Dionysos, Orpheus and Argead Macedonia
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Heracles's Weariness and Apotheosis in Classical Greek Art
Dourado Lopes, Antonio Orlando Heracles's weariness and apotheosis in Classical Greek art Synthesis 2018, vol. 25, nro. 2, e042 Dourado Lopes, A. (2018). Heracles's weariness and apotheosis in Classical Greek art. Synthesis, 25 (2), e042. En Memoria Académica. Disponible en: http://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10707/pr.10707.pdf Información adicional en www.memoria.fahce.unlp.edu.ar Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional https://creativecommons.org/licenses/by-nc-sa/4.0/ ARTÍCULO / ARTICLE Synthesis, vol. 25, nº 2, e042, diciembre 2018. ISSN 1851-779X Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios Helénicos Heracles's weariness and apotheosis in Classical Greek art Agotamiento físico y apoteosis de Heracles en el arte clásico griego Antonio Orlando Dourado Lopes Universidad Federal de Minas Gerais, Brasil [email protected] Resumen: Este estudio propone una interpretación general de las imágenes realizadas en Grecia, a partir del siglo V a. C. en monedas, joyas, pinturas de vasijas y esculturas, que muestran el agotamiento físico de Heracles y su apoteosis divina. Luego de una extendida consideración de los principales trabajos académicos que abordaron el tema desde finales del siglo XIX, procuro mostrar que la representación iconográfica del agotamiento de Heracles y de su apoteosis da testimonio de la influencia de nuevas concepciones religiosas y filosóficas en su mito, fundamentalmente del pitagorismo, del orfismo y de los cultos mistéricos, así como del fuerte intelectualismo de la Atenas del siglo V a. C. -
'Stupid Midas'
‘Stupid Midas’ Visualising Musical Judgement and Tim Shephard Patrick McMahon Moral Judgement in Italy ca.1520 University of Sheffield 1. Musical Judgement and Moral Judgement 3. A) Cima da Conegliano, The Judgement Sat at the centre of the painting in contemporary elite of Midas, oil on panel, 1513-17. Statens The Ancient Discourse dress, Midas looks straight at the viewer, caught at the exact moment of formulating his faulty musical judgement. Museum for Kunst, Copenhagen. Harmony is governed by proportion, and so is human tem- perament; thus music can affect human behavior ‘For rhythm and harmony penetrate deeply into the mind and take a most powerful hold on it, and, if education is good, bring an impart grace and beauty, if it is bad, the reverse’ (Plato, Republic) Music should therefore play a role in moral education Suggestive ‘music has indeed the power to induce a certain character of soul, and if it can do that, then An older, more position of clearly it must be applied to education’ (Aristotle, Politics) severe Tmolus, in Pan’s bow more modest makes a direct Good musical judgement engenders good moral judgement contemporary link between ‘the proper training we propose to give will make a man quick to perceive the shortcomings attire, also his musician- of works of art or nature …; anything beautiful he will welcome gladly … and so grow in true goodness of character; anything ugly he will rightly condemn and dislike’ (Plato, Republic) interrogates the ship and his viewer with his sexuality. The Renaissance Discourse gaze. -
The Apotheosis of He#Rakle#S on Olympus and the Mythological Origins of the Olympics
The apotheosis of He#rakle#s on Olympus and the mythological origins of the Olympics The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2019.07.12. "The apotheosis of He#rakle#s on Olympus and the mythological origins of the Olympics." Classical Inquiries. http://nrs.harvard.edu/ urn-3:hul.eresource:Classical_Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/the-apotheosis-of- herakles-on-olympus-and-the-mythological-origins-of-the- olympics/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:41364811 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. -
The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid. -
The Europeans Shores of the Bosporus Anca Dan
The Europeans Shores of the Bosporus Anca Dan To cite this version: Anca Dan. The Europeans Shores of the Bosporus. I∆ΥMAMEIZOOΣ EΛΛHIΣMOΥ. Eγκυκλoπαιδϵια Mϵιζoνo& Eλληνισµoυ, K!νσταντινoυπoλη, 2008. hal-02435580 HAL Id: hal-02435580 https://hal.archives-ouvertes.fr/hal-02435580 Submitted on 15 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. IΔΡΥΜA ΜΕΙΖΟΝΟΣ ΕΛΛΗΝΙΣΜΟΥ Συγγραφή : Dan Anca (30/9/2008) Για παραπομπή : Dan Anca , "European shores of the Bosporus", 2008, Εγκυκλοπαίδεια Μείζονος Ελληνισμού, Κωνσταντινούπολη URL: <http://www.ehw.gr/l.aspx?id=10951> European shores of the Bosporus Περίληψη : The “Thracian”or “Mysian”Bosporus separates the continents of Europe and Asia and the waters of the Black Sea from the Sea of Marmara. Its names distinguish it from the ancient Cimmerian Bosporus (Βόσπορος Κιμμέριος), which separates the modern Black Sea (ancient Pontus Euxinus, Πόντος ὁ Εὔξεινος) from the modern Sea of Azov (ancient Palus Maeotis, Μαιῶτις λίμνη) and corresponds to the modern Russian Kertch. Άλλες Ονομασίες Thracian Bosporus; Mysian Bosporus; ancient Greek Βόσπορος Θρακικὸς; Latin Bosphorus Thracicus 1. Anthropogeography 1a. Geographical location Bosporus is generally considered as the narrowest natural strait continuously used for navigation since Antiquity. -
Thracians and Phrygians
TABLE OF CONTENTS Table of Contents i List of Figures List of Tables m Editor's Note vi vii Introduction on behalf of Centre for Research and Assessment of the Historic Environment (TAÇDAM) at Middle East Technical University Ankara, TURKEY AssocProf.Dr. Numan TUNA, the Director Introduction on behalf of the Institute of Thracology Sofia, BULGARIA Assoc.Prof.Dr. Kiril YORDANOV, the Director and Dr. Maya VASSILEVA Opening Speech on behalf of Scientific Institutions Prof .Dr. Machteld J. MELLINK Thracian-Phrygian Cultural Zone 13 Maya VASSILEVA Sofia, BULGARIA Megaliths in Thrace and Phrygia 19 Valeria FOL Sofia, BULGARIA Early Iron Age in Eastern Thrace and the Megalithic Monuments 29 Mehmet ÔZDOÔAN Istanbul, TURKEY Some Connections Between the Northern Thrace and Asia Minor During the Late Bronze and Early Iron Age 41 Attila LASZLO Ia§i, ROMANIA Bryges and Phrygians: Parallelism Between the Balkans and Asia Minor Through Archaeological, Linguistic and Historical Evidence 45 Eleonora PETROVA Skopije, MACEDONIA Sabas/Sabazios/Sabo 55 Alexander FOL Sofia, BULGARIA Burial Rites in Thrace and Phrygia 61 Roumyana GEORGIEVA Sofia, BULGARIA Die Ausgrabung der Megalithischen Dolmenanlage in Lalapasa 65 MuratAKMAN Istanbul. TURKEY The Early Iron Age Settlement on Biiyukkaya, Bogazkoy: First Impressions 71 Jurgen SEEHER German Institute of Archaeology, Istanbul The Early Iron Age at Gordion: The Evidence from the Yassihoyiik Stratigraphie Sequence 79 Robert C. HENRICKSON and Mary M. VOIGT Philadelphia, USA Roman Phrygia 107 D.H. FRENCH Waterford, UK Phrygia: Linguistics and Epigraphies HI Petar DIMITROV Sofia, BULGARIA Phrygian and the Southeast European Namebund 115 Adrian PORUCIUC lasi, ROMANIA Une Inscription en Langue Inconnue 119 Catherine BRIXHE et Thomas DREW-BEAR Lyon, FRANCE Conservation and Reconstruction of Phrygian Chariot Wheels from Mysia 131 Hande KÔKTEN Istanbul, TURKEY Microstructural Studies on Some Phrygian Metallic Objects 147 Macit ÔZENBAS and Lèvent ERCANLI Ankara, TURKEY Panel Discussions 157. -
Workshops of Apulian
- . WORKSHOPSOF APULIAN RED-FIGURE OUTSIDE TARANTO E. G. D. Robinson The publication of The Red-figured Vasesof Apulia brought, for the first time, structure to a massive body of information. The classification of thousands of vases, on the basis of style, has opened the way to other kinds of studies. One such study is offered here with gratitude to Alexander Cambitoglou from a colleague and former pupil. Since the beginning of the study of Apulian red-figured vases, there has been controversy over the localization of its workshops.l It is now accepted that Apulian red-figured vases were first made in Taranto; only late in the series are Apulian workshops outside Taranto postulated. It is widely recognized that one important late group, comprising the Baltimore Painter, Arpi Painter, White SaccosPainter and others, worked in Canosa or somewhere close by.2 Other painters, outside this broad stylistic grouping, may be strongly associatedwith one site, like the Laterza Painter with Salapia and the Lampas Painter with Canosa.3Caution should be exercised if, as in these two cases, a large proportion of the vases with proveniences come from one tomb.4 The acquisition of large groups of vases by one painter, who need not have been working locally, for placementin a tomb is commonin the later 4th cent. BC. The presencein : Rutigliano (1976) Tomb 24 of seven vases by the Painter of the Berlin Dancing Girl i shows that the phenomenon exists right from the beginning of the Apulian series.s The present study aims to use the stylistic groups and proveniences published in RVAp for a simple statistical survey.6 It will firstly look at the proveniences of vases in Late Apulian red-figure, to examine the possible localization of workshops in northern Apulia. -
Haplogroup R1b (Y-DNA)
Eupedia Home > Genetics > Haplogroups (home) > Haplogroup R1b Haplogroup R1b (Y-DNA) Content 1. Geographic distribution Author: Maciamo. Original article posted on Eupedia. 2. Subclades Last update January 2014 (revised history, added lactase 3. Origins & History persistence, pigmentation and mtDNA correspondence) Paleolithic origins Neolithic cattle herders The Pontic-Caspian Steppe & the Indo-Europeans The Maykop culture, the R1b link to the steppe ? R1b migration map The Siberian & Central Asian branch The European & Middle Eastern branch The conquest of "Old Europe" The conquest of Western Europe IE invasion vs acculturation The Atlantic Celtic branch (L21) The Gascon-Iberian branch (DF27) The Italo-Celtic branch (S28/U152) The Germanic branch (S21/U106) How did R1b become dominant ? The Balkanic & Anatolian branch (L23) The upheavals ca 1200 BCE The Levantine & African branch (V88) Other migrations of R1b 4. Lactase persistence and R1b cattle pastoralists 5. R1 populations & light pigmentation 6. MtDNA correspondence 7. Famous R1b individuals Geographic distribution Distribution of haplogroup R1b in Europe 1/22 R1b is the most common haplogroup in Western Europe, reaching over 80% of the population in Ireland, the Scottish Highlands, western Wales, the Atlantic fringe of France, the Basque country and Catalonia. It is also common in Anatolia and around the Caucasus, in parts of Russia and in Central and South Asia. Besides the Atlantic and North Sea coast of Europe, hotspots include the Po valley in north-central Italy (over 70%), Armenia (35%), the Bashkirs of the Urals region of Russia (50%), Turkmenistan (over 35%), the Hazara people of Afghanistan (35%), the Uyghurs of North-West China (20%) and the Newars of Nepal (11%). -
The Judgement of Midas Adapted from Old Greek Folk-Stories, by Josephine Preston Peabody
The Judgement of Midas Adapted from Old Greek Folk-Stories, by Josephine Preston Peabody The Greek God Pan, the god of the wood crouched still as stone; the trees kept open air, was a great musician. He every leaf from rustling; earth and air played on a pipe of reeds. And were silent as a dream. To hear the sound of his reed-pipe was such music cease was like bid- so sweet that he grew proud, ding farewell to father and and believed himself greater mother. than the chief musician of When the charm was the gods, Apollo, the sun- broken, the hearers fell god. So he challenged at Apollo’s feet and pro- great Apollo to make bet- claimed the victory his. ter music than he. All but Midas. He alone Apollo consented to would not admit that the test, for he wished to the music was better than punish Pan’s vanity, and they Pan’s. chose the mountain Tmolus “If thine ears are so dull, for judge, since no one is so old mortal,” said Apollo, “they shall and wise as the hills. take the shape that suits them.” When Pan and Apollo came before And he touched the ears of Midas. And Tmolus, to play, their followers came with them, straightway the dull ears grew long, pointed, and to hear, and one of those who came with Pan was furry, and they turned this way and that. They a mortal named Midas. were the ears of an donkey! First Pan played; he blew on his reed-pipe, For a long time Midas managed to hide the and out came a tune so wild and yet so coaxing tell-tale ears from everyone; but at last a servant that the birds hopped from the trees to get near; discovered the secret. -
Reports on Completed Research for 2014
Reports on Completed Research for 2014 “Supporting worldwide research in all branches of Anthropology” REPORTS ON COMPLETED RESEARCH The following research projects, supported by Foundation grants, were reported as complete during 2014. The reports are listed by subdiscipline, then geographic area (where applicable) and in alphabetical order. A Bibliography of Publications resulting from Foundation-supported research (reported over the same period) follows, along with an Index of Grantees Reporting Completed Research. ARCHAEOLOGY Africa: DR. JAMIE LYNN CLARK, University of Alaska, Fairbanks, Alaska, received a grant in April 2013 to aid research on “The Sibudu Fauna: Implications for Understanding Behavioral Variability in the Southern African Middle Stone Age.” This project sought to gain a deeper understanding of human behavioral variability during the Middle Stone Age through the analysis of the Still Bay (SB; ~71,000 ya) and pre-SB (>72,000 ya) fauna from Sibudu Cave. In addition to characterizing variation in human hunting behavior within and between the two periods, the project had two larger goals. First, to explore whether the data were consistent with hypotheses linking the appearance of the SB to environmental change. No significant changes in the relative frequency of open vs. closed dwelling species were identified, with species preferring closed habitats predominant throughout. This suggests that at Sibudu, the onset of the SB was not correlated with climate change. Secondly, data collected during this project will be combined with lithic and faunal data from later deposits at Sibudu in order to explore the relationship between subsistence and technological change spanning from the pre-SB through the post-Howiesons Poort MSA (~58,000 ya). -
The GIS Application to the Spatial Data Organization of the Necropolis of Poseidonia-Paestum (Salerno, Italy)
The GIS Application to the Spatial Data Organization of the Necropolis of Poseidonia-Paestum (Salerno, Italy) A. SANTORIELLO', F. U. SCELZA', R. GALLOTTP, R. BOVE\ L. SIRANGELO', A. PONTRANDOLFO' ' University of Salemo, Department of Cultural Heritage, Laboratory of Archaeology "M. Napoli", Italy ' CRdC "Innova", Department of Cultural Heritage, University of Salemo, Italy ' Independent Software Developer ABSTRACT This paper concerns about the spatial organization and the thematic management of the Poseidonia and Paestum's urban funeral areas. The wide archaeological heritage, investigated since the beginning of XIX century, had been studied using different research methodologies. These studies led to several inhomogeneous documents. First of all, we have to notice the absence of a general topographical map concerning the exact localization of each grave. In front of this scenario, the aim for the researcher consisted in the documentary source's collection and the integration in order to construct an unique cartographical base to use as a corner stone for the Paestum 's plain. This base has been realized through the acquisition of multi-temporal and multi- scalar supports. These different data have been organized within a Geographical Information System, according to the same cartographical projection system. The burial ground's geo-localisation has been realized through survey control operations, carried out by a satellite positioning system (GPS- Glonass) with subcentrimetrical resolution. The second phase of the research aimed to the database construction in order to collect analytical records, relevant to each tomb, and to link the archaeological data to the geographical entities previously created. The target was to create an informative layer, selective and comprehensive at the same time, able to process specific thematic questions, analysis of singular funerary context and comparative examination of the entire necropolis. -
Agricultural Practices in Ancient Macedonia from the Neolithic to the Roman Period
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by International Hellenic University: IHU Open Access Repository Agricultural practices in ancient Macedonia from the Neolithic to the Roman period Evangelos Kamanatzis SCHOOL OF HUMANITIES A thesis submitted for the degree of Master of Arts (MA) in Black Sea and Eastern Mediterranean Studies January 2018 Thessaloniki – Greece Student Name: Evangelos Kamanatzis SID: 2201150001 Supervisor: Prof. Manolis Manoledakis I hereby declare that the work submitted is mine and that where I have made use of another’s work, I have attributed the source(s) according to the Regulations set in the Student’s Handbook. January 2018 Thessaloniki - Greece Abstract This dissertation was written as part of the MA in Black Sea and Eastern Mediterranean Studies at the International Hellenic University. The aim of this dissertation is to collect as much information as possible on agricultural practices in Macedonia from prehistory to Roman times and examine them within their social and cultural context. Chapter 1 will offer a general introduction to the aims and methodology of this thesis. This chapter will also provide information on the geography, climate and natural resources of ancient Macedonia from prehistoric times. We will them continue with a concise social and cultural history of Macedonia from prehistory to the Roman conquest. This is important in order to achieve a good understanding of all these social and cultural processes that are directly or indirectly related with the exploitation of land and agriculture in Macedonia through time. In chapter 2, we are going to look briefly into the origins of agriculture in Macedonia and then explore the most important types of agricultural products (i.e.