Asia Society Korea Center's New Year Celebration
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Public Intellectuals Program
PUBLIC INTELLECTUALS PROGRAM The National Committee on United States-China Relations’ Public Intellectuals Program is designed to nurture a new generation of China specialists who have the interest and potential to play significant roles as public intellectuals. The goal of the program is to upgrade the quality of the American public’s understanding of China by strengthening links among U.S. academics, policymakers, and opinion leaders. The first three rounds of the program (2005-13) were funded with grants from The Henry Luce Foundation and The Starr Foundation. The fourth and fifth rounds of the program (2014-18) are funded by Carnegie Corporation of New York. Through a varied set of activities, the program helps twenty young American China scholars and other specialists deepen and broaden their knowledge about China’s politics, economics, and society, and encourages them to use this knowledge to inform policy and public opinion. The multi-year enrichment opportunity is intended to complement the fellows’ primary academic or professional positions. It includes two meetings in Washington focusing on the D.C.-based China policy community; a meeting in San Francisco; trips to China as a cohort; participation in National Committee programs as scholar-escorts; access to a media coach who can assist fellows in writing and placing op-eds; and a requirement that the fellows organize local public education programs. For more on the program, visit http://www.ncuscr.org/pip. PIP V FELLOWS: 2016-2018 Dr. Ang Yuen Yuen Assistant Professor, Political Science, University of Michigan China's political economy, China's bureaucracy, development strategies in emerging markets, complex systems, conditions for effective adaptation Dr. -
Film/Broadcast Content the Increasing Role of “Tentpoles” in the Content Industry
Film/Broadcast Content The increasing role of “tentpoles” in the content industry The need for tentpoles in the content industry Overweight (Maintain) The content industry and a tent have one thing in common: both need a tentpole to support the entire structure. In the content industry, tentpoles are defined as hit titles Industry Report that provide a source of steady cash flow, such as the blockbuster films of movie studios July 27, 2015 and the top-rated programs of TV networks. The content industry is vulnerable to the success or failure of a title as well as changes in seasonality. Establishing a tentpole by investing around 70% of the annual budget on Daewoo Securities Co., Ltd. just one or two projects could prove an effective strategy against such risks. If tentpole [Telecom Service / Media] films or shows become a hit, they can compensate for losses made elsewhere. Creating a long-term tentpole lineup, increasing the number of tentpoles, and being able to predict Jee-hyun Moon future revenue can lead to a structural improvement in the business. In other words, +822-768-3615 tentpoles can make the content industry more predictable. [email protected] Tentpole strategies used in the film distribution and broadcasting industries The tentpole strategy is primarily used in the film distribution and broadcasting industries. A major proponent of the strategy is Walt Disney, which plans its five-year release lineup based on its Disney and Marble Comics franchises. The media giant has recently seen its film profits steadily grow after releasing a string of successful tentpole movies every quarter. -
The Olympic & Paralympic Winter Games Pyeongchang 2018 English
English The Olympic&Paralympic Winter Games PyeongChang 2018 Welcome to Olympic Winter Games PyeongChang 2018 PyeongChang 2018! days February PyeongChang 2018 Olympic and Paralympic Winter Games will take place in 17 / 9~25 PyeongChang, Gangneung and Jeongseon for 27 days in Korea. Come and watch the disciplines medal events new records, new miracles, and new horizons unfolding in PyeongChang. 15 102 95 countries 2 ,900athletes Soohorang The name ‘Soohorang’ is a combinati- on of several meanings in the Korean language. ‘Sooho’ is the Korean word for ‘protection’, meaning that it protects the athletes, spectators and all participants of the Olympic Games. ‘Rang’ comes from the middle letter of ‘ho-rang-i’, which means ‘tiger’, and also from the last letter of ‘Jeongseon Arirang’, a traditional folk music of Gangwon Province, where the host city is located. Paralympic Winter Games PyeongChang 2018 10 days/ 9~18 March 6 disciplines 80 medal events 45 countries 670 athletes Bandabi The bear is symbolic of strong will and courage. The Asiatic Black Bear is also the symbolic animal of Gangwon Province. In the name ‘Bandabi’, ‘banda’ comes from ‘bandal’ meaning ‘half-moon’, indicating the white crescent on the chest of the Asiatic Black Bear, and ‘bi’ has the meaning of celebrating the Games. VISION PyeongChang 2018 will begin the world’s greatest celebration of winter sports from 9 February 2018 in PyeongChang, Gangneung, New Horizons and Jeongseon. People from all corners of the PyeongChang 2018 will open the new horizons for Asia’s winter sports world will gather in harmony. PyeongChang will and leave a sustainable legacy in PyeongChang and Korea. -
A PARTNER for CHANGE the Asia Foundation in Korea 1954-2017 a PARTNER Characterizing 60 Years of Continuous Operations of Any Organization Is an Ambitious Task
SIX DECADES OF THE ASIA FOUNDATION IN KOREA SIX DECADES OF THE ASIA FOUNDATION A PARTNER FOR CHANGE A PARTNER The AsiA Foundation in Korea 1954-2017 A PARTNER Characterizing 60 years of continuous operations of any organization is an ambitious task. Attempting to do so in a nation that has witnessed fundamental and dynamic change is even more challenging. The Asia Foundation is unique among FOR foreign private organizations in Korea in that it has maintained a presence here for more than 60 years, and, throughout, has responded to the tumultuous and vibrant times by adapting to Korea’s own transformation. The achievement of this balance, CHANGE adapting to changing needs and assisting in the preservation of Korean identity while simultaneously responding to regional and global trends, has made The Asia Foundation’s work in SIX DECADES of Korea singular. The AsiA Foundation David Steinberg, Korea Representative 1963-68, 1994-98 in Korea www.asiafoundation.org 서적-표지.indd 1 17. 6. 8. 오전 10:42 서적152X225-2.indd 4 17. 6. 8. 오전 10:37 서적152X225-2.indd 1 17. 6. 8. 오전 10:37 서적152X225-2.indd 2 17. 6. 8. 오전 10:37 A PARTNER FOR CHANGE Six Decades of The Asia Foundation in Korea 1954–2017 Written by Cho Tong-jae Park Tae-jin Edward Reed Edited by Meredith Sumpter John Rieger © 2017 by The Asia Foundation All rights reserved. No part of this book may be reproduced without written permission by The Asia Foundation. 서적152X225-2.indd 1 17. 6. 8. 오전 10:37 서적152X225-2.indd 2 17. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
China & Globalization Jeffrey Wasserstrom
China & Globalization Jeffrey Wasserstrom Abstract: In recent decades, China has become increasingly enmeshed in global institutions and global flows. This article places that phenomenon into historical perspective via a look back to important globalizing trends of a key earlier period: the late 1800s through early 1900s. The essay draws heavily on C. A. Bayly’s discussion of that period, which emphasizes the way that moves toward uniformity do not necessarily produce homogeneity. Bayly’s work is used both to illustrate the limitations of some competing ideas about contemporary globalization and how China is or is not being transformed by it, and to provide a basis for arguing that we are again seeing, now in China, important moves toward uniformity that are not erasing important differences between cultures and countries. How far back in time should one begin in an essay on China and globalization? The term global- ization may have gained widespread purchase in its current sense only beginning in the 1960s, but ideas, objects, and people have been circulating across the planet for millennia. This has led some analysts to identify precursors to, or even earlier stages of, globalization in eras much before our own. More- over, it is commonplace to describe China as having a very long history. And recent scholarship–on topics ranging from Silk Road travelers of the Tang Dynasty (618–907) to voyages of exploration and visits to Beijing by Jesuits during the Ming Dynasty (1368–1644)–has clearly shown that for much of that extended past, clichés of Chinese isolation and self-containment notwithstanding, China has been continually influenced by, and in turn has had a con - tinual influence on, populations and developments JEFFREY WASSERSTROM is the outside its ever-shifting borders.1 Chancellor’s Professor of History Still, given the current interest in making sense at the University of California, Ir - of China’s rise during a new stage of globalization, vine. -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Asia Society Korea Programs
ABOUT ASIA SOCIETY & ASIA SOCIETY KOREA Founded in 1956 by John D. Rockefeller 3rd, Asia Society has bee n a leading nonprofit educational institution with 14 global branch es all over the world. Across the fields of arts, business, culture, ed ucation, and policy, we provide insight, generate ideas, and promot Dong-Bin Shin Hong-Koo Lee e collaboration to address present challenges and create a shared f Chairman & Founder Honorary Chairman uture. Since its establishment in April 2008, Asia Society Korea has been serving as an active gateway for engagement on issues affecting Korea, the Asia-Pacific region and the United States. Through our programs, we have been seeking to integrate Korean voices into th Sung-joo Han Young Joon Kim Board Member Board Member e broad range of Asia Society programs across the region. We have opened up conversations around Asia about how relation between countries has changed and what to focus for next moves by engagi ng our partners and our network of Centers, and through raising a wareness of Asia Society across Korea and the Asia-Pacific region . Mark Tetto Yvonne Yoon-Hee Kim Board Member Executive Director “Preparing Asians and Americans for a Shared Future” MEMBERSHIP INVOLVEMENTS Fulfil your company’s social responsibility efforts by supporting Asia Society’s programs that help educate the community about social issues, diversity efforts, and Asian-American interests. When you become an Asia Society member, you become a part of essential global network that acc esses to connections to like-minded businesses and individuals on both sides of the Pacific. -
Summer 08.Qxd
John Delury is director of the China Boom Project and associate director of the Center on U .S.-China Relations at the Asia Society. North Korea: 20 Years of Solitude John Delury With the American people thirsting for progress will only take place once the reality a new foreign policy, transcending the of the Kim Jong-il regime is accepted as the aggrieved, insular doctrines of “regime starting point of change. change,” “pre-emptive war” and the “global war on terror ,” a breakthrough might be Failed Foreign Policy found in a most unlikely place—the Demo - Before making history , we need to look at cratic People’s Republic of Korea. North where history has brought us so far. The Korea’s alienation from the world communi - current framework for dealing with North ty is a grave threat to peace in East Asia. Korea evolved back in the late 1980s in the But with the right kind of American leader - wake of two game-changing developments: ship, North Korea can be coaxed back into the end of the Cold War and the birth of concord with its Asia-Pacific neighbors. The the North Korean nuclear weapons pro - new Obama administration has a chance to gram. The fall of the Soviet Union, com - make history by ending the 60 -year conflict bined with successful capitalist transitions that divides the Korean peninsula, and re - across East Asia and Eastern Europe, dealt a versing the two decades of solitude that has crushing blow to the already crippled North exiled an entire nation from the global Korean economy—a relic of unrepentant community . -
Exe-Xi-Sis on Making China Great Again Xi Jinping's 19Th Party
Exe‐Xi‐sis on Making China Great Again Xi Jinping’s 19th Party Congress Report Stephen B. Herschler Oglethorpe University January 2018 Just after the 19th Party Congress in October, a second volume of Xi Jinping’s Thoughts was published, I quickly moved to order my own copy through Amazon. Weeks later, still no anticipated delivery date. If I am to believe the website Stalin’s Moustache, that’s because Chinese citizens are voraciously buying up books by and about Xi Jinping Thought. The recent 19th Party Congress may well require revising many previous publications. At the Congress, Xi Jinping followed Communist Party of China (CPC) tradition in presenting a Report – 报告 baogao ‐ to the 2,200‐odd delegates assembled and to the nearly 1.4 billion Chinese citizens more generally. One thing that broke with tradition was the sheer length of his speech: 3 ½ hours. The length results in part from the CPC’s comprehensive governance – implicating all facets of Chinese society. That’s lots of ground for a speech – and the Party – to cover. Xi clearly felt comfortable claiming the verbal space, using it to map out a path to Make China – as State and Nation – Great Again. Western press reports have picked up on the event as Xi’s fast‐track enshrinement among the pantheon of Great Chinese Communist leaders. Xi’s trademark ideology – Xi Jinping Thought on Socialism with Chinese Special Characteristics – championed in the Report, has already been ensconced in the Chinese Constitution. This is notable as his predecessors, Jiang and Hu, were inscribed only toward the end of their ten‐year tenures, not mid‐term.