Reflective Paper – My Experience in BGJI, Class of 2019
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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Patricia Zarate Perez Other Bios Performance
Patricia Zarate Perez Other Bios Performance: Patricia started playing the guitar and singing Chilean songs at age 10 in Santiago and Santa Cruz, Chile. She picked up the saxophone at age 13 and studied in Chile with renowned Chilean saxophone players. She moved to the US at age 20 and became the first female Chilean student to graduate from Berklee College of Music. Later, she pursued her master's degree in Jazz Studies at New York University with a full scholarship. Her saxophone teachers in the USA included Jerry Bergonzi, Jackie McLean, George Garzone, among others. Zarate has performed in North, Central, and South America with various bands in diverse settings. She has performed at Lincoln Center, Chicago's Jazz Showcase, Detroit Jazz Festival, Conservatory of Paris, Havana Jazz Festival, among many other sites, and in countries like Korea, Puerto Rico, Panama, Chile, USA, Gabon, Cameroon, Spain, among others. She regularly participates in her husband's (Panamanian pianist Danilo Perez) educational and diplomatic projects, and her life has been immensely influenced by the musical and non- musical lessons of saxophonist Wayne Shorter. Music Therapy: Zarate Perez graduated with the first generation of students from the music therapy department at Berklee College of Music in 1999, where she met her mentor Colin Lee. She worked as a music therapy intern at the Psychiatric Unit of the New Hampshire State Hospital, where she provided music therapy services to acute psychiatric patients. She later worked at the Boston Institute For Arts Therapies and Arts in Progress where she worked with children with behavioral difficulties, autism, and Down Syndrome. -
Creative Thinking at Berklee
Creative Thinking at Berklee Toronto and other places around the world. They give back to the community by working with children, teaching music in Boston and in other cities they visit while performing. In June, the BGJI Quartet attended the Toronto Jazz Festival and worked with the Youth Jazz in the City program and with Japanese jazz artists Yamaki Shohei and fular_pad from Sapporo, Japan. One of the goals of the Berklee Global Jazz Institute is to connect creating thinking in music with the restoration of nature, using music as a tool for the betterment of society. In short, students learn to become role models for a new generation of musicians and to inspire leadership in others. berklee.edu/focused/global-jazz Danilo Perez The Berklee Global Jazz Institute some of the world’s finest young (BGJI) celebrated its one year jazz players to concentrate on anniversary in April with a special creativity and musicianship. concert by saxophone legend The students are mentored by Wayne Shorter, who performed with jazz masters at Berklee, and they Institute faculty and students at the also travel together to perform at Berklee Performance Center. festivals in Panama, Puerto Rico, The concert was part of Berklee’s Global Jazz Summit for Humanity and Peace, which looked at ways in which musicians can get involved in creating a better world through their music. “The Berklee Global Jazz Institute’s mission and commitment to interconnected learning is inspiring,” says Shorter, who encouraged young musicians to “experience life and go beyond what music is.” The Institute is under the artistic direction of Danilo Pérez, the renowned jazz pianist from Panama. -
Department Historyrevised Copy
The Music Department of Wayne State University A History: 1994-2019 By Mary A. Wischusen, PhD To Wayne State University on its Sesquicentennial Year, To the Music Department on its Centennial Year, and To all WSU music faculty and students, past, present, and future. ii Contents Preface and Acknowledgements ……………………………………………………………………...........v Abbreviations ……………………………………………………………………………............................ix Dennis Tini, Chair: 1993-2005 …………………………………………………………………………….1 Faculty .…………………………………………………………………………..............................2 Staff ………………………………………………………………………………………………...7 Fundraising and Scholarships …………………………………………………................................7 Societies and Organizations ……………………………………………..........................................8 New Music Department Programs and Initiatives …………………………………………………9 Outreach and Recruitment Programs …………………………………………….……………….15 Collaborative Programs …………………………………………………………………………...18 Awards and Honors ……………………………………………………………………………….21 Other Noteworthy Concerts and Events …………………………………………………………..24 John Vander Weg, Chair: 2005-2013 ………………………………………………................................37 Faculty………………………………………………………………..............................................37 Staff …………………………………………………………………………………………….....39 Fundraising and Scholarships …………………………………………………..............................40 New Music Department Programs and Initiatives ……………………………………………..…41 Outreach and Recruitment Programs ……………………………………………………………..45 Collaborative Programs …………………………………………………………………………...47 Awards -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Osaka to Host All-Star Concert on Int'l Jazz Day
news.yahoo.com http://news.yahoo.com/osaka-host-star-concert-intl-jazz-day-051036287.html Osaka to host all-star concert on Int'l Jazz Day By CHARLES J. GANS March 4, 2014 1:13 AM FILE - In this Wednesday, Jan. 16, 2013, file photo, U.S. musician Herbie Hancock performs during a concert, part of the 10th edition of the Panama Jazz Festival, in Panama City. Hancock reckons he's performed more often in Japan than in his hometown of Chicago during his professional career. The pianist will be back in April 2014 for an all-star concert at Osaka Castle Park highlighting the third annual International Jazz Day. (AP Photo/Arnulfo Franco, File) NEW YORK (AP) — Herbie Hancock reckons he's performed more often in Japan than in his hometown of Chicago during his professional career. The pianist will be back next month for an all-star concert at Osaka Castle Park highlighting the third annual International Jazz Day. The United Nations Educational, Scientific and Cultural Organization has chosen Osaka as the host city for International Jazz Day 2014, which will be celebrated around the world on April 30. Hancock, a UNESCO Goodwill Ambassador, says it's an opportunity to show appreciation for Japanese jazz fans who have been among the world's greatest supporters of the music. He first performed in Japan with Miles Davis' quintet in 1964, and has toured there with his own electric and acoustic groups for decades. "Japanese audiences are very loyal," said Hancock, interviewed ahead of Tuesday's official announcement of the International Jazz Day program. -
For Immediate Release Exclusive Sfjazz 'Fridays At
FOR IMMEDIATE RELEASE Media Contact: TJ Gorton [email protected] 415.283.0309 EXCLUSIVE SFJAZZ 'FRIDAYS AT FIVE' FOUR-PART BROADCAST TO BENEFIT WAYNE SHORTER Four Historic Wayne Shorter Celebration Concerts From January 2019 Featuring Herbie Hancock, Kamasi Washington, Branford Marsalis, Terence Blanchard, Terrace Martin, Danilo Pérez, John Patitucci, and Brian Blade to Air on SFJAZZ “Fridays at Five” Online Series (SAN FRANCISCO, CA, May 18, 2020) -- SFJAZZ announced a historic Wayne Shorter Celebration concert series with Herbie Hancock, Kamasi Washington, Branford Marsalis, Terence Blanchard, Terrace Martin, Danilo Pérez, John Patitucci, Brian Blade, and more will be broadcasted for the first time ever on “Fridays at Five.” For these four-night broadcasts, all contributions will go directly to the Wayne Shorter fund to support his ongoing medical needs. All concerts also feature members of Wayne Shorter’s quartet including pianist Danilo Pérez, bassist John Patitucci, and drummer Brian Blade. “FRIDAYS AT FIVE” is SFJAZZ’s new weekly online membership program launched in the face of the COVID-19 crisis to support SFJAZZ’s ongoing operations and artists in anticipation of reopening. The program is supported by a $5 monthly/$60 yearly membership. Direct support of artists is provided via a “tip jar” that is available prior, during and after the broadcast that is split 50/50 between artist and SFJAZZ. For these four concerts 100% of the “tip jar” proceeds will go to Wayne Shorter for needed medical expenses. BROADCAST DATES Friday, May 22 | 5PM PT w/ Kamasi Washington and Terrace Martin Friday, June 26 | 5PM PT w/ Herbie Hancock, Terence Blanchard, Terrace Martin Friday, July 31 | 5PM PT w/ Branford Marsalis and Terence Blanchard + 1 MORE TBA ABOUT WAYNE SHORTER CELEBRATION CONCERTS Legendary saxophonist and composer Wayne Shorter had been scheduled to perform with his quartet over four nights in Miner Auditorium in January of 2019, but unfortunately an illness that precluded travel prevented Wayne from appearing that week. -
Curriculum Vitae Patricia Perez A.K.A Patricia Zarate Perez
! Curriculum Vitae Patricia Perez A.K.A Patricia Zarate Perez www.patriciazarateperez.com Education 2017-2020 Part Time Doctoral Student. University of Massachusetts, Boston. MA Department for Global Inclusion and Social Development 2016-2018 Associate, David Rockefeller Center For Latin American Studies, Harvard University, Cambridge, MA 2015-2016 Special Student Fellowship, Music Department, Harvard University, Cambridge, MA (Full Scholarship) 2002-2004 Master Degree in Jazz Studies, New York University, New York, NY (Full Scholarship) 1996-1999 Bachelor Degree in Music Therapy, Berklee College of Music, Boston, MA (Partial Scholarship) Current as of July 2019 Page !1 of !13 ! Present Work: Executive Director Panama Jazz Festival June 2009 – Present, Panama City, Panama Direct all departments including education, sound production, publicity, promotion, training, volunteers. Manage over 500 production workers from experienced coordinators to first-time volunteers. Business Manager Cholo Music Inc. January 2009 – Present, Quincy, MA Manage all bills, bookkeeping, payroll, Quickbooks files, buy and sell merchandise, organize all financial statements and finances of the corporation. Member of Advisory Board, Berklee Global Jazz Institute 2010 – Present, Boston, MA Help in the development of new projects that include social work and help define and promote mission, and Institute's goals. Curator Symposium of Interconnected Arts and Music Performance Berklee Global Jazz Institute 2016 - Present, Boston, MA Curate a one-day symposium per academic year about the interconnective and multidimensional aspects of music, the arts, creativity, and innovation in the XXI century. Current as of July 2019 Page !2 of !13 ! Additional Present Activities Music Therapist Advocate and Private Practice 1999 - Present Provide individual and group music therapy services to all ages and conditions in Latin America and the world. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
The 2011 Annual Bridgewater State University Jazz Festival
Born in San Francisco, California, Jeff Galindo attended Berklee College of The Bridgewater State University Music Department presents Music in Boston, Massachusetts on scholarship after high school. He also studied with Hal Crook, Jerry Bergonzi, and George Garzone with grants by the National Endowment of the Arts and began free-lancing in the Boston area. His The 2011 Annual experience includes tours of Europe with Phil Woods and Japan with Makoto Ozone, and tours with the Artie Shaw Orchestra. Jeff has performed with such Bridgewater State University notables as Chick Corea, Clark Terry, Joe Lovano, Buddy DeFranco, Slide Hampton, and Johnny Griffin. He has also performed with Gunther Schuller, Ray Charles, Aretha Franklin, Jerry Bergonzi, Bobby Shew, The Boston Pops Jazz Festival Orchestra, and Sam Butera among many others. In Boston, Jeff performs regularly with the Greg Hopkins Big Band and Nonet, The Galindo/Phaneuf Featuring: Sextet (with which he has released a new cd "Locking Horns" in 1998 and won Boston Magazines "Best of Boston" for a jazz group in 1999), plus his double The East Bridgewater High School Jazz Band quartet with George Garzone. He is currently one of the top free-lancing trombonists in the Boston area. The Bridgewater State Jazz Ensembles With special guest Jeff Galindo Jeff is an Assistant Professor at Berklee College of Music, teaching both trombone and jazz improvisation. He also has an extensive private teaching schedule. Jeff is in high demand as a guest artist and clinician at high schools and universities in Massachusetts, the United States, Canada, and Europe. Saturday In order to assist talented students in the pursuit of th their musical studies and professional goals, the February 12 , 2011 Department of Music has established the Music Scholarship Fund. -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.