munc. London, sider rhythmic units as poetiC leel, part 1763. Quoted by GcofJe lIoule in The AllUiefll of the meLer whose acants are accom­ MtlJJwr. tJJ JU&1U,ed 6y Th,orist, Irom HiSO '0 1800, unpublished Ph. D. diuutation. Stan­ plishL'tl quaudtath·ely. that is, by ford Univenitr, 1961, p. 151. lengthening, mther than qualitatively, n Johann MauhelOn, D" voillommen, Cep,,,, that is, by dynamic sln~ss. Thus the ""ister. Hamburg, 1739, p. 166. Hill a Ell l.ll II following patlems are dact),ls :II Op. cit., p. 167. IS Wolfsang Caspar Printz, PhryniJ Milil.naell' (Example 18) oJ., SatyriJdn CompuiJt. Draden and Leip­ and Roger Nonh considered that they zil. 1969. p. 18. diffrred but lillie froUl olle another, If. lohann Gottfried Walther, M.,ile/i,,'''' U6· concluding th:n " if the cheif pulses o( i,o.. Leilnil. 1732, p. S07. the sounlJ , as those they call barrs (or • Johann David lteinkhen, Der G,.,."fIl·BoJJ when shorter arc uscd as such), [are in der CompoJilion. Dresden ,1728, p. 2511. obscrved] it is not of great import how .. Johann Matthcson. Cri';ce Musica. JI"mbUTg, the breaking is managed. pro\'idcd the 1722, p. 43. gt.'Ilcral cquallitys arc malllla.ined; on n Ro,er Nor'" 0" .UuJic: B,i", a SJeetion Irom lIis WO)'f wriUt,. Jurin, the r,e" t:. which account It is th:!t the capitall 1695.1728. Tr.uucribed .:and edited by John Wil­ masters. ill their pc:rConning, capreolc it IOn. London, 1959. p. 102.

6 THE DIAPASON During recent months, evidence that .J1ld repainted in Ole original color. Gold Americans are becoming more and more lear was applied to the lips of front concerned with the presen'ation and pipes and the case finials. Keyboards rcsto ..1IiOI1 o( their earl)' instrulllcnts has Four Historic Organs Undergo were reco\'ered, the original black wood i>cell shown by the (act that numerous in­ originals with ebony, and the original stnuuenU have been restored by various sharps wilh the same h'ory. Chests and organ builden. What is even more en· bellows were repaired. New pipes were couraging about the restoration or these made to old models 10 restore the origi­ instruments is that they ha\'e not been lIal tonal specification exactly, but the relegated to being relics in museums. Complete Restoration 1887 higher pitch was retamed. The Each or them is in regular use a stoptist or the organ is as rOIlOl"\/S: testimony to the musical value o( a restored instrument. MANUAL Jack M. Bethards of San Francisco has Gt:dackt 8' Preservation of Old Instruments Dulciana 8' completed the restoration of the 3-man­ Flute 4' ual, 28·unk organ of the beautiful and Clar.lbd 4' historic Notre Dame des Victoires Ro­ Gains Momentum Principal .. ' man Catholic Church in downtown ~n fifteenth 2' Francisco. Mr. 8ethart1s writes of the restoration project: Millersville State College, Millersville, The 1915 in.llrument i. Opu. 148 of the Penn5),h'ania has become the new home Joluuon Orsan and Piano Manulacturins of an organ built in 1881 by thc E. and Fluee Hllnnonique -4 ' 58 pipes Company, Van Nuy., Caliromia_ SuccccSJor Stein organ was remO\'ed, placed in stor­ G. G. Hook and Hastings Com pan)' o( to the di.tinguuhtd finn', Murray M. liar· Oboe 8' 58 piplMI age, and replaced h)' a larger Moller HOSIOII, its opus 1O~7. ri, (builder of the Stanrord Univenity organ. Probably the original organ had rEDAl Chapel organ) and the Los Angela Art Dllurdon 16' 27 pipes The uriginal organ was installed in a Oat or rront pipes similar to the pres­ The r('510rOO organ w:u ina.ugurated the chapel at the Warren Slatc Hospilal Orsan Company (builder of the Louisiana ent Moller facade in the old "-ranklin Purchase ~position - now Wanamaker - in its new homc on Ma.rch 16, 1975 by in Warren. I'enns)lvania, which at that c1tlan) Julm.ton was the only major manu­ Square building. now named St. Luke's GeoHrey Simon, organist and choir· timc was known as the State lnsane bcturer located west of St. Louis. ]11 prod. nited Church or Christ. master or Chrin Church, Washington, Asylum, The organ remained in the UCls are noted for unusually high quality In 1928 the organ was brought from D.C. Warren chapel (or more than 90 ycars nf workmanship, reliability, and longevity, storage and re-erected in Crisp Memo· and was still in excellent condition when a. well IlJ deep tone. Construction employs rial Prcsperian Church, Baltimore. The I'cace Church, ncar Camp Hill, Penn­ the hospital built a new chapel and n3tive Caliromia redwood and the c.hesu racade pipes "'ere greatly altered to fit 3re built along the lines of W. B. Fleming. s)hania, is a perfectly preserved meet· instaUed an electronic organ. 1'he old Unforluna,dy, in the 1960',. Ihe inltf'U­ the rounded proscenium arch abo\'e the ing-house style of church built in 1799. organ was placed in the 5tate surplus pulpit, the water motor was discarded, ment WBi damllged b3dly both mechanically In its side gallery is the newly restored property list, which would allow any and 'on311y by 30 unqualiflCd and .horl­ and the tracker action to the pedals was 180i organ built by Conrad Doll of other state agency to acqUire it without .illhted otJ;l.o mechllnic. who attempted 10 remm-ed. Here the organ was main· Lancasler, Pennsyl,-ania_ The restoration con. alter tJee lanai I(:hcme along "clauic" lin~, tained well II)" the Lewis and Hitchcock work wa5 carried out by the Noack or­ Both the Organ HistoriClI Societ)' and but achicnd only a monumental imbalance_ £irm and remained until the COligrega. gan Compan)' or Georgetown. Massachu­ the Organ Clearing House encouraged lien! We ha\-e one of the f~' in.tancn tion closed its doors in 19i4. seus_ The historic Imiiding was not used Millersville St.:lte College (0 reqUC5t where an inltrument eapoted 10 the ladi.11 In IXccmher of 19i4, the organ was whims of the "Iinkerer" has been taitored rrom IBGG onward, thus sparing it rrom ownership or the organ. The memiJcn pailUtakingly to it. ori,inal tonal dmgn, mO\'cd 10 Coh.os\"illc United Presbyterian the ra"ages of timC'. In ISfI6. the Doll of the college starr ",flO went to Warren Church, Sih'cr Spring. The church, or­ than .... to the wudom of Father Emile Ney­ organ had been relOClted acrou tht: were impressed with the fille colu..litioll ton and dittingui,hed Ofganiu aond compoKr ganized in 1958, had established an or­ stl"l'et at SI. John's Church. fortunatel)', or the organ and becoune convillced that Charles Sh3110, who wanled this good a· gan lund to replace its electronic in· the organ was spared from a fire whiCh it could make an imporlant contribution ilmple of early 20th century Ameritan ltflIlin strumentS, and finally was able to pur­ complelely demolisht.-d St. John's Church. to the college's music cduCllion pro. building prese,,:ed. chase the Stein organ and have it iu­ Although the .pecification reneci. a pre­ and thc organ was returned to Peace gralll. slalled in December 19i4. Church in 19H a!li pan of a complete The organ becaDle Millersville Stale ponder.ance of unison lone, the lealing of Siehl originally installed the organ the instrument i. perfectly balanced with the restoration "/' the Friends of Peace Collt.'ge·s property in 1974 and James with I 1 speaking stops; two others were churrh', at:Oultical environment. Meticulous Church and t Ie 1'C'tlllsr h'ania Historical :\.Ic"-arland, :a. tracker org::m builder who voieins, including truly --spectacular reedl, hlank. The Minules of the Franklin and Museum Commission, It is now )i\'es in Millcrsvilil: , was hired to move, gi\'c, the instrument unusually brilliant en· Square Trustl'C5 record an inquiry to open to the general public. rellO\ate and inst.:lll the instrument in semble as well a. extremely beautiful solo the builder whether pipes (rom the old the rccilal hall of Lyte AuditoriulIl. A voicu. This balance: and blend of tonal con· organ could be used to fill these blanks. unique educational experience was pro­ cept WIlJ lott in the attempted tonal modi· At some time nile stop was fillet!' In­ 'ided a handfnl of raculty and tllluic fications 3nd miraculoully tl'sained when 2' the instrument was returned to ilt orisinal d<.ocd. the J'iccolo is now round to majors who participated in the dis· Ipccification. ha,'e bccn a bastardized rallk whose mantling of th<;: organ at Warren_ Mc ~ origin in an older Viola d'Amorc rank Farland's reno,-ations ha\'c left the in. The restoration projcct was carriw is 0))"iOIl5_ This rank was impro'"etl in strmnent historiClUy intact except for out in 1974. The organ was returned to 19i4 and lite remaining blank stop, pre­ miuor chang<.'3 in the lIIanual action . In­ il$ original pitch of A--435 after having pared hy Stein for Duldana, filled with aSllluch as (racker organs require reno. been retuned to A-440 in the 1960's. The a new 2-ran):. Mixturc. Additionally, a '-OIting onl,- every i5 to 100 years, the stoplist of tile original instrument, and uni1luc= MollC' r dual-prt~ ure wiltdchcst cullege nOI only h:u acquin-d. with little as it reads 110"' ahe .. the rc:storatiolt is aHords Inud-wft ,'olullle adjustments in mn, an historiClI organ which will add as follows: Ihe: pedal fl.-gister. The ra(":II..I (' or the a new t.iilllension to i(5 lIlusic education scrond installation has Ix.ocn retained; I,rogram, but can look (orward to GREAT no photograph or Stein's original in· dccad<.'S of low·cost maintenance. Ooubl. Dilen Daapa.on ( Unit) 16' stallation could hc fOlltll..l. The tracker The organ was inanguraled at Millers­ Fint Open Diapason 8' action to the pedal has heen restored. ,iIle in a red tal by Da\"id Craighead on Doppe! Flole 8' and Ihe organ has been prO\ ided with Second Open Diapa.nn ( Unit ) 8; October 5, 1975. J...arl £ , Moyer teaches Viol de Ganlba 8' a new ,,'jnd reSCn'oir and hlower de· organ at the school. Octave 4' ( Unit) Ihering 31A " wind pressure. Trumpet 8' GREAT SWELL Opell Diapa.wn 8' 58 pillt'S Bourdlm 16' Dulciana 8' 58 pipes Open Diapason 8' Mclodia. 8' 58 pip~ Slopped Diapason 8' Ocla"'e 4' 58 pipes Salicional 8' Filite d'Amour 4' 58 " il't:t Vois Cdetle 8 (TC) Twelfth 3' 58 JlipCJ Hannonic Flute 4' Fife~llth 2' 58 l,iltCI ~ Cnrnopcan 8' Ob

DECEMBER, 1975 7 New Organs

Super Octave 1 Mldufe IV Trumpet 8 UNIVERSITY OF IOWA POsmv Copula B' Pred.,nt 4' 1916 BIENNIAL ORGAN WORKSHOP Ra hrf' Bte 4 Na z.,rd 2·2/3' BlocHISte 2 Tierce I 3/5 Februory 26-28, 1916 Scharf III Cromorne 8 Tremolo SWELL Voi. Celesle a Gamba B' Rohrflofe 8' Bourdon .. Gemshorn 2' JAMES MOESER, ERIK ROUTLEY l a ri got I 1/3 Cymbal III DELBERT D/SSELHORST, GERHARD KRAPF, JAMES LAKIN, Dubi.,n 16 F"9011 8 Ledures - Panel Discussions - Recitals lremolo Pf:D A P,:nc·p.,1 16 Subboss 16 Deto"e 8' Pommer 8· Chevy Chua P,.~byt.ri.n Church, Choralbau .. Washington, D.C. Built by Rieger Orgel­ R ou "~ b.,,, IV Conference Committee: b" .. , Schwanech. Austria. l·rnan"al and Pos.,une 16 H;m;. Voxmon, Diredor Gerhard Kropf, Heael pedal. 37 stops, 47 renh. mechanical ~.Y Trumpet 8' Schalme.,. .. School of Music Organ Department action. slider chests ••Iedri.: stop action. electronic combination piston memory Delbert Disselhorst system. Free dending c..s. of meho98ny Organ Department end glan to allow malimum" visibility of stained glen in chancel. swell ,hade, of The Delmar Baptist Church. St. Louis, double glass. Design bv Josef van Glatter­ Missouri. Built by Robert L. Sipe, Inc., Gab of Rieger and K.nneth Lowenb.rg, OJ lias, Texas. 2-manual and p.dal. me­ organist of church. D.dicat.d Sept. 28, chanical key adion, electric stap aetian, 1975. solid state combination aetion; mahagany slider windchesh, case of oak, consal. af For Information, write to: HAUPTWERK {60 mm . w p.' rosewaod. New argon lacat.d in newly University of Iowa Conferences Quinl.,de 16' 61 pip,,,, constructed chair gallery in northw.st car­ Prindpill 8' 61 pipes ner of roam an a platform in the cent.r Iowa Memorial Union Spitlflote 8' 61 pipel of the w.st wall. Oedicat.d S.pt.mber Iowa City, Iowa 52242 Detev

8 THE DIAPASON YALE INSTITUTE OF SACRED MUSIC

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Your inquiries about the YALE INSTITUTE OF SACRED MUSIC and its curriculum are invited BY MAIL 409 Prosped Street New Haven, Connecticut 06510 BY TELEPHONE 203-436-2915 Salisbury. Further Information and a bro­ Conferences chure about the summer course may be ob­ Here & There tained from l The Secretory, RSCM. Adding. tan Pa!oce, Croydon, CR9 SAO England.

Th. UniY.lSitv of Iowa wUl sponsor lis Concordia TeCKhen CoUege. River fOl'est, Southern HUnot. UnjYe"ity sponsored itJ Mau,ice Duru'l' and his wife Mari • .Mad.- Illinois, devoted their 11th Annual lectur.s first Organ Festival on November 7th and 1976 Biennlol Organ Workshop on February 26-28 at the Iowa City Compus. Noted 1.ln. Durufl" continue to recuperate f,om in Church Music to "American Church Music. 8th. Featured al the workshop for all Inter­ injuries sustained in a serious automobile oc­ Past and Present," emphaSizing the cantribu­ ested organists were Clyde Holloway, wh ., hymnologist, Erik Routley, will be the key­ note speaker on "Present Ooy Trends in Cident In Moy. According to offldols at the flon of earfy American composers In recogni­ lectured on the works of Messiaen and church where they ore organists, both of the lion of the Bicentennial. The November 2-4 plaved the Meditations on the Mystery of the Church Music," and he will aJso lecture on "Hvmnody ond the Christian Culture of Ta­ Durufles underwent a month of Intensive conference featured Leonard Van Camp of HolV Trinity, and David Bowman who p'ayed hospital care and surgery fallowing the acci· Southern Ill/noll University in dhcuuion and Dupre's complete Stations of the Crall. The daV." Other lectur., will include "Werck. meister's Orgelprobe - Credo of a Practkol dent, and then they )'\'ere transferred to a demonstration of "The Choral Mosic of Wit. worltshDp was in chorge of MarioAne Webb. therapy cenler In Normandy, where they liam Bi llings and His Contemporaries" in two Musician" by Gerhard Kropf, heod of the school's argon department, and " Productive cunenlly remain, undergoing extensive physi. presentations. Hymnody was brOuAht intQ cal therapy. As of lole October, Mme. ' harper relief through Carl Schalk's lecture Practicing" by James Moeser of the Univer­ SltV of Konsal. Or. Moeser will also give a Durufle was able to be up, and her husband on H A Brief History of American lutheran Th. Ro)'al School of Church Music WIll was expected to walk again soon. Doctors Hy.nnody." Dr, Eugene Brond. proiect direc ~o r full recital as part of the workshop. The sponsor a summer course especially designed event will begin with a program for organ have predicted that both will regain their In New YOlk for a new Pon.lutheran hymnal for overseas students at lis Addington Paloce, Drgan playing obllily, Sundoy music at Saint. being prepared by the ILCW, gave an eM ' and oboe, with Delbert Oiuelhonl and Jomes Croydon, England headquarters from June lakin of the University of Iowa faculty per· Elienne-du-Monl, the church lor whkh they tensive and up-to-date analysis of the new 28 through August 14, 1976. Special empha. have served as organists since 1930, is cur­ hymnal, and Thomas Gieschen of the Can· forming. A student recital, panel dlscuuion, sis will be laid this year an practical aspeds. renlly in the hands of O~ of thell" Atroer ~an cordia faculty gave a demonstration on and open forum will also be Included in the and students will be o tked to oat br one cf workshop. For more information. write: Or. students, Sara Soularue. "Reyolutionary Hymns." Vidor Hlldner and three special studies being cffe'red in dep'h leslie Zeddies of the Concordia faculty dis. Gerhard Kropf, The UniverSity of Iowa, over the full seven weelts. TheV include argo., School of Music, Iowa City, Iowa 52242. cussed and demonltrated repertoire for bells playing (both service and pieces" choir Alice Tully Hall. lincoln Center, New York and bars. Three rr.oior conterts were included training. or keybcard skills ond throre'ical Cil)'. wi" cel.brote tlte flnt full year of 1'-, in lhe conference. A choral and Instrumental work (including special study of improvlsa. Westminst.r Choir Calleg. will sponsor new Kuhn tracker organ by presenting a concert d ireded by Paul Bauman was held tion, transposition, keyboard harmonisation two mid.win'er church music symposia earlv series of recitals coiled "Great Performers of at Grace Lutheran Church. River Forest; and composition). Each week of the course in January. At the Flut Presbyterian Church, the Organ." The fiut series began on Nov. Anita Eggert Werling of Western Illinois Uni· will be under the direction of a resident Fort lauderdale, Florida on Jonuary 5-9. 2 with Pierre Cochereou, and continues on yersity played on organ rec'tal at Groce tulor, including Borry Rose. sub-organilt of 1976, the faculty will include Joseph Flum­ December 14 with Simon Preston. The series Episcopal Church of Oak Parle:; and The St. Paul', Cothedral; Simon lindley, organist merfelt. John and Helen Kemp. Joan lippin. will continue on January II with Anton KapelJe. instrumenta'ists and organbt of of Leeds Parish Church; Peter Aston, prafes· cott, RaV Robinson, Erik Routley, and Kath· Hellier, March 28 wilh Luigi Tagliovinl. and Concordia Teochen College perlOf'med 0 wn. sor of music at the University of East Anglla; ryn Stephenson. At the FirS! Presbyterian end an Moy 2 wilh Catharine Crozier ploy. eert of American Church Musk 01 Groce Edred Wright, directOf' of music at the King's Church in Oklahoma City, Oltlahomo on ing. The second series Involves "Bach's Origl. lutheron Church under the direction of School, Canterbury; John Cooke and Martin January 12.16. 1976, the faculty will include nal Collected Works for Organ" played by Thomas Gieschen. How, northern and southern commissioners John Blackwell, Wilma Jensen. John and Anthony Newman on five Wednesday eve· of the RSCM; and John Churchill, professor Helen Kemp, Joan lippincott, Roy R:lbinson, nlngs, February 18, March 17, April 7, April of musk of Carleton University, Ottawa, and Erik Routley. The symposia provide an 28, and May 19. The new organ is a 61.stop The 2nd Annual Sacred MUlie Workshop Conoda. Each Saturday will bring a "Come opportunity for ,he church musician and mechanical action organ built by Theodore spcN1sored bv Coral Ridge Presbylef"ion and Mee," event wi/It musicians noted for choral diredor 10 combine lNtoning'ul learn· Kuhn of Mannedo,f, Switzerland, and dedi. Church. Fort lauderdale, Florida will be their work in the field: Simon Preston, ing and perfOf"ming experience with a Jan· coted in April of this year. held at the church on January 21-25, 1976. George Guest. Arthur Wills, Allan Wick" uory vocollon at Fort lauderdale or Oklo· This year's workshop will include on open· John ond Jean Churchill, and Peter Le homo Cily. Graduate credits will be offered ing concert with Robert Show and the Atlan· Huray. There will be two organ recitals bV for each. For further information on the Frank W. Cummings, a member of the Los to Symphony and Dione Dish, orgonist of Arthur Wills and Martin Neary, and many symposia, write the following \whichever is Angeles Chapter of the A.G.O., was han· the church, as organ soloist. Workshop leod· more lectures and discussions appropriate appropriate to 'he locotlan}1 J. William ored on October 191h when the entire 10 ers will Include Charles Hirt and Robert rOf" church musicians, as well as some non· Sfephenson, First Presbyterian Church, 401 a.m. worship service at the Pilgrim Congre· Noehren. For further Informattan: Carol musical topks. The course will include vlsils S.E. 15tlt Avenue, Fort lauderdo~e , Fl 33301 . gotjooal Church in Pomona, CalifOf"nio was Ridge Presbyterion Church, 55.5.5 North Fed. to various cothedra!s, and the lullion for the or John Blnckwell, fiut Presbylerian Church, presented in tribute to him on the ocea,ion eral Highway, ft. lauderdole, Fl 33308, course will include tickets for the Southern 1001 N.W. 25th Street. Oltlahoma City, OK of his 0401h anniversary as minuter of music AHen. Carolvn Hea!d/Muslc Office. Cathedrals Festival which will take place in 73106. of the church.

• •

may we all pa~se to

reflect that we are celebrating the birth

of the Sen of God,

who was bom of man

for our soul's salvation.

P.o!80X 11. )40 H. PROSPECT sr~ HAGl1ISlOWH. MO 2t7.

10 THE DIAPASON Electrifying! The Artist by Conn Organ! provides precise voicing throughout its tonal range. Since its stunning introduction in June, this The Artist offers authentic chiff, 5 preset pistons, magnificent new instrument has electrified every genuine celeste on both manuals, 10 traditional audience within earshot! Never in our memory has a couplers, 6 I-note chime and harp - all in an organ new organ made such an impact on both dealers and of surprisingly low cost. customers. Audition it at your Conn Organ dealer's, and its The Conn Artist 716 fills any church, school range and expressiveness will spoil you for any other auditorium, hall, arena - or home - with an instrument. Conn Organ, a division ofC.G. Conn, astonishing variety of sounds and effects. Conn's Ltd., 616 Enterprise Drive, Oak Brook, Ill. 60521. patented independent tone generation system Conn Organ Appointments

Jan D. laUey Joined the locull/es of the Parvin TItus, and continued her keyboard Yale Institute of Sacred Music and the Yale studies 01 the American Conservatory of School of Musk In September. His Joint ap­ Music in Chicago with Edward Eigenschenk. pointment is 01 o~iote professor of choral The Peoples Church. founded by Dr. Preston music, and hls teachlng adivltles Include a Bradley, has a professional quartet and has three-year graduate studies course In the for 51 consecutive years broodcast lis ser­ elements of choral technique.- muskal direc· vices aver station WAIT. Miss Bauerle has to( of The Cappella, and conduc1or of the boen active for an extended period as choir· Yale Concert Choir. A graduate of the Uni­ man of the Chkago Club of Women Organ. versity of CalHornla at Berkeley with on MA h i's Gruenstein Memorial Contest. and she degree In music history and literature, he ttas served In various capacities for the Chi· also holds the DMA degree in musicology cogo Chapter of the A.G.O. and performance pradice from Stanford Un iversity, and a BD degree from Northwest­ ern University. Dr. Bailey also studied at the University of Melbourne (Australia), the University af Basel (Switzerland), and the Conservatory of Musk in Cologne (Germany) where tie studied argon with Michael Schnei. der. For two yltOU M was dean of Ihe Son Francisco ConMtrvotory of Music. and founder of the San Francisco Cantata Singers. C. Wi lliam Harwood will collaborate with Dr. Bailey In the elements of choral teeh­ nique study course at Yale. He has received a ioint appaintment from the Institute and the School of Music as instrudar. Mr. Har· wood holds BA and MA degrees from Yale University, and he also studled 1n Berlin at the Conservatory of Musk.. At Yale he is the conductor of tM Yale Symphony Orchestra and the Unlversltys BaHell Chapel Choir. In await you at AGO Boston '76 addition he is the principal condudor for the Eastern Opera Theoter In New York City. Donald S. Sutherland has been appointed next June 21-25. to the organ faculty of Peabody Conservatory of Music. Baltimore, Maryland. He continues as music director at Bradley Hills Presby· 11 seminars" conducted in the manner of master classes by terlan Church In Bethesda. Maryland. Mr. remgnized experts in: Sutherland received his MM degree at Syra. CUK! University. He was a pupil of Arthur Paister and later become his assistant at • interpretalion of 16th century French musir. Syracuse. In 1965, after completing military • interpretation of 16th century German music service. he returned 10 SyroculO University • interpretalion of 19th "entury French music as a School of Music faculty member. He also served on the faculty of Hamilton Cal· • interpretation of 19th century German musk lege In Clinton, New York. Since moving to • contempOl"dry orgari reperloire Maryland. he has appeared as conductor and organ soloist at three Kennedy Center festl· • continuo playing vals In Washington, D.C .• and he has mode • the art of improvisation frequent radio broodcash and recordings. Mr. Sutherland frequently appears In 101nt • pipe organ design recllal with his wife. Phyllis Bryn-Julson. well­ • harpsichord maintenance krM)wn soprano. • Eurythmics • Renaissance dance Ruth Emily Priest has been appointed or. Thomas A. Delaney has been appointed ganist at the Blbletown Community Church. vice president and operating officer of Gul­ Boca Raton. Florida. Miss Priest began her 15 workshops (open to aU convention registrants) covering bransen Organs, a division of CBS Musical several of tJie abOve topics plus: musical studle" ot age 5 with Georgia 5111- Instruments of CBS, Inc:. Gulbransen manu. well Harris In Detroit. Michigan. She at· fadures and markets a complete lin. of tended Wayne State University where she electronk instruments for the home. Mr. • youth choirs was an organ student of Lode Va n Deuel. • electronic music: and 1M also studied theary at The Detroll Delaney h

12 THE DIAPASON New Recordings ing of a passage, these performances are both interesting and rewarding. As wual (Ccmtinued from p. 2) with MHS, the original recordcd sound his own works. They arc of gigantic is good, the surface slightly noisy. proportion, sumptuous in "orchestra· Finally, for those who want the tra· don" and rhapsodic in harmonic con· ditional Bach recording. I recommend tent. complex in their thematic and can· Peter Hurford's completc 3-record J. S. trapun131 malcrials. There arc those. Bach: OrgelbUchleln (Argo, ZRG 776- ~uch as Mr. LaMirande, who belic\'c 778) as a (jnc sct for the serious rccord Schmidt's work to be cOIu'inting and collector. Argo has packaged the set with satisfying. There are others. snch as it fine booklet of notes by Hurrord. m)'seJr. who believe that it is inferior to dl'SCription or the two organs in the the structural and architectonic surety Wollongong Concert Hall and Knox of Bruckner and It(ahler. There is also Gr.lrnmar School. Australia. used on the a point with this stylc, when the organ recording, and with the complete Teg­ will not function well enough to sus­ iSlrations used by Mr. Hurford. Both lain the long dynamic curves attained by org:1Os, built by Ronald Sharp, thc Rruckncr and Mahler" in their on:hcstral Australi:m organ builder. h:l\·c mt:ch:m­ work.!. On most orgam there is a dim· iol action. Although they are recog­ inishing point to the climatic CUCCI of nizable roughly as "organ.reform" in· long crescendo and diminuendo, simply .trurncnts, they do ha,·c their own dis· hecause most organs are not large e­ tincti,·c personality. Sometimes, the per­ nough to provide the one big, ecstatic mnality of the instOiment is at odds climax on top of all others. Such is tht: with tJl(: music, but not orten. Mr. Hur­ problem with Schmidt's work. Mr. La· ford', perfonnanccs are well thought Mir.mdc plays the works "cry wt:11 in· OUl and registered, 1m ingly and car­ deed, .and makt:S a good argument for ingly played, and individual (as opposed their cOllvincing quality. Thc organ at to standardly "authentic") as he is Christ Church Cathrdral lacks some usually. and delightfully accustomed to of the depth and gra,ilY of sound (as doing. Preceding each chorale setting well as the final capability of the "big" by Bach is a choDI setting of thc same climax) for this music to sound com· chnr:llc sung exquisitely by the Alban pletely satisfying, but ne'·erlhcless one Singers. one of Mr. Hurford's choirs in can obtain an accurate impression of <;1. Albans, England. The choral set­ what the music is all about. what its lings 3Te by other, mostly pre-Bach potential is. If for no other ~ason. the composers. It is my opinion that no onc retording is worth ha,·ing for its unique singe penon could ever do perfect jus­ \·alne :q being the onl)' recorded organ lice to Bach's "Orgdbuchlcin." Just performance of Schmidt's works. Schmidt .when one thinks he has heard "the final well couhl be called tht: "last of the word" on this fantastic compendium of ROmilntia." Whether he was "grc:l.t" organ choraln, another comes atong to or not I will leave for the listener to let one know that 8ach has tmnscendcd decide. all the rt:St of us together with these Arc }·ou a ran of the music of Darius little pieces. Peter Hurford docs as well Milhaud? If 50, you will want to gel as anyone in making a fine mU5ical set Darius ~[jlhaud: L'Ocu,,·re pour Orgue of statements with the pieces. and pro­ perfonncd by the young American organ· ,·ides ,·ery enjo),able listening in the 1St Ceorge Baker on the Chartres Cathe­ process. It is a ,·cry auracth·e box. well dr:tl organ in France (FY-Ol6). The FY worth ha"ing_ label is an exclush·ely French label dis­ If your gift-receiving friend enjoys tributed by RCA in Europe, but this sonic splcndor, then undoubtedly the disc won the Grand Prix du Disque of record 10 get him/her is E. Power the Academic du Disque Francais for Biggs' latcst, A Quadraphonic Spectacu­ 1975, 3S welt as the Grand Prix Interna­ lar: The Four Antiphonal Organs of tional du Disque of the Academie Ihr: C:Hhtdmt or Freiburg played Si­ Charles Cros for 1975. It contains 0111 muhanrou,ly by E. POl\'er Biggs. PJa}ing the works for organ wriuen by Milhaud, pieces b)' Handel. Purcen, Mozart, Krebs, including the Nine Preludes. "Petite Banchierl and Campra in ways that they Suite," Pastorale, and Sonata, Opus 112. would never have expected, Mr. Biggs. in With hindsight, much of Milhaud's his usual lin:l}' and tasteful st)·le, nc\'cr music now sounds very naive and trite, gives in to the templ.'ltion to maudlillizc :md the organ music also seems to be the pieces, as onc might expcct from !loss in\"(~"ti\·e th:m his piano or ordlC5- such a gigantic and spectacular set of tr:ll works. Such trifles as the Nine recording possibilities. J\S in his pre,·iolls PrcludC3 or the Pastorale do not "wear recording of the four organs at FrcibuTg well' On the long ha1l1, and this is the Cathedr:ll. he keeps the reins on all reason they ha,-e ne,·cr entered a bst­ rour 0'lPns and the music, and allows ing place in the organ repertory. Perhaps the cngmeen to balance it all up ror the most attractive and m~lodic of the a good quad recording. Authentic it isn't, works is the small wedding music suite but great musical fun it is. If your ("Petite Suite"). and the most e,'ocati\'e friend has quadraphonic equipment. the of all is the very difficult Sonata. George disc 10 get is Columhia Mq 535 14. 1£ Baker ob, iously identifies with these only stereophonic equipment 15 a'·ailable pieces. for he plays them superbly and for replay. l·oU will still get much of with life, and his handling of the largc the spcctacu ar sonic quality ont of the organ at Chartres is exemplary. The re­ stereo diK of the same recording, Col­ cording is cxccllt:nt. with good sound umhia M 53514_ The quad disc is fully and sudace. If you ha~c trouble getting compatible and may be played 011 con­ hold of this recording. wait a while, for ventional stereo equipment. howe,·cr. it will be reissued on an American label Happy huntingl during the coming year. Pierre Labrie, who has al~ady brought forth complete recordings of the works or Vieme and Widor on the magniricent Competitions 1888 CavaiIJe-Coll organ at Saint-Ouen, Rouen, bra,·cly continues to supply us with further examples of the French Th. Third NaUGnal Organ Pkrylng Co. Romantic corpus for organ in Camllle pelillan spon$Ored by lhe Ruth ond Clarence Saint-Saeru: Pl1:1udn and Fugues for Moder Memorial ScholaDhlp fund will be Organ (Musical Heritage Society. MHS held at the First Baptist Church. Santa Ana, 5045). The disc includes the three Pre:­ Calif •• an Saturday. May 8. 1976. Applica. ludes and Fugues, Book 1. Op. 99, and tlons, Including a tape recording and a the three Preludes and Fugues. Book wriHen propolGi far the use of the $1000 2. Op. 109 They are finely crafted ex­ award In on argon st udy program. must be ampfes of Saint-Sac",' musical style. ,'cry postmarked no later tha n April 1, 1976. A innnt\ve pieces. still classically reserved $50 honororlum will be awarded to other in content, but ful1 of verve and enC1W' finalists. Organists under the age of 30 on Salnt-Saens W3S ,'ery much an orgamlt, the dote of the competition are eligible to and he knew how to compose for the compete and may obtain application forms organ. One ht:arlng of these works makes from : Ruth and Clarence Mader Memorial one wonder why they do not get per· Scholarship Fund, P.O. Box 94-C, Pasadena, fonned more often, for thcy are in many California ?1104. ways superior to other works of the The future success of the Fun~ depends period (including much of Widor's entirely Upon contributions. funds 5poclficoll'l work). One reason mjght be: the tech­ given for this award have been subcrlbed nlcal demands they on the through the generosl", of friends, ossodatas, p1aoe pel'­ THE REUTER rormer. Labrie is not altogether up to and the Mader fam ily. It Is the hope of ORCAN COMPANY solving all of the technical problems the Fund's board of directors that this stu­ BOX 486 cleanly and decisively, but he does un­ dent campalilian wlll Indkate theIr strong LAWRENCE, KANSAS 66044 denland the mwic in a basic way. And desire to continue a dynamic scholarship pr~ PHONE (913) 843·2622 .- his handling of tbe Hne organ at Rouen gram as a 1001In; tribule 10 the Madon. All is exemplary for iu understanding of it! donations to the fund are tox-dedudible 'tyle and intent as an instrumcnL If you can overlook the occasional minor muff- (Cont;nueel,.tICISfe '1)

DECEMBER, . 1975 13 Rebuilt Organs

La Basilique d. Qu'bec, Quebec City. GRAND ORGUE Canad •• Rebuilt by Cav.li.r Organ Build­ Monfre 16' Montre S' ers, Inc., Buff.lo, New York. PrinciPtil S' Flule double S' The four·manuel, b7·stop CaslIv!!nt or­ Gambe S' • gllln at the Quebec Basilica was installed Bourdon B in 1927 in ., church ius. rebujlt fo llowing Prestan' 4' • the gr~t fir. of 1922 which thad practic­ Principal 4' ally destroyed the old church. N,uard 22n ' Doublette 2' Since nothing but mointanance work had Odtlvi n 1' · been dor e to it sin ce then, it occurred Midure IV • to everyone thot more thtln mere clelln­ Corne' IV • ing end mechanicol repair ought to be French Trompe"e 8' .. done ot this point. Therefore the orgonist Cla'ron 'I' • of the parish end Mr. Berno!lrd E. ClIvelier REC IT fElcpreuivel of the firm Covelier Orgtln Builders, Inc. Bo urdon 16' Slit down to e number of consultetions in Princ; pol 8' the coune of which the decisio n to cor­ Clarabelle B' fed certain wea~neues of the originol F,ute a cheminee S' • specifications was taken. Old stops would SaliciOOtll 8' be changed by cutting IIInd revoicing. end VOir c: elede 8' • some new stops would be lidded. Princi pal 4' 0 Flute 4' In en o perotio n of this kind . one hilS to Flule odavianle 4' 0 meet the chlllllenge of eltering if need be, Quinte 2-2/3' 0 but without distorting the fundementel O , tt!lve 2' chereeter of the instrument et hend. The Tierce 1-3/5' 0 Sesilice orgen wes built ot e time when Fo urnjture IV the symphonic orgen ond its repertoire Trompe"e 16' • was at the height of its populerity, end Tuba S' • Hautbois B' orglllns of this vintage often caused the Voir humoine S' recitelists of the time to present J, S. Clo iron 4' Se ch end mooy other SlII roque co mposers Tremolo in Romo!l otic gerb, so to spellk. With this in mind. the mlloin trllo nsfo rmo' POSITIF tions end edditio ns were the following Pdncipol 8' ( Prepared, ones: the Grellot org&o . the Swell lind tho MelocHti S' • Positif (shutters removed) hllve now each Gemshorn S' Cor de Nuit 8 their own plein-jeu: the Grellot has the Quintaton S' most o!Iuthoritetive one, the Positif the Predan' 4' • clearest, to which wes added II brllnd new Flute d 'amour <4 3-rllnic Cymbllfe; the Trumpet of the Great Q uin.e 2·2/3' • WIIS mede into a French one by chenqing Flageolet 2' tha shallots end giving it the proper voic· Tiaru 1·3/5 in g : the Pedel, sorely deficient up t o Cymbale III 00 Ctomorne 8' 0 then, was mode to speo!lle independentl y Cor Anglais S' with Princi po!l ls Ib', 8', IIond 04 ' mllode from Tremolo other pipes trunceted IIond revoked: with the IIddition of a new " ·ronle Mixture. this SOLO IExpr.uive: Pedllol is now cepeble of carrying its o wn Quintt!lton 16' lin e throug h eny form of polyphony. Stentorphone 8' The end resul t of the operation, it seems Flute ouverte S' to us, is en instrument which speeks with Grasse Gambe S' greeter d llrity and brillience then before, Gamba ce este 8' Flu'e 4' It now cen ploy with added grendaur end Cornel IV "peneche," we ere confident, the wo rlcs Bombarde 16' 0 of Cesar Fronek, Widor. Vierne ond Reger. Grasse Trompette S' • end olso the 18th century Germ8n com· Clairon <4' • posers Gnd the French clanics in lit reluon. Tremolo IIbly convincing mlltnner. Of coutlioe. there is olwoys tho question of the "occent" PEDAlE Flute Ouverte But who can speele severel longulloges with· Bourdon 16' out 0 bit of thoff Principal 16' Cloude logoc' Dulciane I,' Titulor Orgonist Principal 8' • La 8asilique de Ou'be~ Flute 8' EMMANUEL Bourdon S' LUTHERAN • •nd iclltos stop rebuilt with old pipes Choralbaue -4' • Flule <4' from another stop CHURCH Foumi'ure IV" • • indiclltes new renle with new pipes Sombarde 16' • All stops "straight;" menuel compass Trompelte S' .. Southfield, bl notes pedol32 nota5 Clairon <4' .. Michigan Here & There

ray campus and throughout the entire com. WICKS ORGAN COMPANY Highland, Illinois 62249 munity_ In addition to teaching and perform. Pipe Organ Craftsmen Since 1906 ing. he helped to design two organs on the MacMurray campus, the 504.stop Aeolian-Skin. ner organ in Annie Merner Chapel. and the IB,Slop MO:ler organ In Orr Audilorium in the Fine Arts Building. Since teaching 01 MacMurray, Dr. Gkngow has concerlized throughout the U,S. and abroad. earning on enviable reputation as a performer. His teaching has earned him no leu an enviable reputation, and many of his studanh have now entered the profeulon as active per. formers, teachers, and churc:h musicians,

Rohert Glasgow, profeuor of millie a t ths UnIversity of Michigan. has been awarded Mi,hael ~eid8r will be taachlng on the DESIGNED FOR THE CHURCH SERVICE AN)) THE ORGAN LITER,\TURE on honOfary Doctor of Music degree by faculty of the University of Kon50s, lawrence, MacMurray Collega, Jacksonville, IlIiAois. Kansas during the second half of the spring The degree was awarded during the intermis­ samester of 1976 as a distinguished visiting SIMPLICITI' sion of a recital by Mr. Glo~ow on Odober professor, Catharine Crotier will be in '_ resl· REI.IABILlT1' 3rd in the college chapel, Dr, Glasgow taught dance as a distinguished visiting professor ACCESHBIUTI' organ and counlerpoinl at MacMurray CaJ. during the summer sauion of 1976, and, to­ LEATHERLESS ACTIONS lege from 1951 to 1962, During hts tt years gether with Harold Gleason, she wJII be the 01 the college. he attraded a Jorge c1au of reading artist at the Second Annual InstT. enthusiastic orga n siudents and, throug h a '1.1 '. far Organ a nd Church Music to be SINCE 1193 MEMBER APOIA yea rly series of fe dura-reclta ls. sHmukrted held 01 the Un l'l'"tfslty of kanws Juna 7.1 I, HARTfORD, CONNECTICUT 06101 interest in organ music DCross the Moc:MvT. 1976.

14 THE DIAPASON New Organs

Alice Tuny Hall, Uncor" Cent.r, New Dul:dlln 1&' 61 pipes ELYSEE EDmONS Yor •• N.Y. Built by Theodore Kuhn, Man­ Hllutbois B' 61 pipes Clairon -t 61 pipes nedon, SwiharT.nd. 4-manual and ped.I, Tremolo mechanical key ection, .I.ctrical stop .tc­ POSITIV (65 mm .... p) 1111 tion, .,.. -standing and encased. R'clt and Spitz GeiQen B' 61 pipes POlitif d. c:hambr. divisions und.r ...- Robr Pommer S' 61 pipes pression. Stop control .M combinltion Eaihler I ' 61 plpei (in Swell) announces a World Premiere recording system d.signed and built by uwre"ce &zihler C.lesle 8' (TC) 04' pipes (in Swell) Phelp, and Associate, of Erie. Pa.; tonal Prinzipa l 4' 61 pipes Spillflote 4' 61 pipes design by Lawrence Ph.lps, 'recial con­ Gemsholn 2' 61 pipes sultant to lincoln Cent.,; tonll regulation Quinto '.1/3' 61 pipes The Complete Organ Works of and voicing by Kurt aaumann of the Kuhn Hellpfeifo I' 61 pipes firm. Organ dedicated in April. 1975. Sch.rf 111 'fa' IB3 pipes ICrummhotn S' 61 pipes GRAND ORGUe Tremolo BourdQn 16' 61 pipet Harp Monl", 8' &I pipes Bomb.rdo II S' 110 pipes (horitonl.l) Louis Marchand Flute hormonique 8' 61 pipes PEDAL (75 mm wp) !outdo" a chemin6. 8' 61 pipes Conhebess. 16' 32 pipes Predon' ,.. bI pip., 5ubbau 1&' ]2 pipes Flule ouvenll ,.. &I pipe' Pommer '" (Gre.t) Quinto 2.2/)' 61 pipes Quint 10.2/)' 32 pipe. Played by Frank Taylor Doub'olfe 2' 61 p ipet Okta ... 8' 32 pipes Foutniture Y '·In' lOS pipu Flouto 8' )2 pipt:1 I Cymbal. IIllh' 183 pipes Choralb.u

DECEMBER, 1975 15 Nunc Dimittis

Walter Blodgett, former curator of musical Chairman of the Guild. In addition to his a rts a t the CleveJand (Ohio) Museum of Art church organ and choral duties, Mr. Neu· and dean of faculty at the Cleveland Music becker was a prominent teacher of organ, Settlement, died October 25, 1975 In Cleve­ plano, and Voice, and many active musicians land, Ohio. He Was 68. in Nebraska and Iowa are former students Mr. Blodgett was curator at the Cleveland of Mr. Neubecker. Museum for 33 years before retiring last year. During his tenure he played nearly Genevieve Thibault (Madame 10 Comtesse 1200 organ recitals and presented many de Chambure) died In Paris, France on Au­ other artists at the Museum. When he started gust 31, 1975. She was 73. a t the Museum, his series was the only cham­ Mme. de Chambure was for many years ber music series in Cleveland. He was told on influential and highly respected potroness only a fter accepting the position that there of the harpsichord In Paris. Until her recent was no money available for concerts, and retirement, she was Curator of the musical that he would have to raise money to pay Instrument collection at the Conservatoire for the programs. He generated a reJped· National de Muslque, and used her personal able budget, aided by funds from the Me· fortune to amass a major collection of early Myler and Gartner endowments and the instruments and manuscripts. She had been Musa rt Society. Mr. Blodgett helped design a student of Pirro, and she is known to the Gartner Auditorium at the Art Museum musicologists for her many writings under and participated In both the design of the the name of Genevieve Thibault. original Holtkamp organ In the Museum. and A memorial service was held an Septem. Its rebuilding for the new auditorium. ber 26, 1975 at the church of Saint.Jean. At the some time as he was curator at the Baptiste, Neuilly·sur-Selne. Future disposition Museum, Mr. Blodgett was also organist and of her enormous estate Is still in question. choirmaster of St. Paul's Episcopal Church With her passing, an era of the Parisian Harpsichord & Cleveland Heights. Here he developed an en· harpsichord and early.music world has closed. terprising choral program, presenting malar choral works foUowlng his appointment in Franklin L Coates died In Weston, Connec­ F ortepiano Kits 1950. He was also responsible for Ihe in­ ticut on October 5, 1975. He was 72. At the slallation of the large Holtkamp orqan In time of his death, he Was director of the AUTH ENTIC I NSTRUM ENTS IN K IT FOR,'. the new, large church building. boys choir of Christ and Holy Trinity Church Mr. Blodgett was a graduate of Oberlin In Weston. Replicas of 18th century keyboard instruments College and studied at the Jullliard School Mr. Cootes was born In New York City. He began his musical career as a chair for construction by the amateur craftsman: of Music and the College of St. Nicholas in England. During his career he was organist boy 01 Grace Church in New York City, and Taskin double~manual harpsichord (1769) and choirmaster at the Epworth·Euclld later studied organ with David McKay Wil· IIams, Norman Coke·Jephcott, and Pietro Stein fortepiano (1784, as restored br Philip Belt ) Church. Sf. James Episcopal Church, and the First Unitarian Church, all of Cleveland. He Yon. In addition to his studies at the Juilliard The kits supply carefully finished parts, complete was a member of the American Guild of School of Music, he studied plainchant at materials, detniled instructions and drawings Organists, and he hod been an advisory Solesmes Abbey in France. He held the de­ trustee at the Cleveland Music Settlement for gree of Ltcentiate from Trinity College in many years before being named dean In london, and he was an associate of the Thrtt Ctnlun"ts of lIarpsichord Making t974. A.G.O. Harvard University Press, SI5 Memorial services were held on October 28 Mr. Cootes was organist for the Church at St. Paul's Church, Cleveland Heights. A of the Heavenly Rest and the Church of the Transfiguration in N. w York City for 20 For kit brochures or book write: memorial fund in his name has been estob· lished 0 1 the Cleveland Museum of Art. years. In 1966, ofter 13 years as organist FRA!'K HUBBARD, Harpsichord ~I a ker and choirmaster of St. John's Episcopal 185r\·0 Lyma n Street, Waltham, ~I as!'i _ 021~ 4 Cecil C. Neubecker died on March 7. Church, Bridgeport, Connecticut, he retired 1975 in Omaha, Nebraska. He was 60. to devote his energies to the Weston Music Mr. Neubecker served during the past 25 Center and School for the Performing Arts years as orgonist and chair director of All which he had founded in 1950 with his wife. Sainh Church in Omaha. In November of He had previously served on the faculty at 1974 he was honored by the church at a the Juilliard School of Music. special service recognizing his years of out· Services were held at Christ and Holy standing service. Trinity Episcopal Church, Westport on Oct. Mr. Neubecker was at various times dean B. Mr. Coates is survived by his wife, Can· of the Omaha Chapter of the American stance Na sh Coates, several nieces and Guild of Organists and Nebraska State nephews.

Builders of Fine Tracker and Electro-Pneumatic Pipe Organs . Inquiries are Cordially Invited W. ZiIllIller & Sons INCOR 'PORATED Member APOBA

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JOHN BROMBAUGH e- CO. Your perJGfHI' wl.he. ANDOVER ORGAN COMPANY. INC. ore In good hand. Box 36 Tracker Organ Builders Methuen, MassachuhHs 01844 7910 Elk Creek Road ZEtST modern mechanical od'on mahr. I.V . Holland Middletown, OH 45042

WASHINGTON ROAD R G A NCO M PAN Y. INC. o PRINCETON. NEW ,J ERSEY 08540

16 THE DIAPASON ne5$Oe in 1958, He was honored In a House Retirements Joint Resolution passed by the 87th Gen­ New Organs eral Assembly of th. State of T."nau.ee on April 8, 1972. On his 50th anniversary at Calvary Church, a thanksgiVing Sunday was St. Hilda', end St. Hugh's School, New held in his honor. The church was filled and York, N.Y. Built by Rieger Organs, many former choir members returned to sing. Schwarzach, Austria. l-menual and ped.l, Some 300 lellen were sent by friends. Among slider chesh, mechanical ~oy and stop the gifts was the commissioning of a par­ adion, encased. Organ stands on floor in trait by the vestry to be hung in the Great cenfar of th. long wall of chapel room Hall 01 the Parish House with portraits of with low ceiling; Riidpositi¥ has boen former rectors and bishops. A key to the fitted with Iwen .apreuion shutte", in city of Memphis was presented by the mayor. fop of case and glass panels in tho front, He with his wife, the former Glady, Cris­ 'orming reredol behind alfar; mounted man, are perhaps among the m<»t traveled Cornet given ih own manual with three couples. They have taken 45 lrips abroad other stops. Installed in 1975. and three "around the world" tours. Their travels hove included Russia, Sib.ria. Outer Mongolia. the Gobi Desert, Korea, Mon­ H ... UPTWEItK churia, China, Afrka, and Indio. In 1936 Ollintade 1£ he wrote a sories of five articles for THE Principal 8' DIAPASON on his trovel, in the Orient. SpitrllSte 8' Since his lecen' retirement they have visited Octav'" Adolf Sfeuterman, far 56 yea rs organist l(oppelfiSte 4 Alaska and in March of nexl year they pion Qod choirmaster of Calvary Episcopol Nanat 2·2/3 Church. Memphis, Tennessee. has refired and a South American cruise that will take them Odav 2 up the Arnozon River to Monaus, Bra:r.il. WOI named orgonlst.choinnolfer emeritus by len 1·1/5' the vestry of the church. Since 1902, under Sifflet I' nine redors, he has been identified with Mirlur IV 1. 1/1 Trompete 8' this parish. First as choirboy, then ossistant 5chalmei ". organist. and then organist under a choir r,emiliont diredor, After three years of study in New Cymbelslern York and 'wo yean in the Army wllh 13 Competitions months In France, he was call~ to relurrl RUCI(PQSITIV to Calvory. Memphis, in June 1919. While fC",tfinuarilrom p. Il} o student in New York he served as organ­ Saltctonal 8 Qllinllein I 1/3' is,-(;hoirmaster of the DUlch Reformed Hobgedadt 8' Church In Elmhurst. Long Island, and of All The Corpus eNisti Music hodlars Asaoc.ia. Principal'" Souls' Episcopal Church in New York Cily, ,ion sponsors each March the Corpu, Christi Selquiailer 11.1'1 and as organist of the Oratorio festival Young Artisl Contest. The compeling divisions Gemsnorn 2' Chorus under T. TertiI'" Noble. include piano, organ, harp, 'trin~, wood· RohrtlSte 4' Beskfos Ihe regular services at Calvary. winds, bro" and percussion. This event will Sdtarl IV 2/l' he has given 118 Dlgan recilals and. with be held March 13, 1976 at 0.1 Mar Col· Krummhorn 8 Tr.mlliant Myron Myers. pianist. 22 piano and organ lege. First place winner in each di .... Islon will Eapreslion recitals in the church. In addition he can· receive a $100 cosh prize. All entries must duded 104 oratorio performances with pro­ be in the hands of the chairperson by Feb. fe"lonol orchestras in the church and three 13. 1976. Any student in the 9th through SOLOWERK for the Chamber of Commerce of Memphb. 12th grodes is eligible to compete. In the Cornet V 8' &efore retiring in 1971 he was profeuor of organ divhion, contMfonts ore required to Cimbel II tn' organ at "Southwestern 01 Memphis," a playa minimum of two pieces, one from the Re!)ol U, liberal orh college, for 30 years. Baroque period, and one from the Romantic '10. Humano 8 Dr. Steuterman was a charter member of or early conlemporary period. Interested per· Tremulont Ihe Tennessee (now Memphb) Chapter of the sons may conlad: Sharon Ogletree, 610 American Guild of Organ lsi', and ils dean Bradshaw, Corpus Christl, Texas 78412. $Oven limes. He served as regional chairman The Slut. Annual Organ Playing Competi. PEDAL Subbou 16 of Ihe Southern Region of the A.G.O. for tian sponsored by the University Presbyterian Octali' 8 eight two-year terms and presided at $Oven Church. Son Antonio, Texas. will be held RohrflSte 8' regional conventions in Memphis. Nashville, at the church on Saturday, April 24, 1976 Chorolbou 4' Knoxville. Birmingham, little Rock, Jackson, at 8:30 a.m. The contest Is open to all Mitlur IV 2·2/l and New Orleans. In New Orleans he was students of music who are residents of the Fogoll 1£ presented a key 10 the city by the mayor. state of Texas or who are attending a Texas Pcuaune 8' He was general chairman of Ihe nalional school and who are between tho ages of 19 convenlion of the A.G.O. held in Memphis and 26. Applications musl be received by ATTENTION in 1929. In 1944, os regklnal chairman, he february 6, 1976. and tho contsst Is limited helped organize the firlt A.G.O. 'tudenl to the first 20 acceptable applkants. Those EPISCOPALIANS! group. He served two terms as vke president ~Ieded will be notified by March 2, 1976. Concerned about tbe Prayer Book? of the Notional Association of Organists, and First prize will be $1000, and second prize STEINER Unhappy with the Trial Uturgies? in 1928 played at their notional convention will be $500, both awarded from the Minnie in Portland, Maine. Stevens Piper Foundation, Third, fourth and Write tell Or. 5teuterman's musical education began fifth prizes of $200, $150. and $100 will ORGANS Incorpora.ed The Society for tho P,oHntation with his father, who was a member of the be aworded by the University Prosbyterlan .f tho look of Common Pray., St. louis SY.mphony Orchesllo. He e01ned the Church, Applicallons and fUriher Informa­ AS$OCiaie degree of the A.G.O. in 1916, and tion may be obtained froml Sheth Annual (SPIlCP) Ihe Fellow the following year. He was Organ Playing Competition, Unlvarllty Pres­ Box 12206, Acklen Station awarded a Doctor of Music degree by the byterian Church, 506 Shook Avenue, San 1138 Gartin P'ue University of the South at Sewanee, Ten· Antonio, TexOl 78212. LoutMlle, Kentucky -4Q2Q3 Nashville, Tenn. 37212 WESTMINSTER 50 Years of Choral ExcelienceJ1926-1976 Mid-Winter Church Music Symposia First Presbyterian Church First Presbylerian Church Fort Lauderdale, Florid. Oklahoma City, Oklahoma January 5-9, 1976 January 12-16, 1976 f«ully f.lCuky

ICK

Weslmlnsler's Mtd·Wlnler Churc h MUSIC Symposia in FlorKJa and OklJhoma provide a unique oppor1Unily for the church mUSICian and choral direclor to combine a meaningful learmng and performing experience with a lanuary yanlton 011 Fort lauderdale or Oklahoma City. The faculty and plOgram of slUdy have been selecled 10 offer the highest possible profeSSional experience. Two graduate cred,ls will be offerro. For further information write: PIANO TUNING J. William Stephenson John BI.ckwell Leorn Piano tuning and repoir with First Presbyterian Church First Presbyteriao Church easy to follow home study course. 401 5. E. 15th Avenue 1001 N.W. 25.h sireet Wide open field with good eornlngs. FI. Lauderdale, FL 33301 Oklahoma City, OK 73106 Mokes excellent "exlro" lob. Write American School of Plana Tuning WESTMINSTER CHOIR COLLEGE. Princeton, New Jersey 08540 17050 ToN" Dr .. DtpI.D I Mer,.. H~. CA 95031

DECEMBER, 1975 17 Richard robert anderson CALENDAR ANDERSON SMD FAGO Southern Methodist University lenneH College D.adline for this calendar was November 10 Greensboro, N. c. Dallas. Texas 75275

5 DECEMBER Nativity According to St Luke by Thomp­ CHARLOTTE AND WILLIAM The Ploy of Daniel, First Church, Cam· son; Son franciKo Boys Chorus, Son Fran· HEINZ ARNOLD bridge, w..A 8:30 pm (also ,Dec 6 at 5 cisco U High School Chorus, St Ignatius and B:30 pm; and Dec 7 at 5 pm) Choir; St Ignatius Church, San francisco. F.A.G.O. D.Mul. ATKINSON The Scholars, Cathedral of the Immacu· CA 7 pm STEPHENS COLLEGE fiRST PRESBYTERIAN CHURCH late Conception, Syracuse, NY St Bede's Choral Society and Orchestra, 2001 EI Camino Real Cantata 1040 by Boch; World at the Man· C Thomas Rhoads, dir; St Bede's Church, COLUMBIA, MO. Oceanside, California 92054 ger by Williamson; Annapolis Chorale; US Menlo Pork. CA B pm Naval Academy, Annapolis, MD B pm Ceremony of Corals by Brillen, First United J Marcus Ritchie, Cathedral of St Philip, Methodist, Santo Barbara. CA 9:30 and 11 Atlanta, GA B pm am Karel Paukert, organ and harpsichord; Thomas Murray, first Congregational, Los Thomas L. Bailey Cleveland Museum of Art. Cleveland, OH Angeles, CA 8 pm Christ Episcopal Church Peter Basch 8:30 pm The Creation by Haydn, Riviera United J. ladd Thomas. Southern Oregon College, Methodist, Redondo Beach, CA 7:30 pm Roanoke, Va. Wildwood Road Ashland, OR EI Camino College Concert Choir. Roger Recitals David Britton. California State U, North· Quodhammer, dirl St Cross Episcopal, Her­ Califon, New Jersey 07830 ridge, CA 8 pm mosa Beach, CA 4 pm John ~Intosh, First St Andrew's United S. Nicolas by Britten, St Mark's Episcopal, Church, Landon, Ontario 8:30 pm Glendale, CA 4 pm Advent Music for chairs, bells, organ; CHARLES BOEHM 6 DECEMBER First St Andrew'S United Church. London. ROBERTA BITGOOn The Scholars. Fint Presbyterian, Utica, NY Ontario 4 pm TRINITY LUTHERAN CHURCH Cantata 191 by Boch; St Nicolas Mass Hicksville, N.Y. First Congregalional Church by Haydn; Sinfonia con Tromba by Torelli. B DECEMBER NASSAU COMMUNITY COlLEGE The lutheran Chorale of Buffalo, Trinity Or· BATILE CREEK, MICHIGAN The Scholars, St Mary's Church, Albany, Garden C i ty~ N.Y. chestra, Frank Novak, dir, St Joseph's New NY Cathedral. Buffalo. NY B pm A Christmas feast, Elizabethan Singers of Amahl and the Night Visitofl by Menotti, Biala College, William Lock, dirl St Mark's Fairmount Presbyterian, Cleveland Heights. Episcopal. Glendale, CA 6:30 pm THOMAS BRANTIGAN JOHN BULLOUGH OH 4:30 pm (also Dec 7 at 4:30 pm) A.B. M.S.M. Ch.M. 9 DECEMBER n.M.A. 7 DECEMBER University of N.braska at Omaha Farleigh Dickinson University West Side Madrigalists, first Presbyter. Teaneck, New Jersey Christmas Oratorio (Pis 1·111) by Bach, DundH Presbyterian Church State Street Church, Portland, ME 8 pm Ian. New Rochelle, NY I :30 pm Workshops in Organ and Choral Memorial Me.hodlst Church Saint Nicolas by Britten, St Thomas White Plains, New York Cynthia and John Riddle, St Peter's technique•• Psychology and Music Church, Bennington, VT 4 pm Church, New York, NY 7:30 pm Ruth Wilson, alto, Trinity Church, Hart· Suzanne Spicer, first Baptist, Philadelphia, PA 12:05 pm Gruenslcin A",-ani Sponsor ford, CT 4 pm Marilyn Hoare, Cathedral of Atl Staints, ARTHUR CARKEEK CllICAGO Albany, NY 4:30 pm 10 DECEMBER M.s.M. A.A.G.O. CLUB OF lessons and Carols, Church of the AKen· Music of Byrd, St Thomas Church. New sian. Rochester, NY 4 pm York, NY )2:10 pm DePauw University Organist WOMEN The Scha:ars, United Presbyterian, Cart· lornalee Curtis, all·Bach, The Juilliard Gobin Memorial Church ORGANISTS land, NY School, New York, NY GreenClstJe, Indiana Ellen Lo£berg, President Lessons and Carols, St John's Church, Lessons and Carols, Theological School Southampton, NY 4:30 pm Chair, Drew U, Madison, NJ Magnificat by Boch, St Bartholomew's Northwood H S Madrigal Singers, Shelley Church, New York, NY 4 pm Weston, dlr; St John's Episcopal, Washing. Robert Clarla Meniah (Pt I) and Organ Concerti by ton, DC 12:10 pm Harry E. Cooper Handel, Madison Avenue Presbyterian, Ne~ Carol of Christmas by Peters::m, choirs School of Music York, NY 4 pm of United Church of Christ and Sf Timothy ~llS. I)., 1I.)l.(;.(). Cantata 70A by Bach; Harald Chaney, lutheran; at United Church of Christ, Mel­ University of Michigon harpsichord; Holy Trinity Lutheran; New bourne, FL 7:30 pm Ann Arbor MLEI(;H, N. CMl()LIN)l York, NY 5 pm Huw Lewis, 51 John's Episcopal. Detroit, Gerre Hancock, choral and organ music MI 12 noon of Guillain and de Grigny, St Thomas Church, New York, NY 5: 15 pm 11 DECEMBER J Richard Szeremony, Munn Avenue Concert of Old Christian Music, fenno MICHAEL CORZINE WALLACE M. COURSEN, JR. Church, East Orange. NJ 4 pm Heath, dirl Battell Chapel, Yale U, New The Holy Nativity, service of music and Hoven, CT 8:30 pm F.A.G.O. School of Music pageantry, First Presbyterian, Orange, NJ Gary Britton. St Thomas Church, New Florida State University CHRIST CHURCH 5and7pm York, NY 12:10 pm BLOOMfiELD AND GLEN RIDGE, NJ. Cantatas 6S and 61 by Bach, Tenth Pres­ Terry Charles, "Christmas Fantasy," Kirk Tallahassee byterian, Philadelphia, PA 5 pm of the Dunedin, Dunedin, Fl (also Dec 12 Messiah by Handel, Chapel Choir of West. and 13) minster Choir College; First Presbyterian of Advent·Christmas Vespen. Chapel, Valpa­ Germantown, Philadelphia, PA 7:30 pm oiso U, Valparaiso, IN 7 and 11 pm DAVIDSON DELBERT D1SSELHORST Heinz Chapel Concert Choir, Marjorie Kleiman, dir; Heinz Chapel, Pittsburgh, PA 12 DECEMBER DMA 3 pm Jerry F. Susan L. Ray Ferguson. for Delta Omicron fratern. MSM,AAGO. ChM MSM ChM University of Iowa Lydian Chamber Players, Lutheran Church Ity. DetrOit, MI Hillrp•• r Coli_v. The Presbyt~rian Church of the Reformation, Washington, DC 3 pm William ferris Chorale, SI Chrysostom 'alahno, illinois Barrington, Illinois Iowa City Iowa Advent Choral Concert, St James's Church, Church, Chicago, Il 8 pm Richmond, VA B pm Days of Herod, Nativity Drama, St Mark's Gloria by Vivaldi, St Luke's Church, Bir· Cathedral, Seattle, WA 8 pm (also Rec 13, mingham, AL 5:30 pm 8 pm) KATHRYN ESKEY , Karel Paukert, Museum of Art, Cleveland, EUGENIA EARLE OH 2:30 pm 13 DECEMBER reach.r. Collase, Columbia University The University of Magnificat by Bach, Church of the Cave· nant, Cleveland, OH 7:30 pm Messiah by Handel, US Naval Academy, Annapolis, MD 8 pm (o'so Dec 14 at 3 pm) Harpsichord Recitals Meniah Sing.ln, Bach Chorale and Or. North Carolino Messiah (Christmas Portion) by Handel; Performance Practice Worlahops chestra, St Thomas Aquinas Church, Lafoy· Can.ata 1.(3 by Bach; Regina Cae!! by M0- at Greensboro ette, IN 7:30 pm zart; 6 Moteb by Hessenberg; Louisville Bach IS Wed 14th S~ . _', New York, N.Y. 10014 Christmas Concert, Chapel, Valparaiso U, ValparaiSO. IN 4 pm Society, Holy Spirit Church, Louisville, KY Advent Festival of Music, Bethlehem 8 pm (also Dec 14 at 3:30 pm) United Church of Christ, Ann Arbor, MI 7 Richard W Slater, St Michael's by the Sea, Carlsbad, CA GEORGE ESTEVEZ EARL EYRICH pm th.m. st. Stephen's Church Cantata 1042 by 80ch, Central United Chicago Chamber Choir (Episcopal! Methodist, Lansing, MI 9:45 and II am 104 DECEMBER Church of Our Saviour Rhode Island College James W Good, fourth Presbyterian, Chi· Lessons and Corals. St Peter's Church. Providence cogo, IL 6:30 pm Bennington. VT 10 am Columbia College Concert of American Music, U of Chicago Lessons and Corals, South Congregational, Collegium Musicum, Howard M Brawn, dir; New Britain, CT 5 pm St James Lutheran, Chicago, Il B pm Lloyd Cast, Cathedral of All Saints, AI· Charles H. Ph.D .. F.A.G.O. Sarah Spain, harpsichord, Christ Church bony, NY 4:30 pm GEORGE FAXON Cothedrcl. New Orleans. LA 4 Dm Nativity According to St Luke by Thomp. Music for Voice and Instruments, Central son, Westminster Presbyterian. Utica, NY TRINITY CHURCH FINNEY Pork Christian, Topeka, KS 3 pm 7:30 pm Chairman, Division of Music & Art Colorado State U Singers and Brass, Sf William Phemister. Holy Trinity lutheran, BOSTON HOllgh'on ColI.ge, Houghton, N.Y. John's Cathedral, Denver, CO 4 pm Buffalo, NY 5 pm Houghton W.sleyan Me.hodist Church John Fenstermaker, Groce Cathedral, Simon Preston, Alice Tully Hall, New York, San Francisco, CA 5 pm NY 2:30 pm

18 THE DIAPASON Meuioh (PI I) by Handel. SI 6onholo­ Wes. Stde MadJlgollsts, fltst Unitarian mew'S Church. New York. NY 4 pm Church, Brooklyn Heights, NY 7 pm Magnificat by Boch. Frederick Grimes, Event in Bethlehem, music for voice, oboe, THE DIAPASON A MUST FOR EVERY ORGANIST organ; Holy Trinity Lutheran, New York. handbells and organ; First Presbyterian. NY.5 pm Orange. NJ 5 pm 1$7.50 a ,Hr-$13.00 for twD , ..n) C.,emony of Carol. by Britten, 51 Thomas Christmas Concert, United Methodist Do ADt ..nil cash Church, New York, NY .. pm: followed by Church, Red Bonk, NJ 4:30 and 7 pm George Stauffer, 5d 5 pm Candlelight Corals, Presbyterian Church, Send THE DIAPASON for Christmas Music, Fint Presbyterian. Madison, NJ 4 and 7 pm yeolil' to Orange. NJ 5 pm Nativity Auordlng to St luke by Thomp­ Chridmal Cantota by Pinkham, C.rn,ony ~n, Emmanuel United Church of Christ, Han­ Nome Ene/osed I, $, ____ of Carol. by Britten, Gloria by Poulene; over, PA 7:30 pm (also Dec 23 at 7:30 pm) College Chorale. Drew U, Madison, NJ In Terra Pax by Flnzi, Christ Cangrega. Street lOfnolee Curtis, all·Boch, SI Mary's Ab­ ttonal, Silver Spring, MO 9:4S and 11 :45 am THE DIAPASON bey, Morrh lown. NJ 4 pm Carol Concert, Emma nuel Church, Balti· Gloria by Vivaldi; Novldad Nuestra by more, MO 4:30 pm CIty 434 50uth Wabash Ave. Ramirez; First Presbyterian, Wilmington, NC Candlelight Carol Service. Covena nt Pres­ ChIcago, III. 60605 11 am byterian, Charlotte, NC.5 pm State ZIp laud to tke Noti"ity by Respighl. All Magnificat by Vivaldi; Chri"mOl Story by Saints Church. Atlanta, GA B pm Schulz; Independent Presbyteria n, Birming­ Christmas Cantata by 8111 ings, loud to ham, Al4 pm the Nativity by Respighh Betheldo by the Ka rel Paukert, Museum of Art, Cleveland, Sea EpIKOpal, Palm Beach. Fl 8 pm OH 2 130 pm Robert Finster HENRY FUSNER Annual Carol Sing. First Presbyterian in Leuons and Ca rols, Central United Meth­ DMA S.M.D., ...... G.O. Germantown, Philadelphia, PA 4:30 pm odist, lansing, MI 9:45 and 110m Magnificat by Schubert, Church of the Messiah (Christmas Portion) by Handel, 51. J.hn's Cathedral Firs' Presbyt.rian Church Assumption, Pittsburgh, PA 3 pm Fint United Methodi,r, Dearborn, MI 8 pm Dfinver N •• hviHe, T~"es ... 37220 lessons ood Corals, Mt lebonon United lessons and Carats. f irst Presbyterian, Presbyterian, Pittsburgh, PA 5 pm Deerfield, Il 7 pm Th, Nativity by Thiman, Woodland Pres-. lessons and Carols. St John's Cathedral, byterlan, Pittsburgh, PA 7:30 pm Denver, CO .. pm Karel Paukert, Museum of Art, Cleveland, Christmas Oratorto by Soinl·Saon" St Antone Godding LESTER GROOM OH 2:30 pm Vincent de Paul Church, Denver, CO 4 pm School of MUlic Seattle Candlelight Coral Service, Christ Church. Christmas Concert. Grace Cathedral. San Cincinnati, OH 5 pm FranciKa, CA 4 pm Bishop W_ Ansie Smith Chapel Senule PaciCie Church or the Cantata 1.42 bV Bath, Sf Paul's Church, Messiah (Pts by Handel, First United 1·11) Oklakoma City Uniuuity Colle,. Aacenlion lonsing, MI 9:45 and 11 am Methodist, Santa 8arbara, CA 7:30 pm 98119 98199 Advent-Christmas Charol Vespers, Con­ cordia Senior College, ft Wayne, IN 8 pm 24 DECEMBER Messiah bYtHandel, Eastern Kentucky U, Robert Busch, Church of the Redeemer, Rkhmond, KY 8 pm Brooklyn, NY 10:30 pm E. LYLE HAGERT DAVID S. HARRIS Advent-Chrlstmas CaMert, U of Illinois Messe de Minuit by Charpentier, Modiwn Circle Campus Chain, Vidor Weber, dir; Church of Our Saviour Avenue Presbyterian, New York, NY 11 pm Ccthsemane Episcop:al Church St James lutheran, Chicago, Il 4 pm lessons and Carols, Holy Trinity lutheran, Akron, Ohio lessons and Carols, St luke's Episcopal, Buffalo, NY 10 pm Minneapolis, Minnrsotn 5S4().f Evanston, It 6:30 pm J Marcus Ritchie and David Stills, Cathe­ Orgon Chicago Chamber Choir, Church of OU r dral of St Philip, Atlanta, GA 11 pm Saviour, Chicago, Il 7 pm Christmas Cantata by Pinkham, St luke's Robert Anderson, Christ Church, Dollas. Church. Birmingham, Al 10:30 pm TX lessons and Corals, Independent Presby· WILL O. HEADLEE J., u me""e Ftltllde bV Buxtehude, St Dun­ Yuko Hayashi terian, Birmingham, Al 4 and 6 pm SCII' lUI. (ll,' .\!IJSI(: s!an's Episcopa l. Houston, TX 9:30 and 11:15 Julie Allaback, St Timothy lutheran, Eou new england conservatory om Gallie, Fl 7;30 pm old west church SyltA\: USE l j :-; I \,Elt~ITY Amahl and the Night Vi.ltoll by Menott., Huw lewis, St John', Episcopol, Detroit, Presbyterian Church of the Crou, Omaha. MI 12 noon boston SYRACljSE, :\EW YORK 1J21ll NB Organ, 8tass and Choral Music, Messe d. Roger Roszell, First Church of Christ, Scien­ Mlnuit by Charpentier; Zion lutheran. Ann tist, Denver. CO 3 pm Arbor, MI II pm Hod.. by Vaughan Williams. lo Jolla James Moeser, Plymouth Congregational, SAMUEL HILL Presbyterian, La Jolla. CA 4 pm lawrence, KS 7 pm VICTOR HILL lessons and Carols, Groce Cathedral, San St. Paul's Church Harplichord Chicago, Dlinois 1.5 DECEMBER francisco. CA 3130 pm Mestiah by Handel, Immanuel Presbyter­ Quadrivium Collegium, MOileen Mont· Canhage College WiHlams Colr.g. gomery. drr, Fint Church, Cambridge, MA ian, las Angeles, CA 10:30 pm Kenosha, Wisconsin Willlomitown, Man. 01267 8:30 pm 27 DECEMBER 16 DECEMBER Boor's Head and Yule log Festival, Cheist John Rase, Christmas Sing and Cancer1, Church, Cincinnati, OH 5 p m lalso D« 28 Harry H. Huber d. deane Cathedral of the Sacred HltC rt, Newark, NJ a t J and 5 pm) 8:30 pm M. Mus. Earl Ness, First Baptist, Philadelphia. PA 28 DECEMBER Kansas Wesleyan University hutchison 12:0S pm Robert McNulty. Cathedral of All Saints, University r..rethodist Church C.remony of Carols by Britten, Christ Albony, NY 4:30 pm portland, oregon Church, Cincinnati, OH 12;10 pm Ceremony of Carol, by Britten, St Bar­ SALINA, KANSAS Christmas Cantata bV Honegger; Sanc­ tholomew'S Church, New York, NY .. p m tuary and Children's Chairs of Zion Luther­ Cantata 57 by Boeh. Noncianne Parella, an, Ann Arbor Cantala Singers and Orches­ organ; Holy Trinity lutheran, New York. FRANK lACINa ElleN KURTZ tra; Hill Auditorium, U of Michigan. Ann NY S pm Arbor, MI 8 pm Wojciech Wojtosiewicz. St Thomas Church, Organ Virtuoso New York, NY S:l5 pm Recording Artist JACOBSON leuons and Carols. Cathedral of St Philip, 17 DECEMBER For recital bookings. writ. to: M.Mu •• A.A.G.O. Community Christmas Carol Sing, St Atlanla. GA 9:15 and 11:15 am Frank Vincent Thamos Church, New York, NY 12:10 pm A Meditation of Chrilt's Nativity, Bethesda 161 OakwoDd Ave., Apt, 304 Concord, California Michoel McMullen, St John's Episcopal, by the Sea Episcopal, Palm Beach, Fl 11 a m TorDnto, Ontario, Canada Washington, DC 12:10 pm CorDI of Christ .... a' by Paterson, choirs of 30 DECEMBER United Church of Christ and St Timothy Richard Heschke, Church of St Michae l lutheran; at St Timothy lutheran, Eau Gol· and St George, St louis, MO KIM R. KASLING lie. FL 7:30 pm D.M.A. James Kibbie Huw lewis, St John', Episcopal, Detroit, 31 DECEMBER Western Michigan University Holy Fomily Church MI 12 noon Music of Handl, St Thomas Churc h, New Firs' Con,regational Church Fort Worth, Texas Y.lrk, NY 12110 pm; New Year', Eve Cele­ KalamazDo, Michigan 18 DECEMBER brulion Concert, 8:30 pm Boor's Head Ceremony, Cathedrol of St. Philip, Atlonto, GA 8 pm lalso Dec 19) • JANUARY The Childhood of Christ by Berlioz, St SHARON KLECKNER GEORGE E. KLUMP 21 DECEMBER Bartholomew's Church, New YOlk, NY 3 pm lessonl and Carou, Chrtst Church, South Chriatmas Orotarorio (Pt V) b y 8o

DECEMBER, 1975 19 CALENDAR (Cant. from p. "J Lois Laverty, soprono, Terry Hannoy, pl· ana; an-Amorican programl Trinity United S JANUARY Church of Christ, Hanover, PA 3:30 pm RA YMOND H. CHENAULT Mid·Winter Church Music. Symposium span· George Shirley, Bra" Roots bross quln. sored by Westminster Choir College, First M. Mus. FCM Recitalist tet; first Congregational. Grand Rapids. MI Presbyterian, Fort lauderdale, FL (thru Jan 4 pm Organist - Choirmaster 9) Robert Covarro, 5, Procoplus AbbGy. Lisle. Joon lippincott, First Presbyterian, Fort All Saints Episcopal Church, Atlanta, Georgia Il3 pm lauderdale, Fl Tho Agope/New Day Singers, lorry Mon­ Mary Fenwick, Sequoyah ffills Presbyter. ~n . dir; Faith Lutheran. Glen Ellyn. IL ian, KnoK ville. TN B pm 7:30 pm MARILYN MASON Clarence Moder Scholarship Fund Con­ Joan lippincott, Fiut Presbyterian, Okla­ CHAIRMAN, DEPARTMENT OF ORGAN cert, Immanuel Presbyterian, ,as Angeles, homa City, OK 8 pm CA B:15 pm UNIVERSITY OF MICHIGAN Mid-Winter Church Music Symposium span­ sored by Westminster Chair College, at ANN ARBOR 6 JANUARY First Presbyterian Oklahoma City, OK Ithru "MI.. Ma"" ployed with austerily and reserve, demonstrating anew Doug las Tester. St Mark's EpiKopal, Phila­ Jan 6) h., extraordinary facJlity .•• II Des Moine. Regilter, Odob., 5, 1964 d elphia, PA 12:05 pm Motet VI, Cantata 56, Miua arevis II by Robert Parris, Christ Episcopol. Roanoke, Bach. Organ Concerto Opus IV/2 by Han· VA 8 pm del; The Cathedral Singers, Robert Finster, dir; Barbara Huloc, organ; Sf John's Cathe­ R 7 JANUARY dral, Denver, CO 4 pm E Helen Penn, St John', EplKOpo l.. Washing. C .JOHN HOLTZ Odile Pierre, Pacfflc. Union Colleg., Ang. I ton, DC 12:10 pm win, CA T Faculty: HARTT COLLEGE, University of Hartford A 8 JANUARY L 5 Organist: CENTER CONGREGATIONAL CHURCH, Hartford J Marcus Ritc hie, Western Carolina U, 12 JANUARY Cullowhee, NC Odile Pierre, mosterclan, Pacific Union College. Angwin, CA 9 JANUARY Marga... ' Melvin Gerre Hancock, Dwight Chapel, Yo~e U, 13 JANUARY New Hoven, CT 8:30 pm J( im Beaman, SI Mark's EplKOpal, Phila­ delphia, PA 12:05 pm DICKINSON 10 JANUARY Corllu R Arno:d, Michigan State U, Etut University of Louisville Samuel J Swartz, worlu by Ameritan Lansing, MI 8:15 pm Louisville Bach Society composers, All Sainls Churth. Palo Aho, CA Calvary (plKapal St. Frond•• tn.th• • fi.ld. Episcopal 11 JANUA Y 14 JANUARY James lazenby, Cathedral of All Saints, lornalee Curtis, all· Bach, Th. Julillord Albany, NY 4:30 pm School. New York. NY Anion Hemer, Alice Tully Hall, New York, Helen Penn, St John's Episcopal, Wash· 2:30 pm ington, DC 12: 10 pm WAYNE FISHER Gloria by Poulenc, St Bartholomew'S Chairman, Organ Department Church, New York, NY 4 pm College Conservatory of Music Cantata 124 by Bach; Frederick Grimes, 1.5 JANUARY organ; Holy Trinity Lutheran, New YClrk. NY Terry Charles, Kirk of the Dunedin, Dune· University of Cincinnati 45221 5 pm d in, fL RICHARD M. PEEK FRANKLIN E. PERKINS Ph.D. Sac. Mu • • Doc. The ladue Chapel THOMAS MURRAY Covenant Presbyterian Churcn tit. John Burrough. School ST. PAUL'S CATHEDRAL BOSTON 02111 1000 E. Mor.h.od ChDrlotl., N. C. St. Louis, Mtuouri

ARTHUR A. PHILLIPS George H. Pro DAVID HEWLETT AAGO Ch.M. F.T.C.L DM.A.

MARSHALL BUSH St. Albanl Congr.golionol Church Cae College Trinity Church 172-17 St. Alban., N.Y. 11434 Cedar Rapids, Iowa 52402 Marlha's Vineyard

RICHARD W. L1TTERST David Lowry MYRTLE REGIER M. S. M. School of Music Mount Holyoke College T,inity Episcopal C"."c" Toptl;'IJ, Mallac"uHtI. 01'1.3 SECOIID CGNIlIECATlONAl CHURCH \\iinlhrul' College South Hadley, Ma.,achUletl, ROCKFORD, IWNOIS Rock Hill. Soulh C,rolillil 29733 '"ifm.

ER tc McDONALD. Mon. RSCM •• Cb.M. K. BERNARD SCHADE Robert Shepfer O... an artlflaltt - S.M.M. O",.n Music AUMmy, Pistola, "aly Organist. Ch.lrmalter Orlan Scholar William MacGowan STATE COllEGE SECOND PRESBnERIAN CHURCH Mr. McDonald Is one of the few organists EAST STROUDSISURG, PA. to pioneer early church music and Is an Indlanapoli., Indiana 46260 experf of lis Interpretation and Ihe Art of WorklhoPI and lHlurel Improvisation as well as Composer. The Kodaly Choral Method Recitals Saini Louis. Missouri '3115 Palm Beach, Florida L. ROBERT SLUSSER ROBERT SMART FREDERICK L. MARRIOTT Swarthmore, Pennsylvania JAMES R. METZLER MUS. M .• A.A.G .O. ORGANIST - CARILLONNEUR Trinity Episcopal Church KIRK.IN·THE.HILLS TRINITY CHURCH LA JOllA PRESBYTERIAN CHURCH Swarthmore COUegf: BLOOMfiELD HILLS. MICH. 48013 TOLEDO, OHIO LA JOLLA. CAliFORNIA Congregation Rod~h Shalom OrganIst. The D.lrolt Symphony PhlIadelph.. WILUAM H. MURRAY CARLENE Carl Staplin Mu •• M F.A.G.O. NEIHART ROLLIN SMITH Ph.D .. A.A.D.O. Sr, Andrew's Episcopal Chunh Drake University Church of the Mediator Meye, and Wornoll RECITALS University Christian Church ChicolO, III. Kanfa. City, Mi"ourl 64113 1150 Forty.firat Stlv"I. Brooklya, NY 11218 DES MOINES, IOWA

MUI. Doc., F.A.G,O. JOHN KEN OGASAPIAN NORMA STEVLlNGSON frank a. novak ADOLPH STEUTERMAN D.M.A. HOLY TRJNlTV LUTHERAN Saint Ann.', Church Southweltern at Memphl. University of Wisconsin-Sup.rlor CHURCH Massachus.tts Stote College Calvary Episcopal Church Pi/g,im Lutheran Clturcll 1080 MaIn lowell Superior. Wi'CDnsin 54810 Baffalo, N.Y. 14209 Memphil, Tenne"ee

20 THE DIAPASON SfATEMENT OF OWNERSHIP, MANAGE· II. A. Tot.1 number of copies printed (net MENT AND CIRCULATION OF THE DIAPA· pr." tuft) .veroc;to number c.opies e. c.h issue SON, e. required by Act of Aug. 12. 1970; precediftg 12 months, 8,084: single issue near· Section 3685. Title n. United Stetes Code. est filinc;t d.te 7,•. STEPHEN HAMaTON 1. Title of Publication - The Ojepawn. II. P.id clrculetion: I. Sales through de.l· en and carrien, street vendon .nd count.r 2. Date of Filing - Od. I, 1915. concert organist sales . .... er.c;te number copies each issue durin ~ 3. Frequency of inue - monthly. preceding 12 months, 79; single issue neoren JA. Annual subsc. ription price, $7.50. filing dete 63, 2. M.lI subscriptions; aver. ge number copies e.ch issue during preceding 12 -4 . • nd 5. Location of Office of Publication. months, 1.622; .ingle issue nearest filing d.te, H•• dquertel"l and General Budness Offices - 7,448. VirgiDia Intermont College 43-4 South Webosh Avenue, Chica;o, Illinois !O!OS. C. 10t.I p.ld circulation: .ver.g. num bar Bristol, Virginia 24201 copies each issue du ring preuding 12 month., ... Names and addresses of Publidler, Editor 7,701 ; single issue nell rest filing d.te, 7,511 • • Mf Mana;in; Editor - Publisher - The Dia· pason. Inc.: Editor, Robert Schuneman, both D. F,... distribution by mo il, corrier or other flentrop organ 414 South Webalh A... enue, Chic.eQo, Illinois mean., samples, compliment."., .nd olfler free bQi,O$; Manluf ng Editor - none. copies: .ver.ge number copies e.th iUlIa dur· jllg precedincJ IZ months, '8'1; sil'lg/e inue 7. Owner - The Oiapucn, Inc.; Halbert S. M.,est filing d.te, 161. Gille"e, address as abo"e. 8. Known bondholden. mg,rtgagees and other E. Tot.1 distribution (sum of C and DI security holden owning or holding I per ...... r.ge number copies e.ch issue during pre· cent or more of total amount of bonds, mort· ceding 12 months , 7,890; single issue nearest GEORGE filinc;t d.'e. 7,679. MARKEY g.ges and other securities - Halbert S. Gil. Records Markey Enterprises 201·762·7674 elle, addren ,u above. F. Copies not distributed : I. Office use, left· ,. For optional completion by publisher. over, unaccounted, spoiled effer printing, ever· Recitals 42 Maplewood Avenue mailinc;t .t tho regular fates (Sedion 132.121, lIc;te number copies e.ch issue during preceding Postel Service Manual): l' U,S,C. 3&26 pro· 12 months: 194; ,ingle inue nearest filing dat., Instrudion Maplewood, N.J. 07040 ... ide. in pertinent pert: "No penon who 121. 2. Returns from news ec;tents: .v.rage num· would h.v. been entitled to meil maHer un· ber copies each illue during preceding 12 der former section 4J~9 of this title shall mail month., 0; single ;lIue ne.ntll filing date, O. such meHer .t the rates provided under this subsedion unless he files annually with the G. Totel (sum of E & F - should equ.1 Postel Service. written request for permission n.t press tun shown in A): overage number to m.iI m.ttor of such r.tes." In accordance copies e.ch illve precedinc;t 12 months, 8,084; pOCOI'lO BOq sJOOeRS with the provilions of this statute, I hereh';' reo .,ngte Illue ne.re,t filinc;t dale, 7,900. que" permission to mail the publication named STAlE COl' EGE, EAST STROUDSBURG. PENNSYLVANIA 18301 I certify that the "otem.nts m.de by me in Item I et the reduc~ postaqe rates present. "boye .. ,. Corrwct aMJ complete, 1'1' .ulhorlled h';' l' U.S.C, )62&. (sklned) DOROTHY ROSER, !ulinelS Men.c;ter K. BERNARD SCHADE. FOUNDER AND MUSICAL DI.fClOl! Dorothy Ro ..r, Businen M.n.ger, , LARRY PALMER LAWRENCE Vernon de Till' MARTHA FOLTS ' .A.G,O •• MIM" Doc., S.M.D. Church of lhe Ascens/on Harpslcllorcl - Org•• Traditional ROBINSON flfth Avenue at Tenth Str•• t New York, N.Y. 10011 S•• thern M.thodlst U.IY.,slty The Juilliard School Recitals: Yllt~INIA COMMONWEALTH UN1YEISITY Orga.lst·Cholrmaster RICHMOND, VI161NIA Recllals Organ and Choral Workshops S.I.t Luk.'s Episcopal CII.rell Avant-garde

Dall .. I, Toxal 6337 Joells.n Sf,... JOHN TUTTLE, FAGO PiH,Itu,.h, PD. 15206 FREDERICK SWANN SainI Paul's Anglican Church 227 lloor Str..t !CIIf JHE TlMPLE The Rivers/de Church TDnmto, Ontario DONALD W. WlLUAlIS !MW IC8 c.. v ...... , Ohi ...... 06 New York City D.... A. recitals Instruction Zion Lutheran Church DAVID Ann Arbor, MI George Norman Tucker GOODING M .... Bach. WA-Ll-RO Organ Builders, Inc. ST. LUKE'S CHORISTERS BOY CHOIR THf CLEVElAND O.CHI$T .... Kalamazoo WAI.IN c. MILLER - DlRECTO. MUSICAL HI.ITAOI! soam BOY CHOIRS Christ Church, Sh.h, H.lvht, 22, Ohio .ICO.DINGS G. F. ADAMS

204 We.' Hou.tan Street s"lly sl"de warner CLARENCE WAITERS DONALD WILLING •.•.'.0. ch.m. f ...... , New York, New York 10014 CHURCH OF RECITALS ST. JOHN THE EVANGEUST 51, John's Church N.... h Ten, St ... Urtl".rdty 8 ..lI:on Hill Ioston W. Hartford. Connecticut -.. T",,_, 011 ..... 5-6110 DAVID A. C. GORDON Gary Zwicky RONALD WYATT lIMA .AGO Trinity Oturdl WEDERTZ WEHR I ....,,, I ...., U"""'*' 25S4 W ... 1181h St. &tum KenlD

ALEXANDER BOGGS R.. ltall and Malter Claue. , . . HARRY ARTHUR WELLS R.. ordlngs: Organ Conlultatlon Tr1nlty Luther .... Church R Y A N AEolian-Skinner (5326) W.,h1",,,, 51". Uld.. ,.;ty Cathedral Church of Christ the King Aural Preu ,ulflMn "163 CONCERT ARTIST Kalama_, MI

Organ Builden and Inc. • Rebuilding FRANK J. SAUTER SONS • Repairing * PhoneS! 388-3355 * • Contracturol SenIcIng 4232 West 1241h Place PO 7-1203 Alsip. illinois 60658 For Unexcelled Service

--~ - ----

DECEMBER, 1975 al CIa ••itteei .d.,.,.,i,ing rot•• : 1M' word. $.20; .... nimum charge. $2.50; beue nUllllNr, adclitional $1.00. CLASSIFIED ADVERTISEMENTS ••pUn to laox numb.,. should be un. cloTh. Dfctpcllon, .34 S. Wabash Avenue, Chkap, III. 60605.

POSITIONS WANrfD WANTED - MlSCELlA.NEOUS M/SCfUANfOUS HA/U'S/CHORDS

ElCPElltIENCED ORGANIST.CHOIRMASTEl, LOW C 16' MITEUD IIlESOHATOI FOI KIM. REED ORGAN TUNING AND lEPAIIING. JElEtr.lY ADAMS, HARPSICHORD BUILDER. MeJl er 01 Church Mulic: d egree, Moh e dive ball high pflJUIHe Metal Tuba. Aho need. for Edgar A. Rode,,,,, 40 t Albany Aft , Weslmon t, Antique con1h ut.'ion. uMompromisinq quality, Profed enl m urd!. Availa ble nOW'I Reply M.2, 101ge Kale , 10" pnmure. spoHed melal Kimball NJ 08108. lolid wood painted cuel, peor.wood lach, THE DIAPASON . Va". G No . 32, C No .•9 . C ,harp No. 50 and handmade keyboard l . Brochure ov.it.ble. Write D.,harp No. !)Z, Need Ktmball triple ... alve QUALITY REED ORGAN REPAIRING, IE· Jeremy Adami. 2A Pulnam Court, Donyers, reguloto" and tremululJ. What ehe d o you b uil ding e nd fun·ng. Doy'd McCain. 152'9 West Mali., Ot923 . POSITIONS AVAILUtE have high prenure Ki mball? David Krall, 042tB To uhy. Ch'cago, III. 60626. (312) 16-t·6708. Torrence Avenue, Hammond, Ind iana 46321. , HARPSICHORDS, ClAVICHORDS, KITS AND ORGAN TECHNICIAN FOR PACIFIC I'UIUCATIONS cu dom IIssemblies by New En910nd cro'hmen. North" e" to opera te own pipe organ service MUSIC lOLLS FOR AEOllAN.DUO.AlT, Showroom in Boston llreo. Agent for Zudar bU liness in ".cluJivo protected territory in sa!os Welte , and Skinner Automatic Pipe Organ LIMtTED EDITION : SPECIAL BICENTENNIAL mann Harpsichords. Wilson Ba rry ond Co., Inc .. IIIssociation with meior builder. aeellen! proven Playe rs. J , Y, Mocortney, 0406 Haverford Ave ... iuue of THE TRA CKER- 2OD pagel containing Dept. D, P.O , BOI 152, Ba Uardvalo Station, opportunity for quelified, erperienced organ Norberth, Penna , 19072. historic accounh of American organbullding Andover, Moss. OIBIO. porson cepohle of fin.ncing own operation while never before published by a uthon E, P. Biovs, becoming establlshod. Addre" M.5, THE 011.· M. A. Vente , K. F, Simmon., A. F. Robi"'on, FlElIo4lSH HARPSICHORDS HANDCRAFTED H. D. Blanchard a nd mony moro; only 2500 PASON. MlSCfUANfOUS by Donald R.:tgers. Hidoricol copiel of inllru· copies ovailable. Pre.publicotion prica $8.00 ments made by the Ruden fomily. Continuo ORGAN IUn.DU, I YRS. + EXPERIENCE, postpaid 1510.00 after J onuory I, 1974). O rd er model with wo lnut cOle and hend Pilinted lIor.1 CUll'( .bout ql,loli ty, independent, mature, ef· NOEL MANDEl OFFEI\S FAITHFUL RE~RO· from Bo. 209. Wilmington, Ohio 045 177. 10undooard fro m $1250. Rogen Ha rpsichords, 28 ficient ,hol,l ld conta(.f us fer enjoyable, per· duction of HOllIe Reqol organ (1£84). ] stops. Park Ave., Am ityvi Ie, N.Y. 11 70 1. manen' job. Tonelli designers need not apply. Medieval Portotive. Portable full compass ]. WORLDWIDE MUSIC SALES, PO lOX m W ri te: The Noed: Orgen Co., Georgetown, d o p trll d er in Ut form. New booklet 01'1 St. Rad 'o City Sto., NYC 100 19. General .nd tpe­ HARPSICHORDS AND CLAYICHORDS IV Mass, 01133 . Pa ul', Cathedral rebuild ing ona dollar. New c:iillist ,tod lish of choral, orqon and all mUl ic Neu pert and Sil bathil . HOfptichord kits by orgonl of oil SII111 exportad to aU parts of books and records, including fontign. Contact Zuckerrn.ann. Showroom open by oppointment. EXPElll.IENCED PIPE OaGAN TECHNICIAN, World . Noel t.Con der, St, Pe ter't O rgan Works , UI now: e.pre" service from altO , ou rce. Financi nq available. Write or call J ohn W. MUlt lune, lerviu, rebuild, iMlell, end have l ondon E.2, Envlend. Allen. SOO G1enway Avenue Bristol, Vi,gin;e good personality. lop salary aod benefits with PIANO! 2420 1. Phone (703) 669·83'16. prolil 'hering. Blaine Rickens (So. Calif, Wids IVORY, 10SEWOOD ANO £IONY DlAW. Agent), Pod Office Bor 1701.9, los Angelel. "api, made to ony pattern. E"9ravi~ in Kript AUTHENTIC FORTEI'IANO REPLICAS : Stein HARPSICHORDS, CLAVICHORDS AND YII­ Calil. 90017. (21) 9)1-9S19. or to order. Erilrng work failMuUy copied, Walter, Silbermann, C,istofori, Schmidt pedel ginals. Authentic classicol designs for I-Iome the molt personal and careflll service in the piano. FIIII'Icole two·\ey early p' ano ACTION construction by the amateur builder. Write for SAlES-SERYICE ENGINEERS NEEDED FOR world. Th os. Harrison and Sol'll (Established MODELS for demondration and clilU lI'e. Philip free bnlchure. Zuckermann Harpsichord, Inc., Chicago: Detroit. Cleveland, Central N.Y .• At. IBlO) , 66 Ada Street, londoill , E.B. England. Be lt, Fortepiono Maker, Box 96, Bett ie Ground, IZ Grand Street, P.O. BOl 121, Sto nington, ranta. Charlellon. W.VA.. end Fronde. Each Indieno 047"1Z(). Conn. 063711. terrilory hal new installation for demonstration CUSTOM MADE SLIDER CHESTS, lIo4ECHAN. purposes, Many leads end auidance furnished ical co",ole chonil, belloW's, wood pipes, wood FORTEPIANOS - COPIES OF THE 1m SABATHll HARPSICHORDS. PEDAL HAR,.· by compony, All replyt strictly confidential. squores. COle·work, Quolity Materials, workman. Stein. Kits ouembled, Rea,onable pricel. Bill sichords and Clavichords: most r.Hoble and Send resume to: M.l, THE DIAPASON, lhip. B G, 68 Wa1hington St., Lowell , MA Dow ling, Woldoboro. Moine a.m. (207) 832· beillitautly sounding, from $1,1'5.00. Brochure 01B51. (611) 045]..40]3, 4510. $1.00. Stereo LP $5 from Dept. D, 10114 Homer PERSON WHO CAN TUNE QUICKLY AND Von~o uver , B.C ,. Can/lda. well. diagnose and .alve mechanical probleml QUALITY ALL ElECTRIC CHESTS MADE TO HA/U'S/CHORDS quickly, and deal diplomatically .... ith cUltom· o.der. good delivery, Aiken Alloeiatel, BOI 1043 , HARPSICHORDS AND YIRGINAlS. CHOOSE IRllllANT ITALIAN HARPSICHORD IY ers to deve13p our maintenance business, Some BrooUyn . PA 1881l • • Irom SIX instruments by Zudermllnn. Kits or shop work, primarily trader but electro.pneu. Sorli, after Buoni (1693), 2 J 8, $3000.00. Edwilrd completed to specificiltion. Guaronteed profes. matle experiecII useful. 8G, 68 Washington ELECTRIC ACTION CHESTS, MAIN 01 Parmentier, Z06 Nassou St" Princeton. NJ 08540. sional work by elperienced craftsmen. Carl Street, Lowa U. Mus. 011lS 1. (&l1 ) 0453·4013. ofhet m.de for your pipes. Compere prices. Miller, Scribner Plilce, Crofton, Md . 21111 . Write O rgan Componenh, P.O . 10. 042 1, Cicero, NEUPEIT, IACH MO DEL, ...... 1£. tulLT hldiena 4603 4. C all (317) "'.·3575 axt. 404. 1'153, presently bein9 requiHed with Delfin a nd HARPSICHORDS, ClAYICHORDS, lIo40ZAItT WANrfD - MlSCfl.1ANfOUS restrung. $4000, negotiable, (614) 261·501!18. Pionos by Neupert, ,ale or rental. FinoncinQ PNEUMATICS AND POUCHIOARDS OF ANY 11TH CENTURY FRENCH HARPSICHORD IN available. Write or cell Wally Pollee, 19S5 Wed USED HAR~ICHORD. MUST IE IN NORTH· me.e recovered with Polyurethene Plulic. Writa • it form. We offer lin authentic reproduction J oh n Been, Road, Steven1viH e, MichiQan "'127 . eastern U.s. Write Wendy Dld.erman, 195 St. lor qltOtation. Chllrch OrVan Co., IB Wallon Palll St" Burlin9ton, Vermon' 05401. of en antique French d ouble menual harp,j. St., Edison. N.J . 01811, chord for emateur conltruction. The inltrument HARPS IC HORDS BY KN I ~HT VERN O N. AU· thenlic replicas of hiltoric in,t,urte"t '. c· ~, WHIT£CHAPU HAHOIELl SET. MINIMUM hos lour rll:9 is ters ond bulf stop .... ith a rllnge ORGAN SU.YICEMEN: WE WILL RECOYER fully made and elegontly dlKcwated. S2S White two octaves. Send price. condition. Addreu of FF.g " ' . All parh are accurately pre·cut CaSllvent and Skinner polich boards, primary Pigeon Street, COlUtantine, Mich i9an 4W42. M.... THE DIAPASON. and ready fo r auembly, The kit include. da­ and offUtt oction1. W rite Burneu Anociatel, tailed drawings and ' n" ru ctions and " II neces· THEATRE riPE ORGAN, :J.. ... ANUAL. CO .... 1907 Susquehanna Rd .. Abington, PII. 19001. sary materi.all , Fo r brocMlre wri te Frank H ub· FINE HARPSICHOIDS AND CLAYICHORDS plele, call or W'rite David A. t.4arkworth, 8505 bard, 185J Lyman Sireet, Wallhom. MalS"chu· ma de t o ind ivi d ua l requirements. W rite, phone, N. 046 St., Omaho, Nebr. 68152 . (0402) 0453·7769. THE NEW 7.OCTAYE pmlSON CHRO... A. seth 02t504 , vi sit sho p. E. O. Witt, R3, Three Rivers. Mic hi· tic Tuner model 320, is now availabla from q &n 49093. (616) 2404· 512B, USED SPOnED METAL AND OLD SPOnED ltod, Continuously variable Vernier control al. HARPSICHORDS - FRE NCH. FLE ... ISH, AND metol pipes. 7U cenb par pound. Contact Trivo loW's you to compensate for temperature or 1I0lian; single and double manuol. Based on SPERRHAKE HARPSICHORDS AND CLAYI· Company Incorporated, Manufacturers of QUill. tune celeste ranh with eOle. For more dele ill: recogniled prototypel. Solid wood construc. f' hords. a fellent, dependilble, beautiful. Robert ity Reed Pipel, Bor 101 , Hogerstown, Maryland Peterson Electro·Musical Product" Dept. 31 , tion, Bill Oowling , Waldoboro, Maine 04m. S. Toylor, B710 Gilrfie ld St., Betheldo, M.ry. 21740. Worth, III. 600482. (207) B32·4SIO. ISIId 200304.

MANY COMPLETE YEARS LOUIS F. MOHR & COMPANY Etude ORGAN Sea6on~ (Jreetinfj6 Jazz MAINTENANCE Music to all our friends Down Beat 2899 Valmtlnc An. from Metronomes New York 58, N. Y. Too Many to list Teltphone: SEdgwick 3-5628 Send for Complete Volume, Emerseacy Service Yearly Cunlf1lcta DURST ORGAN SUPPLY CO., INC. Mrs. John Uhrich Harps - Chirnq - Blowen P.O. Box 116S Erie, Pennsylvania 24 South Fourth Street E:'II;pert Overh;!,ulinl Lebanon, Po. 17042 16S12 "A" OrlfJlI P,0~m1 M.i,.,.;,.,,, M,.1tJ Phone 717 272-2360 Belter MWlk "

CQ!ATtVE ORGAN BUILDING FOR ARnmc MUStCAL RfSULTS Greenwood Organ Company S. G. PRICE CHARLOTTE, NORTH CAROLINA 21205 D "'HllEf GfNfRATlONS OF ORGAN BUILDING" E NEW ORGANS L A REBUILDING BERKSHIRE ORGAN COMPANY INC. W ~ TRI·STATE SERVICE A O'U, ... ", CDM ..ANV , INC, M PHONE. 68 so. BOULEVARD, WEST SPRINGFlEW, MASSACHUSE'ITS R TON ... WAND .... NEW VO"K TEKONSHA COLDWATER Member: Intem.Jlional Society DC Orpn Builden 141.0 MICH. 49092 SI7-27_ E M.""'.r APOBA

All ElECTRtC CHfS15 "PRAISE YE THE LORD WITH ORGANS" ElECTRO PNEUMATIC PEDAL CHmS "Ouallty wI,,, AIKEN ASSOCIA TES koltomy" GUELPH PIPE ORGAN BUILDERS, Ltd. _143 "ooIdyn, P•• 11'13 717-2"-4t32 50 Crima Slrftl (519) 82J.2480 Guelph, Onlarlo N1H·2Y6

2? THE DIAPASON CIa.JiRM ecI",ortis"•• N"': ,., w ...d, $.20; mI.1mum ct.,..., $2.50; box ft""'H', fttIftionat $1.00. CLASSIFIED ADVERTISEMENTS ••pUn '0 MX ",""Mn ,houW IN ..... c/o TIM DIapason, 434 S. Wel:ta .. Avenue, Chk... , III 60605.

HARPSICHOIIDS fOR SAlE - EIEC1RONIC ORGANS fOR SAlE - MISC. FOil SAlE - MISC. JUST ARRIVED : A NUMBER OF lRAND NEW HAaP5ICHOaOS, CLAVICHORDS BY HEU. ARTISAN O RI ENTAL, THEIR LARGEST, USED CONSOLES: 31M. WALNUT, 41 DRAW_ pert, world's finest, oldest maker. CatoloCiU on finest theatre organ. W ill accommodate seven 10 stock quiet imported blowers in IVz, 2 and knobs, $SOO; 21 M, oak, circle front, $I SO: 21 M , ] h,p. in both three and sing le phose , Wicks request. Magnllmusic, She ron, Conn. 0606'. se ts oscilla/on, presently hal four • •&tra couplers ook, $75.00: 21 M, da,k walnut, $75.00. F,ituehe for piano or pipe tanh. Reilner switches and 91 Organs, 505 E. Emmaus Ave., Alhmtown, Po. Organ Company, Dept. AL, Highland, lliinais "'''''''':'I\,;MUIlU). PEDAL HARPSICHORDS. magnetic Ilops. Beaulilully tiniSH'" walnut. Sev. 1I10l. 62241. (61 8) 6&4·2191. Clavichords, custom made. Jan. H. Albarde, 14 eral speaiers and amplifien. $4lOO, thousand, Pr ince" Street, Elora , Ont., Canada NOB ISO below Clc fuel component cost. Julian W ilson, NEW A.G.O. CONSOLE SHEL1.5 WITH ROU. Yt H.P. SPENCER ROWEl J PH.; V.. H,P, g enerator let 3 Ph.; S' large Tibia low cut 5" 1590 5hemrock Tt .. Smyrna, GA 30000. (404) top ond lod. Expert woodcraft. PIa; Organ wind with chests; Reuter magnets; III Milhlnt; " IHt MAHP5ICI10IlD," INTERNATIONAL 4]2·3852. Co., BOI 1148, Lenzburg, Illinois 62255. Quarterly for lovers of ••uly keyboerd instru­ old DIAPASON mogozinel. C. Beguelin, 1601 Learnard, La wrence, KI. 66044. menh and music. Articles, interviews, photo­ MA GN IFICENT RODGERS ]·MANUAL FULL NEW ORGAN "PES, EXCELLENT WORk­ g ra phs and illustrations by tad"y's foremod AGO pedilibaard, drawdoPI, complete seHe, manship and e_Pllrtly voked. Formerly super· CHUIICH AND THEATRE ORGAN PARTS _ artiils, Per annum; SIO (domestic), $ 11 (I'ICIn boord, immaculate walnut console, perfect con· .,iwr of Aeolion·Skinne, pipeshop. Hon1 Rother, US) . "The Harpsichord, Bo. ,un 0 Denvcr, chelts, pipel, chimel a"d reservoin. SeMi d ition, u~d only in a home. Suilable for church German Orgon 'ipectalt, 34 Standard St., Colo , Il0704, Mattapan, Man. 02126. SASE fa W. R. Mahns, P.O. Box I), Eatolltown, or auditorium. " ex e nal speekers With ISO·watt N.J. Omi or call (201) 542.Q842, 7 to 9 pm ampJifien. Pholo on request. J . J ones, 190 HARPSICHORD OWNERS : A FULL LINE OF TROMIONE Ii' 12 PIPES AND SPENCER 5 only. Chestnut Dr., Roslyn, N.Y. 11516. (516) 621·821 I. oudie and visual Chromatic Tunen is nOW hp 5" 2500 elm Orgoblo, both in crote: Reisner RELAY MAGNEtS, 112 REIS NER. CSI 10. evollilble to help you wi th your tuning require· ~I mag neb 250 new 2SO, switches, diodes end ment.. For mo re information write Petenon 2·MANUAL AGO PEDAlIOARD 'IPE O RGAN new 30 amp rectifie,; GedecH B': Principal 4': point, new 51BS. Manuo", 2 56·note, real ivory, 8 and 10·w jre blQch. renewed Pedol ]0· E1 ectrc·Musical Products, Dept. 20, Worth, III. contole with Sc.hober Organ installed. Needs RohrfJote 4'; ond 1I0cUIote 2'; must .ell: Wally sao. lome work. III is $300.00 0' best offer. not .. , new to ps, IO-wire blocks, and felts $55, _2. Sell Amid , R I, St . Johns, MI ~~ or (517) 224-6547 Charles Mullley. 1612 ]rd 51 ., Belhlehem, PA aller 7 pm. ·wi.tl d e li.,ar· Chesl magne", 740 new Klmber.A1len, V." P'AnERNS OF ANTIQUE HARPSICHORDS. IBOI7. (215) 867·0)50. exhaust $.25 eoeh. Stop actions, 'II 19 degrwe Fu ll , ire drawings of historic harpsichords from MOLLER DO'PELFlUTE WITH 16' PEDAL toblel, wlo magnets 5.75 each. W. Gray, B4 Highland Cir., Wayland, MA 525· in pa per. gther media prices on request. ALLEN CUStOM l·MANUAL. $20,000 ORIG· eltension, BS pipes, $100. Two pedal relervoirs, olna. Send $1 fo r illustrated b,cchure to Deparlmenl $40 each. Tremolo $SO. Pedalboard 5n. Buyer mally. S4wflce, $~ , Louh D. L,tro, P.O. BOI APPROXtMATELY )0(1 Ill.EISNEI, ADJUSTAIU 0, R, K. lee, 351 School Street, Watertown mu't arrange own shipping. Write or coli Steva 656, South Lancaster, Man. 01561 . Ph!)ne (617) cop chest magneh, ISO ohms, .so cents euh, Massochusetts Olin. Bournias, 3~09 24th Ave., Astoria, New Yorle 368·BI79. O ne Ma4ll·Rowe harp, relay and amplifier, fai, 11105. (2 12) 932·61 95. condition. Moke offer. Alfred E. Lunsford, IcJJI FOR SAlE-PIPE CHlGAHS WUlL1nER 4520 SP'£CIAL 2·MANUAl, AND PARTS LEft FROM CONVERSION Of 1"1tIC. 1841, Knoll't ille, Tenn. 37901 , pedal theelre organ. Beau lhul wa nut finish, AUltin organ intl",de Open 16' Diapason (wood). IARTOLA DIRECT elECTRIC OkCHESTIA 1955 DEWEY LAYTON UNIT, f7.NOTE IIOHR. Immaculate conditio n. Powe~d by two (2) 202 Iud Principal, Viole Celeste. d 'Orch, 16' Bour· bells, harp and xylophone. Wurli leinura, tuba flote, 7)·nolll Principal, 61 ·nole Fifteenth , 122· Leslie lone cabineh and by 5 seh of Conn don, Gamba, 2 HP Spencer Orgoblo (860 and vox. 2·manuol Morton console. Many low note Midure II, as·note Trumpet, Stinkens pipe. Elect,ic Pipe,. Price is negotioble. Will sell all Fta/ min) pl .. s m;sc: . wooden parts. All or port pressure ranh. ISIS Indion Trail Drive, River worle, 3·manual console. In use, available eorly or in port. Free delivery anywhere. Contact bell offers: must move ~n . H. MOtlber. 1021 summer '76. Confoct William F. Brame. P.O. Jimmy Blue, Telarbno, Texos (214 ) 792·6641 Asyl um Ave., Hartford, Conn. 06105 or ca ll (lOll Wood" II I. 60015. (312) '45·35&0. Box 1231, Kinston, N.C . 28501. Tel. (919) 523 · Mondoy throiJgh Saturday 9 011'1-5 pm. "'3. 515·f241 Dr 267·Bl4O enytime. DiAGAN MARIMIA HARP WitH ElECTRO­ SAN FRA NCISCD-It ID V~'H"r::CA::G::C':-::.::O::.::H"'UC-. pneumetic ac.tion. One 4·rank and ene S · ran~ WURLITZER CONCERT MODEL 4100 WITH 8ennelt chesh. Three 6.ranle Moller cn.s". PIPE O RGAN, lO- RANK THR EE·MANUAl IN. mano built by Hook ond Hastings. 49 pipel. Leslie speo~er 147, both in e~ellent condilion. 2 relays. H. A. Howell Pipe Organs, BOI 404, dlumant being dismantled. All patts available: $100.00. David B. G ivens, 190--IOIh SI., San 'lO ·tab fully wired electric console, pipes, te A.G.O. ,pecifications, wa nul, $4,500. leland mxon. Illinois 61021. Chambers, ]3l0 S"n Francisco Ave., Long Bea c~ , Francisco. CA 94103. (41S) 4]1·8055, (415) 526· lays, chests, motor. blower. Any reasonable ~ Bn eves. offer enlertained. Call (212) 221·B306 days, (212) Calif. 9011()6. " . NOTE MAYLAND HARP/CELESTA. Pleole 268·8932 evenings. stete year built ond condition. Price should PIPE ORGAN PARTS, FOUR·MANUAL CON. include croting. Address M." THE DIAPASON. I UILD THAT ELECTRONIC ORGAN YOU Iol" e 5250.00, 16' wood Open DiopGlo" 5225.00 1m •• M. tURNER PIPE ORGAN, 2M /llllt /n always ..anted at a Pfke you can alford. w/chesh, 2 rk. unit chest $IOO.DO. 7 leh muliers, AEOLIAN HAMMOND PLAYER OIt&AN stops uniried, clanic voicing. Availabhr now, Third edlilon of " Organ Builder' s Guide," pic. offset chests, elc. 5end SASE to l.], THE DIA· WIth Lellie. Excellent condition, 31 rolls. buyer remove. May be played. Asking SlOG, tured product kit line. CIrcuits, blcc le diagrams, PASON. $3,500.00. Rip Fleming, 7955 Oakridge, P.lo$ negotiable. Specs. on request. Reply: Organist, design rationale using Ie divider and inde· Parle, III. 60464. (JI2l 448·6157. 210 S. logan, Trenton, N.J. OB629. pendent gen.rators, With d iode keying, ]2' and 2 IRAND NEW WOOD RANKS. NEVER IEEN 16' electronic pedal genel.lo tl Jo r pipe a rgon,. uled. B' Sto pped Diap. 61 pipes $48S.DO. 4' MASON AND RISCH VOCALION ORGAN. WUltL lnER 2·MAN UAL HORSESHOE '" SHIO po5lpaid. Devtroni. OrQIIn Ptaducts, Dept. Me lodia 49 pipe, U5O .OO. 3" w. p., notural fin. 2·monual and pedal complete with Kinetic stops In Qood condition, $1500.00. J. L. Smort. 0, san Amopola Dr .. Son Jo,e CA 95129. ish. Organ Components, P.O. lox 42 1, Cicero, blower. Collins, BOI III. Westons MiII l, N.Y. 30 E. Poinciana Dr., Solalile Beach, FL )29]7. Ind. 46034. ,,788. llOS) m·..... lOR SAlf - MI5C. ELECTRO-PNEUMATIC WIND PILCHER VOCAtiON 4-RANK, I_MANUAL ("-NOTE) c hests: reservo:,,; swe ll engines; swell ,hadel. prelSure reed argon. &cellent condition. (216) , . !tANK/2·MANUAL WICKS, CIRCA 11)0. 1921 WANGERIN ORGAN CAS E, SOLID OAk P.O. BOI 2212B, Dallas, Te.o, 75222. Console mid . 194O·s. Spruce St. United Meth. w til ro' l tQP, various ranh. Spent er Orgoblo BlI·asn. Kenneth Caldwell. ~390 South Hilltop, odist Church, lB6 Spruce 51 ., Morgantown, WV blower, HP JVt RPM B70 fan 34 ', wind 311l", NEW AND USED DIRECt.ElECTRIC AND Chagrin Falls, Ohio 44022. 26505, (l34) 292·3]59. Buyer to remQve in lalll Century Electric Motor HP ]IIl, 1G4/2OB volh, pneumatic chesh. Ke n Cahan, 1106 5, 55 St., March Of' early April 1976. Asking $1100.00. 20/ 40 ampl, HZ 60. single phue 1165 RP M, Omaha, Nebr. 68106. EStEY ItEED ORGAN, 2..,.,101 AND PEDAL. frame PI7. plus Allen. Bredley cenlrollet, ITE 60 W. blowet. fine condition, elcelleal pc'acUce 1"" 4-RANk UNit ORGAN IN POOR TO FAil amp SW itch 2SO vo Is. Electric Sped alty Com· ORGAN PARTS : GEIMAN RECtIFIER JO "rwment, 0". "SO.OO. Barty Have,", 201 Knoll condition. Anemb'ed from paris from vorioul pany D.C. Generator, type L2~ IS 'lolls, 35 amp, 120 volt, used one yeat 550.co. Cables Dr., Roche.!le, III. 610608. IBIS) 562-4452, SOUl"Cel. Purchaser to remove from church In amps, 1450 RPM, windings compound. Best offet. for Ihree·manuol and pedal organ_e goofed LoG range, Georgia Dec. 26, 1975. Ma.e oller. Replies to Nezareth Ev. Lutheran Church, 12S0 and made duplicate set, approx. SO ' to each CHURCH LIGHtiNG FIXTURES, II LARGI Alfred E. lunsford, BOl 1&41, Knolville, Tenn. West 60th Street, ChIcago, Illinois 60629. Attn. d ivision $75.00. S. H. Dembinsk'f, 476] S. Brelon rcund brass·glan. Make oHer. Morilyn lrennan. 379CI, Fred Krug. CI., SE, Kentwood, MI ~9SOB. (212) 827·79+t. NYC orea.

CHESTER A. RAYMOND, INC. McMANIS ORGANS PIPE ORGAN BUILDERS Incorporated Rebuilding, MaIntenance and Additian. 10th & Garle)d P.O. Box 55 Princetan, N.J. 08540 KANSAS CITY. KANSAS 66104 Phone: 609-924-0935

WANT A PRACTICE ORGAN? ORGAN LEATHERS luild yaur Dwn - un g PEMBROKE clOait.yourself ORGAN KIT Full ;n.fruc1loA. - Reasonably priced THE ORGAN LOFT WHITE, SON COMPANY GOSSVILlE, NEW HAMPSHIRE 03234 " If doe.n', Itcrve pipe. - it i. IIOf aft ollaa !192 E:ut FInt S ..... South Bolton, MasachwelU 02127

INSTALLATION JULIAN E. BULLEY REBUILDING New Organ. - Rebuilding Felix Schoenstein and SERVICE R. A. MULLER PIpe Orllan Ca. Service a~ & Sons Pipe Organ Builders , .... Thoma" H. Fe"" 11. N.w...... SO. SINCE 1906 ~ ~ 1376 Hal"fOrd lI.,d.-Oayton, Ohio o45ot06 SAN FRANCISCO, CALIF. HEA 'E ORGAN COMPANY Van Wert, OH 45"1 419-231-5090 513·276-2481 , RR 2~ • S 0 1l itA • BROWNSBURG , IN ""2 f f"1) .,5_13DD

FOR SAL£; Used Drgaa pvtfl. Many ., DO IT YOURSlilF PIPE OI1GAN KITS antique valu• . Send $1 .00 for c... p .... ORGAN SERVICE -J. E. Lee, Jr. Cltlfom 'f)eclftuUo.. for dtltfc.h or QUALITY r •• tdeftce, complete Of ~rtt, ,.11 5n. a... KNOXYILLI, TENNESSEE 37901 5ff\lciions by ed.btlshed 019 •• bullde". Wicles Organ Company I.x 2061 PIPE DRGAN RESERVOIRS COLKIT MfG. CO. P.O. lOX 112 Highland, Illinois 6224. Tuning .. MolA'enanCO! .. Rebuilding 11. N, Walnut St. HII., Sf.tion, IuH.le, N.Y. 14211 (611) 65402191 Consultants Van Wert, Ohio 419.. 23...,090

DECEMBER, 1975 23 LILIAN MURTAGH BOX 272 CANAAN CONNECTICUT 06018 203-824-7877 I- Z W Robert Anderson Charles Benbow Ray Ferguson

:E r, ,,~ld W ~ ~ ... , 1." .• \~ ~ .'-; . /,\, ,t . . . \ ", I 1.1 " ~ . t \ . CJ Jerald Hamilton Gerre Hancode Clyde Halloway Wilma Jensen Joan" lipplnco" ~ Z

~ Marilyn Mason Donald McDonald James Moeser

:E EUROPEAN ARTISTS AVAILABLE 1976-77 tJ:'. ~\I~J. Marie-Claire Alain j • Sept. 26-Noy. 21 . • t • Kamiel D'Haaghe , t • Cd. IS-Nay. IS Frederick Swann Donald Sutherland I- Peter Hurford Cd. IS- Nay. 10 EE Gillian Weir Late Noy.-Early Dec. W Rene Saorsln Jan. IS- Feb. 15 William Teague U Heinz Wunderlich Ladd Thomas March

David Lumsden Z March 13-April 13 Guy Bavel , "~~. 0 April .- ~\. - .~ . . ~ U John Weayer William Whitehead