Sinclair Lewis, the Red-Haired Tornado from the Minnesota Wilds
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UNIVERSIDADE FEDERAL DE SANTA CATARINA Departamento De-Língua E Literatura Estrangeiras SINCLAIR! LEWIS: the NOBLE BARBARIAN A
UNIVERSIDADE FEDERAL DE SANTA CATARINA Departamento de-Língua e Literatura Estrangeiras SINCLAIR! LEWIS: THE NOBLE BARBARIAN A Study of the Conflict of European and American Values in the Life and Fiction of Sinclair Lewis Tese submetida à Universidade Federal de Santa Catarina para a i obtençãoí do grau de Mestre em Letras Hein Leonard Bowles Novembro - 1978 Esta Tese foi julgada adequada para a obtenção do título de MESTRE EM LETRAS Especialidade Língua Inglesa e Literatura Correspondente e aprovada em sua forma final pelo Programa de PÓs-Graduação Pro John Bruce Derrick, PhD Orientador Z&L- Prof. Hilário^hacio Bohn, PhD Integrador do Curso Apresentada perante a Comissão Examinadora composta do; professores: Prof. John Bruce Derrick, PhD Para Dirce, Guilherme e Simone Agradecimentos À Universidade Federal de Santa Catarina À Universidade Estadual de Ponta Grossa À Fundação Faculdade Estadual de Filosofi de Guarapuava Ao Prof. Dr. John B. Derrick Ao Prof. Dr. Arnold Gordenstein ABSTRACT In Sauk Centre, a fairly new and raw midwestern American town in the first years of our century, a solitary youth reads Kipling, Scott, Tennyson and Dickens and becomes enchanted with Europe: its history, traditions and people. Seeing the monotonous and endless extensions of prairie land, the rustic farmer cottages and the haphazard design of his hometown, he imagines the superior graces of. a variegated European landscape; historical cities, old structures, castles and mansions that hint of aristocratic generations. And his people, engaged in the routine of their daily activities; their settled forms of behavior, conversation and clothing, become ; quite uninspiring for him as contrasted to his idealization of a romantic, exotic and stirring European world wherein cultured gentlemen and gracious ladies abound. -
COPYRIGHTED by RUTH BELI, GOBER 1957
COPYRIGHTED by RUTH BELI, GOBER 1957 THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE AMERICAN NOVELIST INTERPRETS THE STUDENT OF HIGHER EDUCATION A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION BY RUTH BELL GOBER Norman, Oklahoma 1956 THE AMERICAN NOVELIST INTERPRETS THE STUDENT OF HIGHER EDUCATION APPROVED BY ÎSIS COMMITTEE TABLE OF CONTENTS Chapter Page I. INTRODUCTION..................................... 1 II. F. SCOTT FITZGERALD.............................. 8 III. WILLA CATHER..................................... 46 IV. SINCLAIR LEWIS........................ 68 V, GEORGE SANTAYANA................................. Il8 VI. THOMAS WOLFE..................................... 142 VII. FINDINGS.......................................... 191 BIBLIOGRAPHY.............................................. 204 iv THE AMERICAN NOVELIST INTERPRETS THE STUDENT OF HIGHER EDUCATION CHAPTER I INTRODUCTION "For a century and a half, the novel has been king of 1 Western literature." It has both mirrored and influenced popular thought as it has found readers throughout the West ern world. "The drama and the poetry, but chiefly the novel, of America have risen to a position of prestige and of influ- 2 ence abroad seldom equaled in history." Consequently, the content of the novel is of concern to educators. The present study is concerned with the interpretation of the student of higher education in the United States as found in the work of certain prominent American novelists of the twentieth century. The procedure used in selecting the five literary writers included an examination of annotated bibliographies of the American novels published during the twentieth century. The formidable number of writers who have used student 1------------------------------------------------------------- Henri Peyre, The Contemporary French Novel (New York: Oxford University Press, 1955]> 3. ^Ibid., 263. -
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Sinclair Lewis Society Newsletter VOLUME TWENTY, NUMBER ONE FALL 2011
The SINCLAIR LEWIS SOCIETY NEWSLETTER VOLUME TWENTY, NUMBER ONE FALL 2011 LANCELOT TODD: A CASE FOR FICTIONAL INDEPENDENCE Samuel J. Rogal Illinois Valley Community College In a neat package of a single paragraph containing a summarization of Lewis’s Lancelot Todd, Mark Schorer de- termined that Lewis’s pre-1920s version of the present-day public relations agent run wild represented a relatively simple “ANOTHER PERFECT DAY”: WEATHER, instrument of his creator’s satire and farce. Schorer labeled MOOD, AND LANDSCAPE IN SINCLAIR Todd “a suave immoralist” and “swindler” who threads his LEWIS’S MINNESOTA DIARY way through a series of short stories with plots that hold no “real interest” and whose principal fictional function focuses Frederick Betz upon Lewis’s preparations for the larger worlds of George Southern Illinois University–Carbondale Babbitt and Elmer Gantry (Schorer 239). Although few critical commentators of twenty-first-century American fiction seem- Sinclair Lewis’s Minnesota Diary, 1942–46, superbly ingly have possessed the stamina or willingness to challenge introduced and edited by George Killough, “offers an inside Schorer’s generalized characterization of Todd, there lies suf- view of a very public person,” a “strangely quiet and factual” ficient evidence in the stories themselves to allow for at least diarist, who “keeps meticulous notes on weather, writes ap- a defense of Todd as a character who might somehow stand preciative descriptions of scenery, mentions hundreds of people independent of the likes of Babbitt and Gantry. he is meeting, and chronicles exploratory trips around Min- Lancelot Todd appears in seven Lewis stories published nesota” (15). -
Hubert Irey Gibson Collection of Sinclair Lewis (1933-1993)
The Hubert Irey Gibson Collection of Sinclair Lewis (1933-1993) University Archives and Special Collections St. Cloud State University St. Cloud, Minnesota Quantity: .84 linear feet Restrictions: No usage restrictions. St. Cloud State University Archives last modified June 1, 2009 Hubert Irey Gibson Collection of Sinclair Lewis 2 Biography Hubert Irey Gibson (1906 – 1996) Hubert Irey Gibson was born in Mason, Illinois, on December 21, 1906, the eldest of seven children. As a child, Hubert enjoyed writing, dreaming one day to become an author. Not sure that he could make a living solely as an author, he eventually decided to be a lawyer who was a writer. In 1928, Hubert moved to Chicago to attend law school. While in school, he found employment as a law clerk. Unfortunately, as the Great Depression descended upon the country, Hubert found himself with a growing family and no job. While Hubert’s wife, the former Frances Lauk, found steady work as a stenographer and typist, Hubert was unable to land employment. Frances suggested that Hubert gain skills that were in demand, such as typing and shorthand. He listened – Hubert attended night classes at a business college and soon acquired those skills. Those newly learned secretarial skills lead Hubert to his job with Sinclair and Lloyd Lewis in the fall of 1933. Chicago Daily News drama critic Lloyd Lewis, who was reported at the time to be writing a play with a famous author, gave Hubert a job as secretary. Hubert then lived temporarily with Sinclair Lewis at the Sherry Hotel in Chicago, preparing draft after draft of The Jayhawker (which was then called “The Skedaddler” or “The Glory Hole”). -
GUARDIANS of AMERICAN LETTERS Roster As of February 2021
GUARDIANS OF AMERICAN LETTERS roster as of February 2021 An Anonymous Gift in honor of those who have been inspired by the impassioned writings of James Baldwin James Baldwin: Collected Essays In honor of Daniel Aaron Ralph Waldo Emerson: Collected Poems & Translations Charles Ackerman Richard Wright: Early Novels Arthur F. and Alice E. Adams Foundation Reporting World War II, Part II, in memory of Pfc. Paul Cauley Clark, U.S.M.C. The Civil War: The Third Year Told By Those Who Lived It, in memory of William B. Warren J. Aron Charitable Foundation Richard Henry Dana, Jr.: Two Years Before the Mast & Other Voyages, in memory of Jack Aron Reporting Vietnam: American Journalism 1959–1975, Parts I & II, in honor of the men and women who served in the War in Vietnam Vincent Astor Foundation, in honor of Brooke Astor Henry Adams: Novels: Mont Saint Michel, The Education Matthew Bacho H. P. Lovecraft: Tales Bay Foundation and Paul Foundation, in memory of Daniel A. Demarest Henry James: Novels 1881–1886 Frederick and Candace Beinecke Edgar Allan Poe: Poetry & Tales Edgar Allan Poe: Essays & Reviews Frank A. Bennack Jr. and Mary Lake Polan James Baldwin: Early Novels & Stories The Berkley Family Foundation American Speeches: Political Oratory from the Revolution to the Civil War American Speeches: Political Oratory from Abraham Lincoln to Bill Clinton The Civil War: The First Year Told By Those Who Lived It The Civil War: The Second Year Told By Those Who Lived It The Civil War: The Final Year Told By Those Who Lived It Ralph Waldo Emerson: Selected -
SINCLAIR LEWIS' Fiction
MR, FLANAGAN, who is professoT of American literature in. the University of Illinois, here brings to a total of fifteen his mafor contributions to this magazine. The article's appearance appropriately coincides with the seventy-fifth anniversary of Lewis' birth and the fortieth of the publication of Main Street. The MINNESOTA Backgrounds of SINCLAIR LEWIS' Fiction JOHN T. FLANAGAN SINCLAIR. LEWIS 'was once questioned his picture of Gopher Prairie and Minne about the autobiographical elements in sota and the entire Middle W^est became Main Street by a friend 'whose apartment both durable and to a large extent accurate. he 'was temporarily sharing. The novelist A satirist is of course prone to exaggeration. remarked to Charles Breasted that Dr. 'Will Over-emphasis and distortion are his stock Kennicott, the appealing country physician in trade. But despite this tilting of the in his first best seller, 'was a portrait of his balance, his understanding of places and father; and he admitted that Carol, the doc events and people must be reliable, other tor's 'wife, 'was in many respects indistin wise he risks losing touch with reality com guishable from himself. Both "Red" Lewis pletely, Lewis was born in Minnesota, he and Carol Kennicott were always groping spent the first seventeen years of his life in for something beyond attainment, always the state, and he returned on frequent visits, dissatisfied, always restless, and although which sometimes involved extensive stays both were frequently scornful of their im in Minneapolis, St, Paul, or Duluth, A num mediate surroundings they nevertheless ber of his early short stories and six of his lacked any clear vision of what could or twenty-two novels are localized wholly or should be done. -
Advertising "In These Imes:"T How Historical Context Influenced Advertisements for Willa Cather's Fiction Erika K
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: English, Department of Department of English Spring 5-2014 Advertising "In These imes:"T How Historical Context Influenced Advertisements for Willa Cather's Fiction Erika K. Hamilton University of Nebraska-Lincoln Follow this and additional works at: http://digitalcommons.unl.edu/englishdiss Part of the American Literature Commons Hamilton, Erika K., "Advertising "In These Times:" How Historical Context Influenced Advertisements for Willa Cather's Fiction" (2014). Dissertations, Theses, and Student Research: Department of English. 87. http://digitalcommons.unl.edu/englishdiss/87 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ADVERTISING “IN THESE TIMES:” HOW HISTORICAL CONTEXT INFLUENCED ADVERTISEMENTS FOR WILLA CATHER’S FICTION by Erika K. Hamilton A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Guy Reynolds Lincoln, Nebraska May, 2014 ADVERTISING “IN THESE TIMES:” HOW HISTORICAL CONTEXT INFLUENCED ADVERTISEMENTS FOR WILLA CATHER’S FICTION Erika K. Hamilton, Ph.D. University of Nebraska, 2014 Adviser: Guy Reynolds Willa Cather’s novels were published during a time of upheaval. In the three decades between Alexander’s Bridge and Sapphira and the Slave Girl, America’s optimism, social mores, culture, literature and advertising trends were shaken and changed by World War One, the “Roaring Twenties,” and the Great Depression. -
669031 Bk Salerni
669032-33 bk Aldridge US 27/4/11 12:51 Page 48 AMERICAN OPERA CLASSICS ROBERT ALDRIDGE Elmer Gantry Libretto by Herschel Garfein Phares • Risley • Rideout • Kelley • Buck Florentine Opera Chorus • Florentine Opera Company Milwaukee Symphony Orchestra • William Boggs 2 CDs 8.669032-33 48 669032-33 bk Aldridge US 27/4/11 12:51 Page 2 Robert Livingston ALDRIDGE (b. 1954) Elmer Gantry (2007) An Opera in Two Acts Libretto by Herschel Garfein based on the novel by Sinclair Lewis Elmer Gantry . Keith Phares Sharon Falconer . Patricia Risley Frank Shallard . Vale Rideout Eddie Fislinger . Frank Kelley Lulu Baines . Heather Buck Reverend Arthur Baines . Matthew Lau T.J. Rigg . Jamie Offenbach Mrs. Baines . Julia Elise Hardin Revival Singer . William Johnson Binch/Bully/Worker #1 . Aaron Blankfield Keely Family Singers . .Sarah Lewis Jones / Linda S. Ehlers / Paul Helm / Nathan Krueger Reporter . Peter C. Voigt Revival Worker/Worker #2 . Scott Johnson Ice Cream Vendor . Matthew Richardson Child . Katie Koester Man #1 . James Barany Woman #1 . Tracy Wildt Woman #2 . Kristin Ngchee Tour Guide . Margaret Wendt Women’s Chorus Leader . Julie Alonzo-Calteaux Florentine Opera Chorus Chorus-master: Scott Stewart Milwaukee Symphony Orchestra • William Boggs 8.669032-33 2 47 8.669032-33 669032-33 bk Aldridge US 27/4/11 12:51 Page 46 Director: John Hoomes • Producer/General Director: William Florescu Musical Preparation: Jamie Johns • Off-Stage Piano: Anne Van Deusen Producer and editor: Blanton Alspaugh (Soundmirror.com) Recording engineers: John Newton and Byeong-Joon Hwang Mixing/mastering engineer: Jesse Lewis Production Sponsors: Donald and Donna Baumgartner Keith Phares’s performance generously sponsored by the Marie Z. -
Bruxy Cavey and the Meeting House Megachurch: a Dramaturgical Model of Charismatic Leadership Performing “Evangelicalism for People Not Into Evangelicalism”
Bruxy Cavey and The Meeting House Megachurch: A Dramaturgical Model of Charismatic Leadership Performing “Evangelicalism for People Not Into Evangelicalism” by Peter Schuurman A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in Religious Studies Waterloo, Ontario, Canada, 2016 © Peter Schuurman 2016 ! ! ! ! ! ! ! ! ! ! ! Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ! ii ! Abstract Megachurch pastors—as local and international celebrities—have been a growing phenomenon since the 1960s, when megachurches began to proliferate across North America. Why are these leaders and their large congregations so popular in an age of increasing “religious nones”? Commentators in both popular and academic literature often resort to characterizing the leadership with stereotypes of manipulative opportunists along the lines of Sinclair Lewis’ Elmer Gantry (1927) or narrow characterizations of savvy entrepreneurs who thrive in a competitive religious economy. Similarly, writers assume megachurch attendees are a passive audience, or even dupes. This dissertation challenges the Elmer Gantry stereotype and the religious economic perspectives by examining one particular megachurch pastor named Bruxy Cavey in the context of his “irreligious” megachurch community called -
Vol. 50/ 3 (1986)
BOOK REVIEWS Spheres of Liberty: Changing Perceptions of Liberty in done, because new conditions today upset the equilibriums of American Culture. By Michael Kammen. yesterday' (Madison: University of Wisconsin Press, 1986. 191 p. Recognizing that it is in the courts where the debate over Cloth, $19.50.) the meaning of liberty has been most carefully played out, Kammen spends much of the book tracing the arguments put READERS of Michael Kammen's two earlier books. People forth by Supreme Court justices and legal scholars. Rut he is of Paradox: An Inquiry Concerning the Origins of American also careful to explore popular culture. He notes, for exam Civilization, which won a Pulitzer Prize for history, and A ple, that the meaning of the term "liberty" was widely dis Season of Youth: The American Revolution and the Histori cussed by the public at large during the debates over the Con cal Imagination, will find his latest exploration of American stitution, slavery, the Civil War, and the rights of property. culture, delivered as the Curti lectures for 1985-86 at the Uni Kammen also includes 22 illustrations of the popular sym versity of Wisconsin, to be cut from the same cloth. Kammen bols of liberty, depicted in pottery and coins, statues and road is fascinated with the paradoxical and contradictory features signs. Although the book concludes with a short biblio of American culture. In People of Paradox he examined the graphic essay on the illustrations, it is disappointing because nation's preoccupation with "biformities, . dualisms such he makes no attempt to tie the symbols to his central argu as legitimized lawlessness and poverty among abundance." ment. -
Let the People of U.S. Vote on War and Peace Asians Lead Big Majority in U.S
Workers of fhe World, Unite ! IMPERIALIST ATROCITIES IN KOREA - THE RECORD - See Page 2 - t h e MILITANT PUBLISHED WEEKLY IN THE INTERESTS OF THE WORKING PEOPLE Vol. XV - No. 5 NEW YORK, N. Y., MONDAY, JANUARY 29, 1951 PRICE: FIVE CENTS Destination Moon Let the People of U.S. Vote on War and Peace Asians lead Big Majority In U.S. Demand: Revolt in UN Bring Troops Back Home N ow ! Against U.S. By the Editor It is the President, the Senators and the Congressmen the GI’s are talking about. Why don’t-they listen to the voice of the GI? A full-fledged world-wide re The President of the United States, members of the Congress and the State Department are violating the will Rather than heed the people, America’s rulers are bickering volt against Washington’s de among themselves over the constitutional rights of the President as mands to close the door on peace of the American people by refusing to stop the Korean against Congress to send more American youth abroad. No doubt negotiations with China has war now. the skilled corporation lawyers and constitutional hair-splitters among them w ill probe all the legal angles of this issue. flared up in the United Nations. In a letter to the President and Members of the Congress But the American people — the mothers and fathers — are not Led by the bloc of Asian nations, printed in The M ilitant July 3'1, 1950, shortly after the beginning of U.S. intervention in the Korean civil war, James P.