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Der Rosenkavalier by Richard Strauss
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Octavian and the Composer: Principal Male Roles in Opera Composed for the Female Voice by Richard Strauss Melissa Lynn Garvey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC OCTAVIAN AND THE COMPOSER: PRINCIPAL MALE ROLES IN OPERA COMPOSED FOR THE FEMALE VOICE BY RICHARD STRAUSS By MELISSA LYNN GARVEY A Treatise submitted to the Department of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2010 The members of the committee approve the treatise of Melissa Lynn Garvey defended on April 5, 2010. __________________________________ Douglas Fisher Professor Directing Treatise __________________________________ Seth Beckman University Representative __________________________________ Matthew Lata Committee Member The Graduate School has verified and approved the above-named committee members. ii I’d like to dedicate this treatise to my parents, grandparents, aunt, and siblings, whose unconditional love and support has made me the person I am today. Through every attended recital and performance, and affording me every conceivable opportunity, they have encouraged and motivated me to achieve great things. It is because of them that I have reached this level of educational achievement. Thank you. I am honored to thank my phenomenal husband for always believing in me. You gave me the strength and courage to believe in myself. You are everything I could ever ask for and more. Thank you for helping to make this a reality. -
University of Oklahoma
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE PIANO CONCERTOS OF PAUL HINDEMITH A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirement for the degree of Doctor of Musical Arts By YANG-MING SUN Norman, Oklahoma 2007 UMI Number: 3263429 UMI Microform 3263429 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 THE PIANO CONCERTOS OF PAUL HINDEMITH A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY Dr. Edward Gates, chair Dr. Jane Magrath Dr. Eugene Enrico Dr. Sarah Reichardt Dr. Fred Lee © Copyright by YANG-MING SUN 2007 All Rights Reserved. ACKNOWLEDGMENTS This paper is dedicated to my beloved parents and my brother for their endless love and support throughout the years it took me to complete this degree. Without their financial sacrifice and constant encouragement, my desire for further musical education would have been impossible to be fulfilled. I wish also to express gratitude and sincere appreciation to my advisor, Dr. Edward Gates, for his constructive guidance and constant support during the writing of this project. Appreciation is extended to my committee members, Professors Jane Magrath, Eugene Enrico, Sarah Reichardt and Fred Lee, for their time and contributions to this document. Without the participation of the writing consultant, this study would not have been possible. I am grateful to Ms. Anna Holloway for her expertise and gracious assistance. Finally I would like to thank several individuals for their wonderful friendships and hospitalities. -
December 1934) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1-1934 Volume 52, Number 12 (December 1934) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 52, Number 12 (December 1934)." , (1934). https://digitalcommons.gardner-webb.edu/etude/53 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE s CMCusic S&gmim December 1934 Price 25 Cents <Cy/ i/<)/maJ ($v-e vnM, DECEMBER 19,% Page 695 THE ETUDE THE HARCOURT, BRACE MUSIC DEPARTMENT Albert E. Wier, Editor £Magnifying Christmas PRESENTS FOUR NEW AND DISTINCTIVE MUSIC COLLECTIONS PIECES FOR TWO PIANOS—Four Hands THE DAYS OF THE HARPSICHORD If you do any two-piano playing, this collection of This is the first volume of a series to be known as 48 classic, romantic and modem compositions is in¬ “The Pianist’s Music Shelf.” It contains 80 dispensable for recital, study or recreation. There melodic compositions by more than fifty famous Eng¬ is a 200-word note of general musical interest pre¬ lish, French, German and Italian harpsichord com¬ £Musical Joy ceding each composition, also a page of twelve recital posers in the period from 1500 to 1750. -
Zwischen Strengem Reglement Und Freier Entfaltung Die Ersten Kapellmeister Der Kurbrandenburgischen Hofkapelle in Der Zeit Vor Dem Dreißigjährigen Krieg
Kulturgeschichte Preuûens - Colloquien 3 (2016) Detlef Giese Zwischen strengem Reglement und freier Entfaltung Die ersten Kapellmeister der kurbrandenburgischen Hofkapelle in der Zeit vor dem Dreiûigjährigen Krieg Abstract Dass es vornehmlich die Kapellmeister sind, die einem Klangkörper Gesicht und Stimme geben, gilt für die Gegenwart gleichermaûen wie für die Geschichte. Der jeweilige Stelleninhaber ist einerseits eingebunden in seine vertraglichen Verpflichtungen, besitzt andererseits aber auch gewisse Freiheiten, im Rahmen bestimmter Möglichkeiten seinen Tätigkeitsbereich für sich selbst zu definieren. Die Erwartungshaltungen der wechselnden Dienstherren wandeln sich ebenso wie das politisch-gesellschaftliche, institutionelle und allgemein kulturelle Umfeld, in der die administrative und künstlerische Arbeit des Kapellmeisters angesiedelt ist. Die Wirkung und Ausstrahlungskraft, welche die Protagonisten hierbei entfalten, sind wichtige Gradmesser für die Bedeutung sowohl der Person als auch der Institution im regionalen wie überregionalen Maûstab. Für die Frühzeit der kurbrandenburgischen Hofkapelle sind zumindest die Namen einiger Kapellmeister überliefert, die als empirische Individualitäten fassbar werden. Dem ersten namentlich bekannte Amtsträger Johann Wesalius, der bereits in den 1570er Jahren an der Spitze des Ensembles stand, kommt in diesem Zusammenhang Aufmerksamkeit und Interesse zu, desgleichen Musikern wie Johannes Eccard und Nikolaus Zangius, die in den ersten beiden Jahrzehnten des 17. Jahrhunderts zu den respektablen, im Falle von Eccard sogar zu den prominenten, bis heute immer noch wertgeschätzten deutschen Komponisten ihrer Zeit zählten. Obwohl sie an jeweilige Rahmenbedingungen materieller wie personeller Art gebunden waren, besaûen sie doch ausreichend Räume zur eigenen Entfaltung, um sich künstlerisch zu profilieren. Auf der anderen Seite steht eine strenge Reglementierungen der Aufgaben und Aktivitäten von Seiten der Regenten, die nicht selten einengend wirkten, zumal die Ressourcen über den betrachteten Zeitraum von 1570 bis ca. -
Online Appendix (4.86
ONLINE APPENDIX EFFECTS OF COPYRIGHTS ON SCIENCE. EVIDENCE FROM THE WWII BOOK REPUBLICATION PROGRAM BARBARA BIASI, YALE AND NBER PETRA MOSER, NYU AND NBER 11111trdtr 0 APPENDIX A – ADDITIONAL TABLES AND FIGURES TABLE A1 – SUMMARY STATISTICS, BRP BOOKS N Mean St. Dev. Median Min 25 pctile 75 pctile Max All BRP books Original p 271 42.79 179.57 11.15 2.00 6.60 19.15 2000.00 BRP p 283 19.41 41.77 7.50 2.00 3.20 12.50 400.00 Δp 271 24.97 21.33 21.87 -38.89 7.89 40.00 90.00 Chemistry Original p 216 51.18 200.34 11.70 2.00 4.50 22.95 2000.00 BRP p 228 22.43 46.00 8.50 2.00 5.00 15.78 400.00 Δp 216 24.34 21.39 21.76 -38.89 7.52 39.55 90.00 Mathematics Original p 55 9.84 5.77 8.00 3.40 6.00 11.75 32.65 BRP p 55 6.88 4.32 5.75 2.50 3.75 8.75 25.60 Δp 55 27.44 21.11 23.47 0.00 9.72 66.09 74.14 Notes: Means, standard deviations, and median prices for 283 books with German-owned US copyrights that were licensed to US publishers under the 1942 BRP. The variable Δp measures the percentage decline in price, calculated as the difference between the original price and the BRP price, divided by the original price. Price data collected from records of the Alien Property Custodian (1942). -
Federica Marsico a Queer Approach to the Classical Myth of Phaedra in Music
Federica Marsico A Queer Approach to the Classical Myth of Phaedra in Music Kwartalnik Młodych Muzykologów UJ nr 34 (3), 7-28 2017 Federica Marsico UNIVERSITY OF PAVIA A Queer Approach to the Classical Myth of Phaedra in Music The Topic In the second half of the 20th century, the myth of Phaedra, according to which the wife of King Theseus of Athens desperately falls in love with her stepson Hippolytus, was set to music by three homosexual compos- ers in the following works: the dramatic cantata Phaedra for mezzo- soprano and small orchestra (1976) by Benjamin Britten (1913-1976) after a text by the American poet Robert Lowell, the opera Le Racine: pianobar pour Phèdre (1980) by Sylvano Bussotti (1931) after a libretto drafted by the Italian composer himself and consisting of a prologue, three acts, and an intermezzo, and, last but not least, the two-act con- cert opera Phaedra (2007) by Hans Werner Henze (1926-2012) after a libretto by the German poet Christian Lehnert.1 1 In the second half of the century, other musical adaptations of the myth were also composed, namely the one-act opera Phèdre by Marcel Mihalovici (1898–1986) after a text by Yvan Goll and consisting in a prologue and five scenes (1951), the chamber opera Syllabaire pour Phèdre by Maurice Ohana (1913–1992) after a text by Raphaël Cluzel (1968), and the monodrama Phaedra for mezzo-soprano and orchestra by George Rochberg (1918–2005) after a text by Gene Rosenfeld (1976). 7 Kwartalnik Młodych Muzykologów UJ, nr 34 (3/2017) This paper summarizes the results of a three-year research project (2013–2015)2 that has proved that the three above-mentioned homo- sexual composers wilfully chose a myth consistent with an incestu- ous—and thus censored—form of love in order to portray homoerotic desire, which the coeval heteronormative society of course labelled as deviant and hence condemned. -
Iolanta Bluebeard's Castle
iolantaPETER TCHAIKOVSKY AND bluebeard’sBÉLA BARTÓK castle conductor Iolanta Valery Gergiev Lyric opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treliński based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudlička costume designer Bluebeard’s Castle Marek Adamski Opera in one act lighting designer Marc Heinz Libretto by Béla Balázs, after a fairy tale by Charles Perrault choreographer Tomasz Wygoda Saturday, February 14, 2015 video projection designer 12:30–3:45 PM Bartek Macias sound designer New Production Mark Grey dramaturg The productions of Iolanta and Bluebeard’s Castle Piotr Gruszczyński were made possible by a generous gift from Ambassador and Mrs. Nicholas F. Taubman general manager Peter Gelb Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; music director and the National Endowment for the Arts James Levine principal conductor Co-production of the Metropolitan Opera and Fabio Luisi Teatr Wielki–Polish National Opera The 5th Metropolitan Opera performance of PETER TCHAIKOVSKY’S This performance iolanta is being broadcast live over The Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Valery Gergiev America’s luxury in order of vocal appearance homebuilder®, with generous long-term marta duke robert support from Mzia Nioradze Aleksei Markov The Annenberg iol anta vaudémont Foundation, The Anna Netrebko Piotr Beczala Neubauer Family Foundation, the brigit te Vincent A. Stabile Katherine Whyte Endowment for Broadcast Media, l aur a and contributions Cassandra Zoé Velasco from listeners bertr and worldwide. Matt Boehler There is no alméric Toll Brothers– Keith Jameson Metropolitan Opera Quiz in List Hall today. -
Antonio Salieri's Revenge
Antonio Salieri’s Revenge newyorker.com/magazine/2019/06/03/antonio-salieris-revenge By Alex Ross 1/13 Many composers are megalomaniacs or misanthropes. Salieri was neither. Illustration by Agostino Iacurci On a chilly, wet day in late November, I visited the Central Cemetery, in Vienna, where 2/13 several of the most familiar figures in musical history lie buried. In a musicians’ grove at the heart of the complex, Beethoven, Schubert, and Brahms rest in close proximity, with a monument to Mozart standing nearby. According to statistics compiled by the Web site Bachtrack, works by those four gentlemen appear in roughly a third of concerts presented around the world in a typical year. Beethoven, whose two-hundred-and-fiftieth birthday arrives next year, will supply a fifth of Carnegie Hall’s 2019-20 season. When I entered the cemetery, I turned left, disregarding Beethoven and company. Along the perimeter wall, I passed an array of lesser-known but not uninteresting figures: Simon Sechter, who gave a counterpoint lesson to Schubert; Theodor Puschmann, an alienist best remembered for having accused Wagner of being an erotomaniac; Carl Czerny, the composer of piano exercises that have tortured generations of students; and Eusebius Mandyczewski, a magnificently named colleague of Brahms. Amid these miscellaneous worthies, resting beneath a noble but unpretentious obelisk, is the composer Antonio Salieri, Kapellmeister to the emperor of Austria. I had brought a rose, thinking that the grave might be a neglected and cheerless place. Salieri is one of history’s all-time losers—a bystander run over by a Mack truck of malicious gossip. -
Ernest Guiraud: a Biography and Catalogue of Works
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Ernest Guiraud: A Biography and Catalogue of Works. Daniel O. Weilbaecher Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Weilbaecher, Daniel O., "Ernest Guiraud: A Biography and Catalogue of Works." (1990). LSU Historical Dissertations and Theses. 4959. https://digitalcommons.lsu.edu/gradschool_disstheses/4959 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
April 1911) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1911 Volume 29, Number 04 (April 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 04 (April 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/568 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. TWO PIANOS THE ETUDE FOUR HANDS New Publications The following ensemble pieces in- S^s?^yssL*aa.‘Sffi- Anthems of Prayer and Life Stories of Great nai editions, and some of the latest UP-TO-DATE PREMIUMS Sacred Duets novelties are inueamong to addthe WOnumberrks of For All Voices &nd General Use Praise Composers OF STANDARD QUALITY A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. sis Edited by JAMES FRANCIS COOKE Subscription Price, $1.60 per jeer In United States Alaska, Cuba, Po Mexico, Hawaii, Pb’”—1— "-“-“* *k- "•* 5 In Canada, »1.7t STYLISH PARASOLS FOUR DISTINCT ADVANCE STYLES REMITTANCES should be made by post-offlee t No. -
General Index
Cambridge University Press 0521780098 - The Cambridge Companion to Twentieth-Century Opera Edited by Mervyn Cooke Index More information General index Abbate, Carolyn 282 Bach, Johann Sebastian 105 Adam, Fra Salimbene de 36 Bachelet, Alfred 137 Adami, Giuseppe 36 Baden-Baden 133 Adamo, Mark 204 Bahr, Herrmann 150 Adams, John 55, 204, 246, 260–4, 289–90, Baird, Tadeusz 176 318, 330 Bala´zs, Be´la 67–8, 271 Ade`s, Thomas 228 ballad opera 107 Adlington, Robert 218, 219 Baragwanath, Nicholas 102 Adorno, Theodor 20, 80, 86, 90, 95, 105, 114, Barbaja, Domenico 308 122, 163, 231, 248, 269, 281 Barber, Samuel 57, 206, 331 Aeschylus 22, 52, 163 Barlach, Ernst 159 Albeniz, Isaac 127 Barry, Gerald 285 Aldeburgh Festival 213, 218 Barto´k, Be´la 67–72, 74, 168 Alfano, Franco 34, 139 The Wooden Prince 68 alienation technique: see Verfremdungse¤ekt Baudelaire, Charles 62, 64 Anderson, Laurie 207 Baylis, Lilian 326 Anderson, Marian 310 Bayreuth 14, 18, 21, 49, 61–2, 63, 125, 140, 212, Andriessen, Louis 233, 234–5 312, 316, 335, 337, 338 Matthew Passion 234 Bazin, Andre´ 271 Orpheus 234 Beaumarchais, Pierre-Augustin Angerer, Paul 285 Caron de 134 Annesley, Charles 322 Nozze di Figaro, Le 134 Ansermet, Ernest 80 Beck, Julian 244 Antheil, George 202–3 Beckett, Samuel 144 ‘anti-opera’ 182–6, 195, 241, 255, 257 Krapp’s Last Tape 144 Antoine, Andre´ 81 Play 245 Apollinaire, Guillaume 113, 141 Beeson, Jack 204, 206 Appia, Adolphe 22, 62, 336 Beethoven, Ludwig van 87, 96 Aquila, Serafino dall’ 41 Eroica Symphony 178 Aragon, Louis 250 Beineix, Jean-Jacques 282 Argento, Dominick 204, 207 Bekker, Paul 109 Aristotle 226 Bel Geddes, Norman 202 Arnold, Malcolm 285 Belcari, Feo 42 Artaud, Antonin 246, 251, 255 Bellini, Vincenzo 27–8, 107 Ashby, Arved 96 Benco, Silvio 33–4 Astaire, Adele 296, 299 Benda, Georg 90 Astaire, Fred 296 Benelli, Sem 35, 36 Astruc, Gabriel 125 Benjamin, Arthur 285 Auden, W. -
3 – 2018 «Cave Tropone» A. Salieri to a Libretto by G. Casti
№ 3 – 2018 «Cave Tropone» A. Salieri to a libretto by G. Casti: about reason and feeling in the educational era ……………………………………………............ 56 Olga S. Poroshenkova (Moscow) — Post-graduate Student of the State Institute for Art Studies, Editor of the Literary Part of the Moscow Theater «New Opera». E-mail: [email protected] La Grotta di Trofonio on Giovanni Battista Casti’s libretto is one of the composer’s most popular operas. The librettist and the composer next to him neglect some of the opera buffa plot features and touch some important problems of XVIII century. What is stronger — human’s will or their destiny? What side of human personality is more important — urge to happiness or to wisdom? Do the feelings or the sense win? This article reviews the libretto plot characteristics and their musical embodiment. Keywords: Salieri, Casti, opera buffa, the Enlightenment, will, destiny. ЛИТЕРАТУРА 1. Горохова Р.М. Касти, Джамбаттиста // Электронные публикации Института русской литературы (Пушкинского дома) РАН. URL: http://lib.pushkinskijdom.ru/Default.aspx?tabid=313 (дата обращения: 01.07.2017). 2. Дидро Д. Систематическое опровержение книги Гельвеция «Человек» / Д. Дидро // Собр. соч. М.-Л., 1935. Т. 2. 584 с. 3. Кириллина Л.В. Галантность и чувствительность в музыке XVIII века. // Гетевские чтения. М.: Наука, 2003. URL: http://21israel-music.net/Galante.htm (дата обращения: 08.12.2017). 4. Кириллина Л.В. Пасынок истории // Музыкальная академия. 2000. № 3. С. 53–73. 5. Луканина О.Н. Проблема «женского» в философии эпохи Просвещения // Вестник Московского государственного университета культуры и искусств. М., 2010. № 2. URL: https://cyberleninka.ru/article/v/problema-zhenskogo-v-filosofii-epohi-prosvescheniya (дата обращения: 09.08.2018).