DOCSLIB.ORG

Omni Magazine, Post Otfice Box 3041 , Harlan, IA 51537-3041

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Omni Magazine, Post Otfice Box 3041 , Harlan, IA 51537-3041 FORGOTTEN SPACE HERO FOUND mmAPRIL1995 mf£^ Si iif'W VJ $3.95 "71486 02484 2 onnrui EDITOR IN CHIEF & DESIGN DIRECTOR: BOB GUCCIONE PRESIDENT & C.O.O.: KATHY KEETON VP/EDITOR: KEITH FERRELL EXECUTIVE VP/GRAPHICS DIRECTOR: FRANK DEV1N0 MANAGING EDITOR: CAROLINE DARK ART DIRECTOR: CATHRYN MEZZO 4 34 First Word The New Outer By Daniel Pinkwater Limits 6 By David Bischoff Communications Control over 8 your TV's transmission Mind is about to be By Steve Nadis hijacked. Get set for a new Beyond wave of SF thrillers. central control 45 Omni's Project Sounds Open Book By Ed Juge Implants, forensics, 12 and Part Two Artificial Intelligence of Omni's guide to By J. Blake Lambert investigating UFOs. Managing (k \ the information Max Faget: overflow Master Builder 14 By James Oberg Wheels A rare look at the former By Jeffrey Hsu NASA wiz whose Highway surveillance genius propelled humans 16 into space. Electronic Universe By Gregg Keizer Fiction: 18 Resolve and Resistance Wings ByS. N. Dyer By Peggy Noonan 75 20 Interview: Learning Hazel O'Leary By Mary Ann Tawasha By Linda Turbyviile 21 Powerful talk Style from the Secretary By Fred Hapgood of Energy Underground architecture 96 24 When the inner mind is pushed to its Games Museums outer limits, the resulting harvest can cause both awe and By Scot Morris By Paul Kvinta horror. A peek into the minds behind 103 27 television's strangest new series. Cover art by Tsuneo Sanda. Last Word Continuum (Additional art and photo credits, page 90.) By Daniel Pinkwater OMNI (ISSN 0149-8711) is published monthly in the United States and Canada by Omni Public=:iors mte -national Ltd., 277 Park Avenue, New York, NY 10172. Second-class postage paid at New York, NY, and at additional mailing offices. POSTMASTER: 7. Copyright Send address changes to Omni Magazine, Post Otfice Box 3041 , Harlan, IA 51537-3041 . Volume 17, Number © /& 1995 by Omni Publications International Ltd. All nclrs reserved. Tel. 1-800-289-6664; (212) 496-6100. OMNI is a registered trade-^7 mark of Omni Publications International Ltd. Printed in the USA by R. R. Donnelley & Sons Inc. and distributed in the USA, Canada, and United States territorial possessions by Curtis Circulation Company, 433 Hackensack Avenue, Hackensack, NJ 07601. Distributed in Australia and New Zealand by The Horowitz Group, P.O. Box 306, Cammeray NSW 2062 Australia. Distributed in the UK by COMAG, Tavistock Rd„ West Drayton, Middlesex, London UB77QE and the rest of the world by Worldwide Media Service, Inc.. 30 Montgomery Si., jersey City, NJ 07302. Entire contents copyrighted. Nothing may be repro- mentioned in duced in whole or in part without written permission from the publisher. Any similarity between places or persons the fiction or sernifiction and real places or persons living or dead is coincidental. Subscriptions: U.S., AFO—$24 one year; Canada and elsewhere—$36.38 one year. Single copies $3.95 in U.S., AFO, and Canada. Telephone: 1-800-289-6664. The pub- property lisher disclaims all responsibility to return unsolicited matter, and all rights in portions thereof remain the sole of Omni Publications International Ltd. Letters sent to Omni or its editors become the property of the magazine. Printed in U.S.A. Canadian GST Registration #R1 26607589 , — FIRST WORD WORDS TO WONDER: When reading really matters By Daniel Pinkwater can remember the exact mo- to be played with plenty of Errol ticipate in the ^'Celebrity Auc- tion," and its variants. Children ment when I broke the code Flynn swash and buckle. or I and became able to read. It Someone told me that people are given credits play money was during the second semester who probably can't read sing for every book read during a the streets of South given period. At the end of this of first grade. I had purchased a songs in children their Batman comic—the first brand- American cities about the char- period, can use in Garcia Mar- earnings to bid on autographed new comic I had ever owned. acters Gabriel Having invested a whole shiny quez's One Hundred Years of books, posters, T-shirts, chewed backyard dramati- pencils, cigar stubs, and other dime, I was determined to read Solitude. Our of artifacts donated by the likes of every word in the thing. And I did. zations were something this kind. I, for one, did me, Sometimes, local merchants I can even remem- ~~ participated, and the kids ber some of the dia- W I not know that these have were books, and only can cash in their chits for pizza. many books for logus: Batman was JjflS: lH^ | practice, talking about scaling later did I encounter This is a bankrupt them, first as Classic and I decry it. The message from all ages and a a building, some- pip commentator thing he and Robin Comics, and then in adult authority seems to me to for National Pub- could do because of full-scale, be, "Look, kids— reading is a ' .'-- : I don't like it myself, (which ~.:.'SY their athletic prowess. %[0^^M It needs to be said drag. Dick and Jane that we were not en- is why I can't communicate any some other literary couraged or super- enthusiasm to you,) but if you'll Daniel Pinkwater characters with whom * \ vised by benevolent do it, we'll pay you." What's sug- in these exer- gested is that, in too many looks at I was familiar at the adults learning to read. time, never scaled /•ffi' cises. All the grown- cases, the wrong people are anything —and their ups knew was that representing books to the athletic prowess appeared lim- we were making a racket, waving young—and maybe that they're ited to chasing that insipid dog wooden sticks around, and get- representing the wrong books, of theirs, who was always mak- ting dirty. These were days when (but the state of the children's ing off with the red ball. there was no such thing as a book-publishing industry is too Dick and Jane. Batman and media specialist. Librarians were big a topic to tackle here. All I'll Robin. It didn't matter. "I can read not kindly guides to the world of say is that a two-year moratorium figures on juvenile publications would do this!" 1 said. "I can read any- letters; they were severe told to noise, no harm except to me what thing!" And I did, from then on. who you not make — — I thinking?). Even before i picked the lock get fingerprints on the books, or am time'. These matters would depress of the printed word, I had been fail to bring them back on participating in semi-organized The preceptors and authori- me, except that I get other mail— libraries games in my middle-class Chi- ties I remember from my early from better schools and cago neighborhood. These games days struck me as people who that serve their clients well. And I consisted of reenactments of his- showed up to do a day's work hear from actual kid readers, torical events of a certain kind: as we pupils did. The goal was who, having read something of Pickett's charge, the battle of to get through the reader and the mine, are ready to share their San Juan Hill, Belleau Wood, iwo arithmetic book, and learn some own .efforts: "I read your book geography. Whether about the Blue Moose," wrote in Jima. I suppose these games had spelling and gone on in the backyards and we wound up well-rounded or one reader. "It was pretty funny empty lots, the details handed well-adjusted was our own busi- the way he moved into that guy's down by generations of older ness anyway, not theirs. It was up house. Have you ever seen a really brothers and sisters, since the to each of us, and our imagina- moose? I have not. Do they wars we portrayed were current. tions, to see to it that culture was like clam chowder?" We also played Ivanhoe, The allowed to take care of itself. What these kids have discov- of, is in putting words to- Three Musketeers, The Hunch- I wound up as a writer ered that back of Notre Dame, Mysterious among other things, books for gether they have their own Island, and Twenty Thousand children and young adults. As questions to ask and their own to make. a re- Leagues Under the Sea. Captain such, I get a fair amount of mail. observations What it lief. Culture be taking care Nemo was a choice role, I re- Some of comes from libraries may member, and D'Artangnan was and schools, inviting me to par- of itself yet.DO Explore the Internet! Delphi Internet"" offers you full access to the internet and now you can explore this incredible resource with no risk. You get 5 hours of evening and weekend access to try it out for free!* Use Delphi ^?J° Internet's mail 9,600 gateway to exchange 14,400 messages with over fops 30 million people at universities, companies, and other onlipe services such as CompuServe® and MCI Mail® Download programs and files using FTP or connect in real-time to other networks using Telnet. You can also meet people on the internet. Internet Relay Chat lets you "talk" with people all over the world and Usenet News is the world's largest bulletin board with over 20,000 topics! To help you find the information you want, you'll have access to powerful search utilities such as Gopher, Hytelnet and WAIS.
Load more

Recommended publications
  • Black Soldiers in Liberal Hollywood
    Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film.
    [Show full text]
  • Hugo Award -- Britannica Online Encyclopedia
    10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C.
    [Show full text]
  • 13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
    13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V.
    [Show full text]
  • Issue 4 October 1, 2019
    WELCOME! Issue 4 October 1, 2019 Welcome to Fleas on the Dog! We’re a no frills brown bag BYOW(eed) online lit rag. (We like to think we’re underground with our heads sticking out.). We don’t care about pretty pictures or fancy layouts. We’re interested in one thing and one thing only: GOOD WRITING. Our sole mandate is quality which means if your mother likes your writing we probably won’t. With this issue we are introducing 2 new categories. The first is Poetry. We were deluged with it even though we only call for short fiction and nonfiction. Apart from the obscene sonnets we carved into washroom walls, we don’t know a heck of a lot about it. (The Wasteland is an album by U2, right?) So we coerced, no, invited, bardo-bard Hezekiah Scretch to abase himself as our Poetry Editor. The fact that he despises verse of any kind is only important if you’re a nitpicker. And so the dude quintet has become the dude sextet. The other new category is Plays (Drama). Since all six of us agreed that Shakespeare’s Death of a Salesman is our all-time favourite comedy, we knew we were on the right track. Besides, what Streetcar wouldn’t Desire such a category? So if your name’s Sam Shepard or David Mamet (and even if it isn’t) you’re welcome to submit your play, previously performed or perennially rejected. We’re proud to announce two writers are making their publishing debut in Issue 4.
    [Show full text]
  • 1Q12 IPG Cable Nets.Xlsm
    Independent Programming means a telecast on a Comcast or Total Hours of Independent Programming NBCUniversal network that was produced by an entity Aired During the First Quarter 2012 unaffiliated with Comcast and/or NBCUniversal. Each independent program or series listed has been classified as new or continuing. 2061:30:00 Continuing Independent Series and Programming means series (HH:MM:SS) and programming that began prior to January 18, 2011 but ends on or after January 18, 2011. New Independent Series and Programming means series and programming renewed or picked up on or after January 18, 2011 or that were not on the network prior to January 18, INDEPENDENT PROGRAMMING Independent Programming Report Chiller First Quarter 2012 Network Program Name Episode Name Initial (I) or New (N) or Primary (P) or Program Description Air Date Start Time* End Time* Length Repeat (R)? Continuing (C)? Multicast (M)? (MM/DD/YYYY) (HH:MM:SS) (HH:MM:SS) (HH:MM:SS) CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 01:00:00 02:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 02:30:00 04:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 08:00:00 09:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 09:30:00 11:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 11:00:00 12:30:00 01:30:00 CHILLER
    [Show full text]
  • Grimdark Magazine Issue 27 PDF
    1 Contents From the Editor Beth Tabler Outliers A.M. Shine Crossing the Monster Kaaron Warren Island of Sin Jack Murphy An Interview with Chuck Wendig Beth Tabler The Tesseract Evan Marcroft An Interview with Paul Tremblay Beth Tabler The Jewels of the Mermaids Marisca Pichette The Case for Conflict Sadie Hartmann Tubes Jeremy C. Shipp An Interview with Graham Masterton 2 Beth Tabler Gingerbread Lindsay King-Miller 3 From the Editor BETH TABLER Hey, there. My name is Beth Tabler, and I am guest editing the horror crossover issue of Grimdark Magazine. As a young connoisseur of all horror and science fiction movies inappropriate for my age, I remember seeing Poltergeist for the first time when I was seven years old. I had snuck down to the television while my folks were sleeping. I never quite got over demonic trees, clowns, and an old woman screaming, "Carol Anne." I remember reading my first Stephen King book, Salem's Lot, at 12. I knew at that moment that my reading life would never be the same. I remember the first grimdark book I read at 25; it was Mark Lawrence’s Prince of Thorns, by the way. I realized sometimes heroes aren't heroic, bad guys can be protagonists, and life is full of a lot more gray than I had thought. Horror and grimdark are a part of who I am and how I see the world. They are my jam. The themes of horror and grimdark have always gone hand in hand. But often, a thin gray line separates the two, a place where the story does not fall one way or another but sits on that terrifying spot between the two, where you can't quite tell what is what.
    [Show full text]
  • 1001 Classic Commercials 3 DVDS
    1001 classic commercials 3 DVDS. 16 horas de publicidad americana de los años 50, 60 y 70, clasificada por sectores. En total, 1001 spots. A continuación, una relación de los spots que puedes disfrutar: FOOD (191) BEVERAGES (47) 1. Coca-Cola: Arnold Palmer, Willie Mays, etc. (1960s) 2. Coca-Cola: Mary Ann Lynch - Stewardess (1960s) 3. Coca-Cola: 7 cents off – Animated (1960s) 4. Coca-Cola: 7 cents off – Animated (1960s) 5. Coca-Cola: “Everybody Need a Little Sunshine” (1960s) 6. Coca-Cola: Fortunes Jingle (1960s) 7. Coca-Cola: Take 5 – Animated (1960s) 8. Pet Milk: Mother and Child (1960s) 9. 7UP: Wet and Wild (1960s) 10. 7UP: Fresh Up Freddie – Animated (1960s) 11. 7UP: Peter Max-ish (1960s) 12. 7UP: Roller Coaster (1960s) 13. Kool Aid: Bugs Bunny and the Monkees (1967) 14. Kool Aid: Bugs Bunny and Elmer Fudd Winter Sports (1965) 15. Kool Aid: Mom and kids in backyard singing (1950s) 16. Shasta Orange: Frankenstein parody Narrated by Tom Bosley and starring John Feidler (1960s) 17. Shasta Cola: R. Crumb-ish animation – Narrated by Tom Bosley (1960s) 18. Shasta Cherry Cola: Car Crash (1960s) 19. Nestle’s Quick: Jimmy Nelson, Farfel & Danny O’Day (1950s) 20. Tang: Bugs Bunny & Daffy Duck Shooting Gallery (1960s) 21. Gallo Wine: Grenache Rose (1960s) 22. Tea Council: Ed Roberts (1950s) 23. Evaporated Milk: Ed & Helen Prentiss (1950s) 24. Prune Juice: Olan Soule (1960s) 25. Carnation Instant Breakfast: Outer Space (1960s) 26. Carnation Instant Breakfast: “Really Good Days!” (1960s) 27. Carnation: “Annie Oakley” 28. Carnation: Animated on the Farm (1960s) 29. Carnation: Fresh From the Dairy (1960s) 30.
    [Show full text]
  • Lamplight-V1i1.Pdf
    Editor’s Note Hello, hello! It occurred to me that in this new age of digital marketing and online sales that one of the most basic elements to a magazine was going to be missed: flipping through a copy on the newsstand. So here is a taste, if you will, of what you can find in LampLight. Our first issue, which is free, presented here as it would be in print This is the actual layout file used for our print edition (minus this note, of course), allowing you an idea of what you’ll get in the paper copies I hope you’ll enjoy this issue, and check out more of them. We’ve had Mercedes Yardley, Mary SanGiovanni, Kealan Patrick Burke, Normal Prentiss and more, all featured in LampLight. Thank you for reading LampLight Magazine. -j Jacob Haddon January 2015 http://lamplightmagazine.com LampLight Table of Contents A Quarterly Magazine Featured Artist, Robert Ford of Dark Fiction Early Harvest 1 Interview with Jeff Heimbuch 7 Volume 1 Issue 1 Fiction September 2013 The Kelp - William Meikle 11 Elgar’s Zoo - Nathan Yocum 19 Published by Apokrupha No Victims - Rahul Kanakia 27 Memories of the Knacker's Yard - Ian Creasey 31 Summer Break - Mandy DeGeit 44 Jacob Haddon, Editor Katie Winter, Assistant Editor Serial Novella - Kevin Lucia Paula Snyder, Cover and And I Watered It With Tears, Part I 46 Masthead Design ISBN: 978-1493585915 Shadows in the Attic - J.F. Gonzalez Reprint Anthologies 52 All stories copyright respective author, 2012 LampLight Classics An Occurrence at Owl Creek Bridge - lamplightmagazine.com Ambrose Bierce 57 apokrupha.com Writer’s Bios 64 Follow us on Facebook Subscriptions facebook.com/lamplightmagazine Would you like LampLight sent to you in your email? Or on Twitter For $10 a year (that’s 4 issues!) get LampLight sent to you directly twitter.com/lamplightmag in any ebook format.
    [Show full text]
  • Wildflower Girl
    Wildflower Girl By Dana Stewart Quinney Hidden Shelf Publishing House P.O. Box 4168, McCall, ID 83638 www.hiddenshelfpublishinghouse.com Copyright © 2019, Dana Stewart Quinney Hidden Shelf Publishing House All rights reserved Cover photo: Dana Quinney as a child Graphic design: Allison Kaukola (back cover), Kristen Carrico (front cover) Interior layout: Kerstin Stokes Editor: Carol Anne Wagner Library of Congress Cataloguing-in-Publication Data Quinney, Dana Stewart Wildflower Girl ISBN: 978-1-7338193-0-5 Printed in the United States of America WILDFLOWER GIRL “When Dana was three years old, she mastered a somersault, a monumental time in her young life. She wanted to remember that somersault forever, and her Mom taught her a way. She applied the same method toward remembering all the important events in her life. They are assembled together in this captivating compi- lation of short stories. Travel with Danny through these magical times as she witnesses a murder (or did she?) from her secret watching place, finds the stars with her adventuresome father, and almost loses her life in her grandpa’s waders. And, always the botanist and biologist, twenty years after Danny’s grandpa told her that “all of the animals isn’t all found out” she discovers a new species of Fairy Shrimp. I became lost in these fascinating stories.” – Carol Howell, Jade Mist Shetland Sheepdogs “This lovely book of short stories is like a portal, taking the reader back to a simpler, more innocent time in a magical place. It is a place that was real, but unavailable to anyone in today’s world, unless you allow this book to take you there.
    [Show full text]
  • Isions of Paradise
    isions of Paradise #119: Halcyon Days _\\|//_ ( 0_0 ) ___________________o00__(_)__00o_________________ Robert Michael Sabella E-mail: mailto:[email protected]@optonline.net Personal blog: http://adamosf.blogspot.com/ Sfnal blog: http://visionsofparadise.blogspot.com/ Available online at http://efanzines.com/ Copyright ©October, 2007, by Gradient Press Available for trade, letter of comment or request Trinlay Khadro P.O. Box 240934 Brown Deer, WI 53224_0934 May 5, 2007 Milwaukee fan Leah Fisher, one of my first friends when I moved to Milwaukee, came down with shingles at a con about a year ago. She’s doing fine, and I managed not to catch it despite sitting next to her at a social night just before she left for the con. Megumi and Seimei are getting along fine. If one is lucky, one might catch them snuggling or grooming each other...but nothing they’d admit to. ( September 30, 2007: On the UP side, we'll soon be moving from our micro-apartment to a small house, which is about 1 bedroom larger, and has a basement! So I'll probably wear myself out, and have trouble recovering, but this time it's for ME and I'll have lots of friends helping with packing, moving and unpacking. Do let people know I'll be getting to Windycon, and maybe a few other cons over the next year or so... and need information about cons so that I can send things to the art shows, even if they're too far for me to get to. [Jean and I have always thought that Misty and Tiger, who never socialize together when any of us are around, sometimes stay together when we’re on vacation, mostly out of loneliness and the need for companionship than true friendship.
    [Show full text]
  • The Outer Limits Premiere Edition Checklist
    The Outer Limits Premiere Edition Checklist Base Cards # Card Title [ ] 01 Cold Hands, Warm Heart [ ] 02 Cold Hands, Warm Heart [ ] 03 Cold Hands, Warm Heart [ ] 04 Cold Hands, Warm Heart [ ] 05 Cold Hands, Warm Heart [ ] 06 Cold Hands, Warm Heart [ ] 07 Cold Hands, Warm Heart [ ] 08 Cold Hands, Warm Heart [ ] 09 Cold Hands, Warm Heart [ ] 10 The Invisible Enemy [ ] 11 The Invisible Enemy [ ] 12 The Invisible Enemy [ ] 13 The Invisible Enemy [ ] 14 The Invisible Enemy [ ] 15 The Invisible Enemy [ ] 16 The Invisible Enemy [ ] 17 The Invisible Enemy [ ] 18 The Invisible Enemy [ ] 19 The Galaxy Being [ ] 20 The Galaxy Being [ ] 21 The Galaxy Being [ ] 22 The Galaxy Being [ ] 23 The Galaxy Being [ ] 24 The Galaxy Being [ ] 25 The Galaxy Being [ ] 26 The Galaxy Being [ ] 27 The Galaxy Being [ ] 28 The Sixth Finger [ ] 29 The Sixth Finger [ ] 30 The Sixth Finger [ ] 31 The Sixth Finger [ ] 32 The Sixth Finger [ ] 33 The Sixth Finger [ ] 34 The Sixth Finger [ ] 35 The Sixth Finger [ ] 36 The Sixth Finger [ ] 37 It Crawled Out of the Woodwork [ ] 38 It Crawled Out of the Woodwork [ ] 39 It Crawled Out of the Woodwork [ ] 40 It Crawled Out of the Woodwork [ ] 41 It Crawled Out of the Woodwork [ ] 42 It Crawled Out of the Woodwork [ ] 43 It Crawled Out of the Woodwork [ ] 44 It Crawled Out of the Woodwork [ ] 45 It Crawled Out of the Woodwork [ ] 46 Demon with a Glass Hand [ ] 47 Demon with a Glass Hand [ ] 48 Demon with a Glass Hand [ ] 49 Demon with a Glass Hand [ ] 50 Demon with a Glass Hand [ ] 51 Demon with a Glass Hand [ ] 52 Demon with a
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]