Radio 3 Listings for 10 – 16 October 2009 Page
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1 SHOWBOX 2017 2 SHOWBOX 2017 ENDELIG TENÅRING FINALLY BECOMING Kjære Alle Sammen! Velkommen Til Vår Festival Som a TEENAGER Nå Går Inn I Tenårene
1 SHOWBOX 2017 2 SHOWBOX 2017 ENDELIG TENÅRING FINALLY BECOMING Kjære alle sammen! Velkommen til vår festival som A TEENAGER nå går inn i tenårene. Vi i Scenekunstbruket og hele Dear everyone! Welcome to our festival that is now Showbox-crewet har gledet oss lenge til å kunne entering the teens. All of us in Scenekunstbruket and presentere for deg en uke fylt med forestillinger, the entire Showbox Crew have been looking forward seminar, diskusjoner og fest. For oss er dette to presenting you a week filled with performances, høydepunktet på året, hvor vi møter folk seminars, discussions and parties. For us, this is the – som også er opptatt av scenekunst for et ungt highlight of the year, where we meet people like you publikum – som vil være med å utvikle feltet videre. – who are also interested and involved in performing arts for a young audience – who will continue to Det å gå fra barn til ungdom, bli tenåring og videre develop the field. bli voksen, er vel noe av det mest omveltende et menneske kan gå gjennom. For noen rammer det Going from child to youth, becoming a teenager hardt, for andre går endringen enkelt og gradvis. and becoming an adult is probably some of the most Det er uansett en overgangsperiode, hvor man overturning experience one can go through. For begynner å ane at man er helt alene om å være seg some, it hits hard, for others, the change is simple selv. En gryende bevissthet om den eksistensielle and gradual. It is, nevertheless, a transitional period, ensomheten, sammen med en søken etter noe større when you begin to realize that you are all alone in utover seg selv, finne sin balanse og teste ut hvilke being yourself. -
BEETHOVEN Symphony No
83: BEETHOVEN Symphony No. 3 'Eroica' Symphony No. 8 CSR Symphony Orchestra Zagreb Philharmonic Michael HalBsz Richard Edlinger 11988 ~ecording1 playing Time :69'23" 1 Ludwig van Beethoven (1770-1827) Symhony No. 3 in E Flat Major, Op. 55 'Eroica' Symphony No. 8 in F Major, Op. 93 Beethoven wrote nine svmphonies, the first heraldina the new centurv, in 1800, and the last compleied'in 1824. Although he mad; few changes tdthe composition of the orchestra itself. addina. when occasion demanded. one or Go instruments more normally foundln the opera-house, he expanded vastlv the traditional form. developed in the time of Havdn and Mozart. reflecting the personal and .plitical strugglesof a period of immense change and turbulence. To his contemwraries he seemed an inimitable oriainal, but to a number of his suocessors'he seemed to have expanded the symphony to an intimidating extent. The inital inspiration for Beethoven's third symphony seems to have come from the French envoy, Count Bernadotte, who had been sent to Vienna in 1798, taking with him in his entourage the virtuoso violinist and composer Rodolphe Kreutzer, to whom Beethoven was later to dedicate his most famous violin sonata. Bernadotte spent some time in Beethoven's company and seems to have given him the notion of composing a heroic symphony in honour of General Bonaparte. The French had. bv force of arms, established a number of republics and had compelled hitria to unfavourable peace terms at the treatvof Camm Formio. As First Consul it seemed that Napoleon embodied the vikues of the republic of classical Rome, an ideal thai had a strong attraction for Beethoven. -
Premieren Der Oper Frankfurt Ab September 1945 Bis Heute
Premieren der Oper Frankfurt ab September 1945 bis heute Musikalische Leitung der Titel (Title) Komponist (Composer) Premiere (Conductor) Regie (Director) Premierendatum (Date) Spielzeit (Season) 1945/1946 Tosca Giacomo Puccini Ljubomir Romansky Walter Jokisch 29. September 1945 Das Land des Lächelns Franz Lehár Ljubomir Romansky Paul Kötter 3. Oktober 1945 Le nozze di Figaro W.A. Mozart Dr. Karl Schubert Dominik Hartmann 21. Oktober 1945 Wiener Blut Johann Strauß Horst-Dietrich Schoch Walter Jokisch 11. November 1945 Fidelio Ludwig van Beethoven Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Margarethe Charles Gounod Ljubomir Romansky Walter Jokisch 10. Januar 1946 Otto und Theophano Georg Friedrich Händel Bruno Vondenhoff Walter Jokisch 22. Februar 1946 Die Fledermaus Johann Strauß Ljubomir Romansky Paul Kötter 24. März 1946 Zar und Zimmermann Albert Lortzing Ljubomir Romansky Heinrich Altmann 12. Mai 1946 Jenufa Leoš Janáček Bruno Vondenhoff Heinrich Altmann 19. Juni 1946 Spielzeit 1946/1947 Ein Maskenball Giuseppe Verdi Bruno Vondenhoff Hans Strohbach 29. September 1946 Così fan tutte W.A. Mozart Bruno Vondenhoff Hans Strohbach 10. November 1946 Gräfin Mariza Emmerich Kálmán Georg Uhlig Heinrich Altmann 15. Dezember 1946 Hoffmanns Erzählungen Jacques Offenbach Werner Bitter Karl Puhlmann 2. Februar 1947 Die Geschichte vom Soldaten Igor Strawinsky Werner Bitter Walter Jokisch 30. April 1947 Mathis der Maler Paul Hindemith Bruno Vondenhoff Hans Strohbach 8. Mai 1947 Cavalleria rusticana / Pietro Mascagni / Werner Bitter Heinrich Altmann 1. Juni 1947 Der Bajazzo Ruggero Leoncavallo Spielzeit 1947/1948 Ariadne auf Naxos Richard Strauss Bruno Vondenhoff Hans Strohbach 12. September 1947 La Bohème Giacomo Puccini Werner Bitter Hanns Friederici 2. November 1947 Die Entführung aus dem W.A. -
Års Ra P Po Rt
TrAPårsrapport 2017 Transnational Arts Årsrapport, innhold: A—Innledning s. 3 Production (TrAP) B—Prosjekter s. 4 C—Kompetanseutvikling og nettverk s. 14 er en uavhengig D—Formidling og kommunikasjon s. 16 kunstprodusent og E —Organisasjon s. 18 pådriver for mangfold Annual report in English p. 22 i norsk kunst- og kulturliv. Vi arbeider med kunstnere og kunstprosjekter som krysser grenser, og bringer internasjonal kunst til den norske kunstscenen. Zanele Muholi Somnyama IV, Oslo, 2015 2 2017 har vært et fantastisk spennende år for oss i TrAP. Vi har INNLEDNING hatt en strategisk prosess som har tvunget oss til å snakke grundig om organisasjonens hensikt og hvem den er til for. Vi av daglig leder har oppdaget interessante ideer gjennom prosjektet Nøkkel til byen som vi nå skal sette ut i livet. Dessuten har vi utviklet Hilde Maisey nye programfelt for oss, som filmvisninger, podkast og en avis, som gjør at vi har et bredere felt å utvikle prosjekter for. Størst glede kommer likevel fra opplevelsen av at det er en sterkere interesse for spørsmålene vi arbeider med. Vi har fått i oppdrag fra Kulturrådet å drive et nordisk nettverk for kunstmuseer i Danmark, Norge, Island, Sverige, Finland, Åland og Grønland, og utvikler et 2-årig samarbeid om strategier for publikumsutvikling. Med utgangspunkt i vårt prosjekt, Nøkkel til byen, prøver de respektive museene ut metoder for å nå et bredere publikum. Prosjektet munner ut i kreative prosjekter i lokale områder og i publiseringen av erfaringer, strategier og praktiske resultater. Midt i entusiasmen, er det samtidig urovekkende at mangfold igjen har blitt viktig å forsvare. -
Staatskapelle Dresden
Staatskapelle Dresden Staatskapelle Dresden Matthias Claudi PR und Marketing Theaterplatz 2 Christian Thielemann, Principal Conductor 01067 Dresden Germany Myung-Whun Chung, Principal Guest Conductor T 0351 4911 380 herberb Blomstedt, Conductor Laureate F 0351 4911 328 [email protected] Founded by Prince Elector Moritz von Sachsen in 1548, the Staatskapelle Dresden is one of the oldest orchestras in the world and steeped in tradition. Over its long history many distinguished conductors and internationally celebrated instrumentalists have left their mark on this onetime court orchestra. Previous directors include Heinrich Schütz, Johann Adolf Hasse, Carl Maria von Weber and Richard Wagner, who called the ensemble his »miraculous harp«. The list of prominent conductors of the last 100 years includes Ernst von Schuch, Fritz Reiner, Fritz Busch, Karl Böhm, Joseph Keilberth, Rudolf Kempe, Otmar Suitner, Kurt Sanderling, Herbert Blomstedt and Giuseppe Sinopoli. The orchestra was directed by Bernard Haitink from 2002-2004 and most recently by Fabio Luisi from 2007-2010. Principal Conductor since the 2012 / 2013 season has been Christian Thielemann. In May 2016 the former Principal Conductor Herbert Blomstedt received the title Conductor Laureate. This title has only been awarded to Sir Colin Davis before, who held it from 1990 until his death in April 2013. Myung-Whun Chung has been Principal Guest Conductor since the 2012 / 2013 season. Richard Strauss and the Staatskapelle were closely linked for more than sixty years. Nine of the composer’s operas were premiered in Dresden, including »Salome«, »Elektra« and »Der Rosenkavalier«, while Strauss’s »Alpine Symphony« was dedicated to the orchestra. Countless other famous composers have written works either dedicated to the orchestra or first performed in Dresden. -
Qallj Journal Mijlljjjjjfl ^M^L Association of Jewish Refugees
VOLUME 9NO.7JULY2009 QallJ journal mijlljjjjjfl ^m^l Association of Jewish Refugees Berlin - the eye of the storm ermany in the first months of 1945, of whom some 200,000 were 1945 experienced a firestorm Jews, between 200,000 and 350,000 Gof violence of almost unpara died. Nothing characterises the wanton lleled dimensions. Between January savagery inherent in the Nazi system 1945 and the end of the war in May more clearly than the way it attempted, 1945, it became the arena for destruc almost as a kind of automatic reflex, tion and killing on a vast scale, both on to continue the genocide of the Jews land and from the air. Hitler's war had by makeshift means at a stage when come home to Germany in full measure, Nazism itself was collapsing. and its final battles were fought out in The Nazi leadership, obsessed with the heartland ofthe Reich, including its avoiding another November 1918 and capital, Berlin. the humifiation of surrender, had no In the months after the Red Army strategy to offer than that of fighting launched its massive offensive of 12 on, against hopeless odds and in an January 1945, only halting when it took utterly desperate situation. The regime Berlin, the German army suffered its now had to make Germans, civilians greatest losses of the war. In January and soldiers, support a lost war and 1945, the number of German fighting conduct a pointless resistance against a men killed was over 450,000, far more superior foe, at enormous cost in human than the 185,000 soldiers who died in suffering and material destruction. -
Musikk Og Nasjonalisme Versjon5
HiT skrift nr 3/2008 Musikk og nasjonalisme i Norden Anne Svånaug Haugan, Niels Kayser Nielsen og Peter Stadius (red.) Avdeling for allmennvitenskapelige fag (Bø) Høgskolen i Telemark Porsgrunn 2008 HiT skrift nr 3/2008 ISBN 978- 82-7206-287-2 (trykt) ISBN 978- 82-7206-288-9 (elektronisk) ISSN 1501-8539 (trykt) ISSN 1503-3767 (elektronisk) Serietittel: HiT skrift eller HiT Publication Høgskolen i Telemark Postboks 203 3901 Porsgrunn Telefon 35 57 50 00 Telefaks 35 57 50 01 http://www.hit.no/ Trykk: Kopisenteret. HiT-Bø Forfatterne/Høgskolen i Telemark Det må ikke kopieres fra rapporten i strid med åndsverkloven og fotografiloven, eller i strid med avtaler om kopiering inngått med KOPINOR, interesseorganisasjon for rettighetshavere til åndsverk ii iii Forord Ideen om en konferanse viet temaet musikk og nasjonalisme i Norden ble unnfanget høsten 2005 på et planleggingsmøte i Nordplus-regi på Renvall-institutet i Helsingfors. Denne skulle være en oppfølger av konferansen Språk og nasjonalisme i Norden, i regi av Nordplusnettverket Nordiska erfarenheter arrangert i Helsingfors i august samme år. Ideen var å samles om et hittil lite belyst fellesnordisk prosjekt, som både hadde en historisk og en kulturanalytisk dimmensjon. Ut fra disse kriteriene falt valget på musikk i Norden sett i et historisk og nasjonalt perspektiv, men med den viktige tilføyelse at det ikke skulle fokuseres snevert på den finkulturelle, klassiske musikken. Populærmusikken og folke- og spillemannsmusikken skulle også være representert, primært ut fra en betraktning om at også hverdagslivets "banale" nasjonalisme, som den kommer til uttrykk utenfor kunstmusikken, måtte tas med. Professor Nils Ivar Agøy foreslo at konferansen skulle arrangeres ved Høgskolen i Telemark (HiT), og slik ble det. -
Copyright © 2014 Hifi
1 Copyright © 2014 Hifi Pig 2 Copyright © 2014 Hifi Pig This Issue Hifi Pig CONTENTS Magazine EDITORIAL March 2014 Issue 4 4 Editorial 10 Readers System www.hifipig.com 16 Dealers System Telephone: +33 (0)2 97 23 70 78 E mail: [email protected] Siret - 488 244 898 00018 REVIEWS Another interesting month at Hifi Pig (are 21 Leedh E2 Loudspeakers there any other kind?) what with the 31 MS HD Power Plugs anniversary of our second birthday. 36 Paul Hynes SR3 PSU It’s been a whirlwind couple of years with us coming from absolute obscurity to being 40 Chord Electronics Qute EX DAC one of the “names” on the hifi circuit. 45 Amptastic Mini 1 Amplifier We’re committed to bringing you the very 50 COMPETITION Win One of 10 sets of six best of what is out there, but we don’t just Oyaide MWA-RCA Wave Absorbers review anything - we feel that review items need to be interesting and of a high enough 52 REVIEW LINKS quality to pique the curiosity of our readers. 54 ALBUM REVIEWS We have a few plans up our sleeves which 58 BEHIND THE BRANDS with Nigel Finn of will be revealed over the coming months The Chord Company but for now we hope that you enjoy the current edition of the magazine and don’t forget to check the website for our daily hifi news updates! Stuart Smith WIN One of 10 sets of six Oyaide MWA-RCA Wave Absorbers SUBSCRIBE TO HIFI PIGS FREE MONTHLY MAGAZINE BY FOLLOWING THIS LINK AND SIGNING UP FOR OUR NEWSLETTER 3 Copyright © 2014 Hifi Pig Editorial The ‘F Word Linette Smith ’m writing this article as Hifi Pig has its 2nd go to shows and birthday. -
Staatskapelle Dresden
as of March 2020 Staatskapelle Dresden Felicitas Böhm Founded by Prince Elector Moritz von Sachsen in 1548, the Staatskapelle Dresden is PR and Marketing one of the oldest orchestras in the world and thus steeped in tradition. Over its long Sächsische Staatskapelle Dresden history many distinguished conductors and internationally celebrated instrumentalists T 0351 4911 380 [email protected] have left their mark on this one-time court orchestra. Previous directors include www.staatskapelle-dresden.de Heinrich Schütz, Johann Adolf Hasse, Carl Maria von Weber and Richard Wagner, who called the ensemble his »miraculous harp«. The list of prominent conductors of the last 100 years includes Ernst von Schuch, Fritz Reiner, Fritz Busch, Karl Böhm, Joseph Keilberth, Rudolf Kempe, Otmar Suitner, Kurt Sanderling, Herbert Blomstedt and Giuseppe Sinopoli. The orchestra was directed by Bernard Haitink from 2002-2004 and by Fabio Luisi from 2007-2010. Principal Conductor since the 2012/2013 season has been Christian Thielemann. In May 2016 the former Principal Conductor Herbert Blomstedt received the title Conductor Laureate. The only person to previously hold this title was Sir Colin Davis, from 1990 until his death in April 2013. Myung-Whun Chung has been Principal Guest Conductor since the 2012/2013 season. Richard Strauss and the Staatskapelle were closely linked for more than sixty years. Nine of the composer’s operas were premiered in Dresden, including »Salome«, »Elektra« and »Der Rosenkavalier«, while Strauss’s »Alpine Symphony« was dedicated to the orchestra. Countless other famous composers have written works either dedicated to the orchestra or first performed in Dresden. -
Quintet in E Flat K.452 for Piano, Oboe, Clarinet
HAN DE VRIES – THE ALMOST LAST RECORDINGS – CD 1 [61:35] Chamber Music : Mozart, Beethoven Wolfgang Amadeus Mozart (1756-1791) Quintet in E flat K.452 for piano, oboe, clarinet, horn and bassoon (1784) 23:04 Stanley Hoogland (piano), Han de Vries (oboe), George Pieterson (clarinet), Joep Terwey (bassoon), Vicente Zarzo (horn) (live recording by TROS Radio; Kleine Zaal, Concertgebouw, Amsterdam, 25 September 1983) Wolfgang Amadeus Mozart Adagio in C K.580a (K.Anh.94) for cor anglais, 2 violins and violoncello (1788/89) 06:13 Han de Vries (oboe) members of the Amati Quartet: Jacques Holtman & Richard Kilmer (violin), Ben de Ligt (violoncello) (from EMI HMV 5C.055-24783; recorded 1973) Wolfgang Amadeus Mozart Divertimento in F K.213 for 2 oboes, 2 horns and 2 bassoons (1775) 09:26 members Nederlands Blazers Ensemble: Han de Vries & Carlo Ravelli (oboe), Joop Meijer & Jan Peeters (horn), Joep Terwey & Henk de Wit (bassoon) (live recording by AVRO Radio; Mozart Dag, Breukelen, 28 September 1969) Ludwig van Beethoven (1770-1827) Quintet in E flat opus 16 for piano, oboe, clarinet, horn and bassoon (1796) 22:51 Stanley Hoogland (piano), Han de Vries (oboe), George Pieterson (clarinet), Joep Terwey (bassoon), Vicente Zarzo (horn) (live recording by TROS Radio; Kleine Zaal, Concertgebouw, Amsterdam, 25 September 1983) HAN DE VRIES – THE ALMOST LAST RECORDINGS – CD 2 [74:36] Chamber Music : Danzi, Reicha Franz Danzi (1763-1826) Quintet in B flat opus 56 no.1 (1821) 14:03 Quintet in g opus 56 no.2 (1821) 14:05 Quintet in F opus 56 no.3 (1821) 20:56 -
Ammerseerenade 2017
AMMERSEERENADE 2017 Verein KULTUR AM AMMERSEE e.V.. Büro: Fuchsbergstraße 15, 86938 Schondorf a.A. Steuer-Nummer: 125/109/61089 PRESSEMITTEILUNG 11.08.2017 ////////////////////////// Kirill Troussov und seine legendäre Geige AMMERSEErenAde im BootshAus des Augsburger Segler-Clubs Utting (AMMERSEErenade) - Kirill Troussov – der Ausnahme-Geiger und sein Ausnahme-Instru- ment am 31. August zu Gast im fast 100 Jahre alten Bootshaus des Augsburger Segler-Clubs in Ut- ting am Ammersee. „Einen Geiger von Weltklasse-Format” nennt die Frankfurter Allgemeine Zei- tung Kirill Troussov, der mit seiner Schwester Alexandra Troussova sein Debüt beim Galakonzert des Klassikfestivals AMMERSEErenade gibt, gefolgt von einem Weill-Orff-Avantgardeprogramm der Stimmvirtuosin Salome Kammer aus München. Es fällt schwer zu entscheiden, über wessen Vita man zuerst berichten soll: die des Musikers oder doch besser von dessen Handwerkszeug. Etwas Besonderes sind beide mittlerweile im Olymp der Musikwelt, auch wenn sie ein Altersunterschied von immerhin 280 Jahren trennt. Seit 2006 spielt Troussov seine derzeitige Violine - im Versicherungsdeutsch schlicht „Stradivari 1702 Brodsky“ genannt. Auf jener„Brodsky“ hat der frühere Besitzer, der russische Geiger Adolf Brodsky (1851 – 1929), am 4. Dezember 1881 in Wien Tschaikowskis Violinkonzert uraufgeführt. Ihr Klang wird in Fachkreisen als der Ton, der „tänzelt wie ein Kerzenlicht“ umschrieben. Schon in jungen Jahren von Sir Yehudi Menuhin gefördert, gehört Kirill Troussov heute zu den in- ternational gefragtesten Geigern seiner Generation. Er ist bei renommierten Orchestern und den wichtigen Musikfestivals weltweit zu Gast. Er spielt regelmäßig mit Künstlern wie Sol Gabetta, Yuja Wang, Daniel Hope, Joshua Bell oder Gautier und Renaud Capucon. - Das Einspringen für Gidon Kremer in Paris, die Asientournee mit dem Verbier Festival Chamber Orchestra und der Auftritt bei den BBC Proms sind nur einige Highlights seiner Karriere. -
Masterclass Programme 2020
1 Class of 2019 ABOUT Hellensmusic is a music festival that takes place every May in and around Hellens Manor, Herefordshire. Its aims are threefold: to create opportunities for world-class musicians to collaborate outside the concert circuit and explore new ideas; to provide a platform for talented music students from all over the UK and beyond to learn from leading experts; and to bring great music to this corner of England, inspiring local audiences. Hellensmusic Masterclass Programme consists of six days of intense learning, with individual masterclasses, chamber music classes and music improvisation sessions taught by the Festival’s resident artists. The course culminates in two final concerts where students will have the opportunity to perform some of the pieces they worked on during the week and play alongside their tutors in chamber music ensembles. Our aim is to create a rich and inspiring musical week that can fast-track meaningful learning. We create a welcoming environment where everyone is warmly encouraged to explore, be curious and enjoy music to the fullest. Beyond the masterclasses, students have the chance to engage with their tutors at meals and breaks and can see them in action at rehearsals and performances. This provides a unique opportunity for informal learning, which sets Hellensmusic apart from other short courses. “An invaluable experience. I feel I gained so much knowledge from the tutors and learnt so much in such a short time. It has been a wonderful, encouraging environment in which to learn” THE TEAM We are proud to have a team of resident artists who are not only acclaimed performers but also committed and passionate teachers.