Boston Symphony Orchestra Concert Programs, Season 79, 1959
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SEVENTY-NINTH SEASON, 1959-1960 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1960, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton CD. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager S. Shirk Norman James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [1025] CAN YOU DESCRIBE A LIFE INSURANCE TRUST? <§> If you are unaware of the many advantages of a Life Insurance Trust, it may be that a talk with a Shawmut Trust Officer would show you precisely how this type of protection would best suit your insurance needs. For example, your life insurance can very easily be arranged to provide life-long support for your widow plus a substantial inheritance for your children. In Shawmut' s Personal Trust Department we would be glad to discuss your complete insurance program . with you, your life insurance counsellor and your attorney, or simply write for a copy of our brochure "A Modern Life Insurance Program." Naturally, there would be no obligation. Write or call The Personal Trust Department The ?h(ational Shawmut Bank Tel. LAfayette 3-6800 Member Federal Deposit Insurance Corporation CONTENTS Program (February 26-27) . 1031 Program (March 4-5) . 1085 iVuv-i Program (March 11-12) . 1087 BROS. Notes Hindemith (Konzertmusik for String and Brass Instru- ments) 1033 Entr'actes Schoenberg's Estimate of Gustav Mahler 1038 Of Orchestral Conductors (Nicolas Slonimsky) . 1054 Notes Mahler (Symphony No. 2) . 1060 Symphoniana take a long look at spring starting with this new long AN ANNIVERSARY jacketed suit . The present season is the fortieth of perfect exponent Richard of this Burgin as concert-master of spring's new Orchestra. He has been familiar to our breezy feeling subscription audiences through the years . the great in his leading position at the first desk, sleeve, stand- and as the conductor of many notable offish collar, and concerts. (He was appointed Assistant Conductor in 1935 and Associate Con- tailored chic ductor in 1943.) The list of his pro- which distinguish grams, if there were space for it here, H.B.'s latest would call up many inspiring memories. collection. Of Mahler's symphonies he has con- ducted the First, the Third (in part), +wen+y new bur the Fourth, the Fifth, the Ninth, the 7 Tenth (Adagio) and Das Lied von der [1027] Erde. It is not necessary to add that Mahler is by no means his only love among the composers. The occasions when an unexpected emergency has re- JVxjLLi 1 iJnL«|Ilib. quired performances with little or no rehearsal on his part are remembered THE TROUSSEAU HOUSE OF BOSTON as live and imaginative where a little more than safe fulfillment of the letter of the score might reasonably be ex- pected. Mr. Burgin has, of course, a triple function at the Boston Symphony concerts. As soloist he has performed concertos by Bach, Beethoven, Brahms, Mendelssohn, Tchaikovsky, Glazounoff and Sibelius. In addition to these activities within the symphony concert sphere, Mr. Bur- gin has often played in quartet perform- ances and conducted chamber groups. There is perhaps no member of this Orchestra with quite his degree of self- less musical zeal and tireless energy in pursuing his art. His enthusiasm for music and music before all else is readily imparted to the many young musicians who have worked with him. This applies both to pupils and to the student orches- tras at Tanglewood and the New Eng- land Conservatory, and the Orchestra in Portland, Maine, groups which he has led when his already full schedule has permitted. This adventuring spirit, extending from creative instruction at the student level to creative interpretation at the highest professional level, is rare indeed, and is the good fortune of any musical community. ZJhe i^utotte EXHIBITION OF PORTRAITS An exhibition will open in the Gallery leads the fashion parade southward this week consisting of portraits by —ours a hostess pajama of Arnel contemporary Boston painters. jersey featuring a softly turned collar and a wide' gold belt. White, EXTRA OPEN REHEARSAL The next of the series of Open Green or Red. Rehearsals, which will take place on Sizes 10-16 $45.00 Thursday, March 10, having been sold out by subscription, an extra Open Rehearsal is announced for next Thurs- evening, March 3, at 7:30. Charles 416 Boylston St. 54 Central St. day Munch will then be preparing the pro- Boston 16 Wellesley gram for March 4-5. KEnmore 6-6238 CEdar 5-3430 [1028] Boston Belmont Chestnut Hill Wellesley Winchester filene's Hyannis Northshore, Peabody Young Bostonian Shop oull feel new spirit, new verve, new graceful animation with the dramatic endowment of fashion on your sleeves . Kimono sleeves gather wide-spread momentum on a silhouette divine. 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Enjoy Commuters' Concert on WCRB, 1330 AM or 102.5 FA4, each morning at 8:15 Worthy Old Colony of your Trust Company Trust One Federal St., Boston 6, Mass. Allied with The First National Bank of Boston [1030] SEVENTY-NINTH SEASON • NINETEEN HUNDRED FIFTY-NINE -SIXTY Seventeenth Program FRIDAY AFTERNOON, February 26, at 2:15 o'clock SATURDAY EVENING, February 27, at 8:30 o'clock RICHARD BURGIN, Conductor Hindemith . Konzertmusik for String and Brass Instruments, Op. 50 I. Massig schnell, mit Kraft II. Lebhaft; langsam; lebhaft Mahler Symphony in C minor, No. 2, for Orchestra, Soprano and Alto Solos, and Mixed Chorus I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck (With serious and solemn expression throughout) II. Andante moderato. Sehr gemachlich (Very leisurely) INTERMISSION III. In ruhig ftiessender Bewegung (In quietly flowing movement) IV. ("Urlicht" (Primal Light) — Contralto Solo, Sehr feierlich, aber schlicht; J Choralmassig (Very solemn, but simple; like a chorale) V. [Finale. (Chorus. Soprano and Contralto Solos) CHORUS PRO MUSICA ALFRED NASH PATTERSON, Conductor Soloists NANCY CARR, Soprano EUNICE ALBERTS, Contralto This program will end about 4:05 o'clock on Friday Afternoon; 10:20 o'clock on Saturday Evening. BALDWIN PIANO RCA VICTOR RECORDS !<>3i [ ] sun savoir-faire — everywhere at Boston • Chestnut Hill 10 1 3* ] CONCERT MUSIC FOR STRING ORCHESTRA AND BRASS INSTRUMENTS, Op. 50 By Paul Hindemith Born in Hanau, near Frankfort, November 16, 1895 The " Konzertmusik fitr Streichorchester und Blechblaser" was composed for the fiftieth anniversary of the Boston Symphony Orchestra. The first movement of the autograph score, which the Orchestra possesses, is inscribed "Berlin, December, 1930." The second movement, "Andermatt, December 27, 1930." It had its first performance by this Orchestra in the anniversary season, April 3, 1931. There were additional performances February 26, 1932, February 25, 1938, November 15, 1940, and March 22, 1946, when Leonard Bernstein conducted. The composer directs in the score that "the orchestra consist of the strongest possible string quartet, 4 horns, 4 trumpets, 3 trombones and tuba." Hindemith tends to use the string and the brass groups as distinct units, giving the melodic lead to one or the other usually without the doubling of parts between the choirs. The parts for first and second violins are identical, except in a few passages. The first of the two movements divulges several themes, the principal subject, a sustained melody for the brass, being set against a rhythmic theme for the strings. The brass choir by itself then develops a rhythmic subject of its own, and the strings, alone, reiterate their subject. 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