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Current Magazines
CURRENT MAGAZINES Geor~e Meredith:-MRS. R. H. Gretton. in the Contemporary. Geor~e Meredith; A Vindication:-Mr. R. E. G. George. in the Fortnightly. G. M., A Reminiscence:-Mr. T. Hardy. in the Nineteenth Century. THERE was a delightful custom long ago, in such magazines as The Edinburgh Review, under which a writer took the titles of certain recent publications as a pretext for discoursing himself on the same subject. He used them as a preacher often uses his text. After a courteous but somewhat distant salaam to the author cited, he indulged himself in even more than the latitude of treat ment which is understood to be "homiletic licence." This ancient privilege will here be revived, and some reflections will be offered about George Meredith who occupies so great a place in the current magazines. Of those critks who have recently discussed him. and whose names stand at the head of this article, nothing more need be said than that their estimates will be read with general pleasure. and that the enthusiasm they show is part of their country's long deferred discharge of debt to one of the very greatest but less appreciated of the Victorians. i I The centenary of Meredith's birth falls in the same yelr in which we keep a like anniversary for Tolstoy and for Ibsen. To anticipate the inevitable criticism, let the reader be warned at once that it is only a few sides, and these by no means the most com mendable, of Meredith which will here be noted. His genius has been extolled again and again. -
George Meredith, His Life, Genius & Teaching
IS mttmmaxBi ill Ill r.K i&ZjL - V f GEORGE MEREDITH GEORGE MEREDITH HIS LIFE, GENIUS & TEACHING FROM THE FRENCH OF GONSTANTIN PHOTIADES RENDERED INTO ENGLISH :: BY ARTHUR PRICE :: NEW YORK CHARLES SCRIBNER'S SONS 1913 CONTENTS CHAPTER r*u* 1 I. A Visit to Flint Cottage (22nd September, 1908) II. George Meredith's Life . .25 III. George Meredith's Genius . -7° IV. George Meredith's Art . .164 V. George Meredith's Teaching . .199 Conclusion . -249 GEORGE MEREDITH CHAPTER I A VISIT TO FLINT COTTAGE (22ND September, 1908) arriving at George Meredith's home, at Box ONHill, near Dorking, one showery afternoon at the end of September, I found a pretty country house, quite different from the luxurious retreats inhabited by those fashionable French writers who are well assured of their fame. Many wealthy tradesmen possess villas far more pretentious on the outskirts of Paris or of London. But the charm of Flint Cottage lies in its absolute simplicity. The little house, where Meredith had lived for forty years, is situated half-way up a slope which inclines slowly firs little towards a wood of ; a garden, admirably kept, surrounds it. When I entered the garden, the convolvuluses were more than half-closed and the first drops of rain fell noiselessly upon the grassy hill-side. It autumn and the slopes of the was ; day 2 GEORGE MEREDITH was calm and fresh. A light breeze just swayed the leaves of the lime trees and the elms, which had begun to turn colour. The blackberries were already laurel ripe upon the brambles ; and from the hedges exhaled a bitter odour. -
The Moral Problem in the Novels of George Meredith Its Intellectual Basis and Its Aesthetic Validity
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1947 The Moral Problem in the Novels of George Meredith Its Intellectual Basis and Its Aesthetic Validity M. Aloise Jones Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Literature in English, British Isles Commons Recommended Citation Jones, M. Aloise, "The Moral Problem in the Novels of George Meredith Its Intellectual Basis and Its Aesthetic Validity" (1947). Master's Theses. 632. https://ecommons.luc.edu/luc_theses/632 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1947 M. Aloise Jones THE 'MORAL PROBLEM IN THE NOVELS OF GEORGE MEREDITH ITS INTELLECTUAL BASIS AND ITS AESTHETIC V1\LIDITY BY SISTER M. ALOISE JONES, O.P. A THESIS SUBMITTED m PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LOYOLA UNIVERSITY FEBRUARY, 1947 T.ABIE OF CONTENTS CHAPTER PAGE INTRODUCTION • • • • • • • • • • • • • • • • • • • • • l I. EARLY INFLUENCES IN THE FORMATION OF MEREDITH'S CONCEPTIONS OF NATURE, SOCIETY, AND MAN • • • • • 16 Home environment - English influences - His debt to Germany - The influence of France II. PRINCIPLES OF EVOLUTION AS THE BASIS OF MEREDITH'S MORAL AND ETHICAL IDEAS • • • • • • • • • • • • • 21 BY conscious, intellectual striving, each individ- ual must contribute to the progress of the race - Necessity of traditional morality - Solution of the Problem - source of inspiration III. -
Bullough Collection.Doc
Special Collections and Archives: Bullough Collection This collection comprises around 550 nineteenth-century novels, and was assembled specifically for the purpose of studying dialogue. It was donated to the National Centre for English Cultural Tradition at the University of Sheffield in July 1981 by Professor Geoffrey Bullough, Professor of English Literature at the University of Sheffield from 1933 to 1946, and transferred to the University Library’s Special Collections department in 2007. Abbott, Edwin A. (Edwin Abbott), 1838-1926 Silanus the Christian ; by Edwin A. Abbott. - London : Adam and Charles Black, 1906. [x4648933] BULLOUGH COLLECTION 1 200350616 Abbott, Jacob Rollo at work and Rollo at play ; by Jacob Abbott. - London : Dent, [19--?]. - (Everyman's library). [z1799732] BULLOUGH COLLECTION 2 200350617 Alain-Fournier, 1886-1914 The wanderer = (le grand meaulnes) ; (by) Alain-Fournier ; translated from the French by Françoise Delisle. - London : Constable, [19--]. [M0010805SH] BULLOUGH COLLECTION 3 200350618 Alcott, Louisa M. (Louisa May), 1832-1880 Little women, and, Little women wedded = or, Meg, Jo, Beth, and Amy ; by Louisa M. Alcott. - London : Sampson Low, Marston, [19--?]. [M0010807SH] BULLOUGH COLLECTION 4 200350619 Allen, Grant, 1848-1899 The woman who did ; by Grant Allen. - London : John Lane, 1895. [x5565072] BULLOUGH COLLECTION 5 200350620 Ashford, Daisy, 1881-1972 The young visiters or, Mr. Salteenas plan ; by Daisy Ashford. - London : Chatto & Windus, 1919. [x360339x] BULLOUGH COLLECTION 6 200350621 Atherton, Gertrude American wives and English husbands ; (by) Gertrude Atherton. - London : Collins, [190-?]. [x7458073] BULLOUGH COLLECTION 7 200350622 Atherton, Gertrude The Californians ; by Gertrude Atherton. - Leipzig : Bernhard Tauchnitz, 1899. [M0010817SH] BULLOUGH COLLECTION 8 200350623 1 Bullough Collection Austen, Jane, 1775-1817 Emma : a novel ; by Jane Austen. -
Copyright 2014 Renée Chérie Clark
Copyright 2014 Renée Chérie Clark ASPECTS OF NATIONAL IDENTITY IN THE ART SONGS OF RALPH VAUGHAN WILLIAMS BEFORE THE GREAT WAR BY RENÉE CHÉRIE CLARK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Associate Professor Christina Bashford, Chair Associate Professor Gayle Sherwood Magee Professor Emeritus Herbert Kellman Professor Emeritus Chester L. Alwes ABSTRACT This dissertation explores how the art songs of English composer Ralph Vaughan Williams (1872-1958) composed before the Great War expressed the composer’s vision of “Englishness” or “English national identity”. These terms can be defined as the popular national consciousness of the English people. It is something that demands continual reassessment because it is constantly changing. Thus, this study takes into account two key areas of investigation. The first comprises the poets and texts set by the composer during the time in question. The second consists of an exploration of the cultural history of British and specifically English ideas surrounding pastoralism, ruralism, the trope of wandering in the countryside, and the rural landscape as an escape from the city. This dissertation unfolds as follows. The Introduction surveys the literature on Vaughan Williams and his songs in particular on the one hand, and on the other it surveys a necessarily selective portion of the vast literature of English national identity. The introduction also explains the methodology applied in the following chapters in analyzing the music as readings of texts. The remaining chapters progress in the chronological order of Vaughan Williams’s career as a composer. -
Penguin Classics
PENGUIN CLASSICS A Complete Annotated Listing www.penguinclassics.com PUBLISHER’S NOTE For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world, providing readers with a library of the best works from around the world, throughout history, and across genres and disciplines. We focus on bringing together the best of the past and the future, using cutting-edge design and production as well as embracing the digital age to create unforgettable editions of treasured literature. Penguin Classics is timeless and trend-setting. Whether you love our signature black- spine series, our Penguin Classics Deluxe Editions, or our eBooks, we bring the writer to the reader in every format available. With this catalog—which provides complete, annotated descriptions of all books currently in our Classics series, as well as those in the Pelican Shakespeare series—we celebrate our entire list and the illustrious history behind it and continue to uphold our established standards of excellence with exciting new releases. From acclaimed new translations of Herodotus and the I Ching to the existential horrors of contemporary master Thomas Ligotti, from a trove of rediscovered fairytales translated for the first time in The Turnip Princess to the ethically ambiguous military exploits of Jean Lartéguy’s The Centurions, there are classics here to educate, provoke, entertain, and enlighten readers of all interests and inclinations. We hope this catalog will inspire you to pick up that book you’ve always been meaning to read, or one you may not have heard of before. To receive more information about Penguin Classics or to sign up for a newsletter, please visit our Classics Web site at www.penguinclassics.com. -
Comic Elements and Their Effect on Meaning in George Meredith, Ford Madox Ford, and D
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1998 Comic Elements and Their Effect on Meaning in George Meredith, Ford Madox Ford, and D. H. Lawrence Helen Vincenza Garvey Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Garvey, Helen Vincenza, "Comic Elements and Their Effect on Meaning in George Meredith, Ford Madox Ford, and D. H. Lawrence" (1998). Dissertations. 3736. https://ecommons.luc.edu/luc_diss/3736 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1998 Helen Vincenza Garvey LOYOLA UNIVERSITY CHICAGO COMIC ELEMENTS AND THEIR EFFECT ON MEANING IN GEORGE MEREDITH, FORD MADOX FORD, AND D. H. LAWRENCE VOLUME I A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH BY HELEN VINCENZA GARVEY CHICAGO, ILLINOIS JANUARY 1998 Copyright by Helen Vincenza Garvey, 1998 All rights reserved. ACKNOWLEDGMENTS I wish to give thanks first and foremost to God, who through his Blessed Mother, answered my prayers for enlightenment, tenacity, and the help necessary to complete this dissertation. On a less ethereal plane, I wish to give special thanks to my husband, David S. Garvey, who through God's grace endured much to provide the help and support needed for me to finish my work; he is also solely responsible for formatting this dissertation to the required specifications. -
George Meredith:Woman's Champion?
Ghent University Faculty of Arts and Philosophy George Meredith: Woman’s Champion? Supervisor: Paper submitted in partial Prof. Dr. Marysa Demoor fulfilment of the requirements for the degree of “Master in de Taal- en Letterkunde: English-Dutch” by Marie Spruyt May 2016 George Meredith: Woman’s Champion? Marie Spruyt TABLE OF CONTENTS INTRODUCTION ...................................................................................................................... 1 1. MEREDITH’S FICTION ................................................................................................ 6 a. THE ORDEAL OF RICHARD FEVEREL (1859) ................................................... 9 b. THE EGOIST (1879) ............................................................................................. 13 c. DIANA OF THE CROSSWAYS (1885) .................................................................. 16 d. LORD ORMONT AND HIS AMINTA (1894) ........................................................ 19 2. MEREDITH’S IDEAS .................................................................................................. 23 a. MARRIAGE AS AN INSTITUTION ................................................................... 24 b. THE DEVELOPING WOMAN ............................................................................ 28 c. THE EDUCATION OF WOMEN ........................................................................ 32 d. SEXUAL RELATIONSHIPS ................................................................................ 35 3. VICTORIAN SOCIETY -
The Heroines of George Meredith
HEROINES OF GEORGE MEREDITH TH E H E RO I N ES O F GEO RGE M E R E D I TH WITH TWENTY MINIATU RES IN COLOU RS H E R BE RT BE D FO R D H OD D ER AND STOUGH TO N IL L USTRATION S THE COU NTESS LIVIA (fro m T/ze Ama z ing M a rriage) F R ONT I SPI E CE FROM THE ORDEAL OF RICHARD PEVEREL C Y I . LU M Rs . B II . ELLA MOUNT FROM EVAN HARRIN GTON III . CAROLINE H E IV . LOUISA (T COUNTESS DE SALDAR) C Y V . ROSE JO EL N SANDRA BELLONI I L L USTRATIONS P AG E FROM RHODA FLEMIN G H VII . R ODA D AII LI A VIII . V IX . MARGARET LO ELL FROM VITTORIA PI AVE NI X . LAURA FROM TH E ADVENTU RES OF HARRY RICHMOND TH E P XI . LITTLE RIN CESS OTTILIA FROM BEAU CHAM P ’ S CAREER E C R OI SNEL XII . REN E DE FROM THE EGOI ST C XIII . LARA MIDDLETON LJE T I T I A XIV . DALE ILL USTRATIONS PAGE FROM DIANA O F THE CROSSWAYS W W CK XV . DIANA AR I L Y D UNSTANE XVI . AD FROM ONE OF OU R CON ! U ERORS C XVII . NESTA VI TORIA FROM LORD ORMONT AND HI S AMINTA XVIII . AMINTA 1 5 2 FROM THE AMAZ IN G MARRIAGE H XIX . CARINT IA JANE 1 6 0 TH E V XX . COUNTESS LI IA FRONTISP IEC E I N T R O D U C T I O N ' ’ Geo r e M erea it/z s H /Ie ia rzce to Femin ism g g . -
George Meredith in Anecdote and Criticism
CORNELL UNIVERSITY LIBRARY r8"yLlbrary PR5U 13.ri2TW G edltn in anecdote and criticls ?miX 1 !!!,SI Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31 92401 3524529 GEORGE MEREDITH IN ANECDOTE AND CRITICISM From she photogi aph by Thomson ' George Meredith IN ANECDOTE AND CRITICISM ^ BY J? a\ hammerton ' AUTHOR OF « STEVENSONIANA ILLUSTRATED WITH REPRODUCTIONS FROM PHOTOGRAPHS AND FROM DRAWINGS ST FAMOUS ARTISTS 'mS'- °. K (\ NEW YORK MITCHELL KENNERLEY LONDON : GRANT RICHARDS 1999 ri L I cTI *\ y*~ ??S W" RlCHAKD CLAV AND SONS, LIMITED, BKEAD STREET HILL, E.C., AND BUNGAY, SUFFOLK. 2 2.^7$ PREFACE As each great writer moves to fame, his way is marked and its stages heralded by a succession of critical utterances. These become, as it were, rallying points and battle-cries of his partisans ; discussion crystallises round them ; they strike the key-notes for interpreters. Hence the importance, or the biographer and literary student, of histories of critical opinion. These words, taken from an old review, might very well be allowed to stand as an ' apology ' for the present volume. They give in happy and convincing phrase an excellent reason for such a work as that here attempted. The author's purpose has been to follow the career of a great figure in modern letters with some measure of critical detachment, that the result might be to disengage from the vast mass of contemporary criticism an even-tempered and well-considered estimate of the man and his work. -
MEREDITH and the ENGLISH NOVEL* by G. A. WILKES at the Time of Meredith's Death in 1909, He and Thomas Hardy Had Come to Be Rega
MEREDITH AND THE ENGLISH NOVEL* By G. A. WILKES T the time of Meredith's death in 1909, he and Thomas Hardy had come to be A regarded as the two dominant novelists of the later nineteenth century. By 1927, however, when E. M. Forster referred to Meredith in his Clark lectures, he remarked that his reputation was now" rather in the trough of a wave '',1 and by the 1940'S it was becoming clear that Meredith and Hardy were no longer the two major figures of late nineteenth-century fiction-that position was held instead by Henry James and Joseph Conrad. The" dislodgement" of Meredith was finally effected in 1948, when Dr. Leavis formally expelled him from" the great tradition" of the English nove1. 2 As Fielding, Richardson, Dickens, Thackeray and Hardy fell under the same sentence, this may not be a judgement to compel assent, but it does indicate the critical trend. We now have a situation not unfamiliar in literary criticism, where it is possible for a critic to regard Meredith of no account, and to feel a certain security, a degree of satisfaction with his critical principles in doing so, even though he may never have read anything that Meredith wrote. The status of Meredith, then, is the problem I wish to explore this evening. The immediate cause of his lapse from favour was that by the turn of the century Meredith's reputation had become insecurely based; he had begun to be valued for the wrong reasons. He was thought of as the patriarch of Box Hill, visited by literary pilgrims who took down his statements on what the nation must do to be saved: the role of author was lost in the role of sage and pundit. -
George Meredith, Some Characteristics
CORNELL UNIVERSITY LIBRARY GIFT OF E.J. Bailey Cornell University Library The original of tiiis bool< is in tile Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013524727 GEORGE MEREDITH SOME CHARACTERISTICS fVt (L GEORGE MEREDITH SOME CHARACTERISTICS BY RICHARD LE GALLIENNE WITH A BIBLIOGRAPHY BY JOHN LANE JOHN LANE THE BODLEY HEAD LONDON AND NEW YORK 1900 5o/4 Av^52.SU FIFTH EDITION, REVISED / Printed by Ballantvne, Hanson <5r» Co. Edinburgh is^ London TO HIM WHO IS THE SUBJECT OF THE FOLLOWING PAGES WE MAKE THIS JOINT OFFERING IN THE HOPE THAT IT MAY SHEW US WORTHY TO BE COUNTED AMONG A CERTAIN " " ACUTE AND HONOURABLE MINORITY Pref;ace The following essays make no attempt either to " place " Mr. Meredith or to be a kind of critical microcosm of his work, nor do they presume to speak with any air of finality thereon. There are but three or four living Englishmen in whom such Olympian attitude would escape the absurd. Nor do I, on the other hand, as I have elsewhere profanely phrased it, come singing "The Mere- dithyramb." My whole attempt is that of a lover of the works to give expression to the faith that is in him, and I have written rather for those who are already spending their lives in a vain endeavour to convert masculinity to The Egoist than in the hope of being myself an instrument of conversion. If the use of writing for those who are already " in the place of hope " be questioned, one may reasonably ask if the most seductive of all literary pleasures does not consist merely in the compar- ing of impressions and sensations.