V-Rod, Crescent Fantastic Beast / Creature
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1831 - 32 Dundee Sassines Starting by L
Friends of Dundee Surnames City Archives 1831 - 32 Dundee Sassines starting by L Surname PreNamesDate Occupation Parish Date Seised Main Subject Information Sassine No Law Robert02/05/1831 Weaver, Aberdeen Brechin 22/04/1831 Cockburn's Croft 141 Leader John Temple31/01/1832 Montrose 26/01/1832 235 square yards of the of Putney Co. Surrey 482 common lands of the Burgh of Montose Leader John Temple25/01/1832 Montrose 24/01/1832 Links of Montrose of Putney, Co. Surrey 479 Leader John Temple06/02/1832 Arbroath 02/02/1832 Abbey of Arbroath of Putney Co. Surrey 487 Lindsay Mary, Trustees of10/01/1831 Dundee 10/01/1831 Hillton of Dundee Mary Lindsay relict of of David 5 Morris, Blacksmith Dundee. Laigh Shade or Forebank Lindsay John Mackenzie16/01/1832 Montrose 31/12/1831 Langley Park 470 W.S. Livingstone Willaim30/06/1831 Merchant, St Vigeans 28/06/1831 Dishlandtown 234 Carnoustie Livingstone William24/05/1831 Merchant, Barrie 23/05/1831 Graystane Ward 163 Carnoustie Louson David27/09/1831 Town Clerk of St Vigeans 23/09/1831 Ponderlawfield 358 Arbroath Louson David27/09/1831 Town Clerk of St Vigeans 24/09/1831 Springfield 357 Arbroath 27 June 2011 IDMc ‐ June 2011 Page 1 of 3 Surname PreNamesDate Occupation Parish Date Seised Main Subject Information Sassine No Love Arthur24/06/1831 Merchant, Arbroath Arbroath 17/06/1831 Abbey of Arbroath West side of eastmost street of the 216 Abbey Low Thomas03/11/1831 Gardener, Duntrune Dundee 19/10/1831 Marytown part of Estate of Craigie 396 Low Andrew19/03/1831 Shipowner Dundee 19/03/1831 Dundee part of Kirkroods 99 Lowden John13/01/1831 Weaver Dundee 12/01/1831 Hawkhill near Dundee This was along with his wife Isobel 11 Farmer Lowden William01/02/1831 Manufacturer Dundee 01/02/1831 Hilltown of Dundee 41 Lowe Robert15/10/1831 Teacher of Dancing, Brechin 05/09/1831 Over Tenements of Caldhame Presently in Brechin. -
THE PINNING STONES Culture and Community in Aberdeenshire
THE PINNING STONES Culture and community in Aberdeenshire When traditional rubble stone masonry walls were originally constructed it was common practice to use a variety of small stones, called pinnings, to make the larger stones secure in the wall. This gave rubble walls distinctively varied appearances across the country depend- ing upon what local practices and materials were used. Historic Scotland, Repointing Rubble First published in 2014 by Aberdeenshire Council Woodhill House, Westburn Road, Aberdeen AB16 5GB Text ©2014 François Matarasso Images ©2014 Anne Murray and Ray Smith The moral rights of the creators have been asserted. ISBN 978-0-9929334-0-1 This work is licensed under the Creative Commons Attribution-Non-Commercial-No Derivative Works 4.0 UK: England & Wales. You are free to copy, distribute, or display the digital version on condition that: you attribute the work to the author; the work is not used for commercial purposes; and you do not alter, transform, or add to it. Designed by Niamh Mooney, Aberdeenshire Council Printed by McKenzie Print THE PINNING STONES Culture and community in Aberdeenshire An essay by François Matarasso With additional research by Fiona Jack woodblock prints by Anne Murray and photographs by Ray Smith Commissioned by Aberdeenshire Council With support from Creative Scotland 2014 Foreword 10 PART ONE 1 Hidden in plain view 15 2 Place and People 25 3 A cultural mosaic 49 A physical heritage 52 A living heritage 62 A renewed culture 72 A distinctive voice in contemporary culture 89 4 Culture and -
1281/06 Angus Council
Agenda Item No 3 REPORT NO. 1281/06 ANGUS COUNCIL CIVIC LICENSING COMMITTEE – 24 OCTOBER 2006 DELEGATED APPROVALS REPORT BY THE DIRECTOR OF CORPORATE SERVICES ABSTRACT The purpose of this Report is to advise members of applications for licences under the Civic Government (Scotland) Act 1982 and other miscellaneous Acts which have been granted/renewed by the Head of Law and Administration in accordance with the Scheme of Delegation appended to Standing Orders. 1. RECOMMENDATION It is recommended that the Committee note the licences granted/renewed under delegated authority as detailed in the attached Appendix. 2. BACKGROUND In terms of the Scheme of Delegation to Officers, the Head of Law and Administration is authorised to grant certain applications in connection with the Council's licensing functions under the Civic Government (Scotland) Act 1982 and other miscellaneous Acts. Attached as an Appendix is a list of applications granted/renewed under delegated authority during the period 21 August 2006 to 9 October 2006. 3. FINANCIAL IMPLICATIONS There are no financial implications arising from this Report. 4. HUMAN RIGHTS IMPLICATIONS There are no Human Rights issues arising directly from this Report. COLIN MCMAHON DIRECTOR OF CORPORATE SERVICES SCH/KB NOTE: No background papers as defined by Section 50D of the Local Government (Scotland) Act 1973 (other than any containing confidential or exempt information) were relied on to any material extent in preparing this Report. APPENDIX 1 LICENCES GRANTED/RENEWED UNDER DELEGATED AUTHORITY From -
Angus, Scotland Fiche and Film
Angus Catalogue of Fiche and Film 1841 Census Index 1891 Census Index Parish Registers 1851 Census Directories Probate Records 1861 Census Maps Sasine Records 1861 Census Indexes Monumental Inscriptions Taxes 1881 Census Transcript & Index Non-Conformist Records Wills 1841 CENSUS INDEXES Index to the County of Angus including the Burgh of Dundee Fiche ANS 1C-4C 1851 CENSUS Angus Parishes in the 1851 Census held in the AIGS Library Note that these items are microfilm of the original Census records and are filed in the Film cabinets under their County Abbreviation and Film Number. Please note: (999) number in brackets denotes Parish Number Parish of Auchterhouse (273) East Scotson Greenford Balbuchly Mid-Lioch East Lioch West Lioch Upper Templeton Lower Templeton Kirkton BonninGton Film 1851 Census ANS 1 Whitefauld East Mains Burnhead Gateside Newton West Mains Eastfields East Adamston Bronley Parish of Barry (274) Film 1851 Census ANS1 Parish of Brechin (275) Little Brechin Trinity Film 1851 Census ANS 1 Royal Burgh of Brechin Brechin Lock-Up House for the City of Brechin Brechin Jail Parish of Carmyllie (276) CarneGie Stichen Mosside Faulds Graystone Goat Film 1851 Census ANS 1 Dislyawn Milton Redford Milton of Conan Dunning Parish of Montrose (312) Film 1851 Census ANS 2 1861 CENSUS Angus Parishes in the 1861 Census held in the AIGS Library Note that these items are microfilm of the original Census records and are filed in the Film cabinets under their County Abbreviation and Film Number. Please note: (999) number in brackets denotes Parish Number Parish of Aberlemno (269) Film ANS 269-273 Parish of Airlie (270) Film ANS 269-273 Parish of Arbirlot (271) Film ANS 269-273 Updated 18 August 2018 Page 1 of 12 Angus Catalogue of Fiche and Film 1861 CENSUS Continued Parish of Abroath (272) Parliamentary Burgh of Abroath Abroath Quoad Sacra Parish of Alley - Arbroath St. -
Aberdeen City Council Aberdeenshire Council Angus Council
1932 THE EDINBURGH GAZETTE FRIDAY 10 SEPTEMBER 1999 Proposals Requiring Listed Building/Conservation Area Consent SOUTH DIVISION Period for lodging representations - 21 days Address representations to: George W Chree, Head of Planning Applebank House Sub-division of house Mr & Mrs 98/2030 Services (South), Aberdeenshire Council, Viewmount, Arduthie 24 The Spital into two houses, Birchley Road, Stonehaven AB39 2DQ Aberdeen erection of a conserv- (Conservation atory and alterations Address of Proposal/ Name and Where plans can Area 1) to front boundary wall Proposal Reference Address of be Inspected in Applicant addition to Div- 347 Union Street Installation of new Yu Chinese 99/1491 isional Office Aberdeen shop front to rear of Restaurant Development Affecting the Character of a Listed Building (Category C(S) existing Hot Food Period for Lodging Representations - 21 days Listed Building Licensed premises Durris Retention of Durris Parish Banchory within Conser- to form takeaway Parish Church existing temporary Church Area Office vation Area 2) Kirkton building for use as c/o Ron The Square of Durris church Sunday Gauld Banchory 86'/2 Crown Street Erection of hanging McKenzie& 99/1500 school (for a Architects Aberdeen ,' sign, signboard and Morrison period of 5 years) 660 Holburn Street (Category B Listed brass plaque Dental Practice S990837PF Aberdeen (1601/9) Building within Conservation Area 3) 44 Union Street Installation of shop The Outdoor 99/1501 Angus Council Aberdeen front and internal Group Limited (Category B Listed alterations to existing TOWN AND COUNTRY PLANNING (SCOTLAND) ACT Building within staircase at first floor level 1997 AND RELATED LEGISLATION Conservation Area 2) The following applications have been submitted to Angus Council. -
A Guide to Ten of the Best Pictish Symbol Stones in Aberdeenshire
Pictish Symbol Stones The Pictish Period 300 AD – 900 AD MAIDEN STONE ST PETER’S CHURCH, FYVIE As one of the heartlands of the Pictish community, Aberdeenshire is home to a large The origin of the Picts can be found in the tribal society of the Iron Age. Their society was number of the elaborately decorated Symbol Stones for which the Picts are famed – around hierarchical, with a warrior elite and a lower farming class. They lived in Scotland, North of PICARDY STONE 20% of all Pictish stones recorded in Scotland can be found in Aberdeenshire. the Forth and Clyde rivers, between the 4th and 9th Centuries AD, with a particularly strong presence in what is now Aberdeenshire. This can be seen in the frequent occurrence of place The stones, incised or carved in relief, are decorated with a variety of symbols, ranging from names beginning “Pit”, thought to indicate the site of a Pictish settlement, as well as the BRANDSBUTT geometric shapes and patterns, to animals (real and mythical), human figures, objects, evidence from the archaeological record such as Symbol Stones and fortifications. and Christian motifs. Some earlier Pictish stones are also incised with a script known as Ogham, which comprises a pattern of short linear strokes crossing a vertical line. Said to They acquired the name Pict, or Picti, meaning “Painted People”, from the Romans – indeed, have originated around the 4th Century AD, it is an early form of the Irish language. Most much of what is known of the Picts is derived from historical writers from outside of examples of Ogham inscriptions are thought to represent personal names. -
A Reconsideration of Pictish Mirror and Comb Symbols Traci N
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2016 Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols Traci N. Billings University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Archaeological Anthropology Commons, European History Commons, and the Medieval History Commons Recommended Citation Billings, Traci N., "Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols" (2016). Theses and Dissertations. 1351. https://dc.uwm.edu/etd/1351 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. GENDER REFLECTIONS: A RECONSIDERATION OF PICTISH MIRROR AND COMB SYMBOLS by Traci N. Billings A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee December 2016 ABSTRACT GENDER REFLECTIONS: A RECONSIDERATION OF PICTISH MIRROR AND COMB SYMBOLS by Traci N. Billings The University of Wisconsin-Milwaukee, 2016 Under the Supervision of Professor Bettina Arnold, PhD. The interpretation of prehistoric iconography is complicated by the tendency to project contemporary male/female gender dichotomies into the past. Pictish monumental stone sculpture in Scotland has been studied over the last 100 years. Traditionally, mirror and comb symbols found on some stones produced in Scotland between AD 400 and AD 900 have been interpreted as being associated exclusively with women and/or the female gender. This thesis re-examines this assumption in light of more recent work to offer a new interpretation of Pictish mirror and comb symbols and to suggest a larger context for their possible meaning. -
Place-Names of Inverness and Surrounding Area Ainmean-Àite Ann an Sgìre Prìomh Bhaile Na Gàidhealtachd
Place-Names of Inverness and Surrounding Area Ainmean-àite ann an sgìre prìomh bhaile na Gàidhealtachd Roddy Maclean Place-Names of Inverness and Surrounding Area Ainmean-àite ann an sgìre prìomh bhaile na Gàidhealtachd Roddy Maclean Author: Roddy Maclean Photography: all images ©Roddy Maclean except cover photo ©Lorne Gill/NatureScot; p3 & p4 ©Somhairle MacDonald; p21 ©Calum Maclean. Maps: all maps reproduced with the permission of the National Library of Scotland https://maps.nls.uk/ except back cover and inside back cover © Ashworth Maps and Interpretation Ltd 2021. Contains Ordnance Survey data © Crown copyright and database right 2021. Design and Layout: Big Apple Graphics Ltd. Print: J Thomson Colour Printers Ltd. © Roddy Maclean 2021. All rights reserved Gu Aonghas Seumas Moireasdan, le gràdh is gean The place-names highlighted in this book can be viewed on an interactive online map - https://tinyurl.com/ybp6fjco Many thanks to Audrey and Tom Daines for creating it. This book is free but we encourage you to give a donation to the conservation charity Trees for Life towards the development of Gaelic interpretation at their new Dundreggan Rewilding Centre. Please visit the JustGiving page: www.justgiving.com/trees-for-life ISBN 978-1-78391-957-4 Published by NatureScot www.nature.scot Tel: 01738 444177 Cover photograph: The mouth of the River Ness – which [email protected] gives the city its name – as seen from the air. Beyond are www.nature.scot Muirtown Basin, Craig Phadrig and the lands of the Aird. Central Inverness from the air, looking towards the Beauly Firth. Above the Ness Islands, looking south down the Great Glen. -
Soft Rock 5-Resolis.Pdf
Soft Rock 5 Project 2 Resolis Friendship Group Introduction Over several months during 2015 five groups of older adults based on the Black Isle took part in Soft Rock 5, the latest in a series of outreach projects organised by Groam House Museum, Rosemarkie. Working with Inverness-based textile artist Ruth Black, each group learnt the art of felting, and using various techniques completed their own unique wall hanging using the work of George Bain and the imagery found on local Pictish Stones as inspiration. Over the later part of 2015 the five banners were exhibited in various locations locally, finishing their journey on display at Celtic Connections Festival 2016 in Glasgow. Thanks must go to the group leaders, volunteers and participants whose enthusiasm and commitment made the project such a success, and without whom these beautiful pieces would not exist. The project was made possible by funding from Heritage Lottery, Museums Galleries Scotland and the Highland Council Wendy Sanders Groam House Museum Project Co-ordinator Groam House Museum - Rosemarkie The second wall hanging This felt panel was made by a team of volunteers from Resolis Friendship Group under the guidance of textile artist Ruth Black. This album shows the various stages that we went through in creating the wall hanging over five action packed days working in the Resolis Memorial Hall. The wall hanging design was inspired by the work of George Bain, who in turn was inspired by the complex Pictish and Celtic designs of the early Christian and pre-Christian sculptured stone monuments that abound in the north and east of Scotland. -
The Declining Pictish Symbol - a Reappraisal the Late Gordon Murray
Proc SocAntiq Scot, (1986)6 11 , 223-253 The declining Pictish symbol - a reappraisal The late Gordon Murray SUMMARY The paper is mainly concerned with the three commonest Pictish symbols, the crescent, the double disc with Pictish the Z-rod and 'elephant' 'beast'.BStevensonR or K ideasDr The of and Dr I Henderson are outlined, namely that for each of these symbols a stylistic 'declining sequence' can be traced that corresponds approximately to a chronological sequence, enabling the probable place of origin of the symbol to be determined. The forms and distributions of the three symbols are examined in detail and it is argued that the finer examples of each are centred in different areas. For reasons which are stated, the classification of the crescent differs here from that made by Stevenson. The different decorative forms show significantly different distributions originthe but appears be to north. far most The the typicalin examples Z-rodthe of accompanying doublethe discfoundare predominantly in Aberdeenshire, where it is suggested that the symbol may have originated. Examples Pictishthe of beast hereare graded according extentthe to that their features correspond otherwiseor with lista whatof 'classical' the appear be to features form. distributionofthe The and general quality existingof examples suggest that originthe centre thisof symbol probablyis the in area Angusof easternand Perthshire. The paper also discusses arrangementthe symbolsthe of statements, in with some tentative remarks on the relative chronology of the mirror appearing alone as a qualifier. INTRODUCTION principle Th e declininth f eo g symbo thas i l t there existe prototypda r 'correcteo ' forr mfo at least some of the Pictish symbols, to which all surviving instances approximate in varying degrees, but from which later examples tend to depart more than earlier ones. -
The Forfar Directoryand Yearbook 1898
FORFAR PUBLIC LIBRARY No. Presented by ANGUS - CULTURAL SERVICES 3 8046 00947 088 IVY* 21 DAYS ALLOWED FOR READING THIS BOOK. Overdue Books Charged at lp per Day. Digitized by the Internet Archive in 2010 with funding from National Library of Scotland http://www.archive.org/details/forfardirectorya1898unse : THE FORFAR DIRECTORY ~<5>c. AND YEAR BOOK K5>, FOR 1808 I CONTAINING LIST OF THE HOUSEHOLDERS OF THE BURGH, DIRECTORY OF TRADES AND PROFESSIONS, LIST OF PUBLIC BOARDS, SOCIETIES, ETC. ETC. ETC. also, PROPERTY COUNTY INFORMATION, AND L.ST OF FARM©ls AND OTHlUs IN THE ADJOIMNG PARISHES. , ,- FORFAR PUBLIC LIBRARY PRICE OiETE—^EJIsrErYr" FORFAR PRINTED & PUBLISHED BY W. SHEPHERD, 39 CASTLE STREET. 1897. — CONTENTS. Page Page Angling Club 65 Horticultural Improvement Society 64 Bank Offices 60 Horticultural Society 64 Bible Society 62 Householders, Female 37-5° Blind, Mission to the 62 Householders, Male 5-37 Bowling Clubs ... Infirmary 65 59 Building Societies 67 Joiners' Association 67 Burgh Commissioners 58 Justices of thePeace (Forfar) 58 Burgh Funds Library, Public 57 ... 59 Charity Mortifications 58 Liberal and Radical Association 62 Children's Church 63 Literary Institute 62 Christian Association, Young Women's 61 Magistrates and Town Council Churches 57 60 Masonic Lodges ... 65 Church Services, &c. 62-63 Musical Societies 61 Coal Societies 64-65 Nursing Association 63 Conservative Association 61 Oddfellows' Lodge 65 County Information 68 Parish Council ... 59 Courts : Plate Glass Association ... 64 Burgh... 58 Post Office 56 Licensing, Burgh 58 Poultry Association 64 Police... 58 Prevention of Cruelty to Animals, Sheriff 68 Society for ... 67 Valuation Appeal 58 QuoitingClub .. -
The Date and Context of the Glamis, Angus, Carved Pictish Stones Lloyd Laing*
Proc Soc Antiq Scot, 131 (2001), 223–239 The date and context of the Glamis, Angus, carved Pictish stones Lloyd Laing* ABSTRACT The widely accepted eighth-century dating for the Pictish relief-decorated cross-slabs known as Glamis 2 and Glamis 1 is reviewed, and an alternative ninth-century date advanced for both monuments. It is suggested that the carving on front and back of Glamis 2 was contemporaneous, and that both monuments belong to the Aberlemno School. GLAMIS 2 DESCRIPTION The Glamis 2 stone (Allen & Anderson’s scheme, 1903, pt III, 3–4) stands in front of the manse at Glamis, Angus, and its measurements — 2.76 m by 1.5 m by 0.24 m — make it one of the larger Class II slabs. It is probably a re-used Bronze Age standing stone as there appear to be some cup- marks incised on the base of the cross face. Holes have been drilled in the relatively recent past at the base of the sides, presumably for support struts. Viewed from the front (cross) face the slab is pedimented, the ornament being partly incised, partly in relief (illus 1). The cross is in shallow relief, has double hollow armpits and a ring delimited by incised double lines except in the bottom right hand corner, where the ring is absent. It is decorated with interlace, with a central interlaced roundel on the crossing. The interlace on the cross-arms and immediately above the roundel is zoomorphic. At the top of the pediment is a pair of beast heads, now very weathered, with what may be a human head between them, in low relief.