Video Cabling Cheat Sheet
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881/882 Video Test Instrument User Guide
881/882 Video Test Instrument User Guide 881/882 Video Test Instrument, User Guide, Revision A.35 (9/23/10) Copyright 2010 Quantum Data. All rights reserved. The information in this document is provided for use by our customers and may not be incorporated into other products or publications without the expressed written consent of Quantum Data. Quantum Data reserves the right to make changes to its products to improve performance, reliability, producibility, and (or) marketability. Information furnished by Quantum Data is believed to be accurate and reliable. However, no responsibility is assumed by Quantum Data for its use. Updates to this manual are available at http://www.quantumdata.com/support/downloads/ . Table of Contents Chapter 1 Getting Started Introduction . 2 882D features . 2 Video interfaces . 4 Computer interfaces . 7 Front panel interface . 9 Status indicators . 9 Menu selection keys . 10 882 file system and media . 13 882 file system . 13 882 media . 13 882 operational modes . 14 Booting up the 882 . 14 Basic mode. 15 Browse mode . 15 Web interface . 20 Working with the Virtual Front Panel . 20 Working with the CMD (Command) Terminal. 22 Working with the 882 FTP Browser . 23 Copying files between 882s . 27 Command line interface . 30 Working with the serial interface. 30 Working with the network interface. 33 Sending commands interactively . 34 Sending command files (serial interface only) . 34 Working with user profiles . 36 Chapter 2 Testing Video Displays General video display testing procedures . 40 882 Video Test Instrument User Guide (Rev A.35) i Making physical connection . 40 Selecting interface type . 41 Selecting video format . -
Color Models
Color Models Jian Huang CS456 Main Color Spaces • CIE XYZ, xyY • RGB, CMYK • HSV (Munsell, HSL, IHS) • Lab, UVW, YUV, YCrCb, Luv, Differences in Color Spaces • What is the use? For display, editing, computation, compression, …? • Several key (very often conflicting) features may be sought after: – Additive (RGB) or subtractive (CMYK) – Separation of luminance and chromaticity – Equal distance between colors are equally perceivable CIE Standard • CIE: International Commission on Illumination (Comission Internationale de l’Eclairage). • Human perception based standard (1931), established with color matching experiment • Standard observer: a composite of a group of 15 to 20 people CIE Experiment CIE Experiment Result • Three pure light source: R = 700 nm, G = 546 nm, B = 436 nm. CIE Color Space • 3 hypothetical light sources, X, Y, and Z, which yield positive matching curves • Y: roughly corresponds to luminous efficiency characteristic of human eye CIE Color Space CIE xyY Space • Irregular 3D volume shape is difficult to understand • Chromaticity diagram (the same color of the varying intensity, Y, should all end up at the same point) Color Gamut • The range of color representation of a display device RGB (monitors) • The de facto standard The RGB Cube • RGB color space is perceptually non-linear • RGB space is a subset of the colors human can perceive • Con: what is ‘bloody red’ in RGB? CMY(K): printing • Cyan, Magenta, Yellow (Black) – CMY(K) • A subtractive color model dye color absorbs reflects cyan red blue and green magenta green blue and red yellow blue red and green black all none RGB and CMY • Converting between RGB and CMY RGB and CMY HSV • This color model is based on polar coordinates, not Cartesian coordinates. -
An Improved SPSIM Index for Image Quality Assessment
S S symmetry Article An Improved SPSIM Index for Image Quality Assessment Mariusz Frackiewicz * , Grzegorz Szolc and Henryk Palus Department of Data Science and Engineering, Silesian University of Technology, Akademicka 16, 44-100 Gliwice, Poland; [email protected] (G.S.); [email protected] (H.P.) * Correspondence: [email protected]; Tel.: +48-32-2371066 Abstract: Objective image quality assessment (IQA) measures are playing an increasingly important role in the evaluation of digital image quality. New IQA indices are expected to be strongly correlated with subjective observer evaluations expressed by Mean Opinion Score (MOS) or Difference Mean Opinion Score (DMOS). One such recently proposed index is the SuperPixel-based SIMilarity (SPSIM) index, which uses superpixel patches instead of a rectangular pixel grid. The authors of this paper have proposed three modifications to the SPSIM index. For this purpose, the color space used by SPSIM was changed and the way SPSIM determines similarity maps was modified using methods derived from an algorithm for computing the Mean Deviation Similarity Index (MDSI). The third modification was a combination of the first two. These three new quality indices were used in the assessment process. The experimental results obtained for many color images from five image databases demonstrated the advantages of the proposed SPSIM modifications. Keywords: image quality assessment; image databases; superpixels; color image; color space; image quality measures Citation: Frackiewicz, M.; Szolc, G.; Palus, H. An Improved SPSIM Index 1. Introduction for Image Quality Assessment. Quantitative domination of acquired color images over gray level images results in Symmetry 2021, 13, 518. https:// the development not only of color image processing methods but also of Image Quality doi.org/10.3390/sym13030518 Assessment (IQA) methods. -
Component Video with 2 Channel Mono Audio Extender AT-COMP150SR
Component Video with 2 Channel Mono Audio Extender AT-COMP150SR User Manual Toll free: 1-877-536-3976 atlona.com Local: 1-408-962-0515 TABLE OF CONTENTS 1. Introduction 2 2. Features 2 3. Package Contents 2 4. Specifications 3 5. Panel Description 4 5.1. Sender Unit: AT-COMP150S 4 5.1.1. Input Panel 4 5.1.2. Output Panel 4 5.2. Receiver Unit: AT-COMP150R 5 5.2.1. Input Panel 5 5.2.2. Output Panel 5 6. Connection and Installation 6 7. Notice 7 8. Performance Guide 7 9. Safety Information 8 10. Warranty 9 11. Atlona Product Registration 10 1 Toll free: 1-877-536-3976 atlona.com Local: 1-408-962-0515 INTRODUCTION Atlona Technologies AT-COMP150SR can easily extend component (YPbPr) or composite (CVBS) video with 2ch mono audio over only one CAT5/6 cable. The AT-COMP150SR lets you extend signals to cover the distance up to 330m(1,000ft). The devices are composed of atransmitter and a receiver. The transmitter is installednear thevideo signal source, and the receiver is placed near the desired display, up to impressive 330m (1,000ft) away for composite (CVBS) video and analog 2ch mono audio.The AT-COMP150SR does nonteed external power supply which is easier for installation. FEATURES • Passive and no power required • Supports component (YPbPr) and composite (CVBS) video and 2 channel mono audio • Supports resolutions up to 720p/1080i (NTSC/PAL) • Transmission range up to 1,000 feet • Wall mountable Note: The length depends on the characteristics and quality of the cables. -
COLOR SPACE MODELS for VIDEO and CHROMA SUBSAMPLING
COLOR SPACE MODELS for VIDEO and CHROMA SUBSAMPLING Color space A color model is an abstract mathematical model describing the way colors can be represented as tuples of numbers, typically as three or four values or color components (e.g. RGB and CMYK are color models). However, a color model with no associated mapping function to an absolute color space is a more or less arbitrary color system with little connection to the requirements of any given application. Adding a certain mapping function between the color model and a certain reference color space results in a definite "footprint" within the reference color space. This "footprint" is known as a gamut, and, in combination with the color model, defines a new color space. For example, Adobe RGB and sRGB are two different absolute color spaces, both based on the RGB model. In the most generic sense of the definition above, color spaces can be defined without the use of a color model. These spaces, such as Pantone, are in effect a given set of names or numbers which are defined by the existence of a corresponding set of physical color swatches. This article focuses on the mathematical model concept. Understanding the concept Most people have heard that a wide range of colors can be created by the primary colors red, blue, and yellow, if working with paints. Those colors then define a color space. We can specify the amount of red color as the X axis, the amount of blue as the Y axis, and the amount of yellow as the Z axis, giving us a three-dimensional space, wherein every possible color has a unique position. -
Digital Video Quality Handbook (May 2013
Digital Video Quality Handbook May 2013 This page intentionally left blank. Executive Summary Under the direction of the Department of Homeland Security (DHS) Science and Technology Directorate (S&T), First Responders Group (FRG), Office for Interoperability and Compatibility (OIC), the Johns Hopkins University Applied Physics Laboratory (JHU/APL), worked with the Security Industry Association (including Steve Surfaro) and members of the Video Quality in Public Safety (VQiPS) Working Group to develop the May 2013 Video Quality Handbook. This document provides voluntary guidance for providing levels of video quality in public safety applications for network video surveillance. Several video surveillance use cases are presented to help illustrate how to relate video component and system performance to the intended application of video surveillance, while meeting the basic requirements of federal, state, tribal and local government authorities. Characteristics of video surveillance equipment are described in terms of how they may influence the design of video surveillance systems. In order for the video surveillance system to meet the needs of the user, the technology provider must consider the following factors that impact video quality: 1) Device categories; 2) Component and system performance level; 3) Verification of intended use; 4) Component and system performance specification; and 5) Best fit and link to use case(s). An appendix is also provided that presents content related to topics not covered in the original document (especially information related to video standards) and to update the material as needed to reflect innovation and changes in the video environment. The emphasis is on the implications of digital video data being exchanged across networks with large numbers of components or participants. -
XO2 and XO3: Low Jitter CD Clock Oscillators
Mounting instructions for: XO2 and XO3: low jitter CD clock oscillators Congratulations! You just bought a high quality, low jitter master clock oscillator. This document gives guidance to mounting and connecting it in your CD player. Introduction XO2 and XO3 are equal, except the reclocking option for XO3. XO2 and XO3 S Need to be supplied from a DC voltage of 9 to 35V, approximately 30mA. S Generate a new clock, which needs to be fed to the input of the original oscillator XO3 additionally needs: S to be fed with the original SPDIF signal (generated by the decoder chip) S the newly generated SPDIF signal to be connected to the original, or new digital output Mounting Mounting your XO is not that difficult. However some experience is needed to: S recognise and locate components S find specific connections and IC pin numbers S measure voltages using a multimeter S careful soldering of small parts If you feel lack of skills and or experience in some of the above listed subjects, please ask someone else to support you. Know your connections What is on the PCB XO, heart of the circuit Low noise adjustment - do not touch ! Supply (9-35Vdc/30 mA) SPDIF in Clock out SPDIF outputs The supply and SPDIF in (XO3 only) and clock out (XO2 and XO3) are already equipped with wiring. The supply wire may be extended using normal gauge wire, the others may not. If longer wiring is required, the use of coax is advised. Please contact me. Guido Tent can be contacted for questions and orders at: [email protected] 1 How to connect XO2 or XO3 in your player General Read these full instructions below, before starting any work. -
Model 5280 Digital to Analog Composite Video Converter Data Pack
Model 5280 Digital to Analog Composite Video Converter Data Pack ENSEMBLE DESIGNS Revision 2.1 SW v2.0 This data pack provides detailed installation, configuration and operation information for the 5280 Digital to Analog Composite Video Converter and the 5210 Genlock option submodule as part of the Avenue Signal Integration System. The module information in this data pack is organized into the following sections: • Module Overview • Applications • Installation • Cabling • Module Configuration and Control ° Front Panel Controls and Indicators ° Avenue PC Remote Control ° Avenue Touch Screen Remote Control • Troubleshooting • Software Updating • Warranty and Factory Service • Specifications 5280-1 Model 5280 Video DAC MODULE OVERVIEW The 5280 module converts serial digital component video into composite analog video. Six separate composite or two Y/C (S-video) analog video outputs are available. The following analog formats are supported: • NTSC Composite with or without setup • PAL Composite A serial output BNC is provided for applications requiring the serial digital input signal to loop-through to another device. Output timing can be adjusted relative to a reference input signal by installing the 5210 Genlock Option, a submodule that plugs onto the 5280 circuit board. Incorporating a full- frame synchronizer, the 5210 also allows the 5280 to accept serial inputs that are asyn- chronous to the reference. As shown in the block diagram on the following page, the serial digital input signal first passes through serial receiver circuitry then on to EDH processing and deserializing. The serial output signal goes to a cable driver and is then AC coupled to a loop-through output BNC on the backplane. -
FMS6404 — Precision Composite Video Output with Sound Trap And
FMS6404 — Precision Composite October 2011 FMS6404 Precision Composite Video Output with Sound Trap and Group Delay Compensation Features Description The FMS6404 is a single composite video 5th-order Video Output with Sound Trap 7.6MHz 5th-Order Composite Video Filter . Butterworth low-pass video filter optimized for minimum . 14dB Notch at 4.425MHz to 4.6MHz for Sound Trap overshoot and flat group delay. The device contains an Capable of Handling Stereo audio trap that removes video information in a spectral location of the subsequent RF audio carrier. The group 50dB Stopband Attenuation at 27MHz on . delay compensation circuit pre-distorts the signal to CV Output compensate for the inherent receiver intermediate . > 0.5dB Flatness to 4.2MHz on CV Output frequency (IF) filter’s group delay distortion. Equalizer and Notch Filter for Driving RF Modulator In a typical application, the composite video from the with Group Delay of -180ns DAC is AC coupled into the filter. The CV input has DC- restore circuitry to clamp the DC input levels during No External Frequency Selection Components . video synchronization. The clamp pulse is derived from or Clocks the CV channel. < 5ns Group Delay on CV Output All outputs are capable of driving 2VPP, AC- or DC- . AC-Coupled Input coupled, into either a single or dual video load. A single video load consists of a series 75Ω impedance . AC- or DC-Coupled Output matching resistor connected to a terminated 75Ω line. and Group Delay Compensation . Capable of PAL Frequency for CV This presents a total of 150Ω of loading to the part. -
Game Capture Quick Start Guide
E C D Y r. P b P R L T OU VIDEO T N E N PO M CO T U O IO D AU COMPONENT VIDEO IN AUDIO IN Y Pb Pr. L R A B Game console component cables (NOT INCLUDED) Game Capture Quick Start Guide A B Power off Xbox® 360 or PlayStation® 3. Connect a console specific C Connect the color corresponding D Connect the color corresponding E Connect USB cable Component AV cable* to the A/V port of the console. For Component Video cables between RCA Audio cables between the between the output PlayStation 3, you can leave the HDMI cable plugged in if you the outputs of Roxio GameCAP device outputs of Roxio GameCAP device on the Roxio GameCAP would like. For Xbox 360 the HDMI may need to be removed to and the Component Video inputs at and the Component Video inputs device and the USB2.0 make room for the Component AV cable. Next, plug the color the back or side of your TV. at the back or side of your TV. port of your laptop or PC. corresponding Component Video and RCA Audio cables to the inputs on the Roxio GameCAP device. *Console specific Component AV cable(s) are NOT INCLUDED. PlayStation3 If you were using HDMI or Composite AV cables on your PlayStation 3 you will need to reset the video output for Component AV cables by following these steps: A Go to Display Settings B Select Display Settings/Video Output Settings C Switch to Component/D-Terminal option D Use your TVs remote to change input to Component E Select (X) Enter to confirm change and confirm the change Check ALL the supported resolutions that your TV supports (480p/720p/1080i etc.) F Select “Set Audio Output Settings” G Change Audio to Audio Input Connector/SCART/AV MULTI H Select (X) Enter to confirm change Xbox 360 Tips: Use the remote control for the TV • If you are not able to see the preview video in the Roxio Game Capture software, power off and then power to change the input to Compone• nt on the console. -
Datapath-Fx4 Spec Sheet
Fx4 One box. Four outputs. Millions of possibilities. HIGH PERFORMANCE CONTROLLER FEATURES Advancements in digital signage allow much greater freedom in creating Infinite creative configurations and deploying any scale signage projects. At the forefront of this is the UHD / 4K60 input, four HD 1080p outputs Datapath Fx4, a multi-faceted stand alone display controller. The Fx4 Rotates, crops, scales, mirrors and bezel corrects supports a choice of inputs, high bandwidth loop-through as well as 4 genlocked outputs in either DisplayPort or HDMI. Multiple inputs for flexible connectivity (Dual HDMI1.4 or single DisplayPort1.2 inputs) The Fx4 features a DisplayPort1.2 main input alongside two HDMI1.4 inputs HDCP1.4 support on all inputs and outputs offering 4K 4096 x 2160p at 60fps. The intuitive user interface allows users to determine which input is used. True stand-alone operation: Fx4 can adapt to changes in inputs by adjusting all scale factors Network or USB interfaces allow platform independent control (MAC OSX 10.6 & later) Pre-load an image for use when signal is not detected Engineering the world’s best visual solutions Next generation display wall controller ADDITIONAL FEATURES WALL DESIGNER Each output monitor can take its input from any region of the input image Datapath’s hugely popular multi-screen design tool, Wall Designer has also as all of the required cropping, scaling, rotation and frame-rate conversion been updated to incorporate Fx4. Wall Designer allows users to add displays is handled by the Fx4 hardware. These regions can overlap to allow any from the ever expanding database of monitors, visualise their content by output to replicate another or can be configured to support any creative adding inputs and adjusting display regions and finally instantly program splice of the source material. -
Bvh-20™ Bvr-20™ Bvd-20™
ACTIVE-BALANCED SERIES ACTIVE-BALANCED SERIES Installation and Operation Manual ™ BVD-20 Component Video/Digital Audio Driver BVH-20™ Component Video/Digital Audio Hub Driver ™ BVR-20 Component Video/Digital Audio Receiver hank you for choosing an AudioControl Active- T Balanced product for your video and audio distribution needs. You are installing one of the most innovative custom installation products available. These units will allow you to transmit video and audio signals over standard Category 5 wiring by using the highest quality active circuitry. Please ® note that these products are primarily designed for installa- For Those Who Think Perfection Possible® tion by professional audio video companies so if any part of 22410 70th Avenue West this manual is not clear . STOP WHAT YOU ARE DO- Mountlake Terrace, WA 98043 ING! Contact your nearest audio video installation company Phone 425-775-8461 • Fax 425-778-3166 or call us and we will refer you to one. Plasma monitors and www.audiocontrol.com DVD players are too expensive to damage so don’t attempt anything you are unfamiliar with. ©2004 All Rights Reserved Now sit back, grab a cold beverage and take a moment to read through this manual before you charge off into the P/N 9130770 installation. 20 For Those Who Think Perfection Possible® ® ® ACTIVE-BALANCED SERIES ACTIVE-BALANCED SERIES Balanced Video Series Here are some of the cool features for your new balanced video and audio products: • Allows Simple Distribution of High-Quality Component Video and Audio signals up to 1000 feet (305 meters) • Uses Standard, Inexpensive, Twisted-Pair Cat-5 type Cabling • 300 MHz of video bandwidth - compatible with 480, 720, and 1080 formats • Will transmit High Definition (HD) signal up to 300’ via CAT-5 wiring • Can also transmit a digital audio or composite video signal • Standard EIA-568 RJ-45 Cat-5 Connection Jack • Adjustable Cable Compensation Circuit • Five Year Warranty The First Step In Your Installation Procedure FILL OUT AND SEND IN THE WARRANTY CARD! Also, save the invoice or sales slip as proof of purchase.