Vii CONTENTS List of Illustrations Page Ix List of Contributors Xi

Total Page：16

File Type：pdf, Size：1020Kb

Vii CONTENTS List of Illustrations Page Ix List of Contributors Xi

Cambridge University Press 978-1-107-11627-6 - Latin Literature and its Transmission: Papers in Honour of Michael Reeve Edited by Richard Hunter and S. P. Oakley Table of Contents More information CONTENTS List of illustrations page ix List of contributors xi Preface xiii 1 Jupiter the antiquarian: the name of Iulus (Virgil, Aeneid 1.267–8) 1 ALESSANDRO BARCHIESI 2 Neglected and unnoticed additions in the text of three speeches of Cicero ( In Verrem II.5, Pro Murena , Pro Milone ) 10 D. H. BERRY 3 Some problems in the text and transmission of Lucretius 2 2 DAVID BUTTERFIELD 4 On the text of the Aeneid : an editor’s experience 54 GIAN BIAGIO CONTE 5 Overlooked manuscript evidence for interpolations in Lucretius? The rubricated lines 6 8 MARCUS DEUFERT 6 Aliquid putare nugas : literary ﬁ liation, critical communities and reader-response in Catullus 88 MONICA R. GALE 7 Dogs, snakes and heroes: hybridism and polemic in Lucretius’ De rerum natura 108 EMMA GEE vii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-11627-6 - Latin Literature and its Transmission: Papers in Honour of Michael Reeve Edited by Richard Hunter and S. P. Oakley Table of Contents More information Contents 8 Authenticity and other textual problems in Heroides 16 142 S. J. HEYWORTH 9 Maritime Maro: Virgil’s fourth Eclogue in Renaissance Venice 171 L. B. T. HOUGHTON 1 0 Illa domus, illa mihi sedes : on the interpretation of Catullus 68 194 MATTHEW LEIGH 11 Acidalius on Tacitus 225 S. J. V. MALLOCH 12 On the good ship ingenium : Tristia 1.10 245 LLEWELYN MORGAN 13 The editio princeps of Priscian’s Periegesis and its relatives 263 S. P. OAKLEY 14 A new critical edition of Horace 291 RICHARD TARRANT The published writings of Michael Reeve 322 Bibliography 339 Index of passages discussed 363 General index 365 viii © in this web service Cambridge University Press www.cambridge.org.

Copy Link

Recommended publications

Gian Biagio Conte Stealing the Club from Hercules
Gian Biagio Conte Stealing the Club from Hercules Gian Biagio Conte Stealing the Club from Hercules On Imitation in Latin Poetry An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org Dieses Werk ist lizenziert unter der Creative Commons Attribution- NonCommercial-NoDerivatives 3.0 Lizenz. Weitere Informationen finden Sie unter ISBN 978-3-11-021808-4 http://creativecommons.org/licenses/by-nc-nd/3.0/. e-ISBN (PDF) 978-3-11-021809-1 e-ISBN (EPUB) 978-3-11-021806-2 ISBN 978-3-11-047220-2 ISSN 0179-0986 e-ISBN (PDF) 978-3-11-047583-8 e-ISSN 0179-3256 e-ISBN (EPUB) 978-3-11-047415-2 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License, as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Library of Congress Cataloging-in-Publication Data Nationalbibliografie; detailed bibliographic data are available in the Internet A CIP catalog record for this book has been applied for at the Library of Congress. at http://dnb.dnb.de. Bibliografische Information der Deutschen Nationalbibliothek © 2017 Walter de Gruyter GmbH, Berlin/Boston Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliogra- Dieses Buch ist als Open-Access-Publikation verfügbar über www.degruyter.com.
[Show full text]
Download Download
THE PETRONIAN SOCIETY NEWSLETTER Editorial Board / Colofon 1 ICAN V ICAN V Call for Papers: Proposals are hereby solicited for pa- ICAN V 1 pers for the Fifth International Conference on the Ancient Novel (ICAN V), 30 September – 4 October 2015. Bibliography 4 The web page for the conference can be found at www.uhd.edu/ican. Notices 14 The title is “From Tradition to Re-wiring the Ancient Novel.” The conference will be held at the Hyatt Regency Houston, Obituaries 15 1200 Louisiana Street, Houston, TX 77002, USA. All sessions for reading papers are in the Hyatt. The Hyatt will start accept- Reviews, Articles, and Dissertations 15 ing registrations in December 2014. Deadline for abstracts is 1 March 2015, and decisions about acceptance will be made soon thereafter. Reviews, Articles, and Dissertations Vol. 42, October 2014 If you have any ideas, suggestions, or would like to help in the planning of the conference, do not hesitate to contact me. Ed Cueva. Editor Edmund P. Cueva Arts and Humanities 1009S-E Bibliography University of Houston-Downtown One Main Street Greek and Latin Novels Houston, TX 77002, USA Tel. (713) 226-5543 Futre Pinheiro, M., A. Bierl, and R. Beck. Intende, Lector: email: [email protected] Echoes of Myth, Religion and Ritual in the Ancient Novel (Ber- lin and Boston: De Gruyter, 2013) ix + 319. The following es- Book Review Editor says are included in the collection: Shannon N. Byrne Atkin, J., “Puella Virgo: Rites of Passage in Apuleius’ Classics Department, Xavier University Metamorphoses.” 3800 Victory Parkway Bierl, A., “From Mystery to Initiation: A Mytho-Ritual Cincinnati, OH 45207–5181, USA Poetics of Love and Sex in the Ancient Novel – even in Tel.
[Show full text]
So/Hs230 Gathering Places: Migrating from and to Europe
800.995.2300 312.944.1448 fax LN/LT/CL 300 LATIN LANGUAGE AND LITERATURE IES Abroad Rome - Language & Area Studies DESCRIPTION: This course will provide students intermediate instruction of Latin grammar and a more detailed knowledge about Latin literature. It will examine the several phases, genres, and styles of Latin literature in chronological order and in a diachronic perspective, with constant reference to historical and political contexts. It also will present a selection of some of the most important Latin authors by introducing their main themes and key topics. Visits to archaeological sites in Rome will connect the authors’ works to the context of their everyday life. The study of Latin literature will start with the most ancient author we know, Livius Andronicus (III century B.C.) and it will develop in chronological order, from the Republican to the middle Imperial period. The chronological limit of the course is the II century A.D. CREDITS: 3 CONTACT HOURS: 45 LANGUAGE OF INSTRUCTION: English PREREQUISITES: Three college semesters of Latin grammar and language are required ADDITIONAL COST: None METHOD OF PRESENTATION: Course-related excursions to archaeological sites, monuments and museums; lectures; comment, analysis and translation of Latin texts; PowerPoint presentations. REQUIRED WORK AND FORM OF ASSESSMENT: • Class participation - 10% • Research paper and presentation - 25% • Written journal – 15% • Midterm exam - 25% • Final exam- 25% Research Paper and Presentation Paper of 2500-3000 words on one of the authors analyzed in class. Part of the paper will be a translation. A good paper will include information on the author’s historical and cultural context, literary production, and influence on literature in general.
[Show full text]
Review of Gian Biagio Conte, Glenn W. Most, and Charles Segal
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 1994 Review of Gian Biagio Conte, Glenn W. Most, and Charles Segal, Genres and Readers: Lucretius, Love Elegy, Pliny's Encyclopedia Joseph Farrell University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Farrell, J. (1994). Review of Gian Biagio Conte, Glenn W. Most, and Charles Segal, Genres and Readers: Lucretius, Love Elegy, Pliny's Encyclopedia. Vergilius, 40 117-125. Retrieved from http://repository.upenn.edu/classics_papers/106 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/classics_papers/106 For more information, please contact [email protected]. Review of Gian Biagio Conte, Glenn W. Most, and Charles Segal, Genres and Readers: Lucretius, Love Elegy, Pliny's Encyclopedia Disciplines Arts and Humanities | Classics This review is available at ScholarlyCommons: http://repository.upenn.edu/classics_papers/106 REVIEWS Gian Biagio Conte. Genres and Readers: Lucretius, Love Elegy, Pliny's Encyclopedia. Tr. Glenn W. Most. Foreword by Charles Segal. Baltimore and London: The Johns Hopkins University Press, 1994. Pp. xxiii + 185. ISBN 0- 8018-4679-X. $32.50. In 1986, the work of Gian Biagio Conte was little known in this country. Indeed, the avowed purpose of The Rhetoric ofImitation, published in that year, was, as Charles Segal stated in his foreword to the volume, to "bring [ . ] before an English-speaking public a book that consolidates new approaches to literary study with erudition, originality, and penetrating insight. "1 In some ways, the volume succeeded brilliantly, introducing Conte to a wide American readership and making him an active force in Latin studies on these shores.
[Show full text]
Pliny's Defense of Empire Thomas Raymond Laehn Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Pliny's defense of empire Thomas Raymond Laehn Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Laehn, Thomas Raymond, "Pliny's defense of empire" (2010). LSU Doctoral Dissertations. 3314. https://digitalcommons.lsu.edu/gradschool_dissertations/3314 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PLINY’S DEFENSE OF EMPIRE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Thomas Raymond Laehn B.A., Drake University, 2004 M.A., Louisiana State University, 2008 December 2010 © Copyright 2010 Thomas Raymond Laehn All rights reserved ii Crescat scientia; vita excolatur. ~ Paul Shorey iii ACKNOWLEDGMENTS A lengthy list of acknowledgments is a particularly appropriate beginning for an essay on the Elder Pliny. Pliny himself begins the text of his Natural History with a detailed list of his sources, and he thereby affirms one of the text’s central messages – namely, that at any point in human history, a man’s individual achievements are dependent upon the achievements of the human species as a whole and upon the antecedent efforts of the members of the previous generation to pass on the collective patrimony of the human race.
[Show full text]
The Six Books of Lucretius' De Rerum Natura: Antecedents and Influence
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2010 The Six Books of Lucretius’ De Rerum Natura: Antecedents and Influence Joseph Farrell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Farrell, J. (2010). The Six Books of Lucretius’ De Rerum Natura: Antecedents and Influence. Dictynna, 5 Retrieved from https://repository.upenn.edu/classics_papers/114 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/114 For more information, please contact [email protected]. The Six Books of Lucretius’ De Rerum Natura: Antecedents and Influence Abstract Lucretius’ De rerum natura is one of the relatively few corpora of Greek and Roman literature that is structured in six books. It is distinguished as well by features that encourage readers to understand it both as a sequence of two groups of three books (1+2+3, 4+5+6) and also as three successive pairs of books (1+2, 3+4, 5+6). This paper argues that the former organizations scheme derives from the structure of Ennius’ Annales and the latter from Callimachus’ book of Hynms. It further argues that this Lucretius’ union of these two six-element schemes influenced the structure employed by Ovid in the Fasti. An appendix endorses Zetzel’s idea that the six-book structure of Cicero’s De re publica marks that work as well as a response to Lucretius’ poem. Disciplines Arts and Humanities | Classics This journal article is available at ScholarlyCommons: https://repository.upenn.edu/classics_papers/114 The Six Books of Lucretius’ De rerum natura: Antecedents and Influence 2 Joseph Farrell The Six Books of Lucretius’ De rerum natura: Antecedents and Influence 1 The structure of Lucretius’ De rerum natura is generally considered one of the poem’s better- understood aspects.
[Show full text]
Don Quixote As World Emperor: Cervantes, Titian and Luca Cambiaso Frederick A
Macalester International Volume 17 Quixotic Offspring: The Global Legacy of Article 12 Don Quixote Spring 2006 Don Quixote as World Emperor: Cervantes, Titian and Luca Cambiaso Frederick A. de Armas University of Chicago Follow this and additional works at: http://digitalcommons.macalester.edu/macintl Recommended Citation de Armas, Frederick A. (2006) "Don Quixote as World Emperor: Cervantes, Titian and Luca Cambiaso," Macalester International: Vol. 17, Article 12. Available at: http://digitalcommons.macalester.edu/macintl/vol17/iss1/12 This Article is brought to you for free and open access by the Institute for Global Citizenship at DigitalCommons@Macalester College. It has been accepted for inclusion in Macalester International by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Don Quixote as World Emperor: Cervantes, Titian and Luca Cambiaso Frederick A. de Armas Although Don Quixote has been popular ever since it was first published, its canonization as a work that was more than just a funny book can be traced, according to Rachael Schmidt, to the 1738 deluxe edition published in England, with images that depicted Cervantes as a Hercules or Apollo surrounded by the Muses, and going to Mount Parnassus with the weapons of satire to rid literature of the monstrous structures and images of the books of chivalry. Don Quixote’s madness was thus a tool for satire. And yet his folly was much more. It reflected an imperial vision that pervaded most of Europe during this period.1 In the very first chapter of the novel, the reader learns the purpose of the chivalric exercise: “Already the poor man fancied himself crowned by the valour of his arms, at least with the empire of Trebizond” (33).2 Thus, Don Quixote’s troubled dream is rather ambitious.
[Show full text]
Wit and Transgression in Roman Literature and Thought (CX 268/368)
Roman Laughter: Wit and Transgression in Roman Literature and Thought (CX 268/368) Time and place: Lectures: Fridays 12-2, Oculus 1.02 Latin text classes: Fridays 11-1, H3.55 Overview Can we ever get a window onto what made the Romans laugh? Is such a question naïve? Studying how the comic operates in Latin texts is a slippery exercise that seems to connect us (physically, emotionally, intellectually) with Roman experience while at the same time revealing the strangeness and unknowability of the Roman world. In this honours module, we will read a range of Latin texts that perform or have something to say about wit and humour – whether puerile, grotesque, bitter, farcical, subtle, philosophical, aggressive or abusive – and cover genres and forms from epigram to satire, theatre to oratory, from the second century BCE to the early second century CE. We will also juxtapose ancient thinking about humour with both the latest classical scholarship on Roman laughter and selected modern texts on the sociology, psychoanalysis and philosophy of joking (e.g. Freud, Bakhtin, Bergson). Investigating what and who gets laughed at (and why) in Latin literature will make us giggle, balk, and scratch our heads: it will also take us straight to the heart of questions to do with literary history, cultural identity, gender, politics and power in ancient Rome. A wide range of texts and genres will be considered, but individual lectures and seminars will be devoted to single authors and texts, and you will be able to narrow your focus in the termly coursework. Everyone should read the full list of core texts in English as soon as possible.
[Show full text]
Ovidê¼s Prequel to Euripidesê¼ Medea 476: the Intertextual
Studia Antiqua Volume 13 Number 2 Article 1 December 2014 Ovidʼs Prequel to Euripidesʼ Medea 476: The Intertextual Tension of Saving Jason Chizm Payne Follow this and additional works at: https://scholarsarchive.byu.edu/studiaantiqua Part of the Biblical Studies Commons, Classics Commons, History Commons, and the Near Eastern Languages and Societies Commons BYU ScholarsArchive Citation Payne, Chizm. "Ovidʼs Prequel to Euripidesʼ Medea 476: The Intertextual Tension of Saving Jason." Studia Antiqua 13, no. 2 (2014). https://scholarsarchive.byu.edu/studiaantiqua/vol13/iss2/1 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Studia Antiqua by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. OVID’S PREQUEL TO EURIPIDES’ MEDEA 476: THE INTERTEXTUAL TENSION OF SAVING JASON CHIZM PAYNE Chizm Payne is an undergraduate student studying Classics at Brigham Young University. He is graduating in April 2015 and preparing for graduate work in the fall. More than four hundred years afer Euripides’ Medea was presented to its Athenian audience, Ovid published his Metamorphoses. Although Ovid’s poem comes centuries afer its mythological predecessors, it still sets the stage for readers of the earlier Euripidean text.1 In Book VII of the Metamorphoses, Ovid creates his own version of the Jason and Medea myth, beginning his episode back in Colchis, where Jason is still attempting to obtain the Golden Fleece. Among versions like the Argonautica of Apollonius of Rhodes and the Medea of Seneca, the Ovidian text presents a Medea who expresses power- ful psychological anxiety about future events, events that will take place in Euripides’ version.
[Show full text]
5AACTL40: Virgils Aeneid | King's College London
09/24/21 5AACTL40: Virgils Aeneid | King's College London 5AACTL40: Virgils Aeneid View Online Andrew Feldherr. 1995. ‘Ships of State: “Aeneid” 5 and Augustan Circus Spectacle’, Classical Antiquity, 14.2 (University of California Press): 245–65 <http://www.jstor.org/stable/25011022> ‘Anns v Merton London Borough Council [1978] AC 728.’ [n.d.]. (Westlaw) <http://login.westlaw.co.uk/maf/wluk/app/document?&suppsrguid=i0ad82d080000014ce6f 8751b5b04a187&docguid=I5E75B200E42711DA8FC2A0F0355337E9&hitguid=I5E758AF0E 42711DA8FC2A0F0355337E9&rank=1&spos=1&epos=1&td=3&crumb-action=append&co ntext=1435&resolvein=true> BANDERA, CESÁREO. [n.d.]. ‘Sacrificial Levels in Virgil’s “Aeneid”’, ArethusaArethusa, 14.2 (State University of New York at Buffalo, Dept. of Classics.) <http://search.proquest.com/docview/1307021623/14E5083B953E45B9PQ/5?accountid=1 1862> Bernard M. W. Knox. 1950. ‘The Serpent and the Flame: The Imagery of the Second Book of the Aeneid’, The American Journal of Philology, 71.4 (The Johns Hopkins University Press): 379–400 <http://www.jstor.org/stable/292386> Brunt, P.A. 1990. ‘Laus Imperii’, in Roman Imperial Themes (Oxford: Clarendon Press) <https://www.fulcrum.org/concern/monographs/5138jd92m> Cairns, Francis. 1989. Virgil’s Augustan Epic (Cambridge: Cambridge University Press) <https://www.cambridge.org/core/books/virgils-augustan-epic/3F1E5005FDC34F9A006EFE F642093E10> Camps, W. A. 2010. An Introduction to Virgil’s Aeneid (Oxford: Oxford University Press) ‘Caparo Industries v DIckman [1990] 2 AC 605.’ [n.d.]. (Westlaw) <http://login.westlaw.co.uk/maf/wluk/app/document?&suppsrguid=ia744d0650000014ce6f 9a8f18bf0f739&docguid=I821BAC00E42711DA8FC2A0F0355337E9&hitguid=I821B84F0E4 2711DA8FC2A0F0355337E9&rank=1&spos=1&epos=1&td=1&crumb-action=append&con text=1453&resolvein=true> Clausen, Wendell Vernon.
[Show full text]
Classical Review Generic Composition in Greek and Roman
AMERICAN PHILOLOGICAL ASSOCIATION 2007 OFFICERS AND DIRECTORS OFFICERS President Ruth Scodel Immediate Past President Jenny Strauss Clay President-Elect Kurt A. Raaflaub Executive Director Adam D. Blistein Financial Trustees Ward W. Briggs S. Georgia Nugent DIVISION VICE PRESIDENTS Education Lee T. Pearcy Outreach Barbara K. Gold Professional Matters David Konstan Program Robert A. Kaster Publications Marilyn B. Skinner Research Jeffrey Henderson DIRECTORS (IN ADDITION TO THE ABOVE) Ruby Blondell Cynthia Damon Sally R. Davis Donald J. Mastronarde Susan C. Shelmerdine James Tatum PROGRAM COMMITTEE Robert A. Kaster (Chair) Sharon L. James Clifford Ando Kathryn A. Morgan David Sider CHAIR, APA LOCAL COMMITTEE Clifford Ando APA STAFF Coordinator, Meetings, Programs, Heather Hartz Gasda and Administration Coordinator, Membership Renie Plonski and Publications Development Director Julie A. Carew AMERICAN PHILOLOGICAL ASSOCIATION 1 Visit us at HACKETT AIA/APA Booth # 205 SOPHOCLES EURIPIDES Four Tragedies Alcestis, Medea, Hippolytus Ajax, Women of Trachis, Electra, Philoctetes Trans. by Diane Arnson Svarlien Trans., with Intro. and Notes, Intro. and Notes by Robin Mitchell-Boyask by PETER MEINECK & PAUL WOODRUFF 2007 248 pp. $9.95 paper exam price: $2.00 2007 312 pp. $9.95 paper exam price: $2.00 “The excellent Introduction by Robin Mitchell- “In these new translations Meineck and Woodruff Boyask displays an admirable command of up-to- have struck a near-ideal balance between accuracy date scholarship and judiciously leaves and readability, formality and colloquialism. controversial matters open to one’s own Their versions are simply a pleasure to read, interpretation. Arnson Svarlien’s verse translation conveying with remarkable vividness the has both elegance and power—it reads well, not powerful characterizations and poetic variety of just to the eye, but (happily for the director and the originals.
[Show full text]
Virgil's Anti-Augustan Longing for the Roman Republic in the Aeneid
Eulogy for the Republic: Virgil’s Anti-Augustan Longing for the Roman Republic in the Aeneid By: Dylan McAuley CLCV 498: Major Seminar December 14, 2017 Dylan McAuley is a double major in Classical Civilization and Political Science with minors in Law and Archaeology. Throughout his academic career Dylan has studied in Geneva and Beijing and has traveled around the United States with the University’s Mock Trial team. For as long as he can remember, Dylan has wanted to study Classics and has considered it a privilege to do so at the University of Richmond culminating in his analysis of the portrayal of Augustus in Virgil’s Aeneid. And here is the man promised to you, Augustus Caesar, born of the gods, Who will establish again a Golden Age In the fields of Latium. –Virgil1 1 Virgil, the Aeneid, trans. Stanley Lombardo (Indianapolis: Hackett Publishing, 2005), Book VI, 936-942. Upon first reading Virgil’s Aeneid it can be easy for a reader to conclude based on the praise surrounding Augustus anytime he is mentioned directly in the text, that the epic is a strongly pro-Augustan work; a work designed to honor Augustus and his accomplishments in building the Empire. However, while at first glance this may appear to be the case, a second, closer reading may reveal Virgil’s far more critical viewpoints of both Augustus and his Empire’s replacement of the Roman Republic. A masterpiece that has survived the ravages of time, the Aeneid tells the story of Aeneas and his flight from the sacking of Troy with his family and a small group of survivors, mostly soldiers, women, and children, as they seek to resettle in Italy.
[Show full text]