Jaarverslag 2011-2012 (PDF)
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Delegates Guide
Delegates Guide 15–20 March, 2019 Cultural Partners Supported by Friends of Qumra Media Partners Cover: ‘Six Months and One Day’, directed by Yassine Ouahrani 1 QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 13 Qumra Project Delegates 15 Industry Delegates 63 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Aya Al-Blouchi Quay Chu Anthea Devotta Mayar Hamdan Qumra Master Classes Development Qumra Industry Senior Qumra Shorts Coordinator Senior Coordinator Executive Coordinator Development Assistant Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Meriem Mesraoua Qumra Industry Qumra Talks Senior Qumra Pass Senior Grants Senior Coordinator Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Vanessa Paradis Majid Al-Remaihi Nina Rodriguez Alanoud Al Saiari Grants Coordinator Film Programming Qumra Industry Senior Qumra Pass Coordinator Assistant Coordinator Film Workshops & Labs Coordinator Wesam Said Rawda Al-Thani Jana Wehbe Ania Wojtowicz Grants Coordinator Film Programming Qumra Industry Senior Qumra Shorts Coordinator Assistant Coordinator Film Workshops & Labs Senior Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Head of Grants Qumra Industry Industry Advisor Manager Film Training Senior Manager 4 5 Qumra Masters Eugenio Caballero Kiyoshi Kurosawa In 2015 and 2016 he worked on the film ‘A at Cannes in 2003, ‘Doppelganger’ (2002), Monster Calls’, directed by J.A. Bayona, ‘Loft’ (2005), and ‘Retribution’ (2006), which earning him a Goya on his third nomination screened at that year’s Venice Film Festival. -
Milan Ljepojević / MEDIJI U SLUŽBI MOĆNIKA Edicija SNSD Knjiga 7
Milan ljepojević / MEDIJI U SLUŽBI MOĆNIKA Edicija SNSD Knjiga 7 izdavač: BESJEDA Banja Luka Recenzent: dr nenad novaković Milan ljepojević MEDIJI u službi moćnika BANJA LUKA Sadržaj UVOD ............................................................................................ 15 INFORMACIJA ............................................................................ 16 ŠTAMPA ....................................................................................... 18 JAVNOST ...................................................................................... 20 DEMOKRATIJA ........................................................................... 21 DEMOKRATSKA VLAST ........................................................... 22 SAZNANJE, ISTINA ................................................................... 24 JEZIK .............................................................................................. 25 POLITIKA ..................................................................................... 26 DRŽava ....................................................................................... 27 PRVI DIO ....................................................................................... 31 ZABLUDE ..................................................................................... 31 PRIMJERI....................................................................................... 34 TRaČ ............................................................................................. 34 TABLOID ..................................................................................... -
Film Forum Sarajevo Looks at How to Boost the Presence of European Films in South-Eastern Europe
Film Forum Sarajevo looks at how to boost the presence of European films in south-eastern Europe The south-eastern European film sector is vital and growing, with remarkable creative talents emerging every year. Five films which have received EU investment are in the competition at this year's Sarajevo Film festival. Meanwhile, a recent report shows that up to 90 percent of cinema admissions in Romania and Bulgaria come from US films. A European Film Forum event will explore how the Creative Europe MEDIA programme can help European films reach audiences in south- eastern Europe. European Film Forum event Countries in south-eastern Europe and the Balkans have suffered a significant loss of cinema theatres since the fall of communism. At the moment private companies are building more and more multiplexes in the region, but with little room for European films. The independent sector is still small, but it is vital and growing. How to help European films reach audiences in this region will be one of the main topics of the European Film forum at the Sarajevo Film Festival August 20th to 21st this year. The Sarajevo Film Festival is the most important film festival in the region and gathers a growing number of professionals and a large audience. At the Film Forum event, experts from the region and the rest of Europe will be looking closer at the recent exciting developments in the south-eastern European cinema sector, and on co-production across the borders in a borderless digital world. A first panel will look at cinema exhibition sector, opportunities and challenges in south-eastern Europe. -
The European Film Forum
Creating the buzz around movies: Promotion, Festivals and MEDIA after 2020 SATURDAY, 1 SEPTEMBER 2018 – 16.00 ANGLE-RIGHT 18.00 #EuropeanFilmForum @MEDIAprogEU The aim of the European Film Forum (EFF) is to develop a strategic policy agenda, opening up new perspectives on the challenges and opportunities brought about by the digital revolution. It was set up as the result of a proposal by the European Commission in its 2014 Communication on “European Film in the Digital Era”. In the context of the Commission’s Digital Single Market Strategy, it is essential to discuss how the competitiveness, visibility and innovation capacity of the European audiovisual sector can be enhanced. THE 2018 EUROPEAN FILM FORUM AT THE 75TH VENICE INTERNATIONAL FILM FESTIVAL The European Film Forum will seize Secondly, a panel of Festivals will the opportunity of the 75th anniversary discuss the power of collaboration of the Venice Film Festival to discuss in enabling them to scale up, share the role of Festivals and MEDIA and make better use of resources and support to Festivals post-2020. reach wider audiences. Collaboration is a flexible principle and can be Europe’s Festivals play a key role in implemented in different ways, promoting European audiovisual works allowing Festivals to maintain their and this role is more important than unique identities. ever in the light of intense international competition and changing audience The European Commission proposal behaviours and preferences. The for the Creative Europe Programme Film Forum will therefore address for the period 2021-2027 was adopted how Festivals should respond to the on 30 May. -
Refugee Class Goes Filmuniversität Babelsberg – Free
Stand: 18.07.2016 Refugee Class goes Filmuniversität Babelsberg – free Monday to Friday, August 8 to August 12, 2016 Filmuniversität Babelsberg KONRAD WOLF und Berlin Career College der UdK Berlin Montag / Dienstag / Mittwoch / Donnerstag / Freitag / Friday Monday Tuesday Wednesday Thursday 2 pm to 6 pm 2 pm to 7 pm 3 pm to 6 pm 2 pm to 6 pm 2 pm to 6 pm Monday, August 8, 2016 Treffpunkt / meeting point: UdK Berlin 2 pm 2 – 4 pm Einführung Film in Deutschland UdK Berlin, Raum / room 340 Introduction Film in Germany Die Refugee Class beginnt mit einem Einblick in Strukturen und Angebote des deutschen Kino-, Fernseh- und Onlinemedienmarkts. Die Refugee Class soll professionelle Filmschaffende unterstützen und vernetzen. Am ersten Tag steht daher auch das Kennenlernen der Teilnehmenden im Vordergrund. Refugee Class starts with an overview of the German cinema, TV and online market. The programme aims at supporting and bringing together professional film makers. Our main focus on the first day is to get to know each other. Prof. Susanne Stürmer, president of Film University Babelsberg KONRAD WOLF Julia Diebel, head of public relations at Film University Babelsberg KONRAD WOLF 4 – 6 pm Dox Box Filmschaffende UdK Berlin, Raum / room 340 Dox Box film makers Dox Box unterstützt künftige und etablierte Dokumentarfilmerinnen und -filmer aus der arabischen Welt. Der gemeinnützige Verein bietet auf Grundlage seines Know-hows und seines großen internationalen Netzwerks Support in allen produktionsrelevanten Aspekten an. 1 The Dox Box Association supports emerging and established documentary film makers of the Arab World. Using its vast knowledge and connections in the international film marketplace, the non-profit organization offers indispensable support in all aspects of production. -
Haris Pasovic---City the Engaged | 1
Haris Pasovic---City the Engaged | 1 Haris PAŠOVIĆ CITY THE ENGAGED 1. On a summer day in 1 993, I went to visit the National Library. It was dangerous to get there. Its entrance was exposed to Mt. Trebević from where it could have been targeted at any moment. I knew I could be seen quite clearly from the mountain above. But I took the risk. I don’t know why. Risking my life to enter into a ruin? But I somehow had to do it. The entrance was partly buried under a heap of rubble, charred paper scattered all over the place. I took a piece – it was an old train timetable. I don’t remember which. I got through to the main hall. Once there, I was shocked. Terrified. Petrified. The building had been built in the pseudo‐Moorish style during the era of the Austro‐Hungarian occupation of Bosnia and Herzegovina. Its main hall was under a glass dome and the rays of light used to hit its marble pillars, its balconies with their stone‐lace balustrades, its arches of various sizes and its shadowy lodges, from where dark corridors led in different directions. It all added up to a mystery, an exciting labyrinth. The very thought that somewhere in the interior of this monumental edifice there were millions of books, documents and manuscripts, gave the experience of entering into this library an almost mythical sense. Now I was standing in the midst of this ruin, looking at the melted marble pillars. The burnt books had melted stone! I was standing there. -
Attractive Sectors for Investment in Bosnia and Herzegovina
ATTRACTIVE SECTORS FOR INVESTMENT IN BOSNIA AND HERZEGOVINA TABLE OF CONTENTS TOURISM SECTOR IN BOSNIA AND HERZEGOVINA.........................................................................................7 TOURISM AND REAL ESTATE SECTOR PROJECTS IN BIH..................................................................................18 AGRICULTURE AND FOOD PROCESSING INDUSTRY IN BOSNIA AND HERZEGOVINA............................20 AGRICULTURE SECTOR PROJECTS IN BIH......................................................................................................39 METAL SECTOR IN BOSNIA AND HERZEGOVINA...........................................................................................41 METAL SECTOR PROJECTS IN BIH.....................................................................................................................49 AUTOMOTIVE INDUSTRY IN BOSNIA AND HERZEGOVINA............................................................................51 AUTOMOTIVE SECTOR PROJECTS IN BIH.........................................................................................................57 MILITARY INDUSTRY IN BOSNIA AND HERZEGOVINA..................................................................................59 FORESTRY AND WOOD INDUSTRY IN BOSNIA AND HERZEGOVINA.........................................................67 WOOD SECTOR PROJECTS IN BIH.....................................................................................................................71 ENERGY SECTOR IN BOSNIA AND HERZEGOVINA.........................................................................................73 -
Bosnia and Herzegovina 2015
2015 F o r e i g n I n v e s t m e n t P r o m o t i o n A g e n c y Bosnia and Herzegovina Tourism Sector Investment Opportunities Investment B o s n i a d H e r z g v Bosnia and Herzegovina Tourism sector F o r e i g n I n v e s t m e n t P r o m o t i o n A g e n c y B o s n i a a n d H e r z e g o v i n a YOUR NEW ADVENTURE TABLE OF CONTENTS New unexpolred destination ................................................................................................... 6 Reasons to Invest..................................................................................................................... 7 Tourism – Statistics..................................................................................................................7 Health and Spa tourism ..............................................................................................................8 Eco tourism .............................................................................................................................10 Ski and mountain tourism ..................................................................................................... 11 Cultural heritage & religious tourism .................................................................................. 12 Adventure tourism ................................................................................................................ 14 Sea tourism .......................................................................................................................... 15 UNESCO world -
AFAC Annual Report 2018
ANNUAL REPORT 2018 AFAC Annual Report 2018 2 3 ANNUAL REPORT 2018 ANNUAL REPORT 2018 4 5 About AFAC Strategic Areas of Work The Arab Fund for Arts and Culture - AFAC was founded in 2007 through Supporting the production of cultural and artistic work lies at the core of the initiative of Arab cultural activists as an independent foundation AFAC’s work. Since our inception, numerous changes have taken place to support individual artists, writers, researchers, intellectuals, as well in our funding programs in response to the needs, gaps, and emergence as organizations from the Arab region working in the field of arts and of new forms of expression and storytelling. The fund for supporting culture. Since its launch, AFAC’s programs have steadily expanded to novelists has transformed into encouraging other genres of creative cover cinema, documentary film, documentary photography, visual and writing, while the support for documentary filmmaking has expanded, performing arts, music, creative and critical writings, research on the adding a dedicated program for enhancing documentary photography. arts, entrepreneurship, trainings and regional events. Based in Beirut, The support that AFAC offers is not restricted to cultural and artistic AFAC works with artists and organizations all over the Arab region and work; it extends to cover research on the arts, to secure appropriate the rest of the world. channels of distribution and to guarantee the sustainability of pioneering cultural organizations in the Arab world, whether by way of financial Our -
AFAC Film Week 2014 March 4 – 11
AFAC Film Week 2014 March 4 – 11 At Metropolis Empire Sofil, Achrafieh, Beirut 1 Since AFAC’s inception in 2007, we have been dedicated to supporting independent Arab filmmakers and there are over 150 film projects that have benefited from AFAC’s funding to date. A significant mass has Context accumulated in the region’s contemporary cinema production. And yet, Arab audiences are largely out of the picture, as most films enter the festival circuits and then disappear into oblivion. In 2014, AFAC has launched its first AFAC Film Week, a travelling exhibition of AFAC-supported films which will be hosted in a different Arab city every year and aims to offer independent Arab filmmakers an engaging cultural platform through which to connect with local audiences. The issue of film distribution continues to be an ongoing concern that demands serious attention. The AFAC Film Week is but a small step towards honoring and showcasing the works of independent Arab filmmakers that have been awarded AFAC grants and support. 2 We present the AFAC Film Week as a modest compensation for the general lack of distribution and visibility available for independent Arab film productions. Filmmakers spend years of toil and creativity to Concept produce their cinematic productions, only to be offered disappointingly limited opportunities for viewership and interaction. Their voices are left unheard and they are unable to connect with their natural audiences, all despite the real efforts taking place, from individuals and local film organizations alike, in seeking out traditional and alternative means of film distribution for the Arab region. -
Filming Locations in Bosnia and Herzegovina
Filming Locations in Bosnia and Herzegovina u d r u ž e n j e f i l m s k i h r a d n i k a u b o s n i i h e rc e g o v i n i association of filmmakers in bosnia and herzegovina 2011 | 2012 Filming Locations in Bosnia and Herzegovina 2011 | 2012 u d r u ž e n j e f i l m s k i h r a d n i k a u b o s n i i h e rc e g o v i n i association of filmmakers in bosnia and herzegovina Udruženje filmskih radnika u BiH Association of Filmmakers in B&H Branilaca Sarajeva 20/III, 71000 Sarajevo Bosnia & Herzegovina Tel/fax: +387 33 667 452 [email protected] www.bhfilm.ba Bosna i Hercegovina Federacija Bosne i Hercegovine Kanton Sarajevo MINISTARSTVO KULTURE I SPORTA Filming Locations in Bosnia and Herzegovina Bosnia and Herzegovina has always been an attractive spot for filmmaking. Part of its appeal was without a doubt related to historical and current events such as the First World War or the Olympic games, but it has been also interesting for its natural and geographical potential. Nonetheless, in over a century of filmmaking in Bosnia and Herzegovina, this is a very first attempt in presenting at least part of its filming location potential. We have decided to present four geographical regions where most of the filmmaking in the past ten years has taken part. The regions focused are centered around four cities: Banja Luka, Mostar, Goražde and Sarajevo. -
Bosnia and Herzegovina Investment Opportunities
BOSNIA AND HERZEGOVINA INVESTMENT OPPORTUNITIES TABLE OF CONTENTS BOSNIA AND HERZEGOVINA KEY FACTS..........................................................................6 GENERAL ECONOMIC INDICATORS....................................................................................7 REAL GDP GROWTH RATE....................................................................................................8 FOREIGN CURRENCY RESERVES.........................................................................................9 ANNUAL INFLATION RATE.................................................................................................10 VOLUME INDEX OF INDUSTRIAL PRODUCTION IN B&H...............................................11 ANNUAL UNEMPLOYMENT RATE.....................................................................................12 EXTERNAL TRADE..............................................................................................................13 MAJOR FOREIGN TRADE PARTNERS...............................................................................14 FOREIGN DIRECT INVESTMENT IN B&H.........................................................................15 TOP INVESTOR COUNTRIES IN B&H..............................................................................17 WHY INVEST IN BOSNIA AND HERZEGOVINA..............................................................18 TAXATION IN BOSNIA AND HERZEGOVINA..................................................................19 AGREEMENTS ON AVOIDANCE OF DOUBLE TAXATION...............................................25