Selected Solo Exhibitions
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Class of 1957 60Th Reunion Yearbook
Brandeis Class of 1957 60th Reunion Sixtieth Reunion 2 TABLE OF CONTENTS LETTER FROM THE YEARBOOK COORDINATORS……………………………..4 REUNION COMMITTEE LISTING……………………………………………………5 REUNION WEEKEND SCHEDULE……………………………………………...……6 WE WERE THERE…………………………………………………………….……..7-11 CLASS PROFILES……………………………………………………….….…….30-105 Judith Cohen Adams……………..……30 Janet Hentoff Krauss…………………………....…72 Charles Affron………….......…….....…31 Jeannie Lieberman……………………………..73-74 Ina Albert-Secher…………………..32-33 Doris Raduziner Marks……………………………75 Linda Feinberg Alwitt……………...34-35 Deena Metzger…………………………………76-77 Madelyn Bell……………………….36-37 Kadimah (Kim) Michelson……………………...…78 Dick Bergel……………………………38 Sandra Wainhouse Miller……………………….…79 Mimi (Kaplan) Bergel…………………38 Wynne Wolkenberg Miller………………….…80-81 Carole Wolfe Berman…………...…39-40 Harry Morrison………………………………….…82 Jules Bernstein…………………..…41-42 Dr. Eleanor Pam…………………………………...83 Ruth PorterBernstein………………43-44 Benjamin Ravid - "Ben"……………………….84-85 Ruth Richmond Blitz…………………..45 Arnold B. Rovner CLU. ChFC……………...…86-87 Robert N. "Robin" Brooks…………46-47 Glenda Sakala……………………………………..88 Sheldon H. Cohen DMD…………...48-49 Bret Schlesinger…………………………….…89-90 Beth Cohen Colombe………………….50 Beverly Sachs Silpe……………………………91-92 Dick Cooper…………………………...51 Elsa Brisk Silverman………………………………93 Janet Cohen David…………………….52 Deborah Bernstein Simches…………………….…94 Ray Deveaux…………………………..53 Gerald Simches……………………………………94 Carole Mendelson Felz…………….54-55 Marsha Milgram Stark…………………………95-96 Frances Flagler Fox………………..56-57 Steve Steinberg……………………………………97 -
Winter 2017 4 Features Ellen Cassedy MAGAZINE of NA’AMAT USA My Month in Yiddish
Winter 2017 4 features Ellen Cassedy MAGAZINE OF NA’AMAT USA My Month in Yiddish ...................................................................................... 4 WINTER 2017 Vol. 32 No. 1 Why does one go to Vilna to learn Yiddish? To touch the lives of one’s ancestors, to honor the lives of the ordinary people who spoke it, to learn the language of passionate debates in the Editor Judith A. Sokoloff struggle for a better world. By Ellen Cassedy Art Director Wise Aging ..................................................................................................... 8 Marilyn Rose Wisdom circles are growing in Jewish venues across the United States, exploring post-midlifers’ Editorial Committee concerns about the meaning of their lives, what to do with their remaining years and how to live Susan Isaacs Sylvia Lewis a life in balance. By Rahel Musleah Elizabeth Raider Marcia J. Weiss Escaping the Nightmare of Domestic Violence ............................................... 12 Chellie Goldwater Wilensky NA’AMAT’s Glickman Center for the Prevention and Treatment of Domestic Violence helps to save NA’AMAT USA and rebuild lives. By Judy Telman Officers PRESIDENT Golda: Through the Gender Lens .................................................................... 16 Chellie Goldwater Wilensky Looking at the influences in Golda’s life during her rise to power, a scholar focuses on her VICE PRESIDENTS relationship to Pioneer Women (now NA’AMAT USA), on the growth of the organization in its early Hilary Botchin years and the forces of -
Eran Shakine Graffitigirl Shakine Eran
Eran Shakine Graffitigirl Eran Shakine Graffitigirl Eran Shakine cover.indd 1 4/24/14 11:09 Giacometti’s Granddaughter as a Supermodel 2013, Bronze with Polished Black Patina and Stainless Steel, h 200 12 13 Giacometti’s Granddaughter as a Supermodel (sitting) 2013, Bronze with Polished Black Patina and Stainless Steel, 55×20×35 14 15 Degas’s Dancer as a Stripper 2012, Bronze with Polished Black Patina and Fabric, 49×30×35 16 17 50% Giacometti 50% Helmut Newton 2012, Bronze with Polished Black Patina and Stainless Steel, 80x17x13 18 19 Giacometti’s Granddaughter as a Supermodel 2012, Bronze with Polished Black Patina and Stainless Steel, h 150 20 21 Giacometti’s Granddaughter as a Supermodel (large legs, sitting) 2013,22 Bronze with Polished Gold Patina and Stainless Steel, 140×210×110 Cheerleader 2013, Bronze and Stainless Steel, 110x33x23 23 Giacometti’s Granddaughter as a Supermodel (large legs) 2013, Bronze with Polished Gold Patina and Stainless Steel, 265×120×83 24 25 Giacometti’s Granddaughter as a Supermodel, (Legs Up) 2014, Bronze with Polished Gold Patina and Stainless Steel, 200×125×62 26 27 Giacometti’s Granddaughter as a Supermodel (catwalk) 2012, Bronze with Polished Black Patina and Stainless Steel, 78×17×13 28 29 Giacometti’s Granddaughter as a Supermodel 2013, Bronze with Polished Black Patina and Stainless Steel, h 200 30 31 Giacometti’s Granddaughter as a Supermodel (sitting 2) 2013, Bronze and Polished Black Patina, and Stainless Steel, 60x25x20 32 33 34 Spidergirl 2013, Bronze with Polished Black Patina and Stainless -
Katzenstein Was Considered One of the Pioneers of Performance Art in Israel, but in Recent Years He Has Become Famous for His Sculptures
https://www.haaretz.co.il/gallery/art/.premium-1.6412399 Translation of the original article published on Haarez by Maya Oshri on August 26, 2018. Katzenstein was one of the most prominent Israeli artists, winner of the Sandel prize, represented Israel in Biennales, and characterized himself in a blunt fashion. In his work in Vienna, he wrote on a wall with his own blood: “In our culture the language is secret”. He was a member of some musical groups, one of which included Ohad Pishuf. Picture: Moti Milrod Katsenstein in 2015 next to his work: “Backyard” Katzenstein was considered one of the pioneers of performance art in Israel, but in recent years he has become famous for his sculptures. During his career, he won several prestigious titles and prizes, including the Dizengoff Prize (2017) and the Sandel Prize (2014). His last exhibition was exhibited earlier this year at Hezi Cohen Gallery. Katzenstein was born in 1951 in Tel Aviv, the only son of German-born parents who immigrated to Israel before the Holocaust. In 1973, he participated as a reserve soldier in the Yom Kippur War, from which he returned with post traumatic stress disorder. He studied art at the Avni School in Tel Aviv and then went to the United States. He earned his first degree at the University of Indiana and an MA in San Francisco. After his studies, he integrated into the performance scene, which took a significant place in the art world in New York. He introduced his works in some of the most important spaces in this field in the 1980s, such as The Kitchen and No-Se-No. -
2011 Newsletter
Connecting Cultures Around The World CHAIRMAN IN MEMORIAM Isaac Stern Israeli Artists Around the World CHAIRMAN EMERITA Vera Stern - The Cultural Connection - OFFICERS William A. Schwartz, PRESIDENT Barbara Samuelson, VICE PRESIDENT The impact of Israeli culture keeps expanding. Every Linda Schonfeld, SECRETARY Joseph E. Hollander, TREASURER year, our scholarship recipients are winning seats in Jonathan E. Goldberg, ASSISTANT SECRETARY Stephanie Feldman, ASSISTANT TREASURER the most prestigious orchestras, earning top prizes at international film festivals, showing in respected BOARD OF DIRECTORS Sanford L. Batkin galleries, and performing on Broadway. All over the Diane Belfer Ann Bialkin world, AICF artists are sharing their passion with the Renée Cherniak* world. For this reason, we are creating an international Lonny Darwin Debby B. Edelsohn* cultural calendar and database to connect artists, Stephanie Feldman Avri Fuchs donors, and audiences. Jonathan E. Goldberg Charlotte S. Hattenbach* Ora Holin Joseph E. Hollander Stephanie Katzovicz Jane Stern Lebell Bradley Lubin Wendy Marks Marguerite Perkins-Mautner* Helen Sax Potaznik The Artist Network Sandra Rothman Tamar Rudich Barbara Samuelson Linda Schonfeld Renée Schreiber William A. Schwartz Romie Shapiro Carol Starley* *Chapter President EXECUTIVE DIRECTORS David Homan, USA Orit Naor, Israel ARTS ADVISORY COMMITTEE Jacques d’Amboise Milton Babbitt Menashe Kadishman Joseph Kalichstein Tel Aviv Zubin Mehta Itzhak Perlman Dina Recanati For many of our artists, their first steps are in Tel Aviv. John Rubinstein There’s a reason for this—Richard Florida’s The Rise of the Robert Sherman Creative Class ranks Tel Aviv among the top twenty cities in Joan Miklin Silver Neil Simon the world for global creativity. -
Artist's Proposal
Gabbert Artist’s Proposal 14th Street Roundabout Page 434 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor Ladies and Gentlemen, Thank you for this opportunity. For your consideration I propose a work tentatively titled “Flame”. I believe it to be simple-yet- compelling, symbolic, and appropriate to this setting. Dimensions will be 20 feet high by 14.5 feet wide by 14.5 feet deep. It sits on a 3.5 feet high by 9 feet in diameter base. (not accurately dimensioned in the 3D graphics) The composition. The design has substance, and yet, there is practically no impediment to drivers’ visibility. After review of the design by a structural engineer the flame flicks may need to be pierced with openings to meet the 150 mph wind velocity requirement. I see no problem in adjusting the design to accommodate any change like this. Fire can represent our passions, zeal, creativity, and motivation. The “flame” can suggest the light held by the Statue of Liberty, the fire from Prometheus, the spirit of the city, and the hearth-fire of 612.207.8895 | jgsculpture.webs.com | [email protected] 14th Street Roundabout Page 435 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor home. It would be lit at night with a soft glow from within. A flame creates a sense of place because everyone is drawn to a fire. A flame sheds light and warmth. Reference my “Hopes and Dreams” in my work example to get a sense of what this would look like. The four circles suggest unity and wholeness, or, the circle of life, or, the earth/universe. -
ART of LEADERSHIP Series T H E I M a G a Z I N E Created and Producedaby Lawrence M
Sponsored by ART OF LEADERSHIP series t h e i m a g a z i n e created and producedaby lawrence m. klepner, esq. Monday, November 22nd, 2010 A Conversation with Boaz Vaadia Guest Producer Eckert Fine Art www.artleadership.com volume I, issue 3 published by art of leadership enterprises inc. ART OF LEADERSHIP lawrenceam.aklepner,aEsq . Monday, November 22nd, 2010 A Conversation with Boaz Vaadia Sculptor Lawrence M. Klepner, Esq., Managing Partner 1325 Avenue of the Americas, 27th Flr New York, NY 10019 212.370.1111 Lawrence Klepner is a Financial Advisor offering securities and ad- visory services through First Allied Securities, Inc., member FINRA/ SIPC. Manhattan Ridge Advisors and First Allied Securities, Inc. are not affiliated with Art of Leadership. volume I, issue 3.. published by art of leadership enterprises inc. Boaz Vaadia Sculptor Boaz Vaadia is the internationally known sculptor whose timeless, evocative stone figures now in- habit museums cultural sites, art galleries and private collections. As major installations at prime buildings, parks and homes around the world, they set a tone of peace and serenity. Born and raised in Israel, Vaadia moved to New York City in 1975 thanks to a grant he received from the American-Israel Cultural Foundation. Vaadia established his studio in SoHo just before its streets labored to give birth to a new community of working artists. Roads were torn up and buildings were torn down. In the chaos of New York City, he discovered supplies from the earth. Slate and blue- stone, ubiquitous materials of the city are sedimentary rocks from glacial periods, millions of years old. -
Sculptor Boaz Vaadia
Boaz Vaadia - Sculptor 104 Berry Street Brooklyn, NY 11249 tel: 718-387-1913 email: [email protected] www.vaadia.com Biography: Boaz Vaadia is the internationally known sculptor whose timeless, evocative stone figures now inhabit museums, cultural sites, art galleries, and private collections. As major installations at prime buildings, parks, and homes around the world, they set a tone of peace and serenity. Born and raised in Israel, Vaadia moved to New York City in 1975 thanks to a grant he received from the American-Israel Cultural Foundation. Vaadia established his studio in SoHo just before its streets labored to give birth to a new community of working artists. Roads were torn up and buildings were torn down. In the chaos of New York City, he discovered supplies from the earth. Slate and bluestone, ubiquitous materials of the city, are sedimentary rocks from glacial periods, millions of years old. The city’s detritus: vestigial windowsills, shingles, and curb stones were all readily available to an artist, permitting the recycling of nature’s resources to build, destruct, and reconstruct edifices of the future. Vaadia used these materials to make personal totems that evoked primal energies and ritual. Starting in 1985, generic representations of man and woman emerged from Vaadia’s earlier abstract, monumental effigies. Though generalized in form, there is some individuality in each figure, the artist’s intention being to represent the essence of a specific person. “I love people. Each person is unique, as is the work of an artist. It is important that we, as artists, identify our own uniqueness, just as every individual needs to identify his/her own individuality.” This individuality resides in centeredness, not in superficial attributes. -
The Artist Eran Shakine Eran Shakine Was Born in 1962 in Israel, to a French Father and Hungarian Mother. Both Were Shoa Survivo
The Artist Eran Shakine Eran Shakine was born in 1962 in Israel, to a French father and Hungarian mother. Both were Shoa survivors who came to Israel after the Second World War. After living in Paris, London and New York City, he currently lives in Tel Aviv. Shakine had solo shows in The Drawing Center in New York, as well as in London, Paris, Brussels, Toronto and Tel Aviv. His works are in the permanent collections of the British Museum, London; Ludwig Museum, Aachen, Germany; Tel Aviv Museum of Art, Israel and the Israel Museum, Jerusalem as well as many corporate and private collections. Born in Tel Aviv, 1962 Studied art at Wizo Art School, Tel Aviv 1987-1992 Lived in New York, assistant to artist Karl Appel Solo Exhibitions 2016 Eran Shakine: A Muslim, a Christian and a Jew, Jewish Museum Berlin 2014 Graffitigirl, Zemack Contemporary Art Gallery, Tel Aviv One On One - Serge Tiroche / Eran Shakine, Hatzedef 8, Jaffa 2013 Art for Sale/Sail, Special project for fashion night TLV 2012 Sunny Side Up, Zemack Contemporary Art Gallery, Tel Aviv 2011 Good help is hard to find..., Zemack Contemporary Art Gallery, Tel Aviv 2010 Catwalk, Gallery 39, Tel Aviv Minimal contradictions, TWIG Gallery, Brussels, Belgium 2009 Don’t worry, Julie M. Gallery, Toronto 2008 Sabbath Match, Gallery 39, Tel Aviv 2007 The Artist Who did not Look Back, Gallery 39, Tel Aviv 2003 Domestic, Herzliya Museum of Contemporary Art 2000-02 Julie M. Gallery, Tel Aviv 1997 New Sculptures, Museum of Israeli Art, Ramat Gan 1995 Pools, Artists House, Jerusalem 1990 Herzliya -
Migrations: the Making of America Festival Programming by Genre March 9—April 15, 2019 Music
MIGRATIONS: THE MAKING OF AMERICA FESTIVAL PROGRAMMING BY GENRE (Presented by Carnegie Hall unless otherwise noted) MARCH 9—APRIL 15, 2019 MUSIC Saturday, March 9 at 5:45 PM Live from Here with Chris Thile Chris Thile, Host, Mandolin, and Vocals Additional artists to be announced Stern Auditorium / Perelman Stage at Carnegie Hall 57th Street and Seventh Avenue | Manhattan carnegiehall.org Opening Carnegie Hall’s Migrations: The Making of America festival, Chris Thile leads an evening of traditional Scots, Irish, and American folk music—including old-time and bluegrass—that explores the evolution of these traditions and their continued impact on one another. This event will be broadcast live and distributed nationwide by American Public Media. Chris Thile is the holder of the 2018–2019 Richard and Barbara Debs Composer’s Chair at Carnegie Hall. _______ Saturday, March 9 at 7 PM Global Mashup: Bollywood Meets Global Roots Blues Falu Hazmat Modine Flushing Town Hall 137-35 Northern Boulevard | Queens flushingtownhall.org Starting with dance lessons, a set by each band, and then a jam session between the two, we’re mashing up two cultures on one stage with an open dance floor! The series opens with Falu, an internationally recognized Indian vocalist whose quartet combines traditional roots with inventive rock, mashing with Hazmat Modine, distillers of American music melded with African, Central Asian, Caribbean, and Eastern European influences. Presented by Flushing Town Hall. Migrations: The Making of America Festival, March 9–April 15, 2019, Page 2 of 40 Sunday, March 10 at 2 PM From the Yiddish Rialto to the Silver Screen Safra Hall at the Museum of Jewish Heritage 36 Battery Place | Manhattan nytf.org | 212-213-2120 This concert aims to bring lost and forgotten Yiddish works to today’s audiences. -
Eran Shakine a Muslim, There Were Three
… And then Eran Shakine A Muslim, there were three. a Christian A Muslim, a and a Jew Christian and A Muslim, a Christian and Jew … Knocking a Jew, traveling on Heaven’s through time and Door culture, exploring Eran life and relationships Shakine as three good friends, hoping to find the love of God. Edition Jürgen B. Tesch www.hirmerpublishers.com Eran Shakine Eran Shakine A Muslim, a Christian and a Jew Knocking on Heaven’s Door Edited by Jürgen B. Tesch With a preface by Edward van Voolen Edition Jürgen B. Tesch Vorwort Preface Vielleicht fällt es Ihnen in diesen Tagen Perhaps you don’t notice it so much these days, but nicht so stark auf, aber Muslime, Christen und Juden haben vieles gemeinsam. Einen Muslims, Christians and Jews have quite a lot in common. einzigen Gott? Ja, wenn Sie sich nicht an der Dreifaltigkeit stoßen. Und wenn Ihnen die vielen Namen nichts ausmachen, mit One God? Yes, if you don’t stumble over the Trinity. And denen er bezeichnet und angerufen wird: Gott, Vater, Allah und viele andere. Die if you don’t care what you call him: G’d, Father, Allah or drei Religionen teilen dieselbe Bibel? a number of other names. They share the same Bible? Auf gewisse Weise schon: den Christen galt die jüdische Bibel als alt, so dass sie In a way: Christians consider the Jewish Bible old and ihr eine Ergänzung hinzufügten. Die Muslime wiederum stützen sich auf einen added a new supplement. Muslims have a different text völlig unterschiedlichen Text, der dieselben altogether, and tell the same stories in a different way. -
Averbuch 17 No Letterhead
ILAN AVERBUCH Born in Tel Aviv, Israel, 1953 EDUCATION 1984 Hunter College, New York, New York, M.F.A. 1981 School of Visual Arts, New York, New York, B.F.A. 1977-78 Wimbledon School of Art, London, England SOLO EXHIBITIONS 2017 “Lily Pond,” Nancy Hoffman Gallery, New York 2014 “Thoughts,” Nancy Hoffman Gallery, New York 2013-15 Omer Open Museum, Israel 2012 Gal-On Gallery, Tel Aviv, Israel 2011-16 The Garden, Nancy Hoffman Gallery, New York 2009 Olga Korper Gallery, Toronto, Canada 2008 “Intimate Monuments,” Nancy Hoffman Gallery, New York 2005 Katonah Museum of Art, Marilyn M. Simpson Sculpture Garden, Katonah, New York Nancy Hoffman Gallery, New York 2002 Nancy Hoffman Gallery, New York 2001 Galerie Sandler, Darmstadt, Germany 2000 “Das Gelobte Land,” Kunstverein Hurth, Hurth, Germany 1999 Nancy Hoffman Gallery, New York 1998 “New Works, Sculptures and Drawings,” Galerie Lutz Teutloff, Bielefeld, Germany Olga Korper Gallery, Toronto, Canada Omer Industrial Park, Omer, Israel 1997 Nancy Hoffman Gallery, New York The Open Museum, Tefen, Israel 1996 Tefen Museum, Sculpture Garden, Israel 1996 Lutz Teutloff Galerie, Cologne, Germany 1995 Nancy Hoffman Gallery, New York 1994 Olga Korper Gallery, Toronto, Canada Littmann Gallery, Basel, Switzerland 1993 Michael Haas Gallery, Berlin, Germany Nancy Hoffman Gallery, New York Julie M. Gallery, Tel Aviv, Israel Lutz Teutloff Galerie, Cologne, Germany 1992 Het Apollohuis, Eindhoven, The Netherlands 1991 Nancy Hoffman Gallery, New York Olga Korper Gallery, Toronto, Canada 1990 Lavignes-Bastille,