DOCSLIB.ORG

Page 1 of 217 Sodom Guestbook 24.08.2008 File://H:\Merchandise

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Page 1 of 217 Sodom Guestbook 24.08.2008 File://H:\Merchandise Sodom Guestbook Page 1 of 217 Sodom Guestbook Info: 2805 Einträge auf 1 Seite(n) 44596 Zugriffe seit 2002-06-25 22:00:30 Totos Homepage 2805 Datum: 2007-10-04 13:57:16 venom ( [email protected] / keine Homepage) schrieb: Hab gerade die Final sign of evil bekommen-absolut genial!!! Wenn ihr die jetzt noch auf Vinyl rausbringt und euch nach Saarbrücken bewegt dann seid ihr unsterblich!!! 2804 Datum: 2007-10-04 10:48:45 Steelworker ( keine Email / http://www.against -the -silence.de ) schrieb: Hi Leute, auf unserem AGAINST THE SILENCE - Festival wird die Bühne am Samstag in Schutt und Asche gerockt. „Gegen die Stille“ wird zum ersten Mal am 06. Oktober 2007 in der Frankenhalle (Arena) zu Dettelbach bei Würzburg (direkt am Autobahnkreuz A3/A7) vollzogen, und wir freuen uns beim Billing jedem Metall MYSTIC PROPHECY , Melodic Power/Speed Metal at is best!! LANFEAR , kraftvoller Progressive Power Metal. ABANDONED , German Thrash-Erea from the "South Of Hessen" FREE KEY BIT CHESS , "die Bitchen" spielen klischeefreien Heavy Metal. PYROLYSE , wir geben uns als Gastgeber selbstverständlich auch die Ehre für Euch unseren 80er True / Power Metal zu zelebrieren. Wir würden uns freuen Euch dort zu sehen! Metal Rulez PYROLYSE 2803 Datum: 2007-10-04 00:34:13 woof ( keine Email / http://myspace.com/bitterloss ) schrieb: Die neue Sign of Evil ist geil .. haha nicht so ein überproduzierter Hochglanzmist. Bei einem Stück hört man sogar ein paar Fehler im Drumtiming.. das ist THRASH. Danke SODOM!!! 666 woof 2802 Datum: 2007-10-01 17:27:17 sodom 1984 ( [email protected] / keine Homepage) schrieb: Moin. wann kommt der 2 teil der sodom dvd denn raus? 2801 Datum: 2007-10-01 17:11:43 Michi ( michi@mental -vortex.de / http://www.mental -vortex.de ) schrieb: Habe mir die "Final sign.." besorgt. Mein Gott, ist das geil!!! Das klingt original wie 1984, also wie in den guten alten Zeiten. Das ist nun aber keine Kritik an Bobby und Bernemann, denn die beiden rocken genau so gut wie Grave Violator und Witchhunter. Hoffentlich spielt ihr auf der nächsten Tour wenigstens mal 3 Songs in der alten Besetzung, das wäre doch mal was. Wann wird die "Obsessed by cruelty" neu eingespielt? Euer Fan Michi 2800 Datum: 2007-10-01 17:11:44 Filipe ( [email protected] / keine Homepage) schrieb: AND COME TO PORTUGAL PLEEEEEEAAAAAAASEEEEEE!!!!! BY THE WAY YOU WERE GREAT IN WACKEN!!!!EXCELENT CONCERT!!!!!KEEP UP THE EXTREME GOOD WORK!!!!! 2799 Datum: 2007-09-30 20:52:01 henry ( [email protected] / http://www.datenstau.net ) schrieb: hey leute bewegt eure ärsche gefälligst mal nach saarbrücken oder mainz...:-) also dann grüsse von mir 2798 Datum: 2007-09-30 19:53:31 Thrashmetalfriedl ( keine Email / keine Homepage) schrieb: Hey Leute, ich hoffe daß neue Album kommt auch endlich wieder auf Vinyl raus!!!! 2797 Datum: 2007-09-30 16:47:45 Mike Möller ( [email protected] / keine Homepage) schrieb: Hi.Neue sodom scheibe supergeil .besser eilst die sodom 2006.weiter so. Datum: 2007-09-29 13:48:20 file://H:\merchandise -service\Sodom\gb_alt.htm 24.08.2008 Sodom Guestbook Page 2 of 217 2796 tino ( [email protected] / keine Homepage) schrieb: Habe mir heute die "Final Sign of Evil" zugelegt. Mann, wie geil ist das denn? Wie habt ihr nur diesen Old-School-Sound hinbekommen. Es rumpelt absolut authentisch. Die beste Scheibe seit "Obssessed..." Grave Violater und Witchhunter rulen ohne Ende. Jetzt fehlt nur noch eine Tour im alten Line 2795 Datum: 2007-09-29 13:31:16 Markus ( [email protected] / keine Homepage) schrieb: Hallöle! Habe mir heute direkt den neuen "alten" Silberling gekauft - extrem geiles Gerät!!! Besteht die Möglichkeit, dass ihr - zumindestens im Pott - ein oder mehrere Gigs in der alten Besetzung spielen könnt? Gruß Markus 2794 Datum: 2007-09-29 11:12:24 mörlin ( keine Email / http://www.pennergame.de/ref.php?refid=8673040 ) schrieb: http://www.pennergame.de/ref.php?refid=8673040 2793 Datum: 2007-09-29 03:24:35 ssdsd ( [email protected] / keine Homepage) schrieb: sdasd 2792 Datum: 2007-09-29 00:46:31 Cristian ( [email protected] / keine Homepage) schrieb: Come to Chile ANGELRIPPER!!!!!!!!!!!!!!! I want hear blasphemer, agent orange and others songs !!!!!!! come please!!!! I´ll wait you 2791 Datum: 2007-09-28 20:32:46 kaly ( michael [email protected] / keine Homepage) schrieb: hoere grad neue scheibe,genial!weiter so,freu mich auf concert am 2.12 in essen!!! 2790 Datum: 2007-09-28 18:35:51 mister x ( keine Email / keine Homepage) schrieb: Sacht mal, war der Witchhunter bei "Outbreak..." voll oder was? Oberkultiges Timing... Ansonsten tolle Scheibe, geiler old school sound, geiles feeling... Gruß 2789 Datum: 2007-09-28 13:20:36 Arne Döring ( [email protected] / keine Homepage) schrieb: Moin. Gleich heute Mittag zum Händler und die neue (alte) Sodom gekauft. Richtig schön oldschool. Warum ist bloß "Devils Attack" nicht drauf? Das Demo war ja schon auf dem Digi von M Ähne 2788 Datum: 2007-09-28 10:22:19 ein fan ( deathlord [email protected] / keine Homepage) schrieb: Mahlzeit.weiß irgendwer wo man n sodom backpatch herbekommt?suche schon ne ewigkeit...muss ja schließlich was gescheites auf dem rücken meiner kutte sein.mfg stay heavy 2787 Datum: 2007-09-28 00:54:30 sewa_petrozza ( [email protected] / keine Homepage) schrieb: Sodom in chile please!!!! We fuckin love you guys. you should really come. we're still fuckin supporting thrash metal....the good old school one, such as the german thrash. tankard, yestarday kreator......only sodom and destruction are missing. please, give us the pleasure to kill!!! 2786 Datum: 2007-09-27 21:32:07 Sebastian ( [email protected] / keine Homepage) schrieb: please come to chile!!!! we need you here guys, you're so amazing!!! 2785 Datum: 2007-09-27 21:26:36 Felipe ( [email protected] / keine Homepage) schrieb: Hi guys!!! Kreator played yestarday in Chile and they were really great, but you guys are so much better, please come to CHILE, here are so many thrashers waiting for you... COME TO CHILE PLZ!!!!!! 2784 Datum: 2007-09-27 18:52:07 Mara ( [email protected] / keine Homepage) schrieb: so fucking thrash metal...always...you are the fucking german thrash metal!!!!! _Mara_ 2783 Datum: 2007-09-27 17:54:21 alexander ( [email protected] / keine Homepage) schrieb: hey liebe leute von sodom. file://H:\merchandise -service\Sodom\gb_alt.htm 24.08.2008 Sodom Guestbook Page 3 of 217 ich wohn in gelsenkirchen aber hab euch noch nie getroffen :( ihr seid wohl nich so oft in GE oder?? Thrash til death!!!! 2782 Datum: 2007-09-27 13:54:46 SLAYERIK SODOMINGUEZ ( [email protected] / keine Homepage) schrieb: GRANDE SODOM... AQUI EN CHILE LOS ESTAMOS ESPERANDO... 2781 Datum: 2007-09-26 07:54:33 Trash_ ( [email protected] / keine Homepage) schrieb: Cheers, Sodom the best thrash metal band in my opinion \m/ trash till death \m/ 2780 Datum: 2007-09-25 19:34:29 Abu ( [email protected] / http://xecutioner -productions.de.vu ) schrieb: Ihr seid echt die geilsten überhaupt. Freu mich schon so dermaßen aufs Final Sign of Evil... Da wird die AZUBI Geldbörse Ende des Monats noch mal kräftig geschüttelt um danach die Matte zu euren Meisterwerken schütteln zu dürfen. Soll heißen: Eigentlich bi Gruß Abu 2779 Datum: 2007-09-25 15:03:41 Billy (Del pueblito) ( [email protected] / keine Homepage) schrieb: Come to Argentina men !! There is a lot of fans waiting you. 2778 Datum: 2007-09-22 21:48:24 Pieter-Jan ( keine Email / http://www.myspace.com/pjpj100 ) schrieb: You guys kick ass...pure fuckin' trash metal !!! Keep up the good work ;) 2777 Datum: 2007-09-22 20:37:15 David ( [email protected] / keine Homepage) schrieb: Cheers, Sodom the best thrash metal band in my opinion, here we expect the final sign of evil pretty soon, also, Sodom on nov. 03!!!! 2776 Datum: 2007-09-22 16:49:35 Rainer "MetalPfälzer" Petry ( [email protected] / http://neckbreaker.de ) schrieb: Hier ist unser Review vom Metalcamp-Festival! Viel Spass damit! http://www.neckbreaker.de/Festivals/4. -Metalcamp -16. -22. -Juli -2007 -Tolmin -Slowenien/ 2775 Datum: 2007-09-22 12:01:15 Lord Obirah ( Lord [email protected] / http://www.heavyhardes.de ) schrieb: Hi, Sodom - The Final Sign Of Evil review online @ www.heavyhardes.de ! Cheers Lord Obirah 2774 Datum: 2007-09-21 13:42:15 Ogent Orange ( [email protected] / keine Homepage) schrieb: also wollte auch noch mal ein hoch auf Angelripper und Co. aussprechen der auftritt in wacken war der hammer. 2773 Datum: 2007-09-21 11:57:07 Kai Duhn ( [email protected] / keine Homepage) schrieb: Hallo! Ich trinke, also bin ich!!! Ich bin so glücklich!!! Grave Violator war immer schon wie eine Mutter für mich!!! Danke!!!!!! Kai Duhn, Hamburg 2772 Datum: 2007-09-19 18:31:29 the.wangacopta ( keine Email / http://www.nocturnalhall.com ) schrieb: Moin Männer! Mit The Final Sign Of Evil habt ihr ein Götter-Album hingelegt! Feine Sache! Fein ist dementsprechend auch unsere Review ausgefallen: www.nocturnalhall.com www.myspace.com/nocturnalhall cheers the.wangacopta 2771 Datum: 2007-09-18 09:30:18 doc ( keine Email / http://www.scarred -for -life.de ) schrieb: www.scarred-for-life.de hat eine kritik zu "final sign of evil" geschrieben. hier der link: http://www.baldymod.de/content/modules/news/article.php?storyid=2968 2770 Datum: 2007-09-18 01:36:16 Felipe ( [email protected] / keine Homepage) schrieb: Come To Chile Plz!!!!!!!!!!!!!!!! file://H:\merchandise -service\Sodom\gb_alt.htm 24.08.2008 Sodom Guestbook Page 4 of 217 We need SODOM in this fucking country 2769 Datum: 2007-09-17 11:43:19 Markus Bieri ( markus.bieri@gvm -ag.ch / http://www.backtorock.ch ) schrieb: Hallo Sodom Wir möchten uns bei euch recht herzlich bedanken für euren super Gig am BACK TO ROCK! Es war ein unvergessliches Wochenende für uns.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar
    TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar: Trent Simpson, Bass: Greg Shaw, Lead Guitar: Chris Walden TRUTH CORRODED are an Australian band with a sound that captures elements of late 80's/early 90's inspired thrash and death metal, shaped by the likes of bands such as SLAYER, OBITUARY, SEPULTURA, KREATOR and EXHORDER, and then later influenced by acts such as MISERY INDEX, BEHEMOTH, NEUROSIS, DECAPITATED and REVOCATION. Taken together the influences have shaped a sound that is as confronting as the subject matter of the bands lyrics and pays homage to the go for the throat savagery of the bands roots. TRUTH CORRODED signed with leading US extreme metal label UNIQUE LEADER RECORDS which led to the release of the album titled 'Bloodlands' which was released in March 2019. Based on themes surrounding war and displacement, the album depicts the state of our times and the social and political impact that is having both in the bands home country Australia and abroad. The title refers to the growth of new conflict from conflicts past, with the suffering it creates spreading its roots. The album was recorded with session drummer Kevin Talley (SUFFOCATION, DYING FETUS, CHIMAIRA) – his third album with the band – and was mixed and mastered by renowned heavy music producer Chris 'ZEUSS' Harris (HATEBREED, SOULFLY, REVOCATION). The album also features guest appearances by Stephen Carpenter of DEFTONES, Terrance Hobbs of SUFFOCATION, Mark Kloeppel of MISERY INDEX and Ryan Knight, ex-THE BLACK DAHLIA MURDER/ARSIS. Artwork for the album is designed by Gary Ronaldson at Bite Radius Designs (MISERY INDEX, BENIGHTED, PIG DESTROYER, THY ART IS MURDER) Commenting on the industry involved, vocalist Jason North offers "When we first set out to write the album we could not have imagined that we would work with the artists that have become involved.
    [Show full text]
  • Melvins / Decrepit Birth Prosthetic Records / All
    METAL ZINE VOL. 6 SCIONAV.COM MELVINS / DECREPIT BIRTH PROSTHETIC RECORDS / ALL SHALL PERISH HOLY GRAIL STAFF SCION A/V SCHEDULE Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker MARCH Creative Direction: Scion March 13: Scion A/V Presents: The Melvins — The Bulls & The Bees Art Direction: BON March 20: Scion A/V Presents: Meshuggah — I Am Colossus Contributing Editor: J. Bennett March 31: Scion Label Showcase: Profound Lore, featuring Yob, the Atlas Moth, Loss, Graphic Designer: Gabriella Spartos Wolvhammer and Pallbearer, at the Glasshouse, Pomona, California CONTRIBUTORS Writer: Etan Rosenbloom Photographer: Mackie Osborne CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Mail Stop WC12 APRIL Torrance, CA 90501 $WODV0RWK³<RXU&DOP:DWHUV´ Phone: 866.70.SCION / Fax: 310.381.5932 &RUURVLRQRI&RQIRUPLW\³3V\FKLF9DPSLUH´ Email: Email us through the Contact page located on scion.com 6DLQW9LWXV³/HW7KHP)DOO´ Hours: M-F, 6am-5pm PST / Online Chat: M-F, 6am-6pm PST 7RPEV³3DVVDJHZD\V´ Scion Metal Zine is published by BON. $SULO6FLRQ$93UHVHQWV0XVLF9LGHRV For more information about BON, email [email protected] April 3: Scion A/V Presents: Municipal Waste April 10: Scion A/V Presents: All Shall Perish — Company references, advertisements and/or websites The Past Will Haunt Us Both (in Spanish) OLVWHGLQWKLVSXEOLFDWLRQDUHQRWDI¿OLDWHGZLWK6FLRQ $SULO6FLRQ$93UHVHQWV3URVWKHWLF5HFRUGV/DEHO6KRZFDVH OLYHUHFRUGLQJ unless otherwise noted through disclosure. April 24: Municipal Waste, “Repossession” video Scion does not warrant these companies and is not liable for their performances or the content on their MAY advertisements and/or websites. May 15: Scion A/V Presents: Relapse Records Label Showcase (live recording) May 19: Scion Label Showcase: A389 Records Showcase, featuring Integrity, Ringworm, © 2012 Scion, a marque of Toyota Motor Sales U.S.A., Inc.
    [Show full text]
  • Metaldata: Heavy Metal Scholarship in the Music Department and The
    Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s .
    [Show full text]
  • THESIS Gender and Sexuality in Hard Rock
    GGeennddeerr aanndd SSeexxuuaalliittyy iinn HHaarrdd RRoocckk aanndd iittss SSuubb GGeennrreess An analysis of image, queerness and the femme fatale idea in glam, sleaze, hair metal and related genres Vanessa Floréal Promoter: Prof. Dr. Gert Buelens Master English 2009-2010 Ghent University The image above represents the much talked-of American hard rock band KISS in the company of their so beloved women. Acknowledgements I would like to show my gratitude to professor Gert Buelens for his interest in my subject matter, his suggestions and the very useful feedback that I have got over the last few months. Without his support this dissertation would not have been possible. I also want to thank Ruben De Baerdemaeker for sharing his thoughts on my ‘pretty glam boys’ and discussing Butler’s Gender Trouble with me. ‘Tack så mycket’ to Lisbeth Hellman for helping me out with Freudian and Lacanian theories. I also want to thank Bob Ruysschaert from the KULeuven and Aurora Van Hamme for their comments and advice . Many thanks also go to librarian Mario Floryn from the department of Art, Music and Theatre Sciences at the UGent. I want to thank my friends Sjar and Staffan for their support, and Jon for transcribing some song lyrics for me. Last but not least I thank Liz from Leaded Fuel and Autostrada Outlaws, G.A. Sinn from Cyanide 4, Lizzy from Lizzy Borden and all the guys from Frenchkiss for talking about their music with me. You guys rock hard! 2 Table of Contents: 0. Introduction 4 1. Gender and Normativity 8 a.
    [Show full text]
  • SODOM „Lords of Depravity Part I“ DDVD ROAXFILMS Ein Ronald Matthes Film
    SODOM „Lords Of Depravity Part I“ DDVD ROAXFILMS Ein Ronald Matthes Film Review: Klanggewitter Bevor Tom Angelripper (v., b.), Bernemann (g.) und Bobby Schottkowski (d.) zu den ‚Meistern der Verdorbenheit' werden konnten, entwickelten sie sich erst einmal zu den ‚Meistern der Verspätung'. Seit Anfang des Jahres 2004 wurde auf der offiziellen Sodom Homepage www.sodomized.info von der ersten DVD der Bandgeschichte gesprochen, der erste definitive Veröffentlichungstermin lag im März 2005. Nach ca. 666 Verschiebungen ist es nun endlich soweit: „Lords of depravity, part 1“ erblickt das Licht der Welt und so abgedroschen diese Floskel auch klingen mag das Warten, so sehr es den geneigten Sodom Fan im Vorfeld auch genervt hat, hat sich absolut gelohnt! Das sympathische Thrash Metal Trio hat bei der Aufarbeitung der eigenen Bandgeschichte schnell festgestellt, dass das vorhandene Material den Rahmen einer Doppel-DVD locker sprengen würde, zumal das Ganze kein liebloser Schnellschuß werden sollte, sondern eine wirklich umfassende Darstellung der Geschichte Sodoms unter Berücksichtigung und Hinzuziehung (nahezu) aller ex-Musiker. Aus diesem Grund umfasst „Lords of depravity, part 1“ nun die Jahre 1982 bis 1995, während der zweite Teil sich mit den letzten zehn Jahren der Bandgeschichte beschäftigen wird. Hält man das Produkt in der Hand, fällt einem direkt mal die liebevoll gestaltete, absolut edle Verpackung auf. In einem zweifach aufklappbaren DVD-Digipak im Pappschuber befinden sich zwei Silberlinge, sowie gleich zwei Booklets im DVD-Format. Die erste DVD ist betitelt mit „Historical depravity“, die zweite nennt sich „Live depravity“. Das Booklet zu „Historical depravity“ umfasst 28 Seiten, auf denen die Jahre 1982 bis 1995 schon recht umfassend in Schrift und Bild zusammengefasst werden.
    [Show full text]
  • Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
    "THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr.
    [Show full text]
  • Where to Next? a Dynamic Model of User Preferences
    Where To Next? A Dynamic Model of User Preferences Francesco Sanna Passino∗ Lucas Maystre Dmitrii Moor Imperial College London Spotify Spotify [email protected] [email protected] [email protected] Ashton Anderson† Mounia Lalmas University of Toronto Spotify [email protected] [email protected] ABSTRACT 1 INTRODUCTION We consider the problem of predicting users’ preferences on on- Online platforms have transformed the way users access informa- line platforms. We build on recent findings suggesting that users’ tion, audio and video content, knowledge repositories, and much preferences change over time, and that helping users expand their more. Over three decades of research and practice have demon- horizons is important in ensuring that they stay engaged. Most strated that a) learning users’ preferences, and b) personalizing existing models of user preferences attempt to capture simulta- users’ experience to match these preferences is immensely valuable neous preferences: “Users who like 퐴 tend to like 퐵 as well”. In to increase engagement and satisfaction. To this end, recommender this paper, we argue that these models fail to anticipate changing systems have emerged as essential building blocks [3]. They help preferences. To overcome this issue, we seek to understand the users find their way through large collections of items and assist structure that underlies the evolution of user preferences. To this them in discovering new content. They typically build on user pref- end, we propose the Preference Transition Model (PTM), a dynamic erence models that exploit correlations across users’ preferences. model for user preferences towards classes of items. The model As an example within the music domain, if a user likes The Beatles, enables the estimation of transition probabilities between classes of that user might also like Simon & Garfunkel, because other users items over time, which can be used to estimate how users’ tastes are who listen to the former also listen to the latter.
    [Show full text]
  • Stock DECEMBER 2020
    DISTRO / 2020 DISQUE LP CODE STOCK CHF !Attention! - S/T INLP 859 1 12 562 – Cuando vivir es morir INLP 524 2 14 7 seconds – Leave a light on INLP 780 X 25 7 seconds – The crew INLP 599 x 18 7 seconds – Walk together, rock together INLP 107 1 16 A wilhelm scream – S/T INLP 493 1 17 Accidente – Amistad Y Rebelión INLP 918 1 10 Accidente – Pulso INLP 278 2 13 Accidente – S/t INLP 230 2 10 Adhesive – Sideburner INLP 879 1 18 Adolescents – OC Confidential INLP 622 2 12 Adolescents – S/T INLP 006 1 22 Adult Magic – S/T INLP 133 2 14 Against me! - As the eternal cowboy INLP 748 X 21 Against me! - Is reinventing Axl Rose INLP 228 1 21 Against me! - Searching for a former clarity 2LP INLP 752 1 28 Against me! - Shape Shift With Me INLP 342 1 32 Against me! - Transgender dysphoria blues INLP 751 3 27 Agent Attitude – First 2 Eps INLP 614 1 12 Agnostic front – Another voice INLP 668 1 17 Agnostic front – Live At CBGB INLP 543 x 19 Agnostic front – Victim in pain INLP 010 1 17 Alea Jacta Est – Dies Irae INLP 606 4 16 Alea Jacta Est – Gloria Victis INLP 357 2 10 Alea Jacta Est – Vae Victis INLP 776 1 15 Alkaline trio – Maybe i'll cacth fire INLP 222 x 18 Alkaline trio – My shame is true INLP 626 X 26 Alkaline trio – This addiction INLP 373 x 22 All – Allroy for prez INLP 240 1 20 All – Allroy Saves INLP 939 1 22 All – Allroys revenge INLP 238 X 27 All – Breaking things INLP 319 1 28 All – Pummel INLP 651 2 28 All out War – Dying Gods INLP 338 X 18 All Pigs Must Die – Hostage Animal INLP 698 1 21 All pigs must die – Nothing violates this nature INLP 701 1 22 All pigs must die – s/t INLP 015 1 22 Altair – Nuestro Enemigo INLP 294 2 12 American Football - S/T LP3 INLP 1010 2 28 UK 20 American football – s/t INLP 018 X 24 American Football – S/T (EP) INLP 762 x 16 American Football – S/T LP2 INLP 731 X 25 And So Your Life Is Ruined – s/t INLP 938 1 12 Page 1 DISTRO / 2020 And yo your life is ruined – s/t INLP 835 1 13 Angel Du$t - Pretty Buff INLP 1011 1 28 Angel Dust – A.D.
    [Show full text]
  • Contemporary Carioca: Technologies of Mixing in A
    Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos
    [Show full text]
  • 166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48
    tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-046 $20,41 1 CD Albeniz / Eduardo Fernandez From Crotch To Crown CD - 02/04/2014 G-046 $77,60 1 LP 1349 Reflections Of The Black Flame (ltd) (ogv) VINYL LP - 08/10/2010 G-046 $20,30 1 CD 1917 Actum Tempus 1 (arg) CD - Furias 06/18/2013 G-046 $20,30 1 CD 1917 Actum Tempus 2 (arg) CD - Furias 06/18/2013 G-046 $25,70 1 CD 3 Inches Of Blood Fire Up The Blades CD - Roadrunner Records 06/22/2007 G-046 $24,52 1 CD 7 Horns 7 Eyes Throes Of Absolution CD - 04/24/2012 G-046 $31,55 1 CD 7th Nemesis Deterministic Nonperiodic Flow (uk) CD - 05/06/2014 G-046 $20,65 1 CD A Hill To Die Upon Omens CD - 07/27/2011 G-046 $17,95 1 CD A Hill To Die Upon Holy Despair CD - Bombworks 04/08/2014 G-046 $19,24 1 CD Aarni Tohcoth CD - Epidemie 07/25/2013 G-046 $18,54 1 CD Abhordium When Depravity.. -digi- CD - Inverse 04/20/2012 G-046 $17,95 1 CD Abhorrent Intransigence CD - 11/20/2015 G-046 $12,67 1 CD Abigail Williams Legend (ep) CD - 01/23/2007 G-046 $16,66 1 CD Ablaze In Hatred Quietude Plains =ltd= CD - Firedoom 03/16/2009 G-046 $13,03 1 CD Ablaze In Hatred Deceptive Awareness CD - Firedoom 11/13/2006 G-046 $23,23 1 CD Abnegation Verses Of The Bleeding CD - Good Life 11/03/1997 G-046 $29,58 1 LP Abnegation Verses Of The Bleeding LP - Good Life 11/03/1997 G-046 $21,24 1 CD Abnormal Thought Patterns Abnormal Thought Patterns CD - Cynery 11/22/2011 G-046 $42,49 1 LP Abominable Putridity Anomalies Of Artificial.
    [Show full text]
  • Thrash Metal Klassiker & NWOTM
    #heavymetalgrundschule Thrash Metal Klassiker & NWOTM Teilnehmer: 126 TOP 23 Klassiker-Alben alle Alben mit mindestens 3 Nennungen 1. EXODUS BONDED BY BLOOD (47) 2. SLAYER REIGN IN BLOOD (45) 3. SODOM AGENT ORANGE (41) 4. KREATOR PLEASURE TO KILL (30) 5. METALLICA RIDE THE LIGHTNING (28) 6. SEPULTURA BENEATH THE REMAINS (24) 7. TESTAMENT THE LEGACY (23) 8. ANTHRAX AMONG THE LIVING (22) MEGADETH RUST IN PEACE 9. SODOM PERSECUTION MANIA (21) 10. METALLICA KILL 'EM ALL (20) 11. DARK ANGEL DARKNESS DESCENDS (19) 12. METALLICA MASTER OF PUPPETS (18) SEPULTURA ARISE 13. SLAYER SEASONS IN THE ABYSS (15) SLAYER SOUTH OF HEAVEN 14. DEATH ANGEL THE ULTRA VIOLENCE (13) EXHORDER SLAUGHTER IN THE VATICAN KREATOR EXTREME AGGRESSION MEGADETH PEACE SELLS...BUT WHO' BUYING 15. DEMOLITION HAMMER EPIDEMIC OF VIOLENCE (11) EXUMER POSSESSED BY FIRE OVERKILL THE YEARS OF DECAY 16. ANNIHILATOR ALICE IN HELL (10) DESTRUCTION INFERNAL OVERKILL KREATOR COMA OF SOULS SLAYER SHOW NO MERCY VIO-LENCE ETERNAL NIGHTMARE 17. ANTHRAX SPREADING THE DISEASE (9) EXODUS FABULOUS DISASTER OVERKILL FEEL THE FIRE S.O.D. SPEAK ENGLISCH OR DIE 18. FLOTSAM & JETSAM DOOMSDAY FOR THE DECEIVER (8) FORBIDDEN FORBIDDEN EVIL HOLY MOSES FINISHED WITH THE DOGS KREATOR ENDLESS PAIN METALLICA ...AND JUSTICE FOR ALL OVERKILL TAKING OVER 19. NUCLEAR ASSAULT GAME OVER (7) ONSLAUGHT THE FORCE SACRED REICH THE AMERICAN WAY SEPULTURA CHAOS A.D. SEPULTURA SCHIZOPHRENIA www.krachmuckertv.de SLAYER HELL AWAITS 20. ARTILLERY BY INHERITANCE (6) NUCLEAR ASSAULT HANDLE WITH CARE SACRED REICH IGNORANCE SADUS SWALLOWED IN BLACK TESTAMENT THE NEW ORDER 21. DEATH ANGEL ACT III (5) DESTRUCTION ETERNAL DEVASTATION DESTRUCTION RELEASE FROM AGONY EVIL DEAD ANNIHILATION OF CIVILIZATION FORBIDDEN TWISTED INTO FORM HOLY TERROR MIND WARS MORBID SAINT SPECTRUM OF DEATH WHIPLASH POWER AND PAIN 22.
    [Show full text]