DOCSLIB.ORG

Conservatory Canada Contemporary Repertoire Level 1 Or Grade 1 Page 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Conservatory Canada Contemporary Repertoire Level 1 Or Grade 1 Page 1 Conservatory Canada Level 1 or Grade 1 Page !1 Contemporary Repertoire *Canadian Composer Canadian Contemporary Repertoire Series Lv 1 Product # HL 00139067 *Badian, Maya ISBN: 9781495005367 HAL Northern Lights Repertoire 1A Repertoire DWM Olé LA ISBN 978-0-9919297-2-6 ‘Game’ in Mixolydian 20th/21st c. (Modal) *Chase, G. Northern Lights Repertoire 1B Repertoire DWM Northern Lights Repertoire 1A Repertoire DWM ISBN 978-1-927777-03-9 ISBN 978-0-9919297-2-6 Aboriginal Dance CP Lullaby for Chelte NR ‘Cantus Planus’ in Dorian NB (Modal) Cuban Folk Dance FK *Chouinard, D. Northern Lights Repertoire 1B Repertoire DWM *Balodis, F. ISBN 978-1-927777-03-9 Northern Lights Repertoire 1B Repertoire DWM Jewel Box Ballerina CP ISBN 978-1-927777-03-9 The Lace Tablecloth CP Cobb, E, ! Higgledy Piggledy Jazz *Bender, J. ISBN 978-0-9566569-19 Northern Lights Repertoire 1A Repertoire DWM Super Duck ISBN 978-0-9919297-2-6 I Ate All The Choc’late Puppy Tricks CP You Tell Me Why I Wait For Christmas? Northern Lights Repertoire 1B Repertoire DWM ISBN 978-1-927777-03-9 *Crawley, C. Video Fantasy ET Northern Lights Repertoire 1A Repertoire DWM ISBN 978-0-9919297-2-6 *Benedict, R. Musette NB Canadian Contemporary Repertoire Series Lv 1 A Rant ET Product # HL 00139067 ISBN: 9781495005367 HAL *Dick, J. Bass Boogie SW Northern Lights Repertoire 1A Repertoire DWM ISBN 978-0-9919297-2-6 *Bottenberg, W. Raindrop Daydreams NI Northern Lights Repertoire 1A Repertoire DWM Northern Lights Repertoire 1B Repertoire DWM ISBN 978-0-9919297-2-6 ISBN 978-1-927777-03-9 Can’t Catch Me ET Icky Spider 20th/21st c. Northern Lights Repertoire 1B Repertoire DWM ISBN 978-1-927777-03-9 *Dobinson, M. A Wobbly Wheel PM Making Tracks Vol. 1 NLMT1 DWM ISBN 978-1-927777-15-2 *Bouchard, R. Train Ride! CP PM A Chorus of Critters RB 205 DWM Northern Lights Repertoire 1A Repertoire DWM ISBN 978-1-927585-63-4 ISBN 978-0-9919297-2-6 Romping Rover PM Prelude…Canon NB The Gray Wolf CP Northern Lights Repertoire 1B Repertoire DWM The Happy Hare CP ISBN 978-1-927777-03-9 The Painted Pony CP Lullaby…without counting! (sheep)20th/21st c. The Reluctant Donkey CP Patterns 20th/21st c. th st The Pesky Mosquito 20 /21 c. The Unwritten Rules Blues BL The Rollie, Pollie Piglet PM The Snapping Turtle CP *Duke, D. Northern Lights Repertoire 1A Repertoire DWM Northern Lights Repertoire 1A Repertoire DWM ISBN 978-0-9919297-2-6 ISBN 978-0-9919297-2-6 A Prayer NR BA goodbye 20th/21st Dancing with my Granny NC Northern Lights Repertoire 1B Repertoire DWM th st Swift Silvester 20 /21 c. ISBN 978-1-927777-03-9 Phrygian Tune (Modal) Unpleasant Conversation 20th/21st " Available in single sheet # YouTube ! CD Conservatory Canada Level 1 or Grade 1 Page !2 Contemporary Repertoire Duncan, M.H. *Griesdale, S. Flying Horses, Talking Fish RLP Let’s Pretend RLP ISBN 978-0-9809485-7-8 Product # SGR-PC002 I Want to Fly CP ISBN 978-0-9811542-1-3 Why? CP Scary Monster PM Moonlight CP Ballerina PM Party Plans CP Catch the Magic! ! Cottage Days RLP Product # SGR-PC006 ISBN 978-0-9809485-2-3 ISBN 978-0-9877169-1-0 Summer Lightning CP Dinosaur Bones Northern Lights Repertoire 1B Repertoire DWM ISBN 978-1-927777-03-9 *Hansen, J. Summer Lightning NI Northern Lights Repertoire 1B Repertoire DWM ISBN 978-1-927777-03-9 th st *Fairbank, N. A Touch of Whimsy 20 /21 c. Northern Lights Repertoire 1A Repertoire DWM ISBN 978-0-9919297-2-6 *Harbridge, A. A Sad Song BA # Piano Styles 1 DWM Product # AH 201 *Fiess, S. ISBN: 978-1927585962 Northern Lights Repertoire 1B Repertoire DWM Backstreet Blues BL SW ISBN 978-1-927777-03-9 Bedrock Boogie RO BL Gypsy Dance NC Brawny RO Broadway Blues BL SW *Gieck, J. Holiday in Trinidad LA (Calypso) Making Tracks Vol. 1 NLMT1 DWM Jack’s Back SW ISBN 978-1-927777-15-2 Jazz Cat Blues BL All Aboard the Octave Train CP PM Little Latin Dance LA Next Stop, Pemberton! CP PM March of the Wind-Up Tin Soldier NC Northern Lights Repertoire 1B Repertoire DWM Melancholy Melody BA ISBN 978-1-927777-03-9 O Canada Card Houses ET " Play Me the Blues BL SW # Dances, Daydreams & Dinosaurs RLP " Play That Rock Music RO ISMN 979-0-9001412-3-1 Rainbows and Raindrops NI Product # JKG – PC003 Rock This Town RO Card Houses CP The Hunter’s Dance RO Chromatisaurus CP The Olympian CP th st Tricky Tracks CP 20 /21 Canadian Contemporary Repertoire Series Lv 1 # Canadian Contemporary Repertoire Series Lv 1 Product # HL 00139067 Product # HL 00139067 ISBN: 9781495005367 HAL ISBN: 9781495005367 HAL "# Got the Blues BL Sunflowers and Sage Brush Cowboy Song CO Dinosaur Disco RO # Otonabee River Song BA PM Snow Angel When I Grow Up RLP # Aeolian Jazz Waltz JA SW Product JKG-PC006 ISMN 979-0-9001412-7-9 *Hartley, G. Teacher CP Summer Fun GGH Editions Pilot CP ISMN 979-0-706085-01-2 What’s the Hurry? *Gillis, T. Skipping Northern Lights Repertoire 1B Repertoire DWM ISBN 978-1-927777-03-9 *Lanthier, J. Smith Dance of the Gremlins CP Ocean Tails JL 102 Flying Ravens CP ISBN 978-1-928135-79-1 Two Banana Slugs (Imitative) Stroll Through Beacon Hill JA " Available in single sheet # YouTube ! CD Conservatory Canada Level 1 or Grade 1 Page !3 Contemporary Repertoire Matz, C. (arr.) Gracefully Done Famous & Fun Pop Book 3 ALF Snow Ballad BA Product # 00-22424 Spinning Song CO ISBN: 978-0-7390-4167-3 Song for A Cowboy CO Hedwig’s Theme MT Swan Song 20th/21st c. I’ll Be There for You TV Clear Sky 20th/21st c. Beauty and the Beast BR MT All Alone 20th/21st c. Happy Birthday to You Prairie Song CO Rock Around the Clock RO TV Back on The Bike 20th/21st c. Ding Dong! The Witch is Dead MT Light As a Feather 20th/21st c. Its Bitsy Teenie Weene Yellow Polka Dot In Charge 20th/21st c. Bikini RO Getting Ready for the Battle Over The Rainbow MT Beach Walk 20th/21st c. Part of Your World MT Freedom March RO The Pink Panther MT Taking Time JA Theme from “ New York, New York” BR Another Siesta LA Famous & Fun Rock Book 3 ALF Product # 41004 *Pinckney, J. ISBN 978-0-7390-9605-5 Northern Lights Repertoire 1B Repertoire DWM Blue Moon BA JA ISBN 978-1-927777-03-9 Breakaway Super Marsupial Mama SW Don’t Stop Believin’ RO Canadian Contemporary Repertoire Series Lv 1 Gotta Be Somebody RO Product # HL 00139067 Killing Me Softly RO BA ISBN: 9781495005367 HAL The Lion Sleeps Tonight Frozen Full Moon on a Sunday Afternoon Rock and Roll RO Icicle Rag RA Wake Me Up When September Ends RO Sunflowers and Sage Brush 20th/21st c. You’re the One that I Want RO Hush Now 20th/21st c. Mier, M. *Pine, K. ! Jazz Rags and Blues Book 1 ALF Northern Lights Repertoire 1A Repertoire DWM Product # 6642 ISBN 978-0-9919297-2-6 th st ISBN 0-7390-7428-4 Around Again 20 /21 c. Ragtime Do-Si-Do RA Northern Lights Repertoire 1B Repertoire DWM Hallelujah JA BL ISBN 978-1-927777-03-9 th st Surfboard Boogie SW JA Zeke’s Video Game Adventure 20 /21 c. Sneaky Business JA A Neat Beat JA *Porter, B. Northern Lights Repertoire 1A Repertoire DWM *Nasmyth, D. ISBN 978-0-9919297-2-6 Northern Lights Repertoire 1B Repertoire DWM Petite Waltz NR ISBN 978-1-927777-03-9 Moonlight Reflections NI Aardvark Strut SW JA Along the Shore RLP Product # BFP-P006 Norton, C. ISBN: 978-0-9879466-1-4 Connections 1 for Piano FJH A Short Ride in a Fast Boat PM/CP ISBN 978-1-55440-087-4 Fun At the Beach PM Any Selection Lullaby of the Waves CP The Red Lighthouse NI ! American Popular Piano Repertoire 1 HAL ISBN 978-1-89737901-1 Colours of Sunset CP County Fair CO Don’t Rock the Boat PM This Dance Please Clowning Around and More RLP Horn Section SW Product #BPF-P002 Time Out JA ISBN: 978-0-9813324-1-3 Russian Journey 20th/21st cent. Thistledown NI Heading Home CO Moonlight Reflections PM Into the Woods RLP ! American Popular Piano Repertoire 2 HAL Product # BPF-P005 ISBN 978-1-897379-02-8 " Available in single sheet # YouTube ! CD Conservatory Canada Level 1 or Grade 1 Page !4 Contemporary Repertoire ISBN: 978-0-9879466-0-7 Code HPA123 Sleepytime CP ISBN 978-1-5540-690-6 Blue Butterfly Far Away An Army of Ants CP Into Mischief Rascally Raccoon RA Sunset Land of the Silver Birch RLP The Chase Product # BPF-P003 Eleven Miniatures RLP ISBN: 978-0-9813324-6-8 Product # TGR-PC008 Alouette FK ISMN 979-0-9001430-6-8 Iroquoise Lullaby FK Fleas Huron Carol FK Toy Collection FHM Gail on la, gai le rosier FK Code HPA126 Acadian Lullaby FK Blocks Ah! Si mon moine voulez danser FK Teddy Bear Rags to Riches RLP Video Game Adventure Product # BPF-P004 Fire Truck ISBN: 978-0-9813324-7-5 By the Pond NI Rollin, C. Donegan Dances PM jazz-a-little, JAZZ-A-LOT Book 1 ALF Old Garden Swing JA Product #00-6659 Chromatic Rag RA ISBN 0-7390-1440-4 Courtly Dance NC Blues Train BL Silently Falls the Snow NI Boogie Band BW Cool Jump JA *Pustilnik, F.
Load more

Recommended publications
  • THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
    COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
    [Show full text]
  • Dannii Minogue Love and Kisses Mp3, Flac, Wma
    Dannii Minogue Love And Kisses mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Love And Kisses Country: South Africa Released: 1991 Style: House, Downtempo, Vocal MP3 version RAR size: 1628 mb FLAC version RAR size: 1468 mb WMA version RAR size: 1665 mb Rating: 4.9 Votes: 677 Other Formats: APE RA FLAC MP1 XM ADX AUD Tracklist Hide Credits Love And Kisses 1 Engineer – Phil BodgerProducer – Alvin Moody, Vincent BellProducer [Additional], Remix – 3:37 Dancin' Danny DWords By, Music By – A. Moody* Success 2 Producer – Alvin Moody, Vincent BellProducer [Additional], Remix – Bruce ForestWords By, 3:40 Music By – A. Moody*, D. Minogue* So Hard To Forget 3 5:13 Producer – Alvin Moody, Vincent BellWords By, Music By – K. Hairston*, T. Gale* Party Jam 4 Producer – Alvin Moody, Vincent BellWords By, Music By – A. Moody*, D. Minogue*, E. 3:34 Isles*, V. Bell* Attitude 5 5:07 Producer – Alvin Moody, Vincent BellWords By, Music By – A. Moody* Work 6 4:26 Producer – Alvin Moody, Vincent BellWords By, Music By – A. Moody*, E. Isles*, V. Bell* Jump To The Beat 7 Producer – Andy Whitmore, Emma Freilich, Les AdamsRap – Einstein Words By, Music By – 4:04 L. Walden*, N. Walden* Call To Your Heart 8 5:32 Producer – Alvin Moody, Vincent BellWords By, Music By – A. Moody*, H. Adderly* I Don't Wanna Take This Pain 9 Producer – Alvin Moody, Vincent BellWords By, Music By – A. Moody*, D. Minogue*, E. 4:51 Isles*, V. Bell* Love Traffic 10 5:58 Producer – Alvin Moody, Vincent BellWords By, Music By – A. Moody*, K.
    [Show full text]
  • Shall We Stomp?
    Volume 36 • Issue 2 February 2008 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Shall We Stomp? The NJJS proudly presents the 39th Annual Pee Wee Russell Memorial Stomp ew Jersey’s longest Nrunning traditional jazz party roars into town once again on Sunday, March 2 when the 2008 Pee Wee Russell Memorial Stomp is pre- sented in the Grand Ballroom of the Birchwood Manor in Whippany, NJ — and you are cordially invited. Slated to take the ballroom stage for five hours of nearly non-stop jazz are the Smith Street Society Jazz Band, trumpeter Jon Erik-Kellso and his band, vocalist Barbara Rosene and group and George Gee’s Jump, Jivin’ Wailers PEABODY AT PEE WEE: Midori Asakura and Chad Fasca hot footing on the dance floor at the 2007 Stomp. Photo by Cheri Rogowsky. Story continued on page 26. 2008 Pee Wee Russell Memorial Stomp MARCH 2, 2008 Birchwood Manor, Whippany TICKETS NOW AVAILABLE see ad page 3, pages 8, 26, 27 ARTICLES Lorraine Foster/New at IJS . 34 Morris, Ocean . 48 William Paterson University . 19 in this issue: Classic Stine. 9 Zan Stewart’s Top 10. 35 Institute of Jazz Studies/ Lana’s Fine Dining . 21 NEW JERSEY JAZZ SOCIETY Jazz from Archives. 49 Jazzdagen Tours. 23 Big Band in the Sky . 10 Yours for a Song . 36 Pres Sez/NJJS Calendar Somewhere There’s Music . 50 Community Theatre. 25 & Bulletin Board. 2 Jazz U: College Jazz Scene . 18 REVIEWS The Name Dropper . 51 Watchung Arts Center. 31 Jazzfest at Sea.
    [Show full text]
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • Remembering the Thirteen Roses: Thinking Between History and Memory
    Remembering the Thirteen Roses: Thinking between History and Memory A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Kajsa C. Larson IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Ofelia Ferrán May 2010 © Kajsa C. Larson 2010 i Acknowledgements I would like to thank Ofelia Ferrán, Patrick McNamara, Ana Forcinito, and Joanna O’Connell for their guidance and feedback throughout the writing process. Thank you to my family and friends for their love and encouragement, especially Xulio, Concha, and Ángeles. ii Dedication I dedicate this study to Concha Carretero, whose love, kindness, and friendship are an inspiration to me. iii Abstract Remembering the Thirteen Roses: Thinking between History and Memory examines the execution of thirteen young, communist women, named the Thirteen Roses, on August 5, 1939, to show how Spaniards in the twentieth and twenty-first centuries have assigned meaning to and represented the memories of those who opposed Franco during the Spanish Civil War. Through the analysis of poetry, fiction, journalism, theater, and film, my dissertation documents the ways the Roses’ memory has been recycled and transformed over time from the remembrance of a historical event to a polysemic literary and cultural trope. This trope, in the postwar years, embodied communist political ideals but, with the passing of time, was converted into a symbol for democracy and, later, into a depoliticized tale of human suffering. The development of the Roses trope alerts us to the mechanics of collective memory, a concept coined by Maurice Halbwachs to explain how ‘memory’ is a socially constructed notion that is experienced within a group.
    [Show full text]
  • Bill Holcombe's Musicians Publications Visit Our Online Store!
    Bill Holcombe's Musicians Publications Visit our online store! www.billholcombe.com/store SHIP TO: P.O. Box No. : _____________ Phone: ____________Fax:_____________________________ Name: _________________________________________________________________ Street: _________________________________________________________________ City,State,Zip: ________________________________________________________________ Counry: ________________________________________________________________ Ordering Information Musicians Publications is always ready to answer your questions about our publications. Orders may be placed by phone, fax, mail or email. All orders are shipped from Chesapeake, Virginia and are billed in U.S. dollars. There is a $25 net minimum for all wholesale orders. Foreign orders will be shipped by sur- face mail unless otherwise specified. Contents: Arranging ............................2 Orchestra ............................. 52 Brass Ensembles ........ 31-43 Percussion ........................... 43 Cello .................................51 Saxophone ......................15-20 String Orchestra ................53-54 Choral ...............................55 String Quartets and Trios ....... 49, 50 Clarinet ........................11-14 Trombone ........................38-40 Concert Band .............. 44-47 Trumpet ...........................36-37 Flute .............................. 3-10 Tuba ...................................... 40 French Horn ................ 41-43 Viola ..................................51 Jazz Band .........................48
    [Show full text]
  • Jazzing up Jazz Band JB Dyas, Phd As Published in Downbeat Magazine
    Jazzing Up Jazz Band JB Dyas, PhD As published in DownBeat magazine JB Dyas (left) works with the big band at Houston’s High School for the Performing and Visual Arts Presenting jazz workshops across the country on behalf of the Herbie Hancock Institute, it’s been my experience that too many high school jazz bands, although often sounding quite impressive, are really playing very little jazz. On any given tune, few students are able to improvise – arguably jazz’s most important element. Most of the band members don’t know the chord progression, the form, or even what a chorus is – essentials for the jazz musician. And all too often they haven’t listened to the definitive recordings – a must in learning how to perform this predominantly aural art form – or know who the key players are. They're just reading the music that’s put in front of them, certainly not what jazz is all about. What they’re doing really has little relation to this music’s sensibility; it's more like “concert band with a swing beat.” The teaching and learning of jazz can and should be an integral component of every high school jazz band rehearsal. Since most high schools don’t have the luxury of offering separate jazz theory, improvisation and history classes, jazz band needs to be a “one stop shop.” Therefore, repertoire is key, meaning the repertoire chosen for the school year and the order in which it is presented should be such that it is conducive to the learning of jazz theory and improvisation in a natural, understandable and playable unfolding of material.
    [Show full text]
  • Jazzletter PO Box 240, O)Ai CA 93024-0240
    G€rE Lrc Ad Libitwm e" Jazzletter PO Box 240, O)ai CA 93024-0240 of jazz and swing, of Basie and Duke. night-"1 Knights of the London House want this music to connect with that audience and not just other musicians."And again he excoriated the new Swing Part II Groups. The tour was to be called Swing Magic. Almadon Produc- and set an itinerary. The tour was to I remembered the Peterso n albtm Motions turd Emotions, tvith tions printed brochures two days of rehearsal in Ottawa affangements by Claus Ogerman, whose work did not come beginseptember 16, after historic Chateau Laurier hotel ' Then cheap. A large orchestra was assembled in the studio' Oscar urd u p"rfot ance at the Vancouver. San Francisco, tried out the piano, said, "l don't like the box,"and walked it woutd proceed to Toronto, all the performances taking out. leaving all those musicians, who had to be paid under Chicago, ind New York, with An extra performance union contract, sitting there. Hans Georg Bruner-Schwer, who place in historic hotels and ballrooms' New York schedule, with profits was producing the album for his MPS label, was stuck with was eventually added to the fund for the Apollo Theater' the very considerable costs' Fortunately for him, he was able to go to a restoration report on the formation of the to record the orchestra and then overdub Peterson later in N.*.pup".s continued to In The Toronto Star, Germany. But Oscar was capable of such cruel caprices, and tour with almost breathless anticipation' "the event has the musical I remembered it.
    [Show full text]
  • Ella Fitzgerald Collection
    Ella Fitzgerald Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2005 Revised 2010 December Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu010023 LC Online Catalog record: http://lccn.loc.gov/2006568227 Processed by the Music Division of the Library of Congress Collection Summary Title: Ella Fitzgerald Collection Span Dates: 1956-1992 Bulk Dates: (bulk 1960-1985) Call No.: ML31.F58 Creator: Fitzgerald, Ella Extent: 23,500 items ; 285 containers ; 176 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Ella Fitzgerald (1917-1996) was a popular and highly-respected American jazz and pop vocalist and recording artist. The Ella Fitzgerald Collection chiefly consists of musical arrangements made for her by more than fifty arrangers and orchestrators. Arrangers whose works are found in this collection include: Buddy Bregman, Benny Carter, Frank DeVol, Russ Garcia, Billy May, Marty Paich, Nelson Riddle, and Gerald Wilson. The arrangements consist of a combination of full scores and parts, and are often accompanied by piano-conductor short scores, reduced scores, lead sheets and lyric sheets. Music is found in the form of manuscripts, printed music, photocopies, and ozalids, often in multiple or different versions. In addition, the collection contains repertoire and program lists and other miscellaneous material, including a minimal amount of correspondence and photographs. Note: To find locations of arrangements within this finding aid, consult the Songs Index and Arrangers Index under Index Terms.
    [Show full text]
  • Inforiwatfonto USERS
    INFORIWATfONTO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction Is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and teaming 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI' THE ART SWGS OF ANDRÉ PREVIN WITH LYRICS BY TONI MORRISON: HONEY AND RUE AND FOUR SOSGS FOR SOPRANO, CELLO AND PIANO A PERFORMER'S PERSPECTIVE D.M.A. DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Misical Arts in the Graduate School of the School of The Ohio State University By Stephanie McClure Adrian, B.M., M M ***** The Ohio State University 2001 D.M.A.
    [Show full text]
  • Make It New: Reshaping Jazz in the 21St Century
    Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of
    [Show full text]
  • Conservatory Canada Contemporary Idioms Repertoire List
    Contemporary Syllabus Repertoire List Committee Chair: Andrew Harbridge Committee Members: Derek Oger, April Smith, Michael Faulkner, Beth Tadeson, Judy Freeman, Michelle Miller, Nancy Rogerson, David Story, Sherry McKinnon, Kathy Bartel, Suzanne Oakley, Roxanne McGahey and Esther Ng. Published: Sept 3, 2016 © 2016 Conservatory Canada Conservatory Canada Level 1 or Grade 1 Page !1 Contemporary Repertoire *Canadian Composer Canadian Contemporary Repertoire Series Lv 1 Product # HL 00139067 *Badian, Maya ISBN: 9781495005367 HAL Northern Lights Repertoire 1A Repertoire DWM Olé LA ISBN 978-0-9919297-2-6 ‘Game’ in Mixolydian 20th/21st c. (Modal) *Chase, G. Northern Lights Repertoire 1B Repertoire DWM Northern Lights Repertoire 1A Repertoire DWM ISBN 978-1-927777-03-9 ISBN 978-0-9919297-2-6 Aboriginal Dance CP Lullaby for Chelte NR ‘Cantus Planus’ in Dorian NB (Modal) Cuban Folk Dance FK *Chouinard, D. Northern Lights Repertoire 1B Repertoire DWM *Balodis, F. ISBN 978-1-927777-03-9 Northern Lights Repertoire 1B Repertoire DWM Jewel Box Ballerina CP ISBN 978-1-927777-03-9 The Lace Tablecloth CP Cobb, E, ! Higgledy Piggledy Jazz *Bender, J. ISBN 978-0-9566569-19 Northern Lights Repertoire 1A Repertoire DWM Super Duck ISBN 978-0-9919297-2-6 I Ate All The Choc’late Puppy Tricks CP You Tell Me Why I Wait For Christmas? Northern Lights Repertoire 1B Repertoire DWM ISBN 978-1-927777-03-9 *Crawley, C. Video Fantasy ET Northern Lights Repertoire 1A Repertoire DWM ISBN 978-0-9919297-2-6 *Benedict, R. Musette NB Canadian Contemporary Repertoire Series Lv 1 A Rant ET Product # HL 00139067 ISBN: 9781495005367 HAL *Dick, J.
    [Show full text]