Cineasset User Manual
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Dolby Cineasset User Manual 005058 Issue 6
Dolby CineAsset User’s Manual 22 July 2019 CAS.OM.005058.DRM Issue 6 Notices Notices Copyright © 2019 Dolby Laboratories. All rights reserved. Dolby Laboratories, Inc. 1275 Market Street San Francisco, CA 94103-1410 USA Telephone 415-558-0200 Fax 415-645-4000 http://www.dolby.com Trademarks Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. The following are trademarks of Dolby Laboratories: Dialogue Intelligence™ Dolby Theatre® Dolby® Dolby Vision™ Dolby Advanced Audio™ Dolby Voice® Dolby Atmos® Feel Every Dimension™ Dolby Audio™ Feel Every Dimension in Dolby™ Dolby Cinema™ Feel Every Dimension in Dolby Atmos™ Dolby Digital Plus™ MLP Lossless™ Dolby Digital Plus Advanced Audio™ Pro Logic® Dolby Digital Plus Home Theater™ Surround EX™ Dolby Home Theater® All other trademarks remain the property of their respective owners. Patents THIS PRODUCT MAY BE PROTECTED BY PATENTS AND PENDING PATENT APPLICATIONS IN THE UNITED STATES AND ELSEWHERE. FOR MORE INFORMATION, INCLUDING A SPECIFIC LIST OF PATENTS PROTECTING THIS PRODUCT, PLEASE VISIT http://www.dolby.com/patents. Third-party software attributions Portions of this software are copyright © 2012 The FreeType Project (freetype.org). All rights reserved. Dolby CineAsset software is based in part on the work of the Qwt project (qwt.sf.net). This software uses libraries from the FFmpeg project under the LGPLv2.1. This product includes software developed by the OpenSSL Project for use in the OpenSSL Toolkit (openssl.org). This product includes cryptographic software -
Zoom Player Documentation
Table of Contents Part I Introduction 1 1 Feature................................................................................................................................... Chart 5 2 Features................................................................................................................................... in detail 10 3 Options................................................................................................................................... & Settings 19 Advanced Options.......................................................................................................................................................... 20 Interface ......................................................................................................................................................... 21 Control Bar ......................................................................................................................................... 22 Buttons ................................................................................................................................... 23 Timeline Area ................................................................................................................................... 23 Display ................................................................................................................................... 24 Keyboard ........................................................................................................................................ -
Digital Cinema System Specification Version 1.3
Digital Cinema System Specification Version 1.3 Approved 27 June 2018 Digital Cinema Initiatives, LLC, Member Representatives Committee Copyright © 2005-2018 Digital Cinema Initiatives, LLC DCI Digital Cinema System Specification v. 1.3 Page | 1 NOTICE Digital Cinema Initiatives, LLC (DCI) is the author and creator of this specification for the purpose of copyright and other laws in all countries throughout the world. The DCI copyright notice must be included in all reproductions, whether in whole or in part, and may not be deleted or attributed to others. DCI hereby grants to its members and their suppliers a limited license to reproduce this specification for their own use, provided it is not sold. Others should obtain permission to reproduce this specification from Digital Cinema Initiatives, LLC. This document is a specification developed and adopted by Digital Cinema Initiatives, LLC. This document may be revised by DCI. It is intended solely as a guide for companies interested in developing products, which can be compatible with other products, developed using this document. Each DCI member company shall decide independently the extent to which it will utilize, or require adherence to, these specifications. DCI shall not be liable for any exemplary, incidental, proximate or consequential damages or expenses arising from the use of this document. This document defines only one approach to compatibility, and other approaches may be available to the industry. This document is an authorized and approved publication of DCI. Only DCI has the right and authority to revise or change the material contained in this document, and any revisions by any party other than DCI are unauthorized and prohibited. -
Getting Started
Getting started Note: This Help file explains the features available in RecordNow! and RecordNow! Deluxe. Some of the features and projects detailed in the Help are only available in RecordNow! Deluxe. Click here to connect to a Web site where you can learn more about upgrading to RecordNow! Deluxe. Welcome to RecordNow! by Sonic, your gateway to the world of digital music, video, and data recording. With RecordNow! you can make perfect copies of your CDs and DVDs, transfer music from your CD collection to your computer, create personalized audio CDs containing all of your favorite songs, and much more. In addition, a full suite of data and video recording programs by Sonic can be started from within RecordNow! to back up your computer, create drag-and-drop discs, watch movies, edit digital video, and create your own DVDs. Some of these programs may already be installed on your computer. Others are available for purchase. This Help file is divided into the following sections to help you quickly find the information you need: Getting started — Learn about System requirements, Getting help, Accessibility, and Removing RecordNow!. Things you should know — Useful information for newcomers to digital recording. Exploring RecordNow! — Learn to use RecordNow! and find out more about associated programs and upgrade options. Audio Projects — Step-by-step instructions for every type of audio project. Data projects — Step-by-step instructions for every type of data project. Backup projects — Step-by-step instructions for backup projects. Video projects — Step-by-step instructions for video projects. Utilities — Instructions on how to erase and finalize a disc, how to display detailed information about your discs and drives, and how to create disc labels. -
Eidr 2.6 Data Fields Reference
EIDR 2.6 DATA FIELDS REFERENCE Table of Contents 1 INTRODUCTION ............................................................................................................................................... 5 1.1 Introduction to Content ................................................................................................................................ 5 1.2 Composite Details ......................................................................................................................................... 5 1.3 How to read the Tables ................................................................................................................................. 6 1.4 EIDR IDs ........................................................................................................................................................ 7 2 BASE OBJECT TYPE ......................................................................................................................................... 9 2.1 Summary ...................................................................................................................................................... 9 2.2 Referent Type Details ................................................................................................................................. 25 2.3 Title Details ................................................................................................................................................ 26 2.4 Language Code Details ............................................................................................................................... -
Cineplayer Datasheet
CinePlayer SDK DVD-VComprehensive VCD SVCD Media -VR Player +VR Engine BDAV FEATURES AND BENEFITS The CinePlayer CE Navigator SDK is a software development kit that allows developers for both PC and consumer electronics (CE) platforms to quickly and CINEPLAYER easily incorporate comprehensive, reliable The CinePlayer SDK is Sonic's powerful, comprehensive solu- playback of BD-ROM, tion for playback of BD-ROM, DVD-Video, VCD, SVCD, and DVD, Super Video CD, CDDA formatted discs as well as compressed audio and pic- Video CD, Audio CD and ture file formats. The SDK makes it simple and fast for OEMs compressed file formats and third-party developers to integrate rich playback func- Blu-Ray tionality into host applications running in embedded environ- Complete support for all ments. The SDK interprets all the details of supported for- profiles and content mats so that in-depth knowledge of specifications is not re- types including BDAV quired to enable full-featured, high-quality playback of digital and BD-Live advanced media content. content. DVD Formats The family of CinePlayer SDKs are designed to be cross plat- Support for DVD-V, form to support any embedded environment with well- +VR, -VR and Divx defined APIs that enables quick, easy, and flexible integra- including software tion of media playback capabilities into existing systems. solutions for CSS and CPRM decryption. Powerful and efficient, the CinePlayer supports an impressive feature set with minimal demand on system resources. CD Formats Support for SVCD, VCD, Sonic’s 20+ years of engineering experience with optical disc CD-DA, MP3 and JPEG formats provide the highest level of compatibility and qual- CDs. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
Dolby Laboratories, Inc
The Henry Fund Henry B. Tippie School of Management Ajay Kaushik Rajagopalan [[email protected]] Dolby Laboratories, Inc. (DLB) March 8, 2016 Information Technology – Diversified Electronics Stock Rating Sell Investment Thesis Target Price $37-$44 DCF $40.65 Dolby Laboratories is a leader in audio technologies and since its inception in DDM $19.77 1965, it has established itself as the de-facto standard for lossless audio Relative Multiple $34.33 technologies. Dolby has supplemented its audio technology offerings with Price Data image technologies such as Dolby Vision. The current offerings of Dolby have Current Price $39.57 positioned it well to leverage the digital television boom in emerging markets. 52wk Range $29.87 – 41.84 The future growth prospects of Dolby are for good measure factored into the current stock price and hence this report recommends a sell rating. Consensus 1yr Target $39.00 Key Statistics Drivers of Thesis Market Cap (B) $3.97 The demand for Set Top Boxes (STBs) and Digital TVs is expected to grow Shares Outstanding (M) $101.35 at 7% CAGR through 2020 and this is expected to drive the broadcasting Institutional Ownership 94.6% licensing growth at 6.7% CAGR through 2020.(10) Five Year Beta 0.695 Wanda group is partnering with Dolby to open 200 new Dolby Cinema halls Dividend Yield 1.21% by 2024 and this is expected to drive the product segment growth at 16.6% Analyst Est. 5yr Growth 10.00% CAGR through 2020.(8,19) Price/Earnings (TTM) 24.42 Future Audio/Video conferencing products of British Telecom and Premier Price/Earnings (FY1) 18.8 Global Services Inc. -
Special Rules for the International Feature Film Award
94th ACADEMY AWARDS RULE THIRTEEN SPECIAL RULES FOR THE INTERNATIONAL FEATURE FILM AWARD The unprecedented coronavirus/COVID-19 global pandemic mandated the closure of commercial motion picture theaters worldwide. Country-selected films that had a previously planned theatrical release but are initially made available through a reputable commercial streaming distribution service or video on demand may qualify for Awards consideration in the International Feature Film category for the 94th Academy Awards under these provisions: Provide to the Academy documentation (original document(s) and an English translation) of government-mandated theater/cinema closure dates, previously planned theatrical release and streaming distribution or video on demand agreements; Make the selected film available on the secure Academy Screening Room member site within 60 days of the film being officially selected; Meet all other eligibility requirements. When theaters reopen in accordance with national and local specified guidelines and criteria, and on a date to be determined by the Academy, this exemption to the rules will no longer apply. All films released thereafter will be expected to comply with the standard International Feature Film category theatrical qualifying requirements. In order for films to more easily meet theatrical exhibition requirements, the Academy will allow films to qualify outside the country of origin, provided the film is theatrically exhibited outside of the United States and its territories for at least seven consecutive days in a commercial motion picture theater for paid admission. The International Feature Executive Committee will evaluate all matters of rules and eligibility. Film festivals have been impacted by the coronavirus/COVID-19 pandemic. Participation in an impacted festival’s online/virtual platform will not affect a film’s eligibility for Awards consideration provided the festival has a transactional pay wall or password-protected entry. -
Dolby Laboratories, Inc. -- Film Sound Glossary Film Sound Glossary
Film-Tech The information contained in this Adobe Acrobat pdf file is provided at your own risk and good judgment. These manuals are designed to facilitate the exchange of information related to cinema projection and film handling, with no warranties nor obligations from the authors, for qualified field service engineers. If you are not a qualified technician, please make no adjustments to anything you may read about in these Adobe manual downloads. www.film-tech.com Dolby Laboratories, Inc. -- Film Sound Glossary Film Sound Glossary Acoustics -- The characteristics, such as how sound is reflected and absorbed, that acoustically differentiate one environment from another, such as a living room from a concert hall. Ambiance -- Low level sounds that set a mood or suggest the character of a particular place. Analog vs. digital -- The difference between analog and digital sound is explained best in terms of the analog and digital soundtracks on the Dolby Digital print shown in Figure 1. Figure 1 The width of the analog soundtrack varies in a way that is directly analogous to the varying soundwaves of the original sound. All analog formats have an equivalent varying parameter, such as the strength of the magnetic field on recording tape, or the side-to-side swings of the groove on a phonograph record. When played back, the varying width of the track is translated to a varying electrical voltage which ultimately causes the theatre's loudspeakers cones to move back and forth to recreate the original sound. With a digital optical soundtrack, points along the soundwaves of the original sound are assigned a numeric (or digital) value, which are represented as tiny dots on the track. -
History of Multichannel Audio from Mag Stripe to Dolby Digital Surround Sound Past, Present, and Future
Surround Sound Past, Present, and Future A history of multichannel audio from mag stripe to Dolby Digital Surround Sound Past, Present, and Future ilm sound, television audio, reserved for the occasional dramatic and music playback formats effect—ethereal voices in religious used to be distinctly different epics, for example. Some formats F products of industries often switched this channel off by means workingF in isolation. In recent years, of trigger tones when it wasn’t however, this has changed. The needed because the track on the popularity of surround sound in the film was particularly narrow, and thus home has brought these industries very hissy. A history of and their sound formats closer Although film stereo lost favor in together. And now digital multichan- the 1960s and early 1970s due to high multichannel audio nel technology is fostering an even costs of the magnetic formats and a from mag stripe more consistent approach to sound slump in the film business, sound reproduction, easing the burden on mixers continued to experiment with to Dolby Digital both consumer and producer while the effects channel. Formats such as providing unparalleled fidelity not just six-track 70 mm magnetic (see to the tonality of live sound, but also sidebar) provided consistent signal-to- to its spatiality. noise ratios on all channels, so mixers could use the effects channel to Origins of surround sound envelop the audience in continuous low-level ambient sounds. The effects The first commercially successful channel came to convey greater sonic multichannel sound formats were realism overall, not just the occasional developed in the early 1950s for the dramatic effect. -
IMF) Specification
Interoperable Master Format (IMF) Specification February 19, 2011 Version 1.0 http://entechcenter.com/files/imf/2011.02.19/IMF_Specification_V1.0.pdf Copyright 2009, 2010, 2011 by Entertainment Technology Center 509 West 29th Street Los Angeles, California 90007 United States of America 213-743-1600 www.etcenter.org 1 NOTICE The Entertainment Technology Center at the University of Southern California (ETC) is the author and creator of this draft specification for the purpose of copyright and other laws in all countries throughout the world. The ETC copyright notice must be included in all reproductions, whether in whole or in part, and may not be deleted or attributed to others. ETC hereby grants to persons and entities reviewing this document a limited, non-exclusive license to reproduce this specification for their own use, provided it is not sold. Inquiries regarding permission to reproduce or distribute this specification should be directed to the Entertainment Technology Center at the University of Southern California; Attn: CEO and Executive Director; 509 West 29 th Street, Los Angeles, California 90007; USA; (213) 743-1600 (voice); (213) 743-1803 facsimile; e-mail: [email protected]. This document is a draft specification developed by the Interoperable Master Format (IMF) project participants, as hosted by the ETC. It is intended solely as a guide for companies interested in developing products that can be compatible with other products developed using this document. Neither the IMF project participants nor ETC shall be liable for any direct, exemplary, incidental, proximate or consequential damages or expenses arising from the use of this document.