Electrotyping and Stereotyping
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Image Carrier Poster
55899-11_MOP_nwsltr_poster_Winter11_v2_Layout 1 2/11/11 2:25 PM Page 1 The Museum of Printing, North Andover, MA and the Image Carrier www.museumofprinting.org Relief printing Wood cuts and wood engravings pre-dated moveable type. Called “xylographic printing,” it was used before Gutenberg for illustrations, playing cards, and small documents. Moveable type allowed corrections and editing. A wood engraving uses the end grain, where a wood cut uses the plank grain. Polymer plates are made from digital files which drive special engraving machines to produce relief plates. These plates are popular with many of today’s letterpress printers who produce invitations, and collectible prints. Metal relief cylinders were used to print repetitive designs, such as those on wrap - ping paper and wall paper. In the 1930s, the invention of cellophane led to the development of the anilox roller and flexographic printing. Today, flexography prints most of the flexible packaging film which accounts for about half of all packaged products. Hobbyists, artists, and printmakers cut away non-printing areas on sheets of linoleum to create relief surfaces. Wood cut Wood engraving and Metal plate Relief cylinder Flexographic plate Linoleum cut Foundry type began with Gutenberg and evolved through Jenson, Garamond, Moveable type Caslon and many others. Garamond was the first printer to cast type that was sold to other printers. By the 1880s there were almost 80 foundries in the U.S. One newspaper could keep one foundry in business. Machine typesetting changed the status quo and the Linotype had an almost immediate effect on type foundries. Twenty-three foundries formed American Type Founders in 1890. -
Kemble Z3 Ephemera Collection
http://oac.cdlib.org/findaid/ark:/13030/c818377r No online items Kemble Ephemera Collection Z3 Finding aid prepared by Jaime Henderson California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2013 Kemble Ephemera Collection Z3 Kemble Z3 1 Title: Kemble Z3 Ephemera Collection Date (inclusive): 1802-2013 Date (bulk): 1900-1970 Collection Identifier: Kemble Z3 Extent: 185 boxes, 19 oversize boxes, 4 oversize folder (137 linear feet) Repository: California Historical Society 678 Mission Street San Francisco, CA 94105 415-357-1848 [email protected] URL: http://www.californiahistoricalsociety.org Location of Materials: Collection is stored onsite. Language of Materials: Collection materials are primarily in English. Abstract: The collection comprises a wide variety of ephemera pertaining to printing practice, culture, and history in the Western Hemisphere. Dating from 1802 to 2013, the collection includes ephemera created by or relating to booksellers, printers, lithographers, stationers, engravers, publishers, type designers, book designers, bookbinders, artists, illustrators, typographers, librarians, newspaper editors, and book collectors; bookselling and bookstores, including new, used, rare and antiquarian books; printing, printing presses, printing history, and printing equipment and supplies; lithography; type and type-founding; bookbinding; newspaper publishing; and graphic design. Types of ephemera include advertisements, announcements, annual reports, brochures, clippings, invitations, trade catalogs, newspapers, programs, promotional materials, prospectuses, broadsides, greeting cards, bookmarks, fliers, business cards, pamphlets, newsletters, price lists, bookplates, periodicals, posters, receipts, obituaries, direct mail advertising, book catalogs, and type specimens. Materials printed by members of Moxon Chappel, a San Francisco-area group of private press printers, are extensive. Access Collection is open for research. -
Photo/Graphics Michel Wlassikoff
SYMPOSIUMS 1 Michel Frizot Roxane Jubert Victor Margolin Photo/Graphics Michel Wlassikoff Collected papers from the symposium “Photo /Graphisme“, Jeu de Paume, Paris, 20 October 2007 © Éditions du Jeu de Paume, Paris, 2008. © The authors. All rights reserved. Jeu de Paume receives a subsidy from the Ministry of Culture and Communication. It gratefully acknowledges support from Neuflize Vie, its global partner. Les Amis and Jeunes Amis du Jeu de Paume contribute to its activities. This publication has been made possible by the support of Les Amis du Jeu de Paume. Contents Michel Frizot Photo/graphics in French magazines: 5 the possibilities of rotogravure, 1926–1935 Roxane Jubert Typophoto. A major shift in visual communication 13 Victor Margolin The many faces of photography in the Weimar Republic 29 Michel Wlassikoff Futura, Europe and photography 35 Michel Frizot Photo/graphics in French magazines: the possibilities of rotogravure, 1926–1935 The fact that my title refers to technique rather than aesthetics reflects what I take to be a constant: in the case of photography (and, if I might dare to say, representation), technical processes and their development are the mainsprings of innovation and creation. In other words, the technique determines possibilities which are then perceived and translated by operators or others, notably photographers. With regard to photo/graphics, my position is the same: the introduction of photography into graphics systems was to engender new possibilities and reinvigorate the question of graphic design. And this in turn raises another issue: the printing of the photograph, which is to say, its assimilation to both the print and the illustration, with the mass distribution that implies. -
Progress in Printing and the Graphic Arts During the Victorian
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Ik Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924032192373 Sir G. Hayter, R./l. Bet* Majesty Queen Tictorta in Coronation Robes. : progress in printing and the 6raphic Hrts during the Victorian Gra. "i BY John Southward, Author of "Practical Printing"; "Modern Printing"; "The Principles and Progress of Printing Machinery"; the Treatise on "Modern Typography" in the " EncyclopEedia Britannica" Cgtii Edition); "Printing" and "Types" in "Chambers's Encyclopaedia" (New Edition); "Printing" in "Cassell's Storehouse of General Information"; "Lessons on Printing" in Cassell's New Technical Educator," &c. &c. LONDON SiMPKiN, Marshall, Hamilton, Kent & Co. Ltd. 1897. X^he whole of the Roman Cypc in tbta Booh has been set up by the Linotj^pe Composing Machine, and machined direct from the Linotj'pc Bars by 6eo. CH. loncs, Saint Bride Rouse, Dean Street, fetter Lane, London, e.C. ^ ^ ^ ^ ^ ^ ^ W Contents. ^^ Progress in Jobbing Printing Chapter I. Progress in Newspaper Printing Chapter II. Progress in Book Printing - Chapter III. Printing by Hand Press Chapter IV. Printing by Power Press Chapter V. The Art of the Compositor Chapter VI. Type-Founding Chapter VII. Stereotyping and Electrotyping Chapter VIII. Process Blocks Chapter IX. Ink Manufacture Chapter X. Paper-Making Chapter XI. Description of the Illustrations Chapter XII. ^pj progress in printing peculiarity about it It is not paid for by the person who is to become its possessor. -
Mechanization of the Printing Press Robin Roemer Western Oregon University, [email protected]
Western Oregon University Digital Commons@WOU History of the Book: Disrupting Society from Student Scholarship Tablet to Tablet 6-2015 Chapter 08 - Mechanization of the Printing Press Robin Roemer Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/history_of_book Part of the Critical and Cultural Studies Commons, Cultural History Commons, and the History of Science, Technology, and Medicine Commons Recommended Citation Roemer, Robin. "Mechanization of the Printing Press." Disrupting Society from Tablet to Tablet. 2015. CC BY-NC. This is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in History of the Book: Disrupting Society from Tablet to Tablet by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. 8 Mechanization of the Printing Press - Robin Roemer - One of the important leaps in the technology of copying text was the mechanization of printing. The speed and efficiency of printing was greatly improved through mechanization. This took several forms including: replacing wooden parts with metal ones, cylindrical printing, and stereotyping. The innovations of printing during the 19th century affected the way images were reproduced for illustrations as well as for type. These innovations were so influential on society because they greatly increased the ability to produce large quantities of work quickly. This was very significant for printers of newspapers, who were limited by the amount their press could produce in a short amount of time. Iron Printing Press One major step in improving the printing press was changing the parts from wood to metal. -
566,581 Sept. 4, 1951
Sept. 4, 1951 W. PETERSON 2 566,581 STEREOTYPE CASTING MACHINE Original Filed March ill, 1948 Z2222227 2e A222s22. 3-2 22.2%v1. Patented Sept. 4, 1951 2,566,581 UNITED STATES PATENT OFFICE 2,566,581 sTEREOTYPE CASTING MACHINE Wayne Peterson, Moorhead, Minn. Continuation of application Serial No. 14262, March 11, 1948. This application April 28, 1950, Serial No. 158,747 1 Claim. (C. 22-3) My invention relates generally to stereotype cated at 8) is an elongated metal box or melting casting machines, and, more Specifically, to a pot 9, which has upwardly-diverging sides O. A stereotype casting machine scorcher combina tilting lever is secured fast to the metal box 9 tion. The present application is a continuation through one of the pivot connections 8 for tilting of application Serial No. 14262, filed March 11, the metal pot 9 when it is desired to pour through 1948, now abandoned. a Suitable pouring spout 2. formed in the rear The primary object of my invention is the pro wall. Othereof. It will be observed that the pivot vision of a novel arrangement, including casting connections 8 are located to one side of the platens, metal pot, heater, and scorcher, wherein longitudinal center of the metal box 9. A front the heat utilized to melt type metal in the mettal 0. Wall 0 of the metal box is provided with a for port is also utilized for heating the Scorcher Wardly-projecting flange 3, which is adapted to platen. normally rest upon a Supporting bracket 4 con Another object of my invention is the provision necting its opposite ends to forward edges of the of a novel scorcher having relatively fixed and upStanding flanges 7. -
Chapter 1 Lesson 4 Technology in the 1500S
GL5 History Teacher Text Chapter 1 Lesson 4 Technology in the 1500s Student Objectives: • Review the invention, design, and uses of the printing press. • Describe how the printing press works and its importance in history. • Discuss the astrolabe and its use in navigation in the 1500s. • Make, use, and test an astrolabe. Worldview Integration: • God wants us to read, circulate, and explain his Word to others. (Acts 8:26-40; letters of Paul) • God is the maker of the heavens and the Earth. (Genesis 1:1). • God gave us the stars and constellations to help us navigate here on Earth. (Matthew 2:1-12). Materials: • C1L4 “John Gutenberg and the Invention of the Printing Press” from Great Inventors and Their Inventions by Frank P. Bachman, teacher resource • C1L4 Making a Simple Astrolabe • C1L4 An Instrument with a Past and a Future, teacher resource • C1L4 Printing Press Illustrations, teacher resource • Potatoes or soft objects that can be formed into letters • Paper for printing press messages • Ink or paint to dip letters into to “print” their messages Introduction: Two important inventions made possible what we call the Age of Discovery (AD 1400-1799). One was the application of an ancient tool called the astrolabe—a compact instrument used to observe sun, moon, stars, and other celestial bodies. The other was the invention of the printing press by Johannes (John) Gutenberg. He figured out the use of movable type. Because of the printing press and the travel journals of the explorers, people across Europe were able to read about a new world and its potential for trade and wealth to Europeans. -
Machines COPYRIGHT 1952 CURATORS of the UNIVERSITY of MISSOURI Manufactured in the United States of America ~ "
\ \ . ,,,, ~fuecasting Machines COPYRIGHT 1952 CURATORS OF THE UNIVERSITY OF MISSOURI Manufactured in the United States of America ~ " VOWME 58, NUMBER 14 Journalism SERIES NUMBER 141. Published by the · U_niversity of Missouri cit Room 102, Building T-3, Columbia• Missouri. En~ered 'as .s'econd-::class matter, January 2, 1914, at post office , at Columbia,- Missouri, under the Act of Congress 'of August 24, 1912. Issued four times monthly October through May, three times monthly June through -September. - 1000. Apr_il 8, 1957. Preface Tms SECOND EDITION of the Maintenance Check List is compiled to provide a quick ready reference of common ills and cures of linecasting machinery. It also includes care and adjustments of the machines as recommended by the Mergenthaler Linotype Company. There has been no attempt to make this book difficult by introducing subjects beyond the scope common to all machines. On the contrary, the end in mind is that the work be a useful tool to any man with casual ma chine knowledge who desires to solve his own problems. It is interesting to speculate on how much money is paid out each year by shop owners to have high priced machinists come in to correct problems that they could well solve themselves, given something to work with. It is hoped that to these men the book will provide a convenient, practical source of help and information. As in all such works as this, much has been left un said. Time and money are, of course, prohibitive factors and a neces~ity for selection was inevitable. Any sug gestions for future inclusions, comments, or criticisms will be appreciated by the author. -
Evolutionary Changes in Persian and Arabic Scripts to Accommodate the Printing Press, Typewriting, and Computerized Word Processing
TUGboat, Volume 40 (2019), No. 2 179 Evolutionary Changes in Persian and Arabic Scripts to Accommodate the Printing Press, Typewriting, and Computerized Word Processing Behrooz Parhami Department of Electrical and Computer Engineering University of California Santa Barbara, CA 93106-9560, USA [email protected] 1. Introduction 2. The Persian Script I have been involved in Iran’s computing scene for five Throughout this paper, my use of the term “Persian decades, first as an engineering student and instructor for script” is a shorthand for scripts of a variety of Persian five years, then as a faculty member at Tehran’s Sharif forms (Farsi/Parsi, Dari, Pashto, Urdu), as well of Arabic, (formerly Arya-Mehr) University of Technology for 14 which shares much of its alphabet with Persian. Work on years (1974-1988), and finally, as an interested observer adapting the Arabic script to modern technology has and occasional consultant since joining the University of progressed in parallel with the work on Persian script, California, Santa Barbara, in 1988. Recently, I put with little interaction between the two R&D communities, together a personal history of efforts to adapt computer until fairly recently, thanks to the Internet. technology to the demands and peculiarities of the Persian language, in English [1] and Persian [2], in an effort to The Persian language has a 2600-year history, but the update my earlier surveys and histories [3-6] for posterity, current Persian script was adapted from Arabic some archiving, and educational purposes. 1200 years ago [7]. For much of this period, texts were handwritten and books were copied manually, or In this paper, I focus on a subset of topics from the just- reproduced via primitive printing techniques involving cited publications, that is, the three key transition periods etching of the text on stone or wood, covering it with a in the interaction of Persian script with new technology. -
Roles People Play Utah Museum of Fine Arts • Educator Resources and Lesson Plans Fall 2016
Art of Work Roles People Play Utah Museum of Fine Arts • www.umfa.utah.edu Educator Resources and Lesson Plans Fall 2016 Artwork, Artist Hirosada was the leading artist and the most prolific of the Osaka printmaking school. He specialized in producing commissioned prints which served to promote the Ka- buki theaters that were very pop- ular in large cities like Edo (today Tokyo). Hirosada’s depiction of leading actors with unusual expres- sions and twisted poses created a dramatic and expressive style to his prints. Customary for Edo period artists, Gosotei Hirosada used a number of different art names through his career including Konishi Hirosada, Gorakutei Hirosada, and Utagawa Hirosada. It is also speculated that Gosotei Hirosada was possibly the well-known artist Utagawa Sadahi- ro I, because of similarities in their work. Hirosada is mentioned as a pupil of Kunimasu Utagawa with the dates of 1819-1865. *http://artelino.com/articles/hirosa- da.asp *http://www.osakaprints.com/content/artists/ Konishi Hirosada (also called Gosotei Hirosada) artist_listpp/gallery_hirosada.htm (c. 1819–1863), Japan Untitled Woodblock print ca. 1850s ED1996.12.3 1 Roles People Play Lisa McAfee-Nichols Introduction Using Hirosada’s woodcuts as a spring board, students will create an edition of relief prints that express a role the worker plays in contemporary society. How does this role affect others? How does the person working act or feel? How can we create a dynamic composition when depicting what some would consider mundane work? What various roles does each person play in our society and culture? Concepts A. -
Book of Mormon Editions
Journal of Book of Mormon Studies Volume 11 Number 2 Article 7 2002 Book of Mormon Editions Larry W. Draper Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Draper, Larry W. (2002) "Book of Mormon Editions," Journal of Book of Mormon Studies: Vol. 11 : No. 2 , Article 7. Available at: https://scholarsarchive.byu.edu/jbms/vol11/iss2/7 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title Book of Mormon Editions Author(s) Larry W. Draper Reference M. Gerald Bradford and Alison V. P. Coutts, eds., Uncovering the Original Text of the Book of Mormon: History and Findings of the Critical Text Project, 39–44 (published in lieu of Journal of Book of Mormon Studies 11/2 [2002]). ISBN 0-934893-68-3 Abstract Larry Draper describes his role in providing Royal Skousen with copies of various early editions of the Book of Mormon for use in the critical text project. Draper also describes the printing process of the Book of Mormon, which process was made clearer because of Skousen’s project. Draper explains the stereotyping method of printing that was used for the 1840 Cincinnati/Nauvoo edition and the 1852 Liverpool edition of the Book of Mormon. Book of Mormon Editions l a r ry w. d r a p e r I was employed in the Historical Department of the (2) knowledge of the physical methods of Church of Jesus Christ of Latter-day Saints for 18 years the printing process (in other words, (until 1997). -
Character Enhancement for Historical Newspapers Printed Using Hot Metal Typesetting
2011 International Conference on Document Analysis and Recognition Character enhancement for historical newspapers printed using hot metal typesetting Iuliu Konya Stefan Eickeler Christoph Seibert Fraunhofer IAIS Sankt Augustin, Germany fe-mail: iuliu.konya, stefan.eickeler, [email protected] Abstract—We propose a new method for an effective removal type metal (with lead as its main constituent) into molds, of the printing artifacts occurring in historical newspapers each having the shape of a single character or a ligature. which are caused by problems in the hot metal typesetting, a The obtained sorts were subsequently used to press ink onto widely used printing technique in the late 19th and early 20th century. Such artifacts typically appear as thin lines between paper and produce the print. A common problem with the single characters or glyphs and are in most cases connected to procedure was the fact that ink tended to infiltrate between one of the neighboring characters. The quality of the optical the individual sorts upon imbuement, thus producing specific character recognition (OCR) is heavily influenced by this type near-vertical artifacts upon pressing them against the paper. of printing artifacts. The proposed method is based on the As can be seen in figures 1, 4 and 3, such artifacts are detection of (near) vertical segments by means of directional single-connected chains (DSCC). In order to allow the robust quite prominent and have a comparable stroke width as processing of complex decorative fonts such as Fraktur, a set well as the exact same gray level as regular characters in of rules is introduced.