Proquest Dissertations

Total Page:16

File Type:pdf, Size:1020Kb

Proquest Dissertations National Library Bibhotheque nationale 1*1 of Canada du Canada •"nis and Direction des acquisitions et MC Services Branch des services bibliographiques & sJion Street 395, rue Wellington Ottawa, Ontario Ottawa (Ontario) K1ACN4 K1A0N4 Vouf tile Volte tefewnce Our ttlo Notre ttlerence NOTICE AVIS The quality of this microform is La quaiite de cette microforme heavily dependent upon the depend grandement de la quaiite quality of the original thesis de la these soumise au submitted for microfilming. microfilmage. Nous avons tout Every effort has been made to fait pour assurer une quaiite erasure the highest quality of superieure c'e reproduction. reproduction possible. If pages are missing, contact the S'il manque des pages, veuillez university which granted the communiquer avec I'universite degree. qui a confere le grade. Some pages may have indistinct La quaiite d'impression de print especially if the original certaines pages peut laisser a pages were typed with a poor desirer, surtouf si les pages typewriter ribbon or if the originates ont ete university sent us an inferior dactylographies a i'aide d'un photocopy. ruban use ou si I'universite nous a fait parvenir une photocopie de quaiite inferieure. Reproduction in full or in part of La reproduction, meme partielle, this microform is governed by de cette microforme est soumise the Canadian Copyright Act, a la Loi canadienne sur le droit R.S.C. 1970, c. C-30, and d'auteur, SRC 1970, c. C-30, et subsequent amendments. ses amendements subsequents. Canada UNPARADISED WOMEN: ROYAL MISTRESSES IN EARLY MODERN ENGLISH LITERATURE by Christine Anne Cornell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Dalhousie University Halifax, Nova Scotia August, 1994 ©Copyright by Christine Anne Cornell, 1994 National Library Bibliotheque nationale 1*1 of Canada du Canada Acquisitions anc Direction des acquisitions et Bibliographic Services Branch des services bibliographiques 395 Wellington Street 396. rue Wellington Ottawa. Ontario Ottawa (Ontario) K1A0N4 K1A0N4 four tile Voire relirence (\ir tile Notre reference THE AUTHOR HAS GRANTED AN L'AUTEUR A ACCORDE UNE LICENCE IRREVOCABLE NON-EXCLUSIVE IRREVOCABLE ET NON EXCLUSIVE LICENCE ALLOWING THE NATIONAL PERMETTANT A LA BIBLIOTHEQUE LIBRARY OF CANADA TO NATIONALE DU CANADA DE REPRODUCE, LOAN, DISTRIBUTE OR REPRODUIRE, PRETER, DISTRIBUER SELL COPIES OF HIS/HER THESIS BY OU VENDRE DES COPIES DE SA ANY MEANS AND IN ANY FORM OR THESE DE QUELQUE MANIERE ET FORMAT, MAKING THIS THESIS SO QUELQUE FORME QUE CESOIT AVAILABLE TO INTERESTED POUR METTRE DES EXEMPLAIRES DE PERSONS. CETTE THESE A LA DISPOSITION DES PERSONNE INTERESSEES. THE AUTHOR RETAINS OWNERSHIP L'AUTEUR CONSERVE LA PROPRIETE OF THE COPYRIGHT IN HIS/HER DU DROIT D'AUTEUR QUI PROTEGE THESIS. NEITHER THE THESIS NOR SA THESE. NI LA THESE NI DES SUBSTANTIAL EXTRACTS FROM IT EXTRAITS SUBSTANTIELS DE CELLE- MAY BE PRINTED OR OTHERWISE CINE DOIVENT ETRE MPRIMES OU REPRODUCED WITHOUT HIS/HER AUTREMENT REPRODUITS SANS SON PERMISSION. AUTORISATION. ISBN 0-315-98826-6 CanadS Name CMR\S<IAJE A<JO£ Co^tJC Dissertation Abstradz International is arranged by broad, general subject categories. Please select the one subject which most nearly describes the content of your dissertation. Enter (fte corresponding four-digit code in the spaces provided. ol?hl3| UM-I SUBJECT TERM SUBJECT CODE Subject Categories THE HUMANITIES AND SOCIAL SCIENCES COMMUNICATIONS AND THE ARTS Psychology 0525 PHILOSOPHY, RELIGION AND Ancient 0579 ArehilBcrjre 0729 Reading 0535 THEOLOGY Medieval 0581 Art History 0377 Religious 0527 Philosophy 0422 Modem 0582 Cinema 0*00 Sciences 0714 Religion Black 0328 Seconaary 0533 Dance 0378 General 0318 Afiican 0331 Social Sciences 0524 Fine Am 0357 Biblical Studies 0321 Asia, Australia and Oceania 0332 Information Science 0723 Sociology of 034C, Clergy 0319 Canadian 0334 Journalism 0351 Special . 0529 History of 0320 European 0335 library Science 0399 . Teacher Training 0530 Philosophy of 0322 Latin American 0336 Mast Communications 0708 Technology 0710 Theology 0469 Middle Eastern 0333 Muiic ..„ 0413 Tests ana Measurements 0288 United States 0337 5peech Communication 0459 Vocational 0747 SOCIAL SCIENCES History of Science 0585 Theater 0465 American Studies 0323 Law 0398 LANGUAGE, UTERATURS AND Anthropology Political Science EDUCATION LINGUISTICS Archaeology 0324 General 0615 General 0515 Language Cultural 0326 International Law and Administration 0514 General 0679 Physical 0327 Refcn'ons 0616 Adult and Continuing 0516 Ancient 0289 Business Administration Public Administration 0617 Agricultural 0517 Linauistics 0290 General 0310 Recreation 0814 Art 0273 Modem 0291 Accounting 0272 Social Work 0452 Bilingual and Multicultural 0282 ! Literature Banking 0770 Sociology S'.." -ii Wl General 0401 Management 04.':il General 0626 c— ••..••-.'..: -• ::\ Classical 0294 Marketing ...0338 Criminology and Penology ...0627 <".-• :. .-• :••: —•..:••;.• !": " Comparative 0295 Canadian Studies 0385 Demography 0938 Early Childhood Oi 18 Medieval 0297 Economics Ethnic and Racial Studies 0631 Elemenfaty 0524 Modem 0298 General 0501 Individual and Family Finance 0277 African 0316 Agriculiural 0503 Studies 0628 Guidance and Counseling 0519 American 0591 Commerce-Business 0505 Indusr.ial and labor Health 0680 £,;„„ mris Finance 0508 Relations 0629 Higher 0745 : : History 0509 Public and Social Welfare ....0630 History of 0520 C:':: y-. -.- /. ; Labor 0510 Social Srrjcfure and Home Economics 0278 English'. 0593 Theory 0511 Deveiaoment 0700 Industrial 0521 Germanic 0311 Folklore 0353 Theory and Methods 0344 Language and Literature 0279 'arin American 0312 Geography 0366 Transportation 0709 Mathematics 0280 Middle Eastern 0315 Gerontology 0351 Urban and Regional Planning ....0999 Music 0522 Romance 0313 History Women's Studies 0453 Philosophy of 0998 Slavic and East European 0314 General 0578 Physical 0523 THE SCIENCES AND ENGINEERING BIOLOGICAL SCIENCES Geodesy 0370 Soeech Pathology 0460 Engineering Agriculture Geology 0372 Toxicology 0383 General 0537 General 0473 Geophysics 0373 Home Economics 0386 Aerospace 0538 Agronomy 0285 Hydrology 0388 Agricultural 0539 Anitrjl Culture and Mineralogy 0411 PHYSIOL SCIENCES Automotive 0540 Nutrition 0475 Paleobotany 0345 Biomedical 0541 Pure Sciences Animal Pathology 0476 Paleoecolagy 0426 Chemical 0542 Chemistry Food Science ana Paleontology 0418 Civil 0543 General 0485 Technology 0359 Paleozoology 0985 Electronics and Electrical 0544 Agricultural 0749 1 "utry and Wildlife 0478 Patynology 0427 Heat and Thermodynamics ...0348 Analytical 0486 ' ' .itCulture 0479 Physical Geography 0368 Hydraulic 0545 Biochemistry 0487 Plant Pathology 0480 Physical Oceanography 0415 Industrial 0546 Inorganic 0488 Plant Physiology 0817 Marine 0547 Nuefeor 0738 Range Management 0777 HEALTH AND ENVIRONMENTAL Materials Science 0794 Organic 0490 Wood Technology 0746 Mechanical 0548 SCIENCES Pharmaceutical 0491 Biology Metallurgy 0743 Environmental Sciences 0768 Physical 0494 General 0306 Mining 0551 Health Sciences Polymer 0495 Anatomy 0287 Nudear 0552 General 0566 Radiation 0754 Biostatistics 0308 Packaging 0549 Audiology 0300 Mathematics 0405 Botany 0309 Petroleum 0765 Chemotherapy 0992 Physics Cell 0379 Dentistry 0567 Sanitary and Municipal 0554 Ecology 0329 General 0605 Education 0350 System Science 0790 Entomology 0C53 Acoustics 0986 Hospital Management 0769 Astronomy and Geotechnalagy 0428 Genetics 0369 Operations Research 0796 Human Development 0758 Astrophysics 0606 limnology 0793 Plastics Technology 0795 Immunology 0982 Atmospheric Science 0608 Microbiology 0410 Textile Technology 0994 Molecular 0307 Medicine and Surgery 0564 Atomic 0748 Mental Health 0347 Electronics and Electricity 0607 Neuroicience 0317 PSYCHOLOGY Nursing Q5A9 Elementary Particles and Oceanography 0416 General 0621 Nutrition 0570 High Energy 0798 Physiology 0433 Behavioral 0384 Obstetrics and Gynecology ..0380 Fluidand Plasma 0759 Radiation 0821 Clinical 0622 Occupational Health ana Molecular 0609 Veterinary Scimce 0778 Developmental 0620 Therapy 0354 Nudear 0610 Zoology 0472 Experimental 0623 Ophthalmology 0381 Optics 0752 9iophysici Industrial 0624 Pathology 0571 Radiation 0756 General 0786 Personality 0625 Pharmacology 0419 Solid State 0611 Medical 0760 Physiological 0989 Pharmacy 0572 Statistics 0463 Psychobiology 0349 EARTH SCIENCES Physical therapy 0382 Public Health.... 0573 Applied Sciences Psychamelriej 0632 Biogeochtmistry 0425 Applied Mechanics 0346 Social 0451 GeochemUtry 0994 Radiology 0574 Recreation 0575 Computer icience 0984 ® TABLE OF CONTENTS Table of Contents Illustrations Abstract Acknowledgements Introduction: Unparadised Women Chapter 1: The Renaissance Context: Two Case Histories Chapter 2: Rosamond Clifford and Samuel Daniel's "Minotaure of Shame" Chapter 3: Other Rosamonds by Warner, Deloney, Drayton, and May Chapter 4: Elizabeth Shore and Thomas Churchyard Chapter 5: Other Shores by Deloney, Chute, Heywood, Drayton, and Anonymou Conclusion: Unparadised Fantasies or Where's the Sex? Works Consulted iv ILLUSTRATIONS Fig. 1. School of Fontainebleau, Diane de poitiers (?), Basle, Switzerland. Plate 108 in The Renaissance Woman. By Hannelore Sachs. New York: McGraw, 1971. Fig. 2. Jane Shore (Died c. 1527), Windsor, England. Photograph with permission of Eton College. Fig. 3. Jane Shore (Died c. 1527), Windsor, England. Photograph with permission of Eton College. v Abstract A beautiful victim, a High-priced prostitute, a lover, a powerful courtier, a destitute
Recommended publications
  • The Dark Lady of the Merchant of Venice
    3 The dark lady of The Merchant of Venice ‘The Sonnets of Shakespeare offer us the greatest puzzle in the history of English literature.’ So began the voyage of Alfred Leslie Rowse (1903–97) through the murky waters cloaking the identi- ties of four persons associated with the publication in 1609 of Shakespeare’s ‘sugared sonnets’: the enigmatic ‘Mr. W.H.’ cited in the forepages as ‘onlie begetter’ of the poems; the unnamed ‘fair youth’ addressed in sonnets 1–126; the ‘rival poet’ who surfaces and submerges in sonnets 78–86; and the mysterious ‘dark lady’ celebrated and castigated in sonnets 127–52.1 Doubtless, even as Thomas Thorpe’s edition was passing through George Eld’s press, London’s mice-eyed must have begun their search for the shadowy four; it has not slacked since. As to those nominated as ‘Mr. W.H.’, the list ranges from William Herbert to Henry Wroithesley (with initials reversed) to William Harvey (Wroithesley’s stepfather). In 1964 Leslie Hotson proposed one William Hatcliffe of Lincolnshire [!], while Thomas Tyrwitt, Edmond Malone, and Oscar Wilde all favoured a (fictional) boy actor, Willie Hughes. Among candidates for the ‘fair youth’, Henry Wroithesley, Earl of Southampton (1573–1624), appears to have outlasted all comers. Those proposed as the rival poet include Christopher Marlowe (more interested in boys than ladies dark or light); Samuel Daniel (Herbert’s sometime tutor);2 Michael Drayton, drinking partner of Jonson and Shakespeare; George Chapman, whose Seaven Bookes of the Iliades (1598) were a source for Troilus and Cressida; and Barnabe Barnes, lampooned by Nashe as ‘Barnaby Bright’ in Have with you to Saffron-Walden.
    [Show full text]
  • The Role of the French Maîtresse En Titre: How Royal Mistresses Utilized Liminal Space to Gain Power and Access by Marine Elia
    The Role of the French Maîtresse en titre: How Royal Mistresses Utilized Liminal Space to Gain Power and Access By Marine Elia Senior Honors Thesis Romance Studies University of North Carolina at Chapel Hill 4/19/2021 Approved: Jessica Tanner, Thesis Advisor Valérie Pruvost, Reader Dorothea Heitsch, Reader 2 Table of Contents Introduction…Page 3 Chapter 1: The Liminal Space of the Maîtresse-en-titre…Page 15 Cahpter 2: Fashioning Power…Page 24 Chapter 3: Mistresses and Celebrity…Page 36 Conclusion…Page 52 Bibliography…Page 54 Acknowledgments…Page 58 3 Introduction Beginning in the mid-fifteenth century, during the reign of Charles VII (1422- 1461), the “royal favorite” (favorite royale) became a quasi-official position within the French royal court (Wellman 37). The royal favorite was an open secret of French courtly life, an approved, and sometimes encouraged, scandal that helped to define the period of a king's reign. Boldly defying Catholic tenants of marriage, the position was a highly public transgression of religious mores. Shaped during the Renaissance by powerful figures such as Diane de Poitiers and Agnès Sorel, the role of the royal mistress evolved through the centuries as each woman contributed their own traditions, further developing the expectations of the title. Some used their influence to become powerful political actors, often surpassing that of the king’s ministers, while other women used their title to patronize the arts. Using the liminal space of their métier, royal mistresses created opportunities for themselves using the limited spaces available to women in Ancien Régime France. Historians and writers have been captivated by the role of the royal mistress for centuries, studying their lives and publishing both academic and non-academic biographies of individual mistresses.
    [Show full text]
  • Kings and Courtesans: a Study of the Pictorial Representation of French Royal Mistresses
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2008 Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Shandy April Lemperle The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lemperle, Shandy April, "Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses" (2008). Graduate Student Theses, Dissertations, & Professional Papers. 1258. https://scholarworks.umt.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. KINGS AND COURTESANS: A STUDY OF THE PICTORIAL REPRESENTATION OF FRENCH ROYAL MISTRESSES By Shandy April Lemperlé B.A. The American University of Paris, Paris, France, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Fine Arts, Art History Option The University of Montana Missoula, MT Spring 2008 Approved by: Dr. David A. Strobel, Dean Graduate School H. Rafael Chacón, Ph.D., Committee Chair Department of Art Valerie Hedquist, Ph.D., Committee Member Department of Art Ione Crummy, Ph.D., Committee Member Department of Modern and Classical Languages and Literatures Lemperlé, Shandy, M.A., Spring 2008 Art History Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Chairperson: H.
    [Show full text]
  • MINUTES of the 69 MEETING of AYNHO HISTORY SOCIETY HELD at the VILLAGE HALL, AYNHO on WEDNESDAY 25 JUNE 2014 Present
    MINUTES OF THE 69th MEETING OF AYNHO HISTORY SOCIETY HELD AT THE VILLAGE HALL, AYNHO ON WEDNESDAY 25th JUNE 2014 Present: - Peter Cole - Secretary. There were apologies from Rupert Clark due to work commitments 1. Chairman and Treasurer's Report In Rupert’s absence Peter reported that Middleton Cheney is holding a photographic exhibition on Saturday 19th July from 2pm to 4.30pm in All Saints Church, entitled “The Village – Then and Now”. There will be about 50 photos of Middleton Cheney taken between 1900 and 1930, accompanied by photos of the same view taken today. 2. Royal Mistresses Roger Powell The talk covers the period from 1509 to the present day, and concentrates on people who were royal mistresses for at least ten years. Indeed one was a mistress for 36 years. In many cases from a psychological point of view she was not just an object of desire but she more or less became a second wife, and sometimes even a mother to the king. The origin of the role in the early days of the Middle Ages derives from the many loveless royal marriages, as for kings the main reason for a marriage was to secure or maintain an alliance to build his empire or strengthen his position against enemies. Once a queen had given the king one or two heirs, he would forget or even abandon her and take a mistress. In England a royal mistress did not become a feature of court society until the 17th century. In France they had been around in the mid-1600s, but it took a while before England followed suit.
    [Show full text]
  • Jane Shore, Edward IV, and the Politics of Publicity
    Jane Shore, Edward IV, and the Politics of Publicity joseph mansky, Bard College n 1614, the ghost of Richard III gleefully recalled the “peece of Iustice” he 1 had inflicted on “Mistresse Shore,” the mistress of his brother Edward IV. i“ ’ ” fi ’ Shore s wife, as she was also known, rst appeared in Thomas More s His- tory of King Richard III. She featured as the only female exemplar in the second edition of the Mirror for Magistrates (1563), and through a spate of verse com- 2 plaints, she continued to tell her story in the 1590s. All versions follow roughly the same outline: Shore’s wife rises to power as Edward’s favorite mistress and then falls precipitously once Richard seizes the throne. Richard’s ghost, in the 1614 narrative poem by Christopher Brooke, revels in his hypocrisy “when (with a fained hate / To vnchast Life) I forced her to goe / Bare-foote, on penance, with deiected State.” But this “peece of Iustice” seems to have backfired. Shifting from medieval England to early modern London, Richard’s ghost bitterly complains, But now her Fame by a vild Play doth grow; Whose Fate, the Women so commisserate, That who (to see my Iustice on that Sinner) 3 Drinks not her Teares; & makes her Fast, their dinner? On the stage, Mistress Shore attracts not condemnation but intense sympathy. Women playgoers, Richard’s ghost claims, are particularly moved by her specta- 1. Christopher Brooke, The ghost of Richard the Third (London, 1614), sig. F1r. 2. For the literary history of Mistress Shore, see James L.
    [Show full text]
  • The Historicity of Papyrus Westcar*
    The Historicity of Papyrus Westcar Hays, H.M. Citation Hays, H. M. (2002). The Historicity of Papyrus Westcar. Zeitschrift Für Ägyptische Sprache Und Altertumskunde, 129, 20-30. Retrieved from https://hdl.handle.net/1887/16163 Version: Not Applicable (or Unknown) License: Leiden University Non-exclusive license Downloaded from: https://hdl.handle.net/1887/16163 Note: To cite this publication please use the final published version (if applicable). 20 H. M. Hays: Historicity of p\X"e~tcar zAs 129 (2002) HAROLD M. HAYS The Historicity ofPapyrus Westcar* An approach first explicitly evident 1n treated as exhibiting an "historisch vollig richti­ Meyer's monumental 1909 Geschichte des Al­ gen Kern," as representing a 'Widerspiegelung tertums" Papyms Westcar has been persistently' der realen Vorgiinge"; from Dynasty 4 to 5. This has been done even in the face of the tale's fabulous elements - when these are mentioned, * A version ofthis article was presented on 28 April it is only in order to dismiss them from the 2000 at the University of California, Berkeley, at the equation· of a historical inquiry'. As this ap­ 51st Annual Meeting of the American Research Center proach endures~ despite protestations made in in Egypt. It has benefited from comments nude by John Brinkmann, Peter F. Donnan, Janet JOh0500, and passing by Goedicke recently in this journal", David O'Connor, though responsibility for the work there are grounds for a concentrated inquiry into remains mine. the text's worth as a historical trace. For my own 2 1 E. Merer, Geschichte
    [Show full text]
  • CONTENTS Editorial I Christ Church Cathedral, Oxford
    VOL. LVI. No. 173 PRICE £1 函°N加少 0 December, 1973 CONTENTS Editorial i Christ Church Cathedral, Oxford ... 11 Othello ... 17 Ex Deo Nascimur 31 Bacon's Belated Justice 35 Francis Bacon*s Pictorial Hallmarks 66 From the Archives 81 Hawk Versus Dove 87 Book Reviews 104 Correspondence ... 111 © Published Periodically LONDON: Published by The Francis Bacon Society IncorporateD at Canonbury Tower, Islington, London, N.I, and printed by Lightbowns Limited, 72 Union Street, Ryde, Isle of Wight. THE FRANCIS BACON SOCIETY (INCORPORATED) Among the Objects for which the Society is established, as expressed in the Memorandum of Association, are the following 1. To encourage for the benefit of the public, the study of the works of Francis Bacon as philosopher, statesman and poet; also his character, genius and life; his- — . influence: — £1._ _ — — — on his1" — own and J succeeding— J : /times, 〜— —and the tendencies cfand」 v*results 否 of his writing. 2. To encourage for the benefit of the public, the general study of the evidence in favour of Francis Bacon's authorship of the plays commonly ascribed to Shakespeare, and to investigate his connection with other works of the Elizabethan period. Officers and Council: Hon, President: Cmdr. Martin Pares, R.N. Past Hon, President: Capt. B, Alexander, m.r.i. Hon. Vice-Presidents: Wilfred Woodward, Esq. Roderick L. Eagle, Esq. Council: Noel Fermor, Esq., Chairman T. D. Bokenham, Esq., Vice-Chairman Cmdr. Martin Pares, R.N. Nigel Hardy, Esq. J. D. Maconachie, Esq. A. D. Searl, Esq. Sidney Filon, Esq. Austin Hatt-Arnold, Esq. Secretary: Mrs. D.
    [Show full text]
  • Ricardian Register
    Ricardian Register Richard III Society, Inc. Vol. 47 No. 2 September, 2016 King Richard III Printed with permission ~ Jamal Mustafa ~ Copyright © 2014 In this issue: Thomas More, John Morton and Richard III ~ A Footnote to a Footnote: William Brandon of Soham, Henry Tudor’s Standard Bearer ~ In the Vigil of St Bartholomew ~ A Monk Expounds upon Knighthood: Alexander Barclay and St George ~ Richard III’s Intestinal Infection—Fact vs. Fiction ~ 2016 Annual Report Inside cover (not printed) Contents Thomas More, John Morton and Richard III 2 A Footnote to a Footnote: 4 In the Vigil of St Bartholomew 8 A Monk Expounds upon Knighthood: 11 Richard III’s Intestinal Infection—Fact vs. Fiction 18 Ricardian Reviews 23 2016 Annual Report: Richard III Society, American Branch 34 ex libris 40 Board, Staff, and Chapter Contacts 42 Membership Application/Renewal Dues 43 Advertise in the Ricardian Register 44 From the Editor 44 Submission guidelines 44 ❖ ❖ ❖ ©2016 Richard III Society, Inc., American Branch. No part may be reproduced or transmitted in any form or by any means mechanical, electrical or photocopying, recording or information storage retrieval—without written permission from the Society. Articles submitted by members remain the property of the author. The Ricardian Register is published two times per year. Subscriptions for the Register only are available at $25 annually. In the belief that many features of the traditional accounts of the character and career of Richard III are neither supported by sufficient evidence nor reasonably tenable, the Society aims to promote in every possible way research into the life and times of Richard III, and to secure a re-assessment of the material relating to the period, and of the role in English history of this monarch.
    [Show full text]
  • Abstract Stuart Suits and Smocks
    ABSTRACT STUART SUITS AND SMOCKS: DRESS, IDENTITY, AND THE POLITICS OF DISPLAY IN THE LATE SEVENTEENTH-CENTURY ENGLISH COURT by Emilie M. Brinkman This thesis centers on the language of dress and the politics of display during the late Stuart dynasty (1660–88). In the late Stuart courts, fashion and material possessions became an extension of one’s identity. As such, this study examines how elite Englishmen and women viewed themselves, and others, through their clothing on the eve of Britain’s birth in response to critical moments of identity crisis during the Restoration period. Whitehall courtiers and London gentility utilized their physical appearance, specifically their clothing, accoutrements, and furnishings, to send messages in order to define themselves, particularly their “Englishness,” in response to numerous unresolved issues of identity. Therefore, this thesis argues that the roots of English national character were evident in the courts of Charles II and James II as a portion of the English population bolstered together in defiance of the French culture that pervaded late seventeenth-century England. STUART SUITS AND SMOCKS: DRESS, IDENTITY, AND THE POLITICS OF DISPLAY IN THE LATE SEVENTEENTH-CENTURY ENGLISH COURT A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of History by Emilie M. Brinkman Miami University Oxford, Ohio 2013 Advisor ______________________ P. Renée Baernstein, PhD Reader ______________________ Andrew Cayton, PhD Reader ______________________ Katharine Gillespie, PhD TABLE OF CONTENTS I. Introduction 1 II. The Character of Clothes 12 III. Diplomatic Dress 23 IV. Gendered Garb 36 V.
    [Show full text]
  • The Construction of a Cultural Legacy: Queen María De Molina of Castile and the Political Discourses of Molinismo
    The Construction of a Cultural Legacy: Queen María de Molina of Castile and the Political Discourses of Molinismo Janice Renee North Coalport, Pennsylvania MA, University of Virginia, 2009 BA, Indiana University of Pennsylvania, 2005 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Spanish, Italian, and Portuguese University of Virginia August, 2013 ii © Copyright by Janice North All Rights Reserved August 2013 iii Abstract This dissertation is a new historicist approach to studying the cultural legacy of the medieval queen María de Molina of Castile-León (1284-1321). In this study, works of literature are examined alongside historical accounts—such as chronicles and official documents—which are read as literature and analyzed for the political rhetoric which they contain. This study is focused on two things: First, understanding María de Molina’s exercise of queenship, with an emphasis on how that queenship is constructed and represented in texts, and second, evaluating the impact of her queenship and its connection to the so-called cultural movement of molinismo in the thirteenth and fourteenth centuries. In this study, Queen María’s queenship is understood as the combination of her exercise of power in the discursive space of the court, as well as her representation in royal documents and histories. The first chapter explores the origins of what some literary critics have dubbed “molinismo” in thirteenth-century Castile-León, and the explanation of molinismo as a conservative movement back to orthodoxy, contained in literature produced in the court of Queen María’s husband, Sancho IV.
    [Show full text]
  • The Dark Lady of the Merchant of Venice
    3 The dark lady of The Merchant of Venice ‘The Sonnets of Shakespeare offer us the greatest puzzle in the history of English literature.’ So began the voyage of Alfred Leslie Rowse (1903–97) through the murky waters cloaking the identi- ties of four persons associated with the publication in 1609 of Shakespeare’s ‘sugared sonnets’: the enigmatic ‘Mr. W.H.’ cited in the forepages as ‘onlie begetter’ of the poems; the unnamed ‘fair youth’ addressed in sonnets 1–126; the ‘rival poet’ who surfaces and submerges in sonnets 78–86; and the mysterious ‘dark lady’ celebrated and castigated in sonnets 127–52.1 Doubtless, even as Thomas Thorpe’s edition was passing through George Eld’s press, London’s mice-eyed must have begun their search for the shadowy four; it has not slacked since. As to those nominated as ‘Mr. W.H.’, the list ranges from William Herbert to Henry Wroithesley (with initials reversed) to William Harvey (Wroithesley’s stepfather). In 1964 Leslie Hotson proposed one William Hatcliffe of Lincolnshire [!], while Thomas Tyrwitt, Edmond Malone, and Oscar Wilde all favoured a (fictional) boy actor, Willie Hughes. Among candidates for the ‘fair youth’, Henry Wroithesley, Earl of Southampton (1573–1624), appears to have outlasted all comers. Those proposed as the rival poet include Christopher Marlowe (more interested in boys than ladies dark or light); Samuel Daniel (Herbert’s sometime tutor);2 Michael Drayton, drinking partner of Jonson and Shakespeare; George Chapman, whose Seaven Bookes of the Iliades (1598) were a source for Troilus and Cressida; and Barnabe Barnes, lampooned by Nashe as ‘Barnaby Bright’ in Have with you to Saffron-Walden.
    [Show full text]
  • Othello` (Version II, in English) Lev I
    [Введите текст] On the hidden meaning of Shakespeare's tragedy `Othello` (Version II, in English) Lev I. Verkhovsky Shakespeare's tragedy "Othello" is considered by many to be the most perfect from the works of Shakespeare. Some people inclined to consider it even as the most perfect dramatic creation in the world. A. Blok Exactly a century ago, in October 1919, Alexander Blok gave a lecture to the actors of the Bolshoi Drama Theater “The secret meaning of the tragedy "Othello", which was published at the same time. In it, he tried to reveal the reasons why this work of art so deeply affects the viewer and reader. We are going to reflect on the secret meaning of "Othello" from a completely different angle. Plays by Shakespeare (and also by Ben Jonson and other Elizabethans) often contained second, hidden plans. In them, playwrights portrayed famous people or their acquaintances, sorted out relationships, settled scores; only people of their circle could see and understand this. It is clear that such hidden information is always closely related to the personality of a particular author, therefore, its consideration in the case of `Othello`, in our opinion, is important for solving Shakespeare's question. Chapter 1 `The Tragedy of Othello, The Moor of Venice` was first staged at the Globe Theater in November 1604, and was probably written not long before. It appeared in print only in 1622 in the form of a quarto, and a year later a slightly different, expanded version of it was presented in the First Folio; what is the relationship of these two texts is still not clear.
    [Show full text]