OTHER MINDS Magazine Issue 12, July 2011

Total Page:16

File Type:pdf, Size:1020Kb

OTHER MINDS Magazine Issue 12, July 2011 Issue 12, July 2011 OO THERTHER MMINDINDSS The Unofficial Role-Playing Magazine for J.R.R. Tolkien’s Middle-earth and beyond OTHER MINDS Magazine Issue 12, July 2011 Publisher Other Minds Volunteers Co-Editors Assistant Editors Thomas Morwinsky Neville Percy Hawke Robinson Chris Seeman Proof Readers Artwork Neville Percy Catherine Karina Oliver Schick Chmiel John Howe Ted Nasmith Jan Pospisil Tuuliky Production Staff Thomas Morwinsky 1 Unless otherwise noted, every contribution in this magazine is published under the Creative Commons Attribution-NonCommercial-ShareAlike license (b n a) The exact license of a given contribution can be found at the beginning of each contribution. © 2000 ‘At Lake Cuiviénen’ by Ted Nasmith, used with permission of the artist Other Minds Magazine MAIN FEATURES 2 Editorial: Surprise! by Thomas Morwinsky Editorial: 4 Inside Information by Thomas Morwinsky 5 Númenórean Longevity Holding our breath Revisited by Thomas Morwinsky 11 An Unexpected Party The One Ring: Adventures ordered through Cubicle’s website by David Daines (http://www.cubicle7.co.uk/). You 16 The Phenomenon of over the Edge of the Wild can either choose priority shipping (more “Eternal Realms” in Cubicle 7’s The One Ring: Adventures expensive) and you will get your printed Middle-earth RPG settings ® by Thomas Morwinsky over the Edge of the Wild (TOR) is fin- copy at the time of Gen Con or regular 23 Quendi ished and will see the light of the day at shipping, due probably late August or by Daniel “Vaco” Vacaflores Gen Con in early August (held from Au- early September. In either case, you will gust 4 to 7). The image below is the get a PDF of the book in early August in game’s cover. It will be shipped in a slip- addition to your printed copies! OTHER FEATURES case containing three booklets and a cou- The images on the next page show 54 Fine Print and Disclaimers ple of custom dice (see images next page the content of the box. For myself I can 55 Creative Commons License and the game can also be played with say that I’m surely holding my breath regular gaming dice). There are also since I pre-ordered my copy! some bits of the game’s mechanics known, but I think it better to discuss We thought about delaying Other these in detail in a review once the whole Minds, Issue 12 to include a first review of package is in our hands. This is also good the game. But that would have meant news as well—the game can now be pre- postponing even further than we had already announced. In addition, it would have conflicted with real-life schedules, and likely not be published until the end of September or even later. We have therefore stuck to our original intention and publish it now in early July. We’ll see whether we will publish Issue 13 as planned at the end of the year or add another one to give a special welcome to this latest roleplaying game set specifically in Middle- earth. Whether this happens depends on the content submitted. If you can contribute a gaming supplement like a (short) adventure, set- © 2011 by Cubicle 7, used with permission 2 Issue 12, July 2011 described in detail by Tolkien (or en- tirely original realms/states). Last, but surely not least is a big contribution by prolific Other Minds author Daniel “Vaco” Vacaflores. Quendi, the Elvish Peoples of Mid- dle-earth is a detailed description of the various elvish peoples found in Tolkien’s world. Groups described by Tolkien, as well as RPG additions, are covered with relevant quotes. Abilities for Vaco’s own game system (see Other Minds, Issue 11, p. 79pp.) and MERP are provided as well, adding to the immediate usability in a game environ- ment. Artwork Again we are indebted to several © 2011 by Cubicle 7, used with permission artists who allowed us to use their ting, NPC etc. that would be much ap- problem tackled is the degree of special great work to illustrate our magazine. preciated. Then we can look to provide longevity among Númenóreans of You can find their online presence (in game stats for TOR and publish an ad- mixed descent. alphabetical order) under the following venture shortly after the game itself has Second comes a submission from an links: been published. So it’s up to you entirely new quarter, which we are Catherine Karina Chmiel (“Kasiopeia”): whether we can assist TOR in making a very happy to be able to present here. http://kasiopea.art.pl/ good start into the Middle-earth gaming This is An Unexpected Party, the John Howe: community! We also have some Other description of the creation of a marvel- http://www.john-howe.com Minds-related news. You can read it in lous diorama with the miniatures of the the Inside Information section of this Issue. Ted Nasmith: same name from Mithril Miniatures http://www.tednasmith.com (http://www.mithril.ie). It comes Jan Pospisil: Content complete with first-class photos ac- http://merlkir.deviantart.com/ This Issue’s content covers a broad companying the narrative about its range of topics. First comes a contribu- realization. It is an expert miniature Tuuliky: tion by myself. It’s called Númenórean diorama of an iconic scene from The http://tuuliky.deviantart.com/ Longevity Revisited and targets some Hobbit, made by two masters of their We hope that this Issue contains questions left open by Númenórean Lon- trade. something for every one of you and gevity in Other Minds, Issue 6. The central Our third piece again is that our selection serves your interests. done by myself. It is But now enough of introductory ram- called The phenomenon blings and on with the content itself. of “Eternal Realms” in Enjoy Other Minds, Issue 12 and see you Middle-earth RPG set- all in #13! tings and deals with an observation upon— For the Other Minds team primarily past—Middle- Thomas Morwinsky earth gaming supple- July 2011 ments. It is the tendency to devise “eternal” man- nish political entities in the process of fleshing out © 2011 by Cubicle 7, used with permission regions and realms not 3 Other Minds Magazine Inside Information Our special thanks go to those of you Everyone fluent in German is cor- Survey & Feedback who have actually responded so far, for dially invited to join the community Almost half a year ago we started a taking the time to send us back your there in order to establish a broader foot- survey for Other Minds, Issue 11 to get an thoughts! hold in this first foreign language local impression of how all of us who make Everyone else, it’s not too late to branch of Other Minds. We hope this Other Minds—from authors to the edito- have your say on the direction Other serves as an example of what can be rial team—perform in your eyes. There- Minds will take in the future. Therefore achieved by establishing cooperation fore it is fitting to give you some infor- (and to minimize your effort) we include with established non-English Tolkien mation on the current state of the survey the survey from OM11 again in this Is- communities all over the world. The and the analysis we announced back sue. It deliberately does not include the synergistic effect of getting a broader then. In short, the result so far is some- present Issue to make the results compa- audience (for Other Minds) and adding a what disappointing. rable. new facet for the established online com- The reason is not criticism that we munity should give ample room for both should do things in a different way from Non-English to achieve more than would have been now. This would be a good thing, since language access possible for either alone. This idea could it would be real feedback and informa- be taken up by others to create similar As already hinted at in previous Is- projects in other languages, and we en- tion. But in the almost 6 months since sues, we are not only interested in at- Issue 11 and the survey sheet came out courage everyone out there—go on and tracting English-speaking authors, but do it! we received a meagre 12 (sic!) filled-out also in a wide variety of other languages. survey files. The idea is to translate finished manu- Talking from past experience (our scripts and publish them in an English statistics module on the website has been version. In addition, the original versions de-activated due to some technical issues can be published as well, increasing our for some time now), we estimate about range among those not able to express 130 downloads of Issue 11 since it came themselves in English. Ideally, these indi- out. That in turn means that we have a viduals can be motivated to submit ideas return rate of ca. 10% (perhaps 15-20% in their native tongues, and these in turn if we count some double downloads will be translated when they are fully from the same person). This adds to the developed. By now, the Other Minds web- disappointment concerning the returns site has been updated with a forum con- but we hope for an improvement none- taining non-English sections as well. theless. As a beginning in the goal of making In light of these numbers, an analysis Other Minds known to a wider audience, based on just a dozen answers is hardly we decided to begin a cooperation with representative, so we’ll postpone that an established German Tolkien site, until a significant number has been which has a considerable reach in the reached.
Recommended publications
  • Tolkien's Creative Technique: <I>Beowulf</I> and <I>The Hobbit</I>
    Volume 15 Number 3 Article 1 Spring 3-15-1989 Tolkien's Creative Technique: Beowulf and The Hobbit Bonniejean Christensen Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christensen, Bonniejean (1989) "Tolkien's Creative Technique: Beowulf and The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 3 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol15/iss3/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Asserts that “The Hobbit, differing greatly in tone, is nonetheless a retelling of the incidents that comprise the plot and the digressions in both parts of Beowulf.” However, his retelling is from a Christian point of view. Additional Keywords Beowulf—Influence on The Hobbit; olkien,T J.R.R.
    [Show full text]
  • Issue 13, March 2012
    Issue 13, March 2012 OO THERTHER MMINDINDSS The Unofficial Role-Playing Magazine for J.R.R. Tolkien’s Middle-earth and beyond OTHER MINDS Magazine Issue 13, March 2012 Publisher Other Minds Volunteers Co-Editors Assistant Editors Thomas Morwinsky Neville Percy Hawke Robinson Chris Seeman Proof Readers Artwork Neville Percy Jon Hodgson (SG/C7) Tomasz Jedruszek (SG/C7) Ted Nasmith Neville “Osric” Percy Tuuliky Production Staff Thomas Morwinsky 1 Unless otherwise noted, every contribution in this magazine is published under the Creative Commons Attribution-NonCommercial-ShareAlike license (b n a) The exact license of a given contribution can be found at the beginning of each contribution. © 1996 ‘Scouring the Mountain’ by Ted Nasmith, used with permission of the artist Other Minds Magazine MAIN FEATURES MAIN FEATURES MAIN FEATURES 3 Editorial: Not an unlucky number! 10 A Review of The One Ring— 38 The Dwarven Iglismêk by Thomas Morwinsky Adventures over the Edge of the by Neville “Osric” Percy Wild 4 Inside Information by Neville “Osric” Percy 42 Population and Urbanization In by Thomas Morwinsky Eriador 20 The Art of Magic—with TOR stats by Thomas Morwinsky 6 The Road Goes Ever On by Daniel “Vaco” Vacaflores by Thomas Morwinsky OTHER FEATURES 104 Fine Print and Disclaimers 105 Creative Commons License 108 Appendix “Then Ilúvatar said to them: 'Of the theme that I have declared to you, I will now that ye make in harmony to- gether a Great Music. And since I have kindled you with the Flame Imperishable, ye shall show forth your powers in adorning this theme, each with his own thoughts and devices, if he will.
    [Show full text]
  • Humour in and Around the Works of JRR Tolkien, Edited by Thomas Honegger and Maureen F
    Please do not remove this page [Review of] Laughter in Middle-earth: humour in and around the works of J.R.R. Tolkien, edited by Thomas Honegger and Maureen F. Mann Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643457790004646?l#13643501200004646 Croft, J. B. (2017). [Review of] Laughter in Middle-earth: humour in and around the works of J.R.R. Tolkien, edited by Thomas Honegger and Maureen F. Mann. Mythlore, 36(1), 221–224. https://doi.org/10.7282/T3W098X0 This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/09/23 19:00:50 -0400 Reviews Éva Antal discusses the presence of the fantastic in the science fiction of H.G. Wells (The Time Machine, When the Sleeper Wakes) and Edward Bellamy (Looking Backwards 2000-1887). Iva Polak looks at The Last Lemurian: A Westralian Romance (1898), by George Henry Firth Scott, a lost-race fantasy of Western Australia which mixes elements from H. Rider Haggard’s She and Ernest Favenc’s The Secret of the Australian Desert. Klára Kolinská looks at the odd case of A Strange Manuscript Found in a Copper Cylinder (1888), posthumously published by a Canadian author, James de Mille, who was largely seen as a writer of cheap fiction until the New Canadian Library reprint of the book in 1969. Finally, Tom Hubbard discusses a number of Scottish artistic figures, including Robert Louis Stevenson and lesser known ones like John Davidson and Patrick Geddes.
    [Show full text]
  • March 2001 to February 2011
    Beyond Bree Back Issues: The Third Decade March 2001 - February 2011 Nancy Martsch, PO Box 55372, Sherman Oaks, CA 91413; [email protected] March 2001: 20th Anniversary. Cover, 1st "Tolkien SIG News". "History of "'Beyond Bree'''. "Tolkien Conference and Bree Moot 5 at the University of St Thomas", "2001: A Tolkien Odyssey, Unquendor's 4th Lustrum". "Tolkien on CS Lewis' Space Trilogy" by Robert Acker, "Tolkien Scrapbook", "Tolkien Music on the Web" by Chris Seeman & Morgueldar Dragonseye, musical "Sagan om Ringen". Review of Mallorn 38. Poem "Shadows on the Shire" by Matthew Anish. "Mithril Miniatures". "Postal Rate Increase". Publications, Letters, News. 12 pp. April 2001: "T olkien . and Swithin . Beneath the North Atlantic Ocean" by Antony Swithin [Dr William Sarjeantl (maps). Reviews: Visualizing Middle·earth (Chris Seeman), "Two January 2001 Lord of the Rings Stage Premieres in Finland" (Mikael Ahlstrom), The Starlit Jewel: Songs from JRR Tolkien's The Lord of the Rings and The Hobbit (David Bratman). "Tolkien Conference and Bree Moot 5", "The 'Beyond Bree' Award", "Decipher Takes Another Key license for Lord of the Rings Property", "Postal Rate Increase", "The Lord of the Rings and Harry Potter". Publications, News. 12 pp. May 2001: "Tolkien Conf. and Bree Moot 5" (photos), ''The 'Beyond Bree' Award". "Postal Rate Increase", "Rockall", ''lOTR Film News", "Tolkienalia Old & New". Publications, Letters, News. "CS Lewis Home to Host 1st Summer Seminar: Branches to Heaven". "Tolkien Scrapbook","Tolkien Events Past".12pp. June 2001: II10s "Tuna", "Turin Turambar" by Ryszard Derdzinski. "A Talk by Tom Shippey" by Todd Jensen. Poems ''The White Tower" by j culver mead, "At the Borders of Faerie" by Matthew Anish, "'Davo Sin' {'let It Be')", Sindarin trans by David Salo.
    [Show full text]
  • A Companion to J.R.R. Tolkien, Ed. Stuart D. Lee, Reviewed by Andrew Higgins Andrew Higgins [email protected]
    Journal of Tolkien Research Volume 2 | Issue 1 Article 2 2015 A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins Andrew Higgins [email protected] Follow this and additional works at: http://scholar.valpo.edu/journaloftolkienresearch Part of the Literature in English, British Isles Commons Recommended Citation Higgins, Andrew (2015) "A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins," Journal of Tolkien Research: Vol. 2: Iss. 1, Article 2. Available at: http://scholar.valpo.edu/journaloftolkienresearch/vol2/iss1/2 This Book Review is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Higgins: A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins A Companion to J.R.R. Tolkien, edited by Stuart D. Lee. Chichester, West Sussex, and Malden, Massachusetts: Wiley-Blackwell, 2014. xxxiv, 568 pp. $199.95 ISBN 9780470659823. As this is a review for the Journal of Tolkien Research, a volume with the title A Companion to J.R.R. Tolkien will undoubtedly be of interest to Tolkien students and scholars. Reviewing such a lengthy scholarly work is indeed both a daunting and equally challenging task. The reason for this is twofold: 1) the academic profile of the volume and 2) the eminent line-up of Tolkien scholars who have contributed their specific knowledge to each of the thirty-six papers in this volume.
    [Show full text]
  • The Shadows of Mordor
    The Shadows of Mordor INTRODUCTION Welcome to The Shadows of Mordor, in which Frodo Baggins and Sam Gamgee continue their quest to destroy the power of the evil Dark Lord, Sauron. In playing this adventure game, you will be assuming the role of characters in JRR. Tolkien’s fantasy world. You must detail out the actions which your characters are to perform, and the computer will moderate the results accordingly. It should be noted that there are few if any problems in this game which have a single solution. The game has been designed to allow a variety of responses to the adventure problems, some of which are more efficient than others. The Shadows of Mordor is a brilliant piece of fantasy software thanks to the re- working of many of the games systems by a highly trained team of idiots. The game system will be familiar to players of Lord of the Rings Game One, with the exception of the improvements in the flexibility of play. For instance, it is now possible to talk to characters and give them a string of instructions which they will follow in sequence, rather than painstakingly telling them what to do at each and every turn. In order to provide players with the host of problems expected from a high quality computer adventure, it has been necessary to take minor liberties with Lord of the Rings storyline (it wouldn’t be much of a game if there was no challenge to interrupt the storyline of Tolkien’s master work), and thus we hope that you will see them in the light in which they were intended, and not as blasphemous attempts to butcher one of the great works of fantasy literature.
    [Show full text]
  • Tolkien Bibliography
    Tolkien Bibliography This bibliography includes those entries in the MLA bibliography that contain the word “Tolkien”. Since the full title of Mythlore is Mythlore: A Journal of J. R. R. Tolkien, C. S. Lewis, Charles Williams, and the Genres of Myth and Fantasy Studies and of Mallorn is Mallorn: The Journal of the Tolkien Society some of these titles are not about Tolkien. Still, it may be useful to have it. Aadnanes, Per M. "Diktekunsten og eventyrlandet." Edda (1977): 227-35. Abbott, Joe. "Tolkien's Monsters: Concept and Function in The Lord of the Rings (Part 1): The Balrog of Khazad-dum." Mythlore 16.1 (59) (1989): 19-26. ---. "Tolkien's Monsters: Concept and Function in The Lord of the Rings, II: Shelob the Great; III: Sauron." Mythlore 16.2 (60) (1989): 40-47. Adderley, C.M. "Preliminary Matters: The Neglected Preludes to Charles Williams' Arthuriad." Mythlore 21.1 (79) (1995): 23-28. ---. "Meeting Morgan le Fay: J. R. R. Tolkien's Theory of Subcreation and the Secondary World of Sir Gawain and the Green Knight." Mythlore 22.4 (86) (2000): 48-58. Agoy, Nils Ivar. "Mr. Bliss: The Precursor of a Precursor." Mallorn 20 (Sept. 1983): 25-27. ---. "Tolkien in Norway." Inklings: Jahrbuch für Literatur and Ästhetik. 3 (1985): 159-67. ---. "Quid Hinieldus cum Christo? New Perspectives on Tolkien's Theological Dilemma and His Sub-Creation Theory." Mythlore 33.2 (80) (1996): 31-38. Aldrich, Kevin. "The Sense of Time in J. R. R. Tolkien's The Lord of the Rings." Mythlore 15.1 (55) (1988): 5-9. Algeo, John.
    [Show full text]
  • Download Download
    Issue 53 • Spring 2012 MallornThe Journal of the Tolkien Society Mallorn The Journal of the Tolkien Society Issue 53 • Spring 2012 Editor: Henry Gee Production & editorial 4 Kristine Larsen takes a look at Tolkien through her telescope design: Colin Sullivan Cover art: At the Cracks of letters 9 Troels Forchhammer unravels the mysteries of the 1961 Nobel prize Doom by Ted Nasmith Inside: Lorenzo Daniele: The Voice of Saruman (p. 2); reviews 11 Janet Brennan Croft on Tolkien and the Study of his Sources Jef Murray: Amon Sul (p. 6), Haven (p. 10), Gandalf 12 Daniel Howick on A Tolkien Tapestry (p. 16), Rhosgobel Doorway 14 Becky Hitchen on Tolkien and the Peril of War (p. 25), Cair Paravel (p. 28), 15 Troels Forchhammer on Tolkien Studies, Volume VIII Frodo and Strider (p. 31), 17 Pat Reynolds on Among Others Warg Rider (p. 33), Gandalf 18 Harley J Sims on The Lord of the Rings: War in the North (p. 35), Galadriel (p. 40), 20 Sharron Sarthou on C. S. Lewis’s Lost Aeneid Alatar (p. 42), Radagast (p. 45), Mage of Rhosgobel commentary (p. 48); Cor Blok: Rivendell 22 Colin Duriez What made J. R. R. Tolkien tick and why was he called ‘Reuel’? The (p. 13), Lothlórien I (p. 13), importance of Tolkien biography The Petrified Trolls (p. 21); Ted Nasmith: Barrel Rider 26 Kristine Larsen From Dunne to Desmond: disembodied time travel in Tolkien, (p. 23), The Shire: A View Stapledon and Lost of Hobbiton From The Hill 30 Virginia Luling Going back: time travel in Tolkien and E.
    [Show full text]
  • PDF Download an Atlas of Tolkien : an Illustrated Exploration Of
    AN ATLAS OF TOLKIEN : AN ILLUSTRATED EXPLORATION OF TOLKIENS WORLD PDF, EPUB, EBOOK David Day | 256 pages | 06 Oct 2015 | Octopus Publishing Group | 9780753729373 | English | London, United Kingdom An Atlas of Tolkien : An Illustrated Exploration of Tolkiens World PDF Book Tolkien never intended to write immensely popular literature that would challenge traditional ideas about the nature of great literature and that was worthy of study in colleges across the world. Whisked from his comfortable hobbit-hole by Gandalf the wizard and a band of dwarves. Tolkien's works have inspired artists for generations and have given rise to myriad interpretations of the rich and magical worlds he created. Tolkein was inspired by a huge body of national mythologies in creating his world. This is essential reading for anyone who loves Tolkien's works and wants to explore the wars within them. June 9, Add your own color to Tolkien fantasies with these illustrations from renowned artists. Africola Duncan Welgemoed. Tolkien features a wealth of breathtaking illustrations, including Tolkien's own drawings, contributions from other artists, rare archival images, and spectacular color photos of contemporary locations across Britain and beyond, from the battlefields of World War I to Africa. Orcs share many of their characteristics with the repulsive mythical Chinese creatures known as "kouei" The wizard Gandalf was partly inspired by the Norse god Odin. Shipping dimensions: pages, 9. Pages : Books J. The Worlds of J. Featuring more than images, it includes Tolkien's own illustrations, contributions from other artists, archive images, maps and spectacular present-day photographs. The Worlds Of J.
    [Show full text]
  • Teaching Middle-Earth to Middle School Students in the Middle of Alaska
    Mythmoot II: Back Again Proceedings of the 2nd Mythgard Institute Mythmoot Conference Center at the Maritime Institute, Linthicum, Maryland December 13-15, 2013 Teaching Middle-earth to Middle School Students in the Middle of Alaska DMae D. Binkley, M.S. Special Education Specialist, Ryan Middle School, Fairbanks, Alaska I want to talk to you today about my experiences in teaching Tolkien’s The Lord of the Rings to middle school students where I teach in Fairbanks, Alaska. I would like to give you an idea about this place I have called home for the past 30 years. Fairbanks is a combination of wild Alaska and the inner city of Detroit. No, I am not joking. Central Fairbanks is a mish-mash of transient families who come north seeking either a better future or their last chance; families moving in and out of Alaska’s native villages; homeless shelters of all sorts; and some of the wealthiest and most privileged families in the city. Ryan Middle School has an enrollment of around four hundred students in grades seven and eight. The population is high in special needs students because there is a centralized program for the district housed in the building. We also have one of the highest enrollments of homeless students in the state. We have students who have just transitioned from incarceration in prisons and mental institutions. We have some of the brightest math students in the state. They regularly kick butt in national competitions. We have students who are gifted engineers, winning robotic competitions time and time again against others in the district, and we have the most happily average kids you will ever meet.
    [Show full text]
  • Mythmoot IV Program
    Preliminary Program June 1-4, 2017 “White Ships From Valinor” by Ted Nasmith, used with permission. Welcome from Corey Olsen Signum University and the Mythgard Institute have been around for over five years now, and each time we’ve hosted a Mythmoot conference, it has been special. As an institution, Signum strives to make serious scholarship on imaginative literature and all the fun that goes along with it available to everyone, and from its inception, Mythmoot has been the place where that mission gets embodied in a local gathering. This year, we have put together our biggest program ever. We’ve invited more guests, extended the conference an extra day, and discovered a wonderful new venue that enables us to plan the most exciting conference we’ve ever hosted. Whether you are a casual fantasy fan or a professional scholar, you will find Mythmoot a marvelous opportunity for intellectual explorations, creative expression, and stimulating conversation. I hope to see you there! Find out more about Mythmoot IV and register at: http://signumuniversity.org/event/mythmoot-iv-invoking-wonder/ 1 Schedule-at-a-Glance There will be both a morning and afternoon coffee break on Friday and Saturday and a morning coffee break on Sunday. Breakfast available 6:30 AM - 8:30 AM (Monday thru Friday); 7:00 AM - 9:00 AM (Saturday & Sunday) Lunch available 11:30 AM - 1:30 PM (daily) Dinner available 5:30 PM - 8:00 PM (daily) 2 Please note: all events, locations, and dates are subject to change Special Guests John Di Bartolo - Creative Guest of Honor John Di Bartolo is a writer, musician, and multimedia designer living in Long Island, New York.
    [Show full text]
  • L'arte Di Ted Nasmith
    L’arte di Ted Nasmith di Davide Cattaneo Il lettore delle opere di Tolkien che volesse ricercare immagini ispirate all’universo letterario da lui creato, troverebbe tra gli artisti più noti e prolifici il nome di Ted Nasmith, che da quasi quarant’anni dedica ampio spazio della propria attività artistica professionale all’illustrazione tolkieniana. Nato in Ontario (Canada), nella metà degli anni ’50, scoprì all’età di 13 anni le prime opere di Tolkien e subito fu attratto dalla grandiosità e dell’epica delle sue storie; come illustratore si è inoltre specializzato nella realizzazione di rendering architettonici di edifici e complessi immobiliari, illustrazioni di automobili d’epoca e moderne; tra i suoi diversi interessi coltiva anche la passione per il canto e la musica. Esaminando tutte le opere di Nasmith si rileva, quale comune denominatore, la cura maniacale nel rappresentare i particolari, anche i dettagli più minimi, tale da rendere le sue illustrazioni iperrealistiche, quasi fossero trasposizioni fotografiche che immortalano scene, paesaggi e persone dell’universo tolkieniano. In tutte le opere si rileva inoltre l’assoluta fedeltà al testo e l’attenzione posta alle minuziose descrizioni dell’autore, caratteristica che ha reso Nasmith un illustratore tolkieniano molto apprezzato dalla maggior parte dei fans. Spesso sono i paesaggi il soggetto amato dall’artista: dalle quiete immagini della contea, avvolte dai colori verdi e gialli, molto luminosi, fino ai desolati territori di Mordor, con i colori grigi e marroni che bene rendono l’atmosfera cupa dei luoghi. Tra i paesaggi di Nasmith che più mi affascinano vi è quello che ritrae Granburrone, tratta dal capitolo 3 de Lo Hobbit, che riprende l’originale disegno eseguitola Tolkien per accompagnare le prime edizioni del libro, pubblicato da Allen & Unwin Publishers.
    [Show full text]