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April 2019 New Releases
April 2019 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 66 Vinyl Audio 3 CD Audio 19 FEATURED RELEASES VELVET GOLDMINE NILS LOFGREN - TODD RUNDGREN’S ORIGINAL SOUNDTRACK BLUE WITH LOU UTOPIA - LIVE AT CHICA... Music Video DVD & Blu-ray 55 Non-Music Video DVD & Blu-ray 59 MVD Distribution Independent Releases 78 Order Form 86 Deletions and Price Changes 85 BLOOD LAKE DOUBLE IMPACT: SCARED STIFF 800.888.0486 [SPECIAL EDITION] COLLECTOR’S EDITION 203 Windsor Rd., Pottstown, PA 19464 VELVET GOLDMINE NILS LOFGREN - CHUCK D - www.MVDb2b.com ORIGINAL SOUNDTRACK BLUE WITH LOU SPEAK! RAP RACE REALITY ON THE RECORD @ECKERD BEHOLD THE GOLD! We have a mind to mine Gold this month, starting off with the first-ever vinyl release of VELVET GOLDMINE, the soundtrack that features a Gold Standard of Glam. Classics and originals by Roxy Music, T. Rex, Eno and more., plus collaborations from Thom Yorke of Radiohead, Thurston Moore, Mike Watt, the Stooges’ Ron Asheton, Mark Arm of Mudhoney and Lou Reed. On blue and orange split color vinyl of course! Speaking of Lou Reed, we are beyond pumped to announce a new Nils Lofgren CD and LP BLUE WITH LOU. Nils’ first new music since 2011 is another accomplished affair, featuring six songs penned with Lou! Glam rock, Lou Reed- conversation of that ilk wouldn’t be complete with the New York Dolls and their iconic guitarist Johnny Thunders. Cleopatra Entertainment’s MADRID MEMORY is a newly uncovered Thunders 1984 DVD, with ex-Dolls and Heartbreakers in tow. -
April 2017 New Releases
April 2017 New Releases what’s featured exclusives PAGE inside 3 RUSH Releases Vinyl Available Immediately! 58 Vinyl Audio 3 CD Audio 15 FEATURED RELEASES Music Video MICHAEL SCHENKER THE NIGHT EVELYN DONNIE DARKO LIMITED DVD & Blu-ray 45 - FEST: LIVE TOKYO CAME OUT OF THE... EDITION [BLU-RAY + DV... INTERNATIONAL FORU... Non-Music Video PAGE 57 PAGE 48 DVD & Blu-ray 49 PAGE 44 MVD Distribution Independent Releases 62 Order Form 66 Deletions and Price Changes 68 EMERSON, LAKE AND MARK MOTHERSBAUGH - ANN-MARGRET - SONGS 800.888.0486 PALMER - ONCE UPON... MUTANT FLORA FROM THE SWINGER AND... PAGE 6 PAGE 8 PAGE 63 203 Windsor Rd., Pottstown, PA 19464 EMERSON, LAKE AND PALMER - MARK MOTHERSBAUGH - ROGER MIRET www.MVDb2b.com ONCE UPON A TIME IN MUTANT FLORA AND THE DISASTERS - SOUTH AMERICA FADED Bad Eggs, Bunnymen and Peter Rottentail! This April, MVD lays some Easter goodies on you, and heading the pack is an ARROW VIDEO reissue of the cult classic DONNIE DARKO. Troubled high school student Donnie Darko has an imaginary friend-a six foot tall rabbit named Frank- that ‘helps’ him navigate through an increasingly bizarre life! Soundtrack features Duran Duran, Tears for Fears and (natch) Echo and the Bunnymen. DONNIE DARKO is hopped up with all the usual Arrow extra goodies, including interviews with stars Patrick Swayze and Drew Barrymore! Fill your baskets with caskets! An April shower of horror abounds with ABANDONED DEAD from Wild Eye Releasing. Torment and paranormal terrors will make you a basket case! And another Arrow Video gem, THE NIGHT EVELYN CAME OUT OF THE GRAVE graces our April schedule. -
Charanga Tropical Is a Nine-Piece Salsa Orchestra Featuring Three Violins, Flute, and a Sizzling Latin Rhythm Section
Charanga Tropical is a nine-piece salsa orchestra featuring three violins, flute, and a sizzling Latin rhythm section. Minneapolis Star Tribune calls the band “a pick to click” while City Pages describes the group as “a musical delight and a visual spectacle.” The ensemble blends the old with the new to create a sound that is classic yet modern. Music that is rich in harmony and melody, fantastic for listening and superb for dancing. With an instrumentation that dates back to the roots of Cuban music, Charanga Tropical is one of the only groups of its kind performing in the United States. The band repertoire features rarely heard danzones and a spicy variety of modern son, salsa, cha cha cha, and timba. The group is comprised of master musicians from Cuba, Brazil, Mexico, and the United States. Their collective accomplishments include international tours, platinum recordings, doctorate degrees, and multiple Latin Grammy nominations. Formed in 2006, Charanga Tropical has released a CD and DVD and has performed at elite nightclubs and major festivals. Smooth strings, Caribbean beats, and a sound that inspires visions of Old Havana at sunset. This is Charanga Tropical. Musician Bios At the core of Charanga Tropical’s authentic sound are Cubans Damian Rodríguez and Viviana Pintado. Damian Rodríguez grew up in Havana but also spent much time in the Cuban countryside visiting family and riding horses. He has been a professional singer and percussionist for over twenty- five years, performing with Latin groups from Miami to New York. A showman with personality and presence, Mr. Rodríguez expertly starts the musical party and keeps it hot. -
An Ethnomusicological Study of the Policies and Aspirations for US
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Beyond the Blockade: An Ethnomusicological Study of the Policies and Aspirations for U.S.-Cuban Musical Interaction Timothy P. Storhoff Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC BEYOND THE BLOCKADE: AN ETHNOMUSICOLOGICAL STUDY OF THE POLICIES AND ASPIRATIONS FOR U.S.-CUBAN MUSICAL INTERACTION By TIMOTHY P. STORHOFF A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2014 Timothy Storhoff defended this dissertation on April 2, 2014. The members of the supervisory committee were: Frank Gunderson Professor Directing Dissertation José Gomáriz University Representative Michael B. Bakan Committee Member Denise Von Glahn Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To Mom and Dad, for always encouraging me to write and perform. iii ACKNOWLEDGMENTS This dissertation was made possible through the support, assistance and encouragement of numerous individuals. I am particularly grateful to my advisor, Frank Gunderson, and my dissertation committee members, Michael Bakan, Denise Von Glahn and José Gomáriz. Along with the rest of the FSU Musicology faculty, they have helped me refine my ideas and ask the right questions while exemplifying the qualities required of outstanding educators and scholars. From the beginning of my coursework through the completion of my dissertation, I could not have asked for a finer community of colleagues, musicians and scholars than the musicologists at the Florida State University. -
Programmaboekje : Gonzalo Rubalcaba Trio
Jazz Gonzalo Rubalcaba Trio woensdag 30 oktober 2002 Jazz . Seizoen 2002-2003 Brussels Jazz Orchestra . Maria Schneider Wallace Roney vrijdag 13 september 2002 Gonzalo Rubalcaba Trio woensdag 30 oktober 2002 Marilyn Crispell . Gary Peacock George Gruntz . Thierry Lang . Dino Saluzzi donderdag 7 november 2002 Het ICP Orkest . Misha Mengelberg vrijdag 6 december 2002 Wayne Shorter Quartet dinsdag 25 maart 2003 Brad Mehldau Trio dinsdag 1 april 2003 Twee Extra Concerten in het kader van Institute for Living Voice David Moss . Greetje Bijma woensdag 27 november 2002 Joan La Barbara . Sainkho Namtchylack zaterdag 30 november 2002 Gonzalo Rubalcaba Trio Gonzalo Rubalcaba piano Ignacio Berroa drums Armando Gola contrabas begin concert 20.00 uur pauze omstreeks 20.50 uur einde omstreeks 22.00 uur inleiding door Marc Van den Hoof . 19.15 uur . Foyer teksten programmaboekje Marc Van den Hoof coördinatie programmaboekje deSingel druk programmaboekje Tegendruk gelieve uw GSM uit te schakelen! Vijftig jaar pianotrio’s in de jazz In mei 1974 nam pianist en orkestleider Count Basie in het herhalen. Over die harmonisch-ritmische ondergrond speel- gezelschap van bassist Ray Brown en drummer Louie Bellson de de rechterhand dan de melodie in zo rijk en vol moge- de muziek op voor een Pablo-album dat de titel zou dragen lijke akkoorden. ‘For The First Time - The Count Basie Trio’. Het was inder- De uitvinder van de boogie was Jimmy Yancey; de meesters van daad voor het eerst in een carrière die al zo'n veertig jaar de (Harlem) stride waren James P. Johnson en Fats Waller. Maar duurde dat Basie zich manifesteerde als pianist in dat in de de vader van alle jazzspianisten werd Earl Fatha Hines die op jazz populaire trioformaat. -
Hilario Duran Discography
Discography - Hilario Durán Encuentro en La Habana - Alma Records, 2005 "This album was recorded in Cuba on the 25th and 26th of February 2005 at the EGREM Studios in Havana. To record again with the former members of one of Cuba’s most ambitious musical projects was long a dream. For years we all performed together as the band for Grammy Award-winning trumpet player Arturo Sandoval. When Arturo moved to the United States, we renamed the group Perspectiva, evolving a new musical perspective." New Danzon – Alma Records, 2004 2005 Juno Winner for “Contemporary Jazz Album of the Year” The Hilario Durán Trio, comprised of Cuban-born Durán, renowned Canadian bassist, Roberto Occhipinti and Grammy award winner, Cuban-born percussionist Horacio ‘El Negro’ Hernandez, have taken the wonderful classic Cuban music called Danzon to new heights. The result is New Danzon, a fresh and vibrant Latin jazz offering, which melds the traditional with sophisticated be-bop and technical musical mastery. Habana Nocturna - Justin Time, 1999 "Habana Nocturna's roots in Cuban music are Guillermo Rubalcaba's Charanga Típica de Concierto and the trailblazing danzones composed by Cachao ad Macho López for Arcaño y sus Maravillas. In jazz, the Gonzalo Rubalcaba paid tribute to his father's music in 'Mi Gran Pasión' (1987). But Durán's Habana Nocturna is a round-trip ticket from Cuban music to jazz, and back; a landmark album of Cuban Jazz in the nineties." Nat Chediak (author of "Diccionario de Jazz Latino"), April 1999 Killer Tumbao - Justin Time, 1997 "After making a name for himself as a primarily jazz oriented pianist.. -
University of Florida Thesis Or Dissertation Formatting
CUBAN CHARANGA: CLASS, POPULAR MUSIC AND THE CREATION OF NATIONAL IDENTITY By RUTH M. “SUNNI” WITMER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Ruth M. “Sunni” Witmer 2 For my parents, E. Earl and Dora M. Witmer y mis abuelos, Manuel y María Margarita García 3 ACKNOWLEDGMENTS There are very few successes in life that are accomplished without the help of others. I would have never achieved what I have without the kind encouragement, collaboration, and support from the following individuals. I would first like to express my gratitude to my Ph.D. committee, Larry Crook, Kristen Stoner, Welson Tremura, and Charles Perrone for their years of steadfast support and guidance. I would also like to thank Martha Ellen Davis, Cristóbel Díaz Ayala, and Robin Moore for their additional contributions to my academic development. It has been an honor to have been mentored by such superb scholars and musicians. What I have learned about becoming a musician, a scholar, and friend, I have learned from all of you. In addition, I would like to thank the following scholars for their efforts in assisting me with my research: Richard Phillips and Paul Losch from the University of Florida’s Latin American Collection, Robena Cornwell and Michelle Wilbanks from the University of Florida’s Music Library, Lesbia Orta Varona from the University of Miami’s Cuban Heritage Collection, and Veronica González from Florida International University’s Cristóbal Diáz Ayala Collection. -
Cubaneo in Latin Piano: a Parametric Approach to Gesture, Texture, and Motivic Variation
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2018 Cubaneo In Latin Piano: A Parametric Approach To Gesture, Texture, And Motivic Variation Orlando Enrique Fiol University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Music Theory Commons Recommended Citation Fiol, Orlando Enrique, "Cubaneo In Latin Piano: A Parametric Approach To Gesture, Texture, And Motivic Variation" (2018). Publicly Accessible Penn Dissertations. 3112. https://repository.upenn.edu/edissertations/3112 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3112 For more information, please contact [email protected]. Cubaneo In Latin Piano: A Parametric Approach To Gesture, Texture, And Motivic Variation Abstract ABSTRACT CUBANEO IN LATIN PIANO: A PARAMETRIC APPROACH TO GESTURE, TEXTURE, AND MOTIVIC VARIATION COPYRIGHT Orlando Enrique Fiol 2018 Dr. Carol A. Muller Over the past century of recorded evidence, Cuban popular music has undergone great stylistic changes, especially regarding the piano tumbao. Hybridity in the Cuban/Latin context has taken place on different levels to varying extents involving instruments, genres, melody, harmony, rhythm, and musical structures. This hybridity has involved melding, fusing, borrowing, repurposing, adopting, adapting, and substituting. But quantifying and pinpointing these processes has been difficult because eachariable v or parameter embodies a history and a walking archive of sonic aesthetics. In an attempt to classify and quantify precise parameters involved in hybridity, this dissertation presents a paradigmatic model, organizing music into vocabularies, repertories, and abstract procedures. Cuba's pianistic vocabularies are used very interactively, depending on genre, composite ensemble texture, vocal timbre, performing venue, and personal taste. -
Davson's Art Galleries & Studios in Australia
雪伦 黛维鑫 2 from a life of artistic and altruistic contribution Why are so many world leaders and art investors associated with the work of Davson? Because Davson is one of the most valued living artists and the experience of being associated with her is enriching and Davson working on her painting titled Creative World Leadership in February 2010. rewarding. This work contains contributions from 40 other People interested in promoting a more creative leaders, - with original autographed handprints by Sir Cliff Richard, Dame Cleo harmonious and free world for all who Laine, Baz Luhrmann, Jimmy Webb and inhabit our Earth have benefited from their Jim Nabors visible in this photograph. relationship with her. Davson’s art has touched the hearts and minds of people in over 80 countries, and is represented in prominent international collections. Major survey exhibitions of Davson’s art have toured in 24 public art galleries across Australia, and a public arts museum honours her in its name, - the Davson Arts Museum peace and environment centre. Davson’s exceptional art and charitable works have been embraced by world leaders from diverse fields and many countries, with her art being sought for both its own sake and for quality investment. Sharon Davson AFDA DipT is an internationally successful and inspirational Australian artist, writer, art consultant, fashion designer and moving keynote speaker for major events, conferences, executive functions, workshops and cultural activities. For charitable groups Davson is a tireless worker, fundraiser and donor, an advocate for peace, our Earth and all its disadvantaged. the artist world leaders follow…. -
2 Madrid, Alejandro L. Y Robin Moore: «Cuestiones De Género: El Danzón
Madrid, Alejandro L. y Robin Moore: «Cuestiones de género: el danzón como un com- plejo de performance», en Boletín Música, Casa de las Américas, No. 42-43, Nueva época, enero-agosto, 2016, pp. RESUMEN Este artículo ofrece una historia del danzón y propone que en vez de que esta música sea abordada como un género, debe ser entendida como parte de un complejo de performance. El artículo también presenta una discusión comparada sobre prácticas interpretativas musicales del danzón en Cuba y México entre las décadas de los 1850s y 1950s. Palabras clave: Complejo de performance, género, complejos genéricos, práctica in- terpretativa, transnacionalismo. ABSTRACT This article offers a history of the danzón and proposes that instead of looking at it as a genre it should be understood as a performance complex. The article continues with an extended discussion of the danzón’s performance practice in Cuba and Mexico between the 1850s and about 1950. Key words: Performance complex, genre, genre complex, performance practice, trans- nationalism Fecha de recepción: agosto, 2015 Fecha de aceptación: septiembre, 2015 Fecha de publicación: agosto, 2016 Received: August, 2015 Acceptance Date: September, 2015 Release Date: August, 2016 2 Boletín Música # 42-43, 2016 Entrar1 en una librería cubana de La Habana es siempre una aventura; uno Cuestiones de género: nunca sabe cómo va a terminar. Con el danzón como suerte, se pueden encontrar joyas ocul- tas junto a la obligatoria literatura mar- un complejo xista-leninista o las biografías del Che de performance1 Guevara. Una tarde, resultó especial- mente gratificante una visita a la librería Ateneo Cervantes en la Habana Vieja. -
AUGUST 20–26, 2014 Northfield, Minnesota
AUGUST 20– 26, 2014 Northfield, Minnesota Festival Concert I Wednesday, August 20, 7:30 p.m. Urness Recital Hall, St. Olaf College “Dreaming in Waves” (2014) Reinaldo Moya (b. 1984) Quintet for Clarinet and Strings in A major, K. 581 W.A. Mozart I. Allegro (1756–1791) II. Larghetto III. Menuetto IV. Allegretto con Variatzions Artaria String Quartet Ray Shows and Nancy Oliveros, violin Analee Wolf, viola, Laura Sewell, cello with Scott Anderson, clarinet — INTERMISSION — Septet Op. 65 for Piano, Strings and Trumpet Camille Saint-Saens I. Prelude. Allegro moderato-Piu Allegro (1835–1921) II. Menuet. Tempo di menuetto III. Intermede. Andante IV. Gavotte et final. Allegro ma non troppo Christopher Atzinger, piano Martin Hodel, trumpet Charles Gray, violin Hector Valdivia, violin Justin Knoepfil, viola David Carter, cello Connie Martin, bass –2– Young Artist Recital Thursday, August 21, 7:30 p.m. Studio A, Skifter Hall, St. Olaf College with Mary Davis, pianist Sicilienne, Op. 78 Gabriel Faure (1845–1924) Sonata for Flute and Piano, BMV 1031 J.S. Bach I. Allegro moderato (1685–1750) Hanneke van Deursen, flute Prelude and Fugue in C major, BWV 547 J.S. Bach Noah Klein Elegie, Op. 24 Gabriel Faure Henry Beimers, cello Concerto #1 for Clarinet Carl Maria von Weber I. Allegro (1786–1826) Miles Broskie, clarinet Trio for Organ, Violin and Cello Josef Rheinberger III. Sarabande (1839–1901) Molly Smith, violin Henry Beimers, cello Noah Klein, organ Sonata for violin solo in A minor, BWV 1003 J.S. Bach II. Fuga Joe Peterson, violin –3– Jazz Concert I Friday, August 22, 7:30 p.m.