Dolby Laboratories Inc. - Chronology 1990 to Present
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ARCHIVE ONLY: DCI Digital Cinema System Specification, Version 1.2
Digital Cinema Initiatives, LLC Digital Cinema System Specification Version 1.2 March 07, 2008 Approval March 07, 2008 Digital Cinema Initiatives, LLC, Member Representatives Committee Copyright © 2005-2008 Digital Cinema Initiatives, LLC DCI Digital Cinema System Specification v.1.2 Page 1 NOTICE Digital Cinema Initiatives, LLC (DCI) is the author and creator of this specification for the purpose of copyright and other laws in all countries throughout the world. The DCI copyright notice must be included in all reproductions, whether in whole or in part, and may not be deleted or attributed to others. DCI hereby grants to its members and their suppliers a limited license to reproduce this specification for their own use, provided it is not sold. Others should obtain permission to reproduce this specification from Digital Cinema Initiatives, LLC. This document is a specification developed and adopted by Digital Cinema Initiatives, LLC. This document may be revised by DCI. It is intended solely as a guide for companies interested in developing products, which can be compatible with other products, developed using this document. Each DCI member company shall decide independently the extent to which it will utilize, or require adherence to, these specifications. DCI shall not be liable for any exemplary, incidental, proximate or consequential damages or expenses arising from the use of this document. This document defines only one approach to compatibility, and other approaches may be available to the industry. This document is an authorized and approved publication of DCI. Only DCI has the right and authority to revise or change the material contained in this document, and any revisions by any party other than DCI are unauthorized and prohibited. -
CP750 Digital Cinema Processor the Latest in Sound Processing—From Dolby Digital Cinema
CP750 Digital Cinema Processor The Latest in Sound Processing—from Dolby Digital Cinema The CP750 is Dolby’s latest cinema processor specifically designed to work within the new digital cinema environment. The CP750 receives and processes audio from multiple digital audio sources and can be monitored and controlled from anywhere in the network. Plus, Dolby reliability ensures a great moviegoing experience every time. The Dolby® CP750 provides easy-to- The CP750 integrates with Dolby operate audio control in digital cinema Show Manager software, enabling it environments equipped with the latest to process digital input selection and technology while integrating seamlessly volume cues within a show, real-time with existing technologies. The CP750 volume control from any Dolby Show supports the innovative Dolby Surround Manager client, and ASCII commands 7.1 premium surround sound format, from third-party controllers. Moreover, and will receive and process audio Dolby Surround 7.1 (D-cinema audio), from multiple digital audio sources, 5.1 digital PCM (D-cinema audio), Dolby including a digital cinema server, Digital Surround EX™ (bitstream), Dolby preshow servers, and alternative content Digital (bitstream), Dolby Pro Logic® II, sources. The CP750 is NOC (network and Dolby Pro Logic decoding are all operations center) ready and can be included to deliver the best in surround monitored and controlled anywhere on sound from all content sources. the network for status and function. CP750 Digital Cinema Processor Audio Inputs Other Inputs/Outputs -
Dolby Surround 7.1 for Theatres
Dolby Surround 7.1 Technical Information for Theatres Dolby® has partnered with Walt Disney Pictures and Pixar Animation Studios to deliver Toy Story 3 in Dolby Surround 7.1 audio format to suitably equipped 3D cinemas in selected countries. Dolby Surround 7.1 is a new audio format for cinema, supported in Dolby CP650 and CP750 Digital Cinema Processors, that increases the number of discrete surround channels to add more definition to the existing 5.1 surround array. This document provides an overview of the Dolby Surround 7.1 format, and the effect that it may have on theatre equipment and content. Full technical details of cabling requirements and software versions are provided in appropriate Dolby field bulletins. Table 1 lists the channel names and abbreviations used in this document. Table 1 Channel Abbreviations Channel Name Abbreviation Left L Center C Right R Left Surround Ls Right Surround Rs Low‐Frequency Effects LFE Back Surround Left Bsl Back Surround Right Bsr Hearing Impaired HI Visually Impaired‐Narrative (Audio VI‐N Description) 1 Theatre Channel Configuration Two new discrete channels are added in the theatre, Back Surround Left (Bsl) and Back Surround Right (Bsr) as shown in Figure 1. Use of these additional surround channels provides greater flexibility in audio placement to tie in with 3D visuals, and can also enhance the surround definition with 2D content. Dolby and the double-D symbol are registered trademarks of Dolby Dolby Laboratories, Inc. Laboratories. Surround EX is a trademark of Dolby Laboratories. 100 Potrero Avenue © 2010 Dolby Laboratories. All rights reserved. S10/22805 San Francisco, CA 94103-4813 USA 415-558-0200 415-645-4175 dolby.com Dolby Surround 7.1 Technical Information for Theatres 2 Figure 1 Dolby Surround 7.1 (Surround Channel Layout) Existing theatres that are wired for Dolby Digital Surround EX™ will already have the appropriate wiring and amplification for these channels. -
Paramount Theatre Sherry Lansing Theatre Screening Room #5 Marathon Theatre Gower Theatre
PARAMOUNT THEATRE SHERRY LANSING THEATRE SCREENING ROOM #5 MARATHON THEATRE GOWER THEATRE ith rooms that seat from 33 to 516 people, The Studios at Paramount has a screening room to accommodate an intimate screening with your production team, a full premiere gala, or anything in between. We also offer a complete range of projection and audio equipment to handle any feature, including 2K, 4K DLP projection in 2D and 3D, as well as 35mm and 70mm film projection. On top of that, all our theaters are staffed with skilled projectionists and exceptional engineering teams, to give you a perfect presentation every time. 2 PARAMOUNT THEATRE CUTTING-EDGE FEATURES, LAVISH DESIGN, PERFECT FOR PREMIERES FEATURES • VIP Green Room • Multimedia Capabilities • Huge Rotunda Lobby • Performance Stage in front of Screen • Reception Area • Ample Parking and Valet Service SPECIFICATIONS • 4K – Barco DP4K-60L • 2K – Christie CP2230 • 35mm and 70mm Norelco AA II Film Projection • Dolby Surround 7.1 • 16-Channel Mackie Mixer 1604-VLZ4 • Screen: 51’ x 24’ - Stewart White Ultra Matt 150-SP CAPACITY • Seats 516 DIGITAL CINEMA PROJECTION • DCP - Barco Alchemy ICMP • DCP – Doremi DCP-2K4 • XpanD Active 3D System • Barco Passive 3D System • Avid Media Composer • HDCAM SR and D5 • Blu-ray and DVD • 8 Sennheiser Wireless Microphones – Hand-held and Lavalier • 10 Clear-Com Tempest 2400 RF PL • PIX ADDITIONAL SERVICES AVAILABLE • Catering • Event Planning POST PRODUCTION SERVICES 10 • SecurityScreening Rooms 3 SCREENING ROOMS SHERRY LANSING THEATRE THE ULTIMATE REFERENCE -
MRX 700/500/300 Manual
IMPORTANT SAFETY INSTRUCTIONS CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. 1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with a dry cloth. 7. Do not block any of the ventilation openings. Install in accordance with the manufacturer’s instructions. 8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat. 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles and the point where they exit from the apparatus. -
Dolby Cineasset User Manual 005058 Issue 6
Dolby CineAsset User’s Manual 22 July 2019 CAS.OM.005058.DRM Issue 6 Notices Notices Copyright © 2019 Dolby Laboratories. All rights reserved. Dolby Laboratories, Inc. 1275 Market Street San Francisco, CA 94103-1410 USA Telephone 415-558-0200 Fax 415-645-4000 http://www.dolby.com Trademarks Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. The following are trademarks of Dolby Laboratories: Dialogue Intelligence™ Dolby Theatre® Dolby® Dolby Vision™ Dolby Advanced Audio™ Dolby Voice® Dolby Atmos® Feel Every Dimension™ Dolby Audio™ Feel Every Dimension in Dolby™ Dolby Cinema™ Feel Every Dimension in Dolby Atmos™ Dolby Digital Plus™ MLP Lossless™ Dolby Digital Plus Advanced Audio™ Pro Logic® Dolby Digital Plus Home Theater™ Surround EX™ Dolby Home Theater® All other trademarks remain the property of their respective owners. Patents THIS PRODUCT MAY BE PROTECTED BY PATENTS AND PENDING PATENT APPLICATIONS IN THE UNITED STATES AND ELSEWHERE. FOR MORE INFORMATION, INCLUDING A SPECIFIC LIST OF PATENTS PROTECTING THIS PRODUCT, PLEASE VISIT http://www.dolby.com/patents. Third-party software attributions Portions of this software are copyright © 2012 The FreeType Project (freetype.org). All rights reserved. Dolby CineAsset software is based in part on the work of the Qwt project (qwt.sf.net). This software uses libraries from the FFmpeg project under the LGPLv2.1. This product includes software developed by the OpenSSL Project for use in the OpenSSL Toolkit (openssl.org). This product includes cryptographic software -
Digital Cinema System Specification Version 1.3
Digital Cinema System Specification Version 1.3 Approved 27 June 2018 Digital Cinema Initiatives, LLC, Member Representatives Committee Copyright © 2005-2018 Digital Cinema Initiatives, LLC DCI Digital Cinema System Specification v. 1.3 Page | 1 NOTICE Digital Cinema Initiatives, LLC (DCI) is the author and creator of this specification for the purpose of copyright and other laws in all countries throughout the world. The DCI copyright notice must be included in all reproductions, whether in whole or in part, and may not be deleted or attributed to others. DCI hereby grants to its members and their suppliers a limited license to reproduce this specification for their own use, provided it is not sold. Others should obtain permission to reproduce this specification from Digital Cinema Initiatives, LLC. This document is a specification developed and adopted by Digital Cinema Initiatives, LLC. This document may be revised by DCI. It is intended solely as a guide for companies interested in developing products, which can be compatible with other products, developed using this document. Each DCI member company shall decide independently the extent to which it will utilize, or require adherence to, these specifications. DCI shall not be liable for any exemplary, incidental, proximate or consequential damages or expenses arising from the use of this document. This document defines only one approach to compatibility, and other approaches may be available to the industry. This document is an authorized and approved publication of DCI. Only DCI has the right and authority to revise or change the material contained in this document, and any revisions by any party other than DCI are unauthorized and prohibited. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
History of the Early Days of Ampex Corporation
PAPER History of The Early Days of Ampex Corporation As recalled by JOHN LESLIE and ROSS SNYDER Alexander M. Poniatoff founded Ampex in 1944, primarily to manufacture small motors and generators for military applications. When WWII ended, the military contracts dropped off, and Alex had to search for a new line of business to continue his company’s existence. He and his small group of engineers heard a demonstration of a Magnetophon, a German magnetic tape recorder used by Hitler during WWII. The demonstration quickly convinced Alex to redirect his company and soon it was designing and manufacturing professional-quality magnetic tape recorders. Bing Crosby was a great help in Ampex’s early years. The company grew quickly and, within a short time, dominated the magnetic tape recorder market in radio, television, the record industry, and industrial and military markets for instrumentation recorders . Alex was born in Russia in 1892. His father was well-to- 0 INTRODUCTION do, and sent Alex to Germany for an education in engineering. After college, he returned to Russia only to see his country It has been amazing how many people today are asking become engaged in a civil war. Alex escaped to China, where questions about Ampex and the Company’s contribution to the he went to work for the Shanghai Power Company. He music recording industry, the radio and television broadcast immigrated to the United States in 1927 where he worked for industry and the stereophonic home entertainment field. There General Electric, Pacific Gas & Electric, and the Dalmo Victor is no question that Ampex was a major factor in each of these Corporation in San Carlos, California. -
Dolby Vision UHD Blu-Ray Authoring Workflow Guide
Dolby Vision UHD Blu-ray Authoring Workflow Guide Version 1.1 September 9, 2019 Confidential information Confidential Information Copyright © 2019 Dolby Laboratories. All rights reserved. For information, contact: Dolby Laboratories, Inc. 1275 Market Street San Francisco, CA 94103-1410 USA Telephone 415-558-0200 Fax 415-863-1373 http://www.dolby.com Trademarks Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. Following are trademarks of Dolby Laboratories: ® Dolby ® ™ ™ ® ™ ® Dolby Atmos Dolby Audio Dolby Cinema Dolby Theatre Dolby Vision Dolby Voice ™ ™ Feel Every Dimension in Dolby Feel Every Dimension ™ ™ Feel Every Dimension in Dolby Atmos Dolby Digital Plus ™ ® ™ Dolby Advanced Audio Dolby Home Theater Dialogue Intelligence ™ ™ Dolby Digital Plus Home Theater MLP Lossless ® ™ Pro Logic Surround EX ™ ™ Dolby Digital Plus Advanced Audio Dolby Fidelio ™ ™ ™ Dolby AccessLink Dolby CaptiView Dolby CineAsset ™ Dolby CineAsset Player All other trademarks remain the property of their respective owners. Patents This product is protected by one or more patents in the United States and elsewhere. For more information, including a specific list of patents protecting this product, please visit http://www.dolby.com/patents. Confidential information Confidential information for Dolby Laboratories Licensees only. Unauthorized use, sale, or duplication is prohibited. Software Distribution Licensee shall comply with Licensor’s most recent Software Distribution Policy, a copy of which is included in the Deliverables or provided to Licensee and updated by Licensor from time to time and communicated to Licensee. Dolby Vision UHD Blu-ray Authoring Workflow Guide Page 2 Confidential Information Table of Contents 1 OVERVIEW ......................................................................................................................................... 4 DOLBY VISION MASTER AND DOLBY VISION MEZZANINE DELIVERABLES ................................... -
Dvd Digital Cinema System Systema Dvd Digital Cinema Sistema De Cinema De Dvd Digital Th-A9
DVD DIGITAL CINEMA SYSTEM SYSTEMA DVD DIGITAL CINEMA SISTEMA DE CINEMA DE DVD DIGITAL TH-A9 Consists of XV-THA9, SP-PWA9, SP-XCA9, and SP-XSA9 Consta de XV-THA9, SP-PWA9, SP-XCA9, y SP-XSA9 Consiste em XV-THA9, SP-PWA9, SP-XCA9, e SP-XSA9 STANDBY/ON TV/CATV/DBS AUDIO VCR AUX FM/AM DVD TITLE SUBTITLE DECODE AUDIO ZOOM DIGEST TIME DISPLAY RETURN ANGLE CHOICE SOUND CONTROL SUBWOOFER EFFECT VCR CENTER TEST TV REAR-L SLEEP REAR-R SETTING TV RETURN FM MODE 100+ AUDIO/ PLAY TV/VCR MODE CAT/DBS ENTER SP-XSA9 SP-XCA9 SP-XSA9 THEATER DSP POSITION MODE TV VOLCHANNEL VOLUME TV/VIDEO MUTING B.SEARCH F.SEARCH /REW PLAY FF DOWN TUNING UP REC STOP PAUSE MEMORY STROBE DVD MENU RM-STHA9U DVD CINEMA SYSTEM SP-PWA9 XV-THA9 INSTRUCTIONS For Customer Use: INSTRUCCIONES Enter below the Model No. and Serial No. which are located either on the rear, INSTRUÇÕES bottom or side of the cabinet. Retain this information for future reference. Model No. Serial No. LVT0562-010A [ UW ] Warnings, Cautions and Others Avisos, Precauciones y otras notas Advertêcias, precauções e outras notas Caution - button! CAUTION Disconnect the XV-THA9 and SP-PWA9 main plugs to To reduce the risk of electrical shocks, fire, etc.: shut the power off completely. The button on the 1. Do not remove screws, covers or cabinet. XV-THA9 in any position do not disconnect the mains 2. Do not expose this appliance to rain or moisture. line. The power can be remote controlled. -
SPRING 2013 Volume 7, Issue 1 SVG UPDATE 9 Sportspost:NY 36 12 League Technology Summit 26 Transport 36 Sports Venue Technology Summit
ADVANCING THE CREATION, PRODUCTION, & DISTRIBUTION OF SPORTS CONTENT Spring 2013 • Volume 7, iSSUE 1 AN PUBLICATION SVG SPECIAL REPORT: THE BIG SHOW FROM THE BIG EASY Inside the Super Bowl XLVII Compound in New Orleans • SVG Update: In-Depth Recaps of Recent SVG Events • Sports Broadcasting Hall of Fame: The Class of 2012 • White Papers: The Promise of 4K, Streaming the Pac-12 Networks, and Workflow Automation in Sports plus Comprehensive 2013 NAB Preview & SVG Sponsor Update UPFRONT IN THIS ISSUE 4 FROM THE CHAIRMAN Even With 4K, the Future of Sports Video Is Better HD 6 THE TIp-off Standing Up For Your Rights SPRING 2013 VOLUME 7, ISSUE 1 SVG UPDATE 9 SportsPost:NY 36 12 League Technology Summit 26 TranSPORT 36 Sports Venue Technology Summit 42 SVG SPECIAL REPORT: THE BIG GAME FROM THE BIG EASY SPORTS BROADCASTING HALL OF FAME Class of 2012 Coverage begins on page 54 56 George Bodenheimer 64 Cory Leible 58 Ray Dolby 66 Paul Tagliabue 60 Frank Gifford 68 Jack Weir 62 Ed Goren 70 Jack Whitaker 72 WHITE PAPERS 80 72 Canon: The Promise of 4K 76 iStreamPlanet: Live Linear Streaming 80 Wohler: File-based Workflow Automation 3 2 1 8 4 PRODUCT NEWS 15 32 84 Remote Sports Production Gearbase 18 More trucks, more gear, more consolidation 111 87 NAB Preview 84 A comprehensive look at what SVG Sponsors will showcase in Las Vegas 122 Sponsor Update New technology, news, and innovations 87 138 SVG SPONSOR INDEX 144 THE FINAL BUZZER A Measured Response to 4K Hype? The SportsTech Journal is produced and published by the Sports Video Group.