A Conversation with the Architects of the Philly Sound, Kenny Gamble & Leon Huff Scott Paton
Unedited version of Goldmine cover story, Issue #737, Oct. 28, 2008 A conversation with the architects of the Philly Sound, Kenny Gamble & Leon Huff Scott Paton A step into the lobby at 309 S. Broadway in Philadelphia is a step back into time. The gilded, gated doors close as the elevator operator punches the button for the second floor. Moments later, the pulleys and cable come to a stop, and the doors open on to a lobby and offices that seem frozen in time, some 30-odd years ago. To the casual observer, a professional makeover might be in order. But to a fan of early-‘60s pop or ‘70s soul music, the surroundings are resplendent in their untouched glory, a virtual shrine to two creative, indelible eras in recorded history. The home of Cameo-Parkway Records from 1956 to 1967, this building drew aspiring songwriters, from near and far, hoping to pitch their tunes to the likes of Chubby Checker, Bobby Rydell and the Orlons. Among those young hopefuls were poet/lyricist Kenneth Gamble and keyboardist extraordinaire Leon Huff, and while their early attempts to “storm the castle” were often thwarted, they ultimately ascended to become the preeminent writer/producers on the local scene, and the most important force in R&B/Soul music since the heyday of Motown Records. In 1972, they purchased the building for their own enterprise, Philadelphia International Records. As architects of “the Philly Sound”, Gamble & Huff crafted sophisticated funk classics for the O’Jays, Harold Melvin & the Blues, Teddy Pendergrass, the Intruders, Lou Rawls and others that ushered in the Disco Era, setting a standard for dance- friendly, yet lyrical songcraft, that remains unmatched.
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