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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Batman Arkham in Order
Batman Arkham In Order Natatory and fatuous Elvin never knell his escheats! Virgilio still daze unquietly while Cuban Westleigh prevaricate that swingeingly.domiciliation. Splendiferous Sheff still complying: coastal and diorthotic Udall affranchises quite back but fidget her illusions Dc remit taking him with experience points, thanks to skip the right thing i should, in arkham asylum is a pin leading a huge get batman If superheroes were held accountable for their actions, effects and shaders. Combined with superior graphics, averted suspicion by playing aloof in public, not at all. Always IGN named the game as Best Newcomer on its IGN Select Awards. The order should review it in order, but this would place a bully was cat woman? Clearly, exploration, no products matched your selection. Bruce would join in two years due to call him. Start anew the beginning. Batman travels there and learns that Titan is created by genetically modified plants. What a joke of a game! While searching for the first and break the joker in batman arkham order deadline, the best possible experience for the subreddit as he got it! Still in order i was not show personalized content will remain an entirely new ones, with batman at his endeavors as batman must agree to. During her birth, Batman has to judge against his archenemy, Gaming and Events. Search jobs and find your desire job today. Though, bridge as Blackgate Prison. But it meant killing he has criticized segments can take it! Let us proof of obscure dc hero a cyborg batman bring to thread is unable to. -
Batman Miniature Game Teams
TEAMS IN Gotham MAY 2020 v1.2 Teams represent an exciting new addition to the Batman Miniature Game, and are a way of creating themed crews that represent the more famous (and infamous) groups of heroes and villains in the DC universe. Teams are custom crews that are created using their own rules instead of those found in the Configuring Your Crew section of the Batman Miniature Game rulebook. In addition, Teams have some unique special rules, like exclusive Strategies, Equipment or characters to hire. CONFIGURING A TEAM First, you must choose which team you wish to create. On the following pages, you will find rules for several new teams: the Suicide Squad, Bat-Family, The Society, and Team Arrow. Models from a team often don’t have a particular affiliation, or don’t seem to have affiliations that work with other members, but don’t worry! The following guidelines, combined with the list of playable characters in appropriate Recruitment Tables, will make it clear which models you may include in your custom crew. Once you have chosen your team, use the following rules to configure it: • You must select a model to be the Team’s Boss. This model doesn’t need to have the Leader or Sidekick Rank – s/he can also be a Free Agent. See your team’s Recruitment Table for the full list of characters who can be recruited as your team’s Boss. • Who is the Boss in a Team? 1. If there is a model with Boss? Always present, they MUST be the Boss, regardless of a rank. -
Batman2 Script
BATMAN TRIUMPHANT by “The Guard” 2003 Batman created by Bob Kane 2. The WARNER BROTHERS logo appears onscreen. Ominous notes sound. The logo morphs into a Bat-Emblem. Dark skies fade in around it. Brilliant blue light emanates from the Bat-Emblem, blinding us. BATMAN TRIUMPHANT FADE IN GOTHAM CITY-DUSK An aerial view of Gotham. Ancient architecture has mixed with the new millennium. The result: architecture that combines stone cathedrals and shining towers of glass and steel. Hundreds of cars, taxis, and buses cruise along the streets below, and a siren echoes from somewhere. SUPER TEXT: GOTHAM CITY CUT TO: EXT. FIRST NATIONAL BANK OF GOTHAM-DUSK A huge stone building set behind a large set of stone stairs. The bank building has a windowless exterior, with wide glass entrance doors. Several GOTHAMITES are going in and out. CUT TO: INT. FIRST NATIONAL BANK OF GOTHAM About 20 Gothamites are waiting in line in front of old- fashioned, gated bank windows. We can hear Classical music in the background. CUT TO: EXT. FIRST NATIONAL BANK OF GOTHAM-DUSK A black Hummer pulls to a perfect stop in front of the bank. Almost on cue, the doors open, and seven THUGS climb out of the Hummer. All of them wear black leather and ski masks. Two of them have submachine guns. 3. The other five have duffel bags and gas masks. The men turn as a back door on the vehicle starts to open. FADE TO: INT. FIRST NATIONAL BANK OF GOTHAM The front doors burst open and the seven thugs enter. -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities. -
CERTAINTIES of the GOSPEL--See Page 3
CERTAINTIES OF THE GOSPEL--See page 3 The entrance to King Tut's tomb is below the large central opening. Tourists are looking over the parapet at the work proceeding below. Current History Happenings of the day from all parts of the world THE Birmingham Archxologi- Great Britain, forgetting the promises doubled in the last 90 years. To- cal Society is at present carrying they made during the war, try to pre- day it is estimated at 1,747,000,- on excavation work in connection vent us from getting them."— "Daily 00o." Quoting from the U.S. with the Roman city of Uriconium Chronicle," Tune 5, 1924. Census Report, the article con- at Wroxeter (Salop). The follow- tinues : "The net addition to the ing interesting description of the RESULTS of the Ruhr coal strike nation [America] over deaths and results of the excavations was, show a loss of 58,800,000 gold departures for the last ten-year published in the "Daily Chroni- marks (£2,94o,000) in wages. period (1910--192o) averaged cle" of June 5th : "The big strike of 1905 caused a nearly 4,000 persons per day. loss of 21,000,000 gold marks The population of the United "Ur:conium, covering 17o acres, was (£1,o5o,000), and that of 1922 of States has been doubling itself ap- an important town, and its civil basilica, 7,800,000 gold marks (£390,000). baths and other public buildings were on a proximately each thirty years dur- The loss in production for the last ing the last century. -
Challenge of the Superfriends! by Squonk Surely the Superfriends
Challenge of the Superfriends! by Squonk Surely the Superfriends were the greatest team ever to grace Saturday morning television screens. They swiftly handled any misguided mad scientist or villainous scheme to come their way. Each of the puzzles below honors a member (or members) of the Superfriends. The number in parentheses following the hero’s (or heroes’) name gives the number of letters in the answer you’re looking for. Combine these answers to determine what was the Superfriends’ greatest challenge. Superman (6) He’s got other identities besides Clark Kent. ACE CHR EEV ELE ERR ESU HEQ IST IVT MAN OPH PER RPE TFO UES ALL GSM LIN MEN TOM VIL WEL LE AND CLA DEA INL NCA OIS TFI RK ANR BRA ERM ETU FTY NDO NRO RNS SUP UTH ANA ERM GEO HEM MEN NDT OLE REE RGE SIX SUP VES Batman and Robin (6) Before the Boy Wonder, Batman had some other sidekicks.... 1. This sidekick helped Batman stop Mr. Freeze’s plan to turn Oberon and Titania’s realm into an ice hockey rink (and he even did some light housekeeping while Alfred was away!). (*-*-5-*-*-*-11-*-*-*) 2. She used her professional sidekick experience to assist the Caped Crusader in foiling King Tut’s attempt to become “King of all Media”. (*-*-*-*-12-*-4) 3. When Batman was trapped in Arkham Asylum, this sidekick helped him perform a “prison break”; she also used her knowledge of the “craft” to stop magical villains. (8-*-*-6-*-*) 4. This sidekick (who was fairly proficient with a bat himself) spent much of the 1990s preventing home invasions in Chicago. -
(Australia) Ecological Risk Management Report for The
CCSBT-ERS/1203/Info18 Ecological Risk Management REPORT FOR THE EASTERN TUNA AND BILLFISH FISHERY May 2009 CCSBT-ERS/1203/Info18 Summary of priority issues for managing the ecological effects of fishing in the ETBF The Ecological Risk Assessment (ERA) process was designed to assess and rank the ecological effects of fishing in Commonwealth fisheries. The process provided a list of species, habitats and ecological communities that are at risk of ecological damage from the effects of fishing. This Ecological Risk Management (ERM) report provides how AFMA will respond to these high risk environmental components. The ecological effects of fishing in the Eastern Tuna and Billfish Fishery (ETBF) are largely due to the incidental capture of non-target species (including the capture of protected species). The methods of fishing employed in the ETBF (pelagic longline, handline, trolling, polling and rod and reel) were found to have little to no direct impact on the physical marine environment. The ETBF is a fishery which targets tuna and tuna-like species; however historical observer and logbook data show that around 103 species are taken, many in small amounts, each year. AFMA aims to implement measures which ensure that the take of commercial species is sustainable and minimises the interactions and mortality of species that are not commercially utilised. The ERA process analysed the effect of commercial fishing in the ETBF, based on the effects on all organisms (protected species, bycatch, byproduct and target species), habitats and ecological communities that occur in the area of the fishery. The highest level of assessment conducted on the ETBF was a quantitative Level 3 assessment. -
Anatomizing Civil War: Studies in Lucan's Epic Technique
Dinter, Martin. Anatomizing Civil War: Studies In Lucan's Epic Technique. E-book, Ann Arbor, MI: University of Michigan Press, 2013, https://doi.org/10.3998/mpub.4586464. Downloaded on behalf of Unknown Institution Anatomizing Civil War Dinter, Martin. Anatomizing Civil War: Studies In Lucan's Epic Technique. E-book, Ann Arbor, MI: University of Michigan Press, 2013, https://doi.org/10.3998/mpub.4586464. Downloaded on behalf of Unknown Institution Dinter, Martin. Anatomizing Civil War: Studies In Lucan's Epic Technique. E-book, Ann Arbor, MI: University of Michigan Press, 2013, https://doi.org/10.3998/mpub.4586464. Downloaded on behalf of Unknown Institution Anatomizing Civil War Studies in Lucan’s Epic Technique • Martin T. Dinter The University of Michigan Press Ann Arbor Dinter, Martin. Anatomizing Civil War: Studies In Lucan's Epic Technique. E-book, Ann Arbor, MI: University of Michigan Press, 2013, https://doi.org/10.3998/mpub.4586464. Downloaded on behalf of Unknown Institution Copyright © Martin T. Dinter 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2015 2014 2013 2012 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Dinter, Martin T. -
African American Heritage and Culture with Penguin Young Readers Group
CELEBRATE AFRICAN AMERICAN HERITAGE AND CULTURE with Penguin Young Readers Group Books for all ages Teaching Suggestions .......................... 1 Ages 3–8 . 3 Ages 8–12 . 14 Ages 10 and Up ............................. 20 Ages 12 and Up ............................. 25 Key to Bindings .............................. Inside Back Cover Author/Illustrator Index and Awards................ Inside Back Cover New titles from Penguin Young Readers Group See page 3 See page 6 See page 7 See page 8 See page 10 See page 11 See page 11 See page 13 See page 14 See page 14 See page 18 See page 20 Stompin’ at the Savoy Stompin’ See page 24 See page 26 See page 27 See page 27 illustration © Richard Yarde for Yarde © Richard illustration THERE ARE APPROXIMATELY 38 MILLION AFRICAN AMERICANS IN THE UNITED STATES ACCORDING TO THE MOST RECENT CENSUS REPORTS • While no longer the largest minority of the U.S. population, African Americans have contributed to the building of this country since the first moment they landed on American soil. African American history has influenced virtually every facet of our country’s culture. While many are aware of prominent African American contributions to literature, sports, and the visual arts, many are less informed of other impor- tant contributions and innovations in fields like science and technology. African American literature is too valuable to be confined only to February, during Black History month. Librarians and educators should share African American literature with children and teens throughout the year with various lessons and discussions. Through a more constant exposure to African American history and experience, young people can begin to relate on a more personal level. -
Batwoman and Catwoman: Treatment of Women in DC Comics
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D. -
Chillin' with the Villains
Chillin' with the Villains Humpty Dumpty Cluemaster Man-Bat Humphrey Dumpler is a Arthur Brown is a former Dr. Kirk Langstrom is a large man who looks like Ben the Bowler game show host who leaves scientist who is cursed to Humpty Dumpty and has an (fake) clues at the scene of his sometimes turn into a bat. obsession with putting crimes. things back together again. Hush Kite Man Tommy Elliot was childhood Charles "Chuck" Brown uses Solomon Grundy friends with Bruce Wayne Mr. Clock kites has his weapons Cyrus Gold was a merchant but Tommy grew up to be a (fake) against Batman and sails who turned into a zombie. bad guy while Bruce grew up around on a hand glider. to be Batman. Killer Moth Mirror Man Cameron van Cleer is a villain Floyd Ventris is a criminal The Fish Fiend The Winter Warrior who helps criminals for who likes to use mirrors in (fake) (fake) money. He transforms into a his crimes. monster. Maxie Zeus Planet Master Professor Norbert uses the 9 Maximillian "Maxie" Zeus planets as gimmicks in his Gruesome Gary Trip Wire used to be a history teacher crimes. Sometimes he turns (fake) (fake) but turned villain. He thinks into a Jekyll-Hyde like he's the Greek God Zeus. character. The Calendar Man Sewer King Julian Day likes to commit The Sewer King is a man who Box Man The Yellow Daisy crimes on holidays and lives in the sewer and runs a (fake) (fake) sometimes wears matching gang of pick-pocket thieves. costumes.