Kindergarten Gems

Total Page:16

File Type:pdf, Size:1020Kb

Kindergarten Gems KINDERGARTEN GEMS KINDERGARTEN GEMS A COLLECTION OF STORIES AND RHYMES FOR LITTLE FOLKS BY AGNES TAYLOR KETCHUM AND IDA M. JORGENSEN YESTERDAY’S CLASSICS CHAPEL HILL, NORTH CAROLINA Cover and arrangement © 2008 Yesterday’s Classics, LLC. Th is edition, fi rst published in 2008 by Yesterday’s Classics, an imprint of Yesterday’s Classics, LLC, is an unabridged republication of the work originally published by Christian Publishing Company in 1890. For the complete listing of the books that are published by Yesterday’s Classics, please visit www.yesterdaysclassics.com. Yesterday’s Classics is the publishing arm of the Baldwin Online Children’s Literature Project which presents the complete text of hundreds of classic books for children at www.mainlesson.com. ISBN-10: 1-59915-247-9 ISBN-13: 978-1-59915-247-9 Yesterday’s Classics, LLC PO Box 3418 Chapel Hill, NC 27515 PREFACE IN response to a demand for stories and rhymes, adapted to the Kindergarten and home, this collection has been made. It includes typical stories of all classes—Fairy tales, Nature stories, and those emphasizing particular virtues. Th e fairy tales have become immortal by their antiquity; no age or country can claim them as their own. Th ey are a part of all ages and times; they seem to have no known origin and while man exists, the truths foreshadowed through them remain the same. We return grateful acknowledgment to “Th e Century Co.” for permission to use, “Th e Adopted Chicken” (Yellow Foot); to “Th e Youth’s Companion,” for “How Two Looked at a Shower,” and to the Kindergarten Magazine for “Who Likes the Rain.” To Mrs. Isabel McCulloch we owe thanks for the following rhymes, “Pitter-Patter,” “Robin Red Breast and Merry Brown Th rush,” “Autumn Talk,” “A Greeting to Santa Claus,” “Snow Bird,” “Froebel’s Birthday Song,” “Children and the Moon,” and “Good-Bye.” Th anks to Miss Ida Richeson for “Song of the Seasons” and “A Crown of Froebel’s Jewels;” to Miss Louise Miller for “Th e Th ree Brothers,” and “Happy Children;” to Miss Nellie Flynn for the story, “Friedrich Froebel;” to Laura E. Toms, for “Bab’s Th anksgiving,” and to Miss M. E. Meisinger for “Singer’s Lesson.” We have included in this collection a number of stories originally selected by Miss Susan E. Blow, for the St. Louis Kindergartens. We apologize for using any story or rhyme with- out the consent of the Author or Publisher, but found it impossible to fi nd out to whom, or where to write for same. If there has been any infringement it is wholly unintentional. Respectfully, Agnes Taylor Ketchum. Ida M. Jorgensen. St. Louis, Mo. INTRODUCTION “LET us learn from our children, let us give heed to the gentle admonition of their life, to the silent demands of their minds. “One of the most diffi cult tasks is the art of tell- ing stories, and yet one of the most important arts the parent and educator should strive to possess; for have we not seen and heard children asking again and again, to have the simplest story repeated, by the one who has proved his art. ‘I have told it two or three times’—‘that makes no diff erence, tell it again.’ He obeys; see how eagerly his hearers note every word. “Th e power that has scarcely germinated in the child’s mind, is seen by him in the legend or tale, a perfect plant, fi lled with the most delicious blossoms and fruits. Th e very remoteness of the comparison with his own vague hopes, expands heart and soul, strengthens the mind, unfolds life in freedom and power. “Th is is the chief reason why children are so fond of stories—the more so, when these are told as having actually occurred, or as lying within the reach of probability, for which, however, there are scarcely any limits for a child. If the story concerns other men, other circumstances, other times and places, nay, if it impart a language to the silent objects in nature, the hearer seeks his own image, he beholds it, and no one knows that he sees it. “As in colors, it is not variegated hues that charm the child, but their deeper, invisible, spiritual meaning; so he is attracted to the legend and fairy tale, not by the varied and gay shapes that move about in them, but by their spiritual life, which furnishes him with a measure for his own life and spirit, by the fact that they furnish him direct intuition of free life, of a force spontaneously active in accordance with its own law. “Th e desire for special stories will then very clearly reveal to the observer what is going on in the innermost mind of the child, though doubtless the latter may not be himself conscious of it. Whatever he feels in his heart, whatever lives in his soul, whatever he cannot express in his own words, he would fain have others express. “Th erefore ear and heart open to the genuine story-teller, as the blossoms open to the sun of spring, and to the vernal rain. Mind breathes mind; power feels power and absorbs it, as it were. Th e telling of stories refreshes the mind as a bath refreshes the body; it gives exercise to the intellect and its powers; it tests the judgment and the feelings. “With high esteem and full of respect, I greet a genuine story-teller; with intense gratitude I grasp him by the hand. However, better greeting than mine is his lot; behold the joyful faces, the sparkling eyes, the merry shouts that welcome him; see the blooming circle of delighted children crowd around him, like a wreath of fresh fl owers, and branches, around the bard of joy and delight.”—Froebel. “Children possess an unestimated sensibility to whatever is deep or high, in imagination or feeling, so long as it is simple likewise. It is only the artifi cial and the complex that bewilders them.”—Hawthorne. “Imaginative minds cling to their images and do not wish them rashly rendered into prose reality, as children resent your showing them that their doll Cinderella is nothing but pine wood and rags; and my young scholar does not wish to know what the leopard, the wolf or Lucia signifi es in Dante’s Inferno, but prefers to keep their veil on.”—Emerson. “But of all the changes taking place, the most signifi cant is the growing desire to make the acquirement of knowledge pleasurable rather than painful—a desire based on the more or less distinct perception that at each age the intellectual action which a child likes is a healthful one for it; and conversely. Th ere is a spreading opinion that the rise of an appetite for any kind of knowledge implies that the unfolding mind has become fi t to assimilate it, and needs it for the purposes of growth; and that on the other hand, the disgust felt towards any kind of knowledge is a sign either that it is prematurely presented, or that it is presented in an indigestible form. Hence the eff orts to make early education amusing, and all education interesting. Hence the lectures on the value of play. Hence the defense of nursery rhymes and fairy tales.”—Herbert Spencer. CONTENTS Prayer . .1 The Shower of Gold . .2 The Story of the New Year . .4 Seasons . .10 Fingers . .11 Little Sister and Brother . .17 Blue-Bird . .25 The Fairy in the Mirror . .26 Politeness . .28 The Peaches . .29 Learn to Wait . .31 For Lunch . .33 Wise Snow-Drop and Silly Billy . .34 Willie and the Oriole . .36 Cinderella . .39 Adventures . .45 Pitter-Patter . .50 Story of Tip Top . .51 What a Bird Taught . .57 The Nest of Gold . .59 The Robin and Turtle . .61 Robin Red-Breast and Merry Brown Thrush . .64 Amy Stuart . .66 Good Night . .71 Sleep, Baby, Sleep! . .72 Happy Children . .73 Goldenlocks . .76 Little Birdie . .85 The Three Bears . .86 Thumbling . .91 The Nest on Wheels . .94 The Potato Child . .98 Autumn Talk . 101 The Nut Gatherers . 103 Thanksgiving Day in the Olden Time . 105 Bab’s Thanksgiving . 108 The Crippled Sparrow . 115 The Elves and the Shoemaker . 116 Mark Ridley . 119 Thistlefinch . 121 Raindrops . 122 The Discontented Tree . 123 Foolish Wishes . 128 Little Millie . 130 Dummling and the Toad . 136 Chippy’s Visit to the Kindergarten . 140 Jack and the Bean-Stalk . 145 Patience . 156 The Sunbeams . 157 Little Red Riding-Hood . 160 Wind and Sun . 166 Father Time . 167 The Seasons . 168 Song of the Seasons . 170 North Wind . 172 The Leaves and the Wind . 174 Greeting to Parents . 176 Letter to Santa Claus . 178 Jolly Old Man . 180 A Greeting to Santa Claus . 181 Baby . 182 Christmas Chimes . 183 The Pine Tree . 184 Snow Bird . 190 The Storks . 191 Birds and Their Nests . 198 The Nest in the Mail Box . 202 Who Likes The Rain? . 205 How Two Looked at a Shower . 206 Lily White Lily . 210 Sparrows . 211 Singer’s Lesson . 213 Yellow Foot . 220 The Birthday Present . 224 Clouds and Sunshine . 226 George Washington . 227 Mrs. Washington’s Horses . 229 George Washington’s Rules . 231 Solomon, the Camel . 232 Susy’s Dream . 238 A Baby Lay . 242 Grass Princess . 244 The Echo . 246 What the Brook Said. 247 Hymn . 248 Butterflies . 249 Wheat Talk . 251 Charlotte and the Ten Dwarfs . 252 The Grist Mill . 256 The Saw-Mill . 258 Marching . ..
Recommended publications
  • The Tales of the Grimm Brothers in Colombia: Introduction, Dissemination, and Reception
    Wayne State University Wayne State University Dissertations 1-1-2012 The alest of the grimm brothers in colombia: introduction, dissemination, and reception Alexandra Michaelis-Vultorius Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the German Literature Commons, and the Modern Languages Commons Recommended Citation Michaelis-Vultorius, Alexandra, "The alet s of the grimm brothers in colombia: introduction, dissemination, and reception" (2012). Wayne State University Dissertations. Paper 386. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE TALES OF THE GRIMM BROTHERS IN COLOMBIA: INTRODUCTION, DISSEMINATION, AND RECEPTION by ALEXANDRA MICHAELIS-VULTORIUS DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: MODERN LANGUAGES (German Studies) Approved by: __________________________________ Advisor Date __________________________________ __________________________________ __________________________________ __________________________________ © COPYRIGHT BY ALEXANDRA MICHAELIS-VULTORIUS 2011 All Rights Reserved DEDICATION To my parents, Lucio and Clemencia, for your unconditional love and support, for instilling in me the joy of learning, and for believing in happy endings. ii ACKNOWLEDGEMENTS This journey with the Brothers Grimm was made possible through the valuable help, expertise, and kindness of a great number of people. First and foremost I want to thank my advisor and mentor, Professor Don Haase. You have been a wonderful teacher and a great inspiration for me over the past years. I am deeply grateful for your insight, guidance, dedication, and infinite patience throughout the writing of this dissertation.
    [Show full text]
  • CS Lewis's Use of Modern Fairy Tales
    Volume 30 Number 3 Article 8 4-15-2012 Watchful Dragons and Sinewy Gnomes: C.S. Lewis's Use of Modern Fairy Tales Ruth Berman Independent Scholar Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Berman, Ruth (2012) "Watchful Dragons and Sinewy Gnomes: C.S. Lewis's Use of Modern Fairy Tales," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 30 : No. 3 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol30/iss3/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Companion to her study of Tolkien’s use of the Andrew Lang fairy tale collections (in #99/100) with a piece on how Lewis used them as well, but tended to look favorably on and use more modern fantasy sources than Tolkien.
    [Show full text]
  • "Fathers and Daughters"
    "Fathers and Daughters" Critic: James M. McGlathery Source: Fairy Tale Romance: The Grimms, Basile, and Perrault, pp. 87-112. Urbana: University of Illinois Press, 1991. [(essay date 1991) In the following essay, McGlathery explores the erotic implications of the father-daughter relationship in the romantic folktales of the Brothers Grimm, Giambattista Basile, and Charles Perrault, highlighting common plot scenarios.] As the stories discussed thus far show, emotional involvement between parents and children is a frequent object of portrayal in folktales. That this is especially true of the romantic tale should come as no surprise, for in love plots generally the requisite hindrance to the fulfillment of young desire often takes the form of parental objection or intervention. There are surprises to be found here, however. In particular, the romantic folktale offers the possibility of hinting, with seeming innocence, at erotically tinged undercurrents in the relationship between parent and child that do not lend themselves to tasteful direct portrayal. Fairy tale romance often depicts the child's first experience of leaving home and venturing out on its own, usually in connection with choosing a mate. In the stories of the brother and sister type, resistance to the taking of this step is reflected in a desire to return to the bosom of the family or, failing that, to retain the devoted company of one's siblings. Thus, we have seen how Hansel and Gretel, while prepared to survive together in the forest if need be are overjoyed at being able to live with their father, and how the sister in "The Seven Ravens" succeeds in restoring her brothers to human form and bringing them home with her.
    [Show full text]
  • GER 441 Fairy Tales Global Awareness (G)
    ARIZONA STATE UNIVERSITY GENERAL STUDIES COURSE PROPOSAL COVER FORM Course information: Copy and paste current course information from Class Search/Course Catalog. Academic Unit _C~LAS~---------------------- Department SILC Subject _G=ER"-'------- Number --"--=-=-------441 Title F · Tales Units: ____::_3 __ Is this a cross-listed course? Yes If yes, please identify course(s) SLC 441 Is this a shared course? No If so, list all academic units offering this course Course description: Requested designation: (Choose One) Note- a separate proposal is required for each designation requested Eligibility: Permanent numbered courses must have completed the university's review and approval process. For the rules governing approval of omnibus courses, contact the General Studies Program Office at (480) 965-0739. Area(s) proposed course will serve: A single course may be proposed for more than one core or awareness area. A course may satisfy a core area requirement and more than one awareness area requirements concurrently, but may not satisfy requirements in two core areas simultaneously, even if approved for those areas. With departmental consent, an approved General Studies course may be counted toward both the General Studies requirement and the major program of study. Checklists for general studies designations: Complete and attach the appropriate checklist • Literacy and Critical Inquiry core courses (L) • Mathematics core courses (MA) • Computer/statistics/quantitative applications core courses (CS) • Humanities, Fine Arts and Design core courses
    [Show full text]
  • First 100 Stories for Story Listening Stories Beniko Mason First
    First 100 Stories for Story Listening stories Beniko Mason first I have been telling fairy tales and folktales from around the world in class as an English lesson since 1990. The combination of listening to stories and reading books has helped my students do well on tests without output or grammar studies. Story- Listening is so powerful that students improve rapidly in listening comprehension and acquire many words. There are countless stories in the world, but I happen to like Grimm Brothers’ house- hold tales. Almost all stories start with, “Once upon a time…” “Once upon a time there was a rich king.” “Once upon a time there were three brothers.” “Once upon a time there was a soldier.” They always start with an introduction of a main character. These stories are very suitable for story-listening lessons in different ways. The stories have interesting content; they are written in rich language; there are many different situations, problems, and characters; and they have stood the test of time. I have gathered here the first 100 easier stories for you to choose from to use for your classes. I will only give you the titles. You can download them from any sites that have the collection of Great Grimm Brothers’ household tales. These stories are not just for children. They deal with many different themes that children may not understand yet, such as deception, loyalty, and true love. Thus, story-listening is not just for children, but for adults also. Story-Listening can be used for any age and also at any levels of proficiency.
    [Show full text]
  • Analysis of Rumpelstiltskin Attention
    Analysis of Rumpelstiltskin Attention: “Nein, etwas Lebendes ist mir lieber als alle Shätze der Welt!” Ladies and gentlemen, that is perhaps my favorite line from any folktale I’ve ever heard. Literally translated to English, it means “No, some life is dearer to me than all the treasures of the world!” And it comes from the story of Rumpelstiltskin collected by the brothers Grimm and published in 1812. Purpose: Today I want to present you with an analysis of the value system present in the story of Rumpelstiltskin… Preview: To do that, I will provide you with a brief summary of the story, followed by its historical, regional, and cultural contexts. Next, I’ll discuss previous interpretations of Rumpelstiltskin, and, finally, I’ll offer my own analysis of the story through a brief discussion of characters and narrative. Summary: Rumpelstiltskin is the story of a poor miller’s daughter who’s brought to the king and charged with the task of spinning straw to gold. But, because she can’t do it, she must ask a gnome who ultimately agrees to help in exchange for her first born child. When all the straw is spun to gold, the miller’s daughter is married to the king and has a child. When the gnome returns to claim his prize, she begs for mercy and he allows her three days to guess his name. If she’s able to do that, he promises that she can keep her child. Employing a spy, she manages to discover his name, and upon hearing it, the gnome (Rumpelstiltskin) tears himself in half.
    [Show full text]
  • Fairy Tales and Transpersonal Development at Mid-Life
    MIDDLE TALES: FAIRY TALES AND TRANSPERSONAL DEVELOPMENT AT MID-LIFE Allan B. Chinen San Francisco, California INTRODUCTION Handed down from generation to generation, fairy tales contain deep insights about human nature (Bettelheim, 1976; Heuscher, 1974; Von Franz, 1972, 1974, 1977; 1980; Luthi, 1976, 1984). Through charming metaphors, these stories symbolize important developmental tasks in the life cycle. Tales about children, like "Hansel and Gretel" or "Snow White," reflect the psychology of youth, while stories about "old" people, like "The Old Man Who Lost His Wen" or "The Shining Fish," reveal the psychology of later life (Chinen, 1985, 1986). In this paper, I will discuss a third group of fairy tales whose main characters are neither young nor old. The protagonists are individuals who have married, learned a trade, and taken a place in society-they are adults in the middle third the of life. These fairy tales can be called "middle tales," and my psychology thesis is that they reveal the psychology of mid-life, In of particular, the stories illuminate the transpersonal dimensions mid-life of development in what is probably the most secular period of life. Middle tales are relatively uncommon in fairy tale collections, and comprise only 9% of some 4,500 stories reviewed. The majority of fairy tales are about young protagonists and can be called "youth tales." Like the latter, middle tales occur with about equal frequency around the world. and depict similar themes no matter what the culture of origin. (shall focus on five The author gratefully acknowledges the support of the Ella Lyman Cabot Trust.
    [Show full text]
  • Children's Fairytale Quiz Tour
    Children’s Fairytale Quiz Tour Get to know Efteling even better with this Children’s Fairytale Quiz Tour Be surprised by the many wonderful fairytales! Name: Marerijk This Children’s Fairytale Quiz Tour leads you through Efteling’s Fairytale Forest. You will come across marvellous stories and fairytales along the way. Pay close attention to find the answers to the quiz questions. Reading the story in the large book of fairytales at each fairytale depiction might also be helpful. Some of the questions are based on general knowledge. Have fun and good luck! We begin this Fairytale Quiz Tour at the entrance to the Fairytale Forest, the Witches’ Gate (alongside the Steam Carousel). Walk to Sleeping Beauty’s castle, take the gateway to the left and climb the castle steps to the sleeping princess. 1) On what did Sleeping Beauty prick herself to make her sleep for 100 years? _________________________________________________________________ If you carry on walking back down below, you will arrive at the Gnome Village, where the toadstools are home to the world’s oldest gnomes. 2) What colour is the beard of the gnome behind the door in the hollow tree? _________________________________________________________________ 3) How many gnomes can you see in and around the last gnome house that you pass on the right? _______ gnome(s) Keep following the path until you come to the fairytale of The Six Servants. 4) Which of The Six Servants can you see in full size? _________________________________________________________________ Walk further, past the musical toadstools, and follow the brick path up to Little Red Riding Hood.
    [Show full text]
  • A Polish History of the Grimm Fairy Tales
    Przekładaniec. A Journal of Literary Translation 22–23 (2009/2010): 57–75 doi:10.4467/16891864ePC.13.003.0857 Eliza PiEciul-karMińska A POLISH HISTORY OF THE GRIMM FAIRY TALES Abstract: This article discusses difficulties with translating the Grimm fairy tales into Polish. The first part describes the specific features of the original text and presents Bruno Bettelheim’s conclusions about “the meaning and importance of fairy tales.” The second part reviews the existing Polish translations. The third part discusses the main goals of a new Polish translation. The conclusion stresses that the new Polish translation should be addressed to a double audience (both children and adults), as is the case with the original Kinder- und Hausmärchen. Keywords: translation series, adaptation, Grimm genre The fairy tales collected by Jacob and Wilhelm Grimm are, next to the Luther Bible, the best-known masterpiece of German literature, translated so far into 160 languages. In June 2005 they were listed on UNESCO’s Memory of the World Register, which formally confirmed their place in the world literature canon. So far, there has been one translation of the “Large Edition”1 (1989) into Polish, as well as numerous translations and adapta- tions of individual tales. In November 2009, the Media-Rodzina publishing house issued a volume of fifty tales, a Polish translation of the so-called 1 The first edition of the German original was published before Christmas 1812. Be- cause both the publishing house and the readers demanded that the tales be transformed into a children’s book, Wilhelm Grimm deleted expressions unsuitable for children, and made the tales more “fairy-like” in style.
    [Show full text]
  • Giant List of Folklore Stories Vol. 6: Children's
    The Giant List of Stories - Vol. 6 Pattern Based Writing: Quick & Easy Essay Skim and Scan The Giant List of Folklore Stories Folklore, Folktales, Folk Heroes, Tall Tales, Fairy Tales, Hero Tales, Animal Tales, Fables, Myths, and Legends. Vol. 6: Children’s Presented by Pattern Based Writing: Quick & Easy Essay The fastest, most effective way to teach students organized multi-paragraph essay writing… Guaranteed! Beginning Writers Struggling Writers Remediation Review 1 Pattern Based Writing: Quick & Easy Essay – Guaranteed Fast and Effective! © 2018 The Giant List of Stories - Vol. 6 Pattern Based Writing: Quick & Easy Essay The Giant List of Folklore Stories – Vol. 6 This volume is one of six volumes related to this topic: Vol. 1: Europe: South: Greece and Rome Vol. 4: Native American & Indigenous People Vol. 2: Europe: North: Britain, Norse, Ireland, etc. Vol. 5: The United States Vol. 3: The Middle East, Africa, Asia, Slavic, Plants, Vol. 6: Children’s and Animals So… what is this PDF? It’s a huge collection of tables of contents (TOCs). And each table of contents functions as a list of stories, usually placed into helpful categories. Each table of contents functions as both a list and an outline. What’s it for? What’s its purpose? Well, it’s primarily for scholars who want to skim and scan and get an overview of the important stories and the categories of stories that have been passed down through history. Anyone who spends time skimming and scanning these six volumes will walk away with a solid framework for understanding folklore stories. Here are eight more types of scholars who will just love these lists.
    [Show full text]
  • Ebook Download Collected Grimm Tales
    COLLECTED GRIMM TALES PDF, EPUB, EBOOK Carol Ann Duffy,Tim Supple | 272 pages | 04 Sep 2003 | FABER & FABER | 9780571221424 | English | London, United Kingdom Collected Grimm Tales PDF Book To ask other readers questions about Collected Grimm Tales , please sign up. The Jew Among the Thorns Sign up for free here. Both were given special dispensations for studying law at the University of Marburg. Showing Franz Xaver von Schonwerth. The Six Servants The Ungrateful Son. The Little Peasant Clever Hans Jacob and Wilhelm Grimm were the oldest in a family of five brothers and one sister. The King of the Golden Mountain The Riddle Achim von Arnim and Clemens Brentano were good friends of the brothers and wanted to publish folk tales, so they asked the brothers to collect oral tales for publication. Their state of mind made them more Realists than Romantics. Simonmeredith rated it it was amazing Nov 09, The Complete Pelican Shakespeare. Another snake appears and heals the dead snake with three leaves, and they both leave. The Grimms collected many old books and asked friends and acquaintances in Kassel to tell tales and to gather stories from others. The stories of magic and myth gathered by the Brothers Grimm have become part of the way children—and adults—learn about the vagaries of the real world. September 20, , Berlin and Wilhelm Carl Grimm b. Highly recommended. Collected Grimm Tales Writer A good point is that several more unusual stories have been included, but these are largely a little less exciting than those which are better known. From Wikipedia, the free encyclopedia.
    [Show full text]
  • Rump by Liesl Shurtliff
    Template for Multi Day Lesson Plans or Mini Unit Illinois Reads Books 2015 – 2016 Introductory Information Submitted by Loyola University Chicago — School of Ed. (Loyola University Brianna Pasquale and Kristina Vizza Chicago) Title of Book Rump The True Story of Rumpelstiltskin by Liesl Shurtliff (Optional) Rumpelstiltskin by the Grimm Brothers Additional Texts Title of Unit What is your destiny? Grade level 4 - 6 Reading Grade level 4.4 (interest) Lexile Level 660L Guided Reading level T A. Purpose for The purpose of this unit is to have students relate to a character in a book to their own life. Rump is Instruction/ the main character who is on a mission to find his destiny. Where he grows up the meaning of your Essential Questions name determines your destiny. Unfortunately, Rump only knows half of his name, which makes others and even himself sometimes see him as a lesser person. Throughout this novel, Rump is learning more about himself and what he is capable of doing. The purpose for 4th graders to read this novel and to be a part of this unit is because students should learn that they are much more capable of what they think they can do. This unit is used to give inspiration to students and help them connect with Rump through the realistic struggles he goes through. Rump being a realistic character allows his struggles to be relatable and allows for his successes to also be realistic to students reading! The lessons of “you’re not alone with your feelings” and “you are much more capable of what you think you are” are important lessons for students to learn at such a young age.
    [Show full text]