DOCSLIB.ORG

John Ruskin, Fors Clavigera

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
John Ruskin, Fors Clavigera Fors Clavigera John Ruskin RUSKIN, FORS CLAVIGERA. I. JOHN RUSKIN, FORS CLAVIGERA. Velumlino van Mem aan Werklieden. y IT HET NGELSCH VERTAALD DOOR )3. 4. Met voorrede van P Ek. fREDERIK VAN EDEN, G. A. EVERS. - 1901. - GRONINGEN. VOORREDE. Weest nu gerust , gij ernstigen onder ons , die goede lees-stof zoekt en schroomt to kiezen onder den overmaat van waardeloos druksel, zoodat ge uit louter onzekerheid maar nets of nietigs leest, dit is een der groote boeken van onzen tijd die men lezen moot, en wel met voile aandacht , nauwgezet en methodisch. Toch is het geen leerboek , geen orakel, geen evangelie dat oordeel- loos mag worden nagepraat , geen voedsel voor de zwakken die zonder een stokstijf-verzwolgen dogma hun levenshouding niet kunnen bewaren , geen leuzen-magazijn voor dweepsche doctrinaires. Het zijn de diep-oprechte uitingen van een rijken , rijpen geest , die zich lenig bewogen heeft in alle gedachte-sferen, van een vurig maar door veel moeite en leed getemperd karakter , van een ervaren man die na veertig jaar zoekens tot vaste overtuigingen en sobere expressie kwam. Hij kan spreken over zichzelf , tot anderer leering, zonder dat men hem ijdelheid verwijten zal, hij kan zijn zwakheden en gebreken noemen zonder den schijn van aanstellerij. In den loop zijns levens wijzigden zijn meeningen zich , maar niet grillig en onberekenbaar, als gevolg van kortzichtigheid en opper- vlakkigheid , maar volgens een stadige groei , als uitkomst van steeds wijder opengaan voor licht en waarheid. De kunstkenner die tot zijn vijftigste jaar meende dat Titiaan het hoogste der schilderkunst had bereikt , leerde ten slotte nog de sobere grootheid van Giotto stellen boven den schitterenden. Venetiaan. De rijke Brit die eenmaal beweerde dat fraai-gebonden boeken en wel-verzorgd paarde-tuig tot het noodig goed van een deugdzaam mensch behoorden, werd de welsprekendste communist die Engeland gehad heeft. De hier verzamelde brieven van John Ruskin zijn geschreven zonder duidelijke methode , als opwellingen , meestal onsamenhangend , soms onnoodig wijdloopig , maar altijd leerrijk en belangrijk. De gedachten worden saamgehouden door een diepere eenheid , die alleen den doctrinair of den oppervlakkige ontgaan zal. En Ruskin deed recht, naar 't mij voorkomt, de moeielijkste vragen der economie aldus te behandelen. Daarmee toonde hij wijsgeerig dieper te schouwen dan de school-geleerden , die economie willen schoeien op den leest van mechanica of physica. Ruskin was een zeer geleerd en algemeen wetenschappelijk gevormd man, en in zijn speelsch en grillig schijnende rede is hij toch weten- schappelijker dan de zich wetenschappelijk noemende socialisten van Coen en nu. Want deze , in verrukking over hun methode vergeten den aard der behandelde grootheden , die meestal slecht bepaald en soms zelfs onbepaalbaar is , terwijl hij in zijn schitterend spel met woorden en termen , steeds de vluchtige en betrekkelijke aard dezer dingen onthoudt en de verwarring ontkomt waarin de pedanten gevangen raken , en de tweezijdige scherpten vermijdt waarmee zij zich in de vingers snijden. In tijd en land als die van ons , nu uit het krijgs-tucht en geestes- dwang beter verdragende Duitschland, een leerstellig socialisme zich tamelijk barsch en bazig als het eenig deugdelijke en bij uit- nemendheid wetenschappelijke aan ons op komt dringen, is de lectuur van dit boek meer dan ooit of ergens nuttig. Het zal menigen Nederlander die het socialisme alleen uit den strijd van dagbladen en tijdschriften kent, verbazen hier te bemerken dat socialisme en communisme niet noodzakelijk hoeft samen te gaan met vulgariteit, met grofheid en persoonlijkheid, met bekrompen materialisme , met hatelijke heftigheid, met hol geschetter, met bazige aanmatiging. Ruskin's ironic is snijdend en bitter , maar altijd van edele soort , zijn hartstocht breekt nooit de breidels van 't verstand en goeden smaak , zijn communisme wil nets missen van al het mooie zijner diep ingegroeide aristocratic. Evenals hij alle dagen tot „holidays" heilige dagen maken wil , zoo wil hij alle menschen edel-lieden hebben in den besten zin. Ruskin is royalist, den koningen wil hij de kroon op 't hoofd laten , even als den bisschoppen den staf in de hand , mits ze die met eere dragen. Hierbij is stellig zijn kunstenaars-natuur in 't sp el, gehecht aan den zinnelijken , uiterlijken weidschen praal , „the pageant" zooals 't Engelsche woord luidt. Misschien ook was 't de invloed van 't Saint-simonisme met zijn hierarchische begrippen. Tot de mijns inziens hoogere conceptie van een samenleving van gelijk-berechtigden waarbij geen individu wordt opgeofferd door de huldiging tot wereldsch symbool eener goddelijke eenheid, is Ruskin niet gekomen.. Toch had hij die kunnen leeren, was 't niet van der Hebree6n profeet Samuel , dan van de negentiende eeuwsche Amerikanen Thoreau en Walt Whitman. Evenmin verstond hij wat Kropotkin de poezie der machine noemt. Verdrietig door het ontzuiveren van Engelands heldere sfeer door steenkool-damp , geen heil ziend in de door arbeids- besparing bevorderde gemakzucht, achtte Ruskin alle machinerie uit den booze , niet vertrouwend dat der menschen vernuft wel eenmaal machines zal leeren maken die niet enkel bewonderenswaard zijn door vernuft maar ook schadeloos en schoon , zoodra zij niet meer gemaakt worden uit persoonlijke baatzucht maar uit gemeen- schappelijk belang, — en niet verwachtend dat men eenmaal alge- meen zal leeren vrijen tijd wel te besteden. Zoo achten velen onzer nog: geld, fabrieken en handel heelemaal verwerpelijk, niet begrijpend dat het bedorven en vervuilde vormen zijn van onschadelijke of nuttige zaken. Ruskin's kolonisatie-plan , de St. George's Company is niet geslaagd , hoewel er nog een tamelijk voorspoedige Ruskin-kolonie in Tennessee bestaat. In Engeland wordt Ruskin's naam thans meer aan stich- tingen voor opvoeding en onderwijs verbonden , soms wel zeer te onpas. Zelf kunstenaar en leeraar, , ging zijn aandacht bij het bedenken eener beter sociale ordening voorbarig naar de kwesties van onder- wijs en kunst. Zeer goede en nuttige zaken, maar niet vereischend de allereerste zorg. Zal men een pasgeboren kind kunst-geschiedenis doceeren ? Men dient eerst of te wachten of het zuigen wil , om vervolgens te letten op zindelijkheid, op spreken en staan. Een nieuwe vorm van maatschappelijke orde te midden van de oude is als een nieuwe diersoort opgroeiend tusschen de bestaande. De eerste vraag is de bestaansvraag. Voorbarigheid heeft altijd ondergang gebracht. In ooze kindschheid is het stoffelijk leven alles , de voedsel-kwestie overheerscht alle andere. Later , als het plaatsje in 't leven veroverd is en het stoffelijk bestaan verzekerd, dan komen de hoogere en gewichtiger belangen aan de orde. Zoo is 't ook met de kolonies in hun kindschheid. En zoolang men zulke pasgeborenen wil leeren schilderijen-maken eer ze staan kunnen , zullen ze den weg op gaan van Fourier's Phalansteres en Owen's New Harmonies. Toch is het plan der St. George's Company een meesterlijk ontwerp en een glansrijke fictie , als een bonte , zwierige bather. Niet enkel heeft het groote waarde als moreel document, als standaard van hooge zedelijkheid, maar het bevat practische voorslagen van groot gewicht, met name deze , die mijns inziens zal blijken alle verdere kolonisatie-proeven to beheerschen , dat van de gemaakte winst geen persoonlijke uitkeeringen zullen geschieden. Moge dus dit boek gelezen worden met onderscheidend oordeel maar met ruimte en ontvankelijkheid, zelfstandig maar nooit zonder eerbiedige aandacht. Het moeielijk werk der vertaling schijnt mij zeer goed geslaagd. Walden , Februari 1901. FREDERIK VAN EEDEN. Zooals men bemerken zal zijn hier niet al de brieven uit „Fors Clavigera," zooals die in het jaar 1896 bij George Allen in vier deelen verschenen, vertaald. Slechts wat 'inij het belangrijkst voorkwam heb ik uitgezocht, maar tevens zooveel mogelijk zorg gedragen dat weer een afgerond geheel tot stand kwam. Daar op eenheid en verband moest gelet worden zijn enkele zeer mooie brieven niet opgenomen kunnen worden. Meestal is door stippellijnen aangegeven waar stukken uit het origineel zijn weggelaten, maar niet overal is dit goed mogelijk geweest. Men zie hierin echter geen bewerking ; wat gegeven is, is getrouw naar de woorden van Ruskin zelf Vert. AANHALINGEN UIT DEN BIJBEL. Pag. 25 Marcus VI : 39 Bij waardschappen neerzitten . 39 I Kor. XV : 42 In verderfelijkheid gezaaid. • 40 Kol. III : 5 Geliefde medicijnmeester. 41 Hooglied II : 12 Sta op mijne vriendin . • 42 Johannes IV : 17 Ik heb geenen man. 46 Mattheus VI : 29 Salomo in al zijn heerlijkheid . )7 60 Jesaja XXX : 14 Geen scherf meer zal gevonden worden..... 63 Maleachi IV : 2 Genezing onder hare vleugelen. • 65 Richteren V : 20 De sterren uit hare loopplaatsen. 65 Psalm LIX : 7 Tierende als een hoed . • • 66 I Koningen XXII • 27 Brood der bedruktheid .. • . 76 Exodus XVI : 20 Manna waarin wormers wiessen . • • • 76 I Koningen XXII : 38 De vijver van Samaria . 78 Richteren VI : 37 Dauw op het vlies alleen . 77 80 Mattheus XVIII : 28 Betaal mij wat gij schuldig zijt. 77 80 Daniel IV : 3 Zijn Rijk is een eeuwig Rijk . • . • 85 Lucas XVII : 20 Koninkrijk der hemelen komt (niet) met uiterlijk gelaat. 85 Johannes XIV : 27 Niet gelijk de wereld dien geeft. 89 Zacharia VIII : 5 Knapen en meisjes spelende in de straten- 89 Jesaja LIV : 11-17 Gij verdrukte , door onweder voortge- drevene . • • 114-120 Lucas II : 8-21 En er waren herders in die zelfde- landstreek . • 114 Jacobus II : 25 En desgelijks ook Racbab , de hoer . 115 II Kor. VI : 17 Mt het midden der ongeloovigen gaan 116 Genesis II : 1 Alzoo zijn volbracht de hemel en de- aarde . 118 Genesis XIV : 10 De koningen der vijf steden .. 119 Lucas I : 38 Mij geschiede naar Uwen wil. 125 Mattheus XIII : 44 Schatten in den akker verborgen. Pag. 127 I Kor. I : 26 Niet vele wijzen naar het vleesch . 128 Jesaja XLII : 1 Zie mijn knecht . 128 Mattheus II : 10 Toen zij de ster zagen .. 147 Jacobus III : 9 Door haar loven wij God , den Vader 152 Lucas X : 23 Zalig zijn de oogen die zien hetgeen gij ziet.
Load more

Recommended publications
  • The Anonymous Fairy Tale: Ruskin's King of the Golden River
    Volume 14 Number 3 Article 8 Spring 3-15-1988 The Anonymous Fairy Tale: Ruskin's King of the Golden River Marjorie J. Burns Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Burns, Marjorie J. (1988) "The Anonymous Fairy Tale: Ruskin's King of the Golden River," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 3 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol14/iss3/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses Ruskin’s only fairy tale as a successful work, reflecting his interest in Northern landscapes. Notes female symbolism despite a lack of female characters. Recounts how Ruskin’s psychological problems made him ambivalent toward, and eventually mistrustful of, fantasy.
    [Show full text]
  • 'The Sancity of Womanhood': John Ruskin and the Medieval Madonna
    Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 'The Sancity Of Womanhood': John Ruskin And The Medieval Madonna Katherine M. Hinzman Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the History Commons Recommended Citation Hinzman, Katherine M., "'The Sancity Of Womanhood': John Ruskin And The Medieval Madonna" (2015). Theses and Dissertations. 181. https://csuepress.columbusstate.edu/theses_dissertations/181 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. COLUMBUS STATE UNIVERSITY 'THE SANCTITY OF WOMANHOOD': JOHN RUSKIN AND THE MEDIEVAL MADONNA A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF REQUIREMENTS OF THE CSU HONORS PROGRAM FOR HONORS IN THE DEGREE OF BACHELOR OF ARTS DEPARTMENT OF ART DEPARTMENT OF HISTORY AND GEOGRAPHY BY KATHERINE M. HINZMAN COLUMBUS, GEORGIA 2015 nas Copyright © 2015 Katherine M. Hinzman All Rights Reserved. lumwuHWuimujuiiuimiuinnjiwuiuniiiiini Hanaro BBS 'The Sanctity of Womanhood': John Ruskin and the Medieval Madonna by {Catherine Margaret Hinzman A Thesis Submitted in Partial Fulfilment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Arts in Art History and History College of Arts College of Letters and Sciences Columbus State University Thesis Advisor: Date: Y/ao/fr>/J* Dr. ClaireMcCoy Xdt&gSL-/^ p&MyQJ^\ _ Date: y/~2~o/-g>( f Dr. Barlfefa Johnston Committee Member: r 1,-J/hs^ Date: ^ - Zo~( 5~~ Professor Michele McCrillis s Honors Committee Member Date 3-d&rij24>ir Dr.
    [Show full text]
  • Chapter 8 the Importance of Fors Clavigera (1871
    219. Chapter 8 The Importance of Fors Clavigera (1871 - 1884): The Convergence of Ruskins Social and Educational Thought Within a year of his appointment to Oxford as Professor of Fine Art, Ruskin began writing Fors Clavigera, a series of letters to the working men of England. The letters span the same period as the years of the professorship at Oxford and the letters were written as Ruskin explained "as a byework to quiet my conscience, that I might be happy in ... my own proper life of Art -, teaching at Oxford and elsewhere, and through my own happiness rightly help others". 1 The "byework" lasted for fourteen years, ending when Ruskin was sixty-five years old. Ruskin published the first eighty- seven letters at monthly intervals commencing in January, 1871 and terminating in March, 1878 with his breakdown in health. Nine more letters appeared at irregular intervals between 1880 and 1884. The last letter was written on the eve of Ruskins final resignation from the Slade Professorship. The letters were subsequently published in volume form and an abridged version also ties Fors Clavigera is the most extraordinary work in English literature. This is a bold claim, particularly so when Tristram Shandy or Ulysses are remembered. Yet there is no other work quite like Ruskins strange, often demented letters addressed to the working men of England. There is a temptation, which same critics seem unable to resist, 2 to see the 650,000 word deluge of Fors Clavigera as Ruskins masterpiece in the same way that the tables have been turned to claim that Wordsworths late poetry is greater than Lyrical Ballads or that Shakespeares "romances" of his final period eclipse his tragedies.
    [Show full text]
  • University of California, Los Angeles John Ruskin's Fors
    UNIVERSITY OF CALIFORNIA, LOS ANGELES JOHN RUSKIN’S FORS CLAVIGERA: THE HERO AS EDUCATOR A THESIS SUBMITTED TO THE DEPARTMENT OF ENGLISH IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHERLOR OF ARTS BY CHARLOTTE K. ROSE ADVISOR: PROFESSOR JOSEPH BRISTOW LOS ANGELES, CA MARCH 21, 2014 Rose ii ABSTRACT JOHN RUSKIN’S FORS CLAVIGERA: THE HERO AS EDUCATOR 1871 marked a turning point in John Ruskin’s career. At that point in his career, he had become an established intellectual authority with his appointment at Oxford, Ruskin Sr. had passed away and left him both a fortune and free reign over his intellectual pursuits, and he had taken over his own publishing methods. These momentous changes helped Ruskin turn to more closely examine questions of readership and what he saw as those readers’ needs: educational reading practices in particular and better education in general. My honors thesis seeks to examine the major project John Ruskin embarked on to ameliorate the needs of his readers: Fors Clavigera: Letters to the Workmen and Labourers of Great Britain (1871-84). This project examines how Ruskin came to write Fors: the material and biographical circumstances surrounding its production, Ruskin’s authority at the time, and the implied audience he was writing for. Here I explore the letters and investigate their form, the assumptions they make regarding reading, and the confusion respecting whether their implied audience matched up with the actual one Ruskin had. The works of what scholars call the “late Ruskin” (1870-1900) are daunting because of the phenomenal quantity and the experimental nature of much of that work.
    [Show full text]
  • John Ruskin – Interrelation Between the Theory of Political Economy and the Theory of Art
    CAMELIA FIRICĂ JOHN RUSKIN – INTERRELATION BETWEEN THE THEORY OF POLITICAL ECONOMY AND THE THEORY OF ART CAMELIA FIRICĂ JOHN RUSKIN – INTERRELATION BETWEEN THE THEORY OF POLITICAL ECONOMY AND THE THEORY OF ART EDITURA UNIVERSITARIA Craiova, 2013 Referenţi ştiinţifici: Conf.univ.dr. REGHINA DASCĂL Universitatea de Vest din Timişoara, Facultatea de Litere, Istorie şi Teologie Conf.univ.dr. GEORGETA RAŢĂ Universitatea de Ştiinţe Agricole şi Medicină Veterinară a Banatului din Timişoara, Departamentul de Pregătire a Personalului Didactic şi Ştiinte Socio-Umane Copyright © 2013 Universitaria Toate drepturile sunt rezervate Editurii Universitaria Descrierea CIP a Bibliotecii Naţionale a României FIRICĂ, CAMELIA John Ruskin : interrelation between the theory of political economy and the theory of art / Camelia Firică. – Craiova : Universitaria, 2013 Bibliogr. ISBN 978-606-14-0582-4 75 (420) Ruskin,J. 929 Ruskin,J. Apărut: 2013 TIPOGRAFIA UNIVERSITĂŢII DIN CRAIOVA Str. Brestei, nr. 156A, Craiova, Dolj, România Tel.: +40 251 598054 Tipărit în România CHAPTER ONE OF THE WRITER’S LIFE AND OEUVRE Ruskin’s life and literary activity ”If origin, if early training and habits of life, if tastes, and character, and associations, fix a man's nationality, then John Ruskin must be reckoned a Scotsman. He was born in London, but his family was from Scotland. He was brought up in England, but the friends and teachers, the standards and influences of his early life, were chiefly Scottish. The writers who directed him into the main lines of his thought and work were Scotsmen — from Sir Walter and Lord Lindsay and Principal Forbes to the master of his later studies of men and the means of life, Thomas Carlyle.
    [Show full text]
  • ABSTRACT Though John Ruskin
    This is a post-print version (final draft post-refereeing) of: Deborah E. Thorpe, Jane E. Alty, and Peter A. Kempster, ‘Health at the writing desk of John Ruskin: a study of handwriting and illness’, Medical Humanities (2019), 1–15. doi:10.1136/medhum-2018-011600 According to the SHERPA-RoMEO guidelines for this journal, the text of this post-print is released under a Creative Commons Attribution Non-Commercial License. Separate permissions must be sought from the relevant institution to reproduce the images used in the figures of this article. ABSTRACT Though John Ruskin (1819 – 1900) is remembered principally for his work as a theorist, art critic, and historian of visual culture, he wrote exhaustively about his health in his correspondence and diaries. Ruskin was prone to recurring depressive and hypochondriacal feelings in his youth and adulthood. In 1871, at the age of 52, he developed an illness with relapsing psychiatric and neurological features. He had a series of attacks of brain disturbance, and a deterioration of his mental faculties affected his writing for years before curtailing his career a decade before he died. Previous writers have suggested he had a psychiatric malady, perhaps schizophrenia or schizo- affective disorder. But the more obvious conclusion from a close medical reading of Ruskin’s descriptions of his illness is he had some sort of ‘organic’ brain illness. This paper aims to give insight into the relationship between Ruskin’s state of wellbeing and the features of his writing through a palaeographical study of his letters and diary entries. We examine the handwriting for physical traces of Ruskin’s major brain illness, guided by the historical narrative of the illness.
    [Show full text]
  • Evental Historiography in Fors Clavigera
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2013-06-17 Nailing Down Truths: Evental Historiography in Fors Clavigera Sari Lynn Carter Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation Carter, Sari Lynn, "Nailing Down Truths: Evental Historiography in Fors Clavigera" (2013). Theses and Dissertations. 3638. https://scholarsarchive.byu.edu/etd/3638 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Nailing Down Truths: Evental Historiography in Fors Clavigera Sari Lynn Carter A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Leslee Thorne-Murphy, Chair Jamie Horrocks Matthew Farr Wickman Department of English Brigham Young University June 2013 Copyright © 2013 Sari Lynn Carter All Rights Reserved ABSTRACT Nailing Down Truths: Evental Historiography in Fors Clavigera Sari Lynn Carter Department of English, BYU Master of Arts The theoretical framework of this study is intended to explore the potential Alain Badiou’s theory of event, truth, and faithful subject may provide for understanding literature. This study applies this framework to John Ruskin’s late and lesser-known work Fors Clavigera: Letters to the Workmen and Labourers of Great Britain (1871-1884). Both Ruskin’s fragmented style in Fors Clavigera and his notion of historical truth developed therein have been read as madness and as reactionary romanticism.
    [Show full text]
  • THE PEACOCK and the PRODIGY Whistler's Celebrated Lawsuit Against Ruskin Turned on Money and Madness
    1 THE PEACOCK AND THE PRODIGY Whistler's Celebrated Lawsuit Against Ruskin Turned on Money and Madness by Lincoln Caplan, Civilization, Jan/Feb, 1995 In London, in November of 1878, the case of James McNeill Whistler v. John Ruskin opened in the Old Royal Courts of Justice. The artist was suing the critic for libel. Whistler had been invited to exhibit eight pictures the year before at the city's Grosvenor Gallery, including Nocturne in Black and Gold (it was later subtitled The Falling Rocket). The oil painting evoked fireworks over a riverside at night. Whistler was trying to sell the picture for 200 guineas (a guinea was worth 5 percent more than a pound). Ruskin despised the nocturne. In a monthly journal he edited, cryptically called Fors Clavigera ("club- wielding force"), Ruskin declared, "For Mr. Whistler's own sake, no less than for the protection of the purchaser, Sir Courts Lindsay [the gallery's proprietor] ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of willful imposture. I have seen, and heard, much of Cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler, c. 1888 Whistler, picking up the glove, launched what one scholar calls "the most celebrated lawsuit in the history of art." As in contemporary show trials, the hoopla distracted attention from whether Ruskin should be held accountable for his offense. At times, it wasn't even clear who was suing whom.
    [Show full text]
  • Naveed Bork Memorial Tournament
    Naveed Bork Memorial Tournament: Tippecanoe and Tejas Too By Will Alston, with contributions from Itamar Naveh-Benjamin and Benji Nguyen, but not Joey Goldman Packet 5 1. In an unsuccessful proto-feminist play by Knut Hamsun, a woman of this name is blamed for the death of a khan by Fatima. In a poem dedicated to a woman of this name, the ruler of India leads an army in battle against the Kaji demons. In another poem, the sirenous calls of a woman with this name are only drowned out by the waves of the Terek river; in that poem, a woman of this name is carried to heaven by an angel after an exile from paradise kills her with a poisonous kiss. A queen with this name received a poem which depicts the quest of (*) Avtandil to find Tariel. A woman with this name is courted after she is seen dancing at her wedding by the title character of the poem Demon. The rule of a queen of this name was allegorically depicted by Shota Rustaveli in The Knight in the Panther’s Skin. For 10 points, give this name of a woman who titles a Mikhail Lermontov poem, as well as a powerful medieval Georgian queen. ANSWER: Tamar (the Great) [or Tamara] 2. Expat intellectuals from this modern-day country blasted a crackdown on two magazines in the 1950s called Humanities and Masterpieces. Public relations with regards to events in this country were guided by the so-called “policy of minimum candor.” Civilian experience in this country were depicted in a photojournal titled [this country] “Inc” by Philip Jones Griffiths.
    [Show full text]
  • Ruskin in Sheffield 2015
    www.guildofstgeorge.org.uk ISSN 2053-8715 (print) ISSN 2053-8839 (online) The Guild of St George The Companion No. 16 (2016) Beautiful Peaceful Fruitful Front cover: ‘New life in the Wyre Forest’, photograph by Lynne Roberts, 2015. The Companion is edited, designed & The charity for arts, crafts and the rural economy, founded by John Ruskin in 1871. published by the Guild’s Communications Registered charity 231758. Limited company no. 12583. Officer, Dr Stuart Eagles. <www.guildofstgeorge.org.uk> CONTENTS (Editorial) TREASURES OF THE RUSKIN COLLECTION Stuart Eagles 3 THE GUILD A LETTER FROM THE MASTER OF THE GUILD Clive Wilmer 5 Master: JOHN RUSKIN’S BOTANICAL BOOKS David Ingram 7 Clive Wilmer (Review) Eagles, Miss Margaret Knight & Sheepscombe James S. Dearden 11 Directors: RUSKIN IN SHEFFIELD 2015: AN INTRODUCTION Janet Barnes 13 Janet Barnes RUSKIN IN SHEFFIELD & FREEMAN COLLEGE Carole Baugh 17 Rachel Dickinson ON LECTURING AT WALKLEY & TOTLEY Mark Frost 19 Chris Harris POP-UP RUSKIN MUSEUM, WALKLEY Ruth Nutter 20 John Iles BOOTS, FRESH AIR AND GINGER BEER Sally Goldsmith 21 Peter Miller REMEMBERING ST GEORGE’S MUSEUM & SWAN Richard Watts 24 Jenny Robbins (Speech) THE FOUNDATION OF ST GEORGE’S MUSEUM Clive Wilmer 25 (Speech) REMEMBERING HENRY SWAN Clive Wilmer 26 Clive Wilmer COMPANIONS’ DAY, SHEFFIELD, 2015 Jacqueline Yallop 27 Robert Wilson RUSKIN, POETRY, & THE POP-UP MUSEUM Fay Musselwhite 29 NA Officer: THE THIRD JOHN RUSKIN PRIZE Peter Miller 33 Sara Atwood ON WINNING THE STUDENT PRIZE Robin Sukatorn 34 Administrator: GRANDPA’s PEACH Bob Steele 35 Martin Green AMERICAN NOTES Jim Spates & Sara Atwood 38 Communications Officer: (info box) RUSKIN ART CLUB, LA 40 Stuart Eagles THE VICTORIAN WEB Jim Spates 41 USING YOUR MONEY FOR GOOD: A SYMPOSIUM Catherine Howarth 42 The Editor would like to thank all THE SECOND WHITELANDS RUSKIN LECTURE Bernard Richards 42 contributors to this issue of the magazine—writers, photographers (Film review) MANY BEAUTIFUL THINGS Jim Spates 45 and illustrators.
    [Show full text]
  • John Ruskin - Wikipedia
    10/1/2019 John Ruskin - Wikipedia John Ruskin John Ruskin (8 February 1819 – 20 January 1900) was the leading John Ruskin English art critic of the Victorian era, as well as an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. His writing styles and literary forms were equally varied. He penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, and architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. He was hugely influential in the latter half of the 19th century and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s with the publication of numerous Ruskin in 1863 academic studies of his work. Today, his ideas and concerns are widely Born 8 February 1819 recognised as having anticipated interest in environmentalism, 54 Hunter Street, sustainability and craft. Brunswick Square, London Ruskin first came to widespread attention with the first volume of Modern Died 20 January 1900 Painters (1843), an extended essay in defence of the work of J. M. W. (aged 80) Turner in which he argued that the principal role of the artist is "truth to Brantwood, Coniston, nature." From the 1850s, he championed the Pre-Raphaelites, who were Lancashire, England influenced by his ideas.
    [Show full text]
  • {PDF EPUB} Fors Clavigera, Letters to the Workmen and Labourers
    Read Ebook {PDF EPUB} Fors Clavigera, Letters to the Workmen and Labourers of Great Britain by John Ruskin Aug 08, 2007 · Fors clavigera: letters to the workmen and labourers of Great Britain ... letters to the workmen and labourers of Great Britain by Ruskin, John, 1819-1900. Publication date 1891 Topics Conduct of life, Aesthetics, Social problems, Great Britain -- Social conditions 19th century Publisher Philadelphia : Reuwee, Wattley & Walsh ... Letters to the workmen and labourers of Great Britain Item Preview ... Fors clavigera. Letters to the workmen and labourers of Great Britain by Ruskin, John, 1819-1900; Greenaway, Kate, 1846-1901; Faunthorpe, John Pincher, 1839-1924. Publication date 1871-77 TopicsPages: 290Fors clavigera : letters to the workmen and labourers of ...https://archive.org/details/forsclavigeralet12ruskFors clavigera : letters to the workmen and labourers of Great Britain ... Fors clavigera : letters to the workmen and labourers of Great Britain by Ruskin, John, 1819-1900. Publication date 1886 Topics Conduct of life, Aesthetics, Social problems Publisher New York : Lovell CollectionPages: 908Fors Clavigera - Wikipediahttps://en.wikipedia.org/wiki/Fors_ClavigeraOverviewTitleContentLibel caseFors Clavigera was the name given by John Ruskin to a series of letters addressed to British workmen during the 1870s. They were published in the form of pamphlets. The letters formed part of Ruskin's interest in moral intervention in the social issues of the day on the model of his mentor Thomas Carlyle. Title: Fors Clavigera (Volume 2 of 8) Letters to the workmen and labourers of Great Britain Author: John Ruskin Release Date: March 9, 2020 [EBook #61591] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK FORS CLAVIGERA (VOLUME 2 OF 8) *** Produced by Jeroen Hellingman and the Online Distributed ..
    [Show full text]