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Racism and Stereotypes: Th Movies-A Special Reference to And
People’s Democratic Republic of Algeria Ministry of Higher Education and Scientific ResearchResearch Larbi Ben M’h idi University-Oum El Bouaghi Faculty of Letters and Languages Department of English Racism and Stereotypes: The Image of the Other in Disney’s Movies-A Special Reference to Aladdin , Dumbo and The Lion King A Dissertation Submitted in Partial Fulfillment of the Requirements for the D egree of Master of Arts in Anglo-American Studies By: Abed Khaoula Board of Examiners Supervisor: Hafsa Naima Examiner: Stiti Rinad 2015-2016 Dedication To the best parents on earth Ouiza and Mourad To the most adorable sisters Shayma, Imène, Kenza and Abir To my best friend Doudou with love i Acknowledgements First of all,I would like to thank ‘A llah’ who guides and gives me the courage and Patience for conducting this research.. I would like to express my deep appreciation to my supervisor Miss Hafsa Naima who traced the path for this dissertation. This work would have never existed without her guidance and help. Special thanks to my examiner Miss Stiti Rinad who accepted to evaluate my work. In a more personal vein I would like to thank my mother thousand and one thanks for her patience and unconditional support that facilitated the completion of my graduate work. Last but not least, I acknowledge the help of my generous teacher Mr. Bouri who believed in me and lifted up my spirits. Thank you for everyone who believed in me. ii ا ا أن اوات ا اد ر ر دة اطل , د ه اوات ا . -
The Flintstones (1960-1966), About a “Modern Stone-Age Family,” Was The
Columbia Pictures) to develop a prime-time animated series. They worked out the concept of parodying current situation comedies, especially The Honeymooners and Father Knows Best, with the twist of setting them in a different historical era. Cartoonists Dan Gordon and Bill Benedict had the idea to use a Stone Age setting (although the Fleischer Studios pro- duced a similar series of Stone Age Cartoons back in 1940). The concept was bought by ABC, and premiered Sept. 30, 1960. Voiced by Alan Reed, Jr. (Fred Flintstone), Mel Blanc (Barney Rubble), Jean VanderPyl (Wilma Flintstone) and veteran actress Bea Benaderet (Betty Rubble), The Flintstones finished the season in the Nielsen ratings’ top 20, and won a number of industry awards, including the Golden Globe, and an [email protected] Emmy nomination for best comedy series of 1960-61. A clear appeal of the series lays in its parody of sitcom for- mula plots, and there are elements of satire in the way modern consumer conveniences are turned into sight gags. One of the show’s favorite gags was to have cameos by Stone Age versions of modern celebrities (Ann Margrock, Stony Curtis, etc.). The most popular gimmick was Wilma’s pregnancy, ending with the February 1963 “birth” of their little girl, Pebbles. The next season the Rubbles adopted Bamm-Bamm, a little boy of incredible strength and a one- word vocabulary. By the fifth and sixth seasons, the show began to use more storylines aimed at kids, with new neighbors the Grue- somes (a spin on The Munsters and The Addams Family), and magical space alien The Great Gazoo (Harvey Korman). -
Forecast Log
Forecast Log http://www.old-time.com/otrlogs2/forecast_mg.html FORECAST Is There a Sponsor in the House? Written by Martin Grams, Jr. The trial-and-error system being an old if frequently painful institution in the show business (else all stage plays would be hits, and all radio programs would have an Amos and Andy average in the Crossley ratings), the Columbia Broadcasting System’s Forecast series shrewdly dramatized the fact that there is no such phenomenon as a sure thing. For two particular seasons, the CBS people enlivened summer’s somewhat lethargic air waves with a schedule of experimental entertainments which, to tell the truth, aren’t experimental in the exact sense of the word, but have nevertheless a refreshing air about them, if only for the ideas they represented. The idea is that neither CBS nor anyone else knew, until they were produced, whether the programs were any good or not, though they were of course, hoping for the best. And, very sensibly, they made a game of it. Whereas the listener during the busy season was told to take what he got and, if possible, like it, Forecast invited criticism. Listening to the various episodes, one could not help but applaud for Marlene Dietrich in "The Thousand and One Nights," and convulsed with laughter as they listened to the amorous antics of "Mischa the Magnificent." (Mischa Auer, that is.) Whatever it was that made people bet on horse races or write letters to the editor, they could file an honest opinion about the programs and then sat back to await the verdict. -
Lucille Ball | Van Der Valk | Marilyn | Van Den Hout | IM
Lucille Ball | Van der Valk | Marilyn | van den Hout | IM #47 Film FunVIERDE JAARGANG Lucille Ball Van der Valk Van den Hout ‘Marilyn’ IM Lucille Ball | Van der Valk | Marilyn | van den Hout | IM Afgelopen zomer werd bekend dat een Tekst en foto’s: Thys Ockersen/Still-photo biofilm zal worden gemaakt over Gastredacteuren: de vrouw die dertien Emmy- Film Fun Peter Cuijpers, Ruud den Drijver, nominaties kreeg en er vier Michael Helmerhorst, Wim Jansen, Thomas Leeflang, Hans van Pelt, won, die als eerste vrouw Film Fun is een tijdschrift van Bram Reijnhoudt. Thys Ockersen Vormgeving: Hille Tymstra een eigen studo runde en de dat maandelijksverschijnt wereld aan ‘t lachen maakte: en geleverd wordt aan een Thys Ockersen Films select gezelschap Wilhelminaweg 54 geïnteresseerden. 2042NR ZANDVOORT ßthysockersenfilms.com Dit is nummer 47 [email protected] 4e jaargang - november 2017 De Film Fun-uitgaven kunnen ©2016: Thys Ockersen Films/Film Fun LUCILLE hier worden gedownload. INHOUD Lucille Ball | Van der Valk | Marilyn | van den Hout | IM BALL DE NEDERLANDSE TELEVISIE is vorig jaar zonder veel rumoer de 65 jaar gepasseerd. In 2011, toen de zestig werd bereikt, was dat wel anders. In kranten verschenen do-you-remember-achtige verhalen, ver- lucht met foto’s van een jonge Mies Bouwman, een vrolijke Swiebertje en een goedmoedige Pater Leo- pold Verhagen. Via legio herdenkingsprogramma’s kon gekeken worden naar een rondspringende Wil- lem Ruis, een parmantige Jos Brink die de koningin waarachtig een wangkus durfde te geven en een quasi serieuze Fred Oster bij een hamsterdoolhof. Maar Lucille Ball, om wie in die zes decennia met tus- senpozen het meest is gelachen voor de buis, schit- terde door afwezigheid. -
A Study on Disney Princesses and Their Influence on Oungy Women and Their Personal Love Narratives
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2014 Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives Brittany Danielle Minor University of the Incarnate Word Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the American Film Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Minor, Brittany Danielle, "Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives" (2014). Theses & Dissertations. 1. https://athenaeum.uiw.edu/uiw_etds/1 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THEIR INFLUENCE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR Presented to the Graduate Faculty of University of the Incarnate Word in partial fulfillment for the degree of MASTER OF ARTS December 2014 Communication Arts HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THE INFLUENCE THEY HAVE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR APPROVED: Dr. Valerie K. Greenberg - Ph.D. Cpnikiittee Chair Michael L. Mercer - Member ABSTRACT Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and the Influence they have on Young Women and their Personal Love Narratives Brittany Danielle Minor, B.A., University of the Incarnate Word This study discusses the issue of whether the influence of Disney films affects the girls who watch these films once they become adult women. -
The Creative Society Environmental Policymaking in California,1967
The Creative Society Environmental Policymaking in California,1967-1974 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Robert Denning Graduate Program in History The Ohio State University 2011 Dissertation Committee: Dr. Paula M. Baker, Advisor Dr. William R. Childs Dr. Mansel Blackford Copyright By Robert Denning 2011 Abstract California took the lead on environmental protection and regulation during Ronald Reagan‟s years as governor (1967-1974). Drawing on over a century of experience with conserving natural resources, environmentally friendly legislators and Governor Reagan enacted the strongest air and water pollution control programs in the nation, imposed stringent regulations on land use around threatened areas like Lake Tahoe and the San Francisco Bay, expanded the size and number of state parks, and required developers to take environmental considerations into account when planning new projects. This project explains why and how California became the national leader on environmental issues. It did so because of popular anger toward the environmental degradation that accompanied the state‟s rapid and uncontrolled expansion after World War II, the election of a governor and legislators who were willing to set environmental standards that went beyond what industry and business believed was technically feasible, and an activist citizenry that pursued new regulations through lawsuits and ballot measures when they believed the state government failed. The environment had a broad constituency in California during the Reagan years. Republicans, Democrats, students, bureaucrats, scientists, and many businessmen tackled the environmental problems that ii threatened the California way of life. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Music in GUNSMOKE Half-Hour Series PART II
Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score. -
OPUNTIA 339 Temperatures Were Setting Records
THE BLUE CANADIAN ROCKIES photos by Dale Speirs While eastern Canada was blasted by yet another polar vortex, Calgary OPUNTIA 339 temperatures were setting records. On April 2, the forecast was for 23oC, which Late April 2016 is shirt-sleeve weather. I made my first trip out to the mountains, the earliest I have ever done in a hiking season. (I don’t hike in winter; too dangerous.) The view below is from the Canmore Nordic Centre, looking southeast at Mount Opuntia is published by Dale Speirs, Calgary, Alberta. It is posted on www.efanzines.com and Ehagay Nakoda. The peak at right is Ha Ling Peak, named after the Chinese www.fanac.org. My e-mail address is: [email protected] When sending me an emailed letter of railway worker who first climbed it in the 1880s. comment, please include your name and town in the message. The Nordic Centre was built for the 1988 Calgary Winter Olympics and is now Not very exciting, so I took a few photos and left. Canada’s national training facility for cross-country skiing. They were having some sort of all-ages provincial-level race. 2 3 4 The flags are those of all nations who competed in the 1988 Winter Olympics. This is not the race course but just a casual skiway. 5 Heading back to Calgary, I stopped off at a couple of lakes along the way. Gap Lake, looking east, with Canmore a few kilometres behind the camera. Still a bit of ice but rapidly melting. 6 Middle Lake, in Bow Valley Provincial Park, looking west. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Explore Our Virtual Program
20|21 MICHAEL WEBER JEANNIE LUKOW Artistic Director Executive Director presents Featuring ANTHONY COURSER, PAM CHERMANSKY, CROSBY SANDOVAL, JAY TORRENCE, LEAH URZENDOWSKI & RYAN WALTERS Written by JAY TORRENCE Direction by HALENA KAYS This production was filmed during Porchlight Music Theatre’s premiere with The Ruffians at the Ruth Page Center for the Arts, December 13 - 27, 2019. Understudies for 2019 Production Nellie Reed: KAITLYN ANDREWS Henry Gilfoil/Eddie Foy: DAVE HONIGMAN Fancy Clown: JAY TORRENCE Faerie Queen/Robert Murray: RAWSON VINT Choreography by LEAH URZENDOWSKI Additional 2019 Choreography by ARIEL ETANA TRIUNFO Lighting Design MAGGIE FULLILOVE-NUGENT Original Scenic & Costume Design LIZZIE BRACKEN Scenic Design JEFF KMIEC Costume Design BILL MOREY Sound Design MIKE TUTAJ Associate Sound Design ROBERT HORNBOSTEL Original Properties Design MAGGIE FULLILOVE-NUGENT & LIZZIE BRACKEN Properties Master CAITLIN McCARTHY Original Associate Properties Design ARCHER CURRY Technical Direction BEK LAMBRECHT Production Stage Management JUSTINE B. PALMISANO Production Management SAM MORYOUSSEF & ALEX RHYAN Video Production MARTY HIGGENBOTHAM/THE STAGE CHANNEL The following artists significantly contributed to this performance and the play’s creation: Lizzie Bracken (set design, costume design, prop design), Dan Broberg (set design), Maggie Fullilove-Nugent (lighting design), Leah Urzendowski (choreography) & Mike Tutaj (sound design). The original 2011 cast included Anthony Courser, Dean Evans, Molly Plunk, Jay Torrence, Leah Urzendowski & Ryan Walters This performance runs 100 minutes without intermission. Please be aware this play contains flashing lights and some moments that may trigger an adverse reaction with sudden loud noises and sounds of violence. Porchlight Music Theatre acknowledges the generosity of Allstate, the Bayless Family Foundation, DCASE Chicago, the Gaylord and Dorothy Donnelley Foundation, James P. -
Volume 88, Book 4 • January 7 - January 29, 2011 B:8.75 in T:8.5 In
B:5.75 in T:5.5 in Season 10-11 Volume 88, Book 4 • January 7 - January 29, 2011 B:8.75 in T:8.5 in T:8.5 beyond measure. Christopher Seaman, Music Director • Jeff Tyzik, Principal Pops Conductor Michael Butterman, Principal Conductor for Education and Outreach • The Louise and Henry Epstein Family Chair Arild Remmereit, Music Director-Designate Job #: J10-01085 Client/Product: RPO Initials Date w/changes Initials Date w/changes Ad Description: Bravo Cover Color: 4C Client Creative Director (Art) Art Director: Tim Live: N/A Traffic/Proofreader Creative Director (Copy) Copywriter: Matt Trim: 5.5 x 8.5 Production: Marianne Bleed: .125 Production Account Executive Mac Operator: Jennifer AE: Christan Copywriter Mac Supervisor Proof #: 1 Publication(s) & Issue Date(s): Art Director Mac Operator We applaud all great artists. Like a beautiful symphony, Stickley furniture design is timeless. COMPLIMENTARY DESIGN SERVICE 40 Eastview Park Mall, Victor, NY 14564 • 585.425.2302 StickleyAudi.com 2 rochesterPO.indd 1 9/10/10 4:44 PM ROCHESTERROCHESTER PHILPHILHARMONICHARMONIC ORCHES ORCHESTRATRA CHRISTOPHERCHRISTOPHER SESEAMAN,AMAN, MUSICMUSIC DIRE DIRECTORCTOR beyondbeyond measure. measure. BRBRAVO!AVO! TheThe official official magazinemagazine of thethe RochesterRochester PhilharmonicPhilharmonic OrOrchestrachestra We believe that COCONTENTSNTENTS our patrons are at the FrFromom thethe PrPresidentesident & & CEO CEO...............................................................................55 RochesterRochester PhilharmonicPhilharmonic OrOrchestrachestra...............................................76