Jewish Then and Now
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THE MAHARAL of POZNAŃ – the ERA of the POLISH LITHUANIAN COMMONWEALTH, 16Th–18Th CENTURY
COEXIST: POZNAŃ AND JEWS THE MAHARAL OF POZNAŃ – THE ERA OF THE POLISH LITHUANIAN COMMONWEALTH, 16th–18th CENTURY The establishment of a powerful dualistic state of the kingdom of Poland and the grand duchy of Lithuania, which since 1569 bore the name of Rzeczypospolita Obojga Narodów (lit.: Republic of Two Nations), created new conditions for the com- munity to thrive and develop. Given the amount of the coronation tax paid in 1507, the Jewish com- munity in Poznań was the third largest in Poland, after Lvov and the Kazimierz quarter of Cracow. This state of affairs continued until the end of the 18th century, though the recurrent natural disas- ters and numerous wars of the latter half of the 17th century brought many hardships to be faced. For COEXIST: POZNAŃ AND JEWS instance, after the great fires which ravaged the city in 1590 and 1613, Jews had to relocate to the suburbs and live there for a number of years. Yet they returned soon, as by 1619 their quarter boast- ed 134 new dwellings and burgher houses, inhabit- ed by around 1,500 people. The community had its synagogue, school and hospital. One of the prom- inent figures associated with Renaissance Poznań was rabbi Judah Loew ben Bezalel, known as Ma- haral of Prague, alleged creator of the Golem. Born in 1520 and native of Poznań, the famed Talmudist, philosopher, Kabbalist, astrologer, and possibly al- chemist twice assumed the leadership of the local community as a rabbi. The Jews of Poznań and Greater Poland were represented in substantial numbers at the so-called Council of Four Lands (Va’ad Arba’ Aratzot) formed around 1580. -
Finding Golem
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Senior Thesis Projects, 2003-2006 College Scholars 2005 Finding Golem Elizabeth Abbot Follow this and additional works at: https://trace.tennessee.edu/utk_interstp3 Recommended Citation Abbot, Elizabeth, "Finding Golem" (2005). Senior Thesis Projects, 2003-2006. https://trace.tennessee.edu/utk_interstp3/3 This Project is brought to you for free and open access by the College Scholars at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Senior Thesis Projects, 2003-2006 by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. ,i 1 FORMC COLLEGE SCHOlARS PROJECT APPROVAL EhzabettA. Abbo-\-\ Scholar Mentor r; (\ d d\ 3 <; D \e VV\ Project Title COMMITTEE MEMBERS (Minimum 3 Required) Name Signature .~~ 2J7{0I¥J k~ PLEASE ATTACH A COpy OF THE SENIOR PROJECT TO THIS SHEET AND RETURN BOTH TO THE PROGRAM DIRECTOR. THIS PAGE SHOULD BE DATED AND COMPLETED ON THE DATE THAT YOUR DEFENSE IS HELD . ..-:1' i I /" DATE COMPLETED ----.t-S."../-!2-..\0.1 ....... / L_'?_~_ Finding Golem 1 Finding Golem Elizabeth Abbott University of Tennessee Finding Golem 2 Letter to the Reader In our society, we often focus entirely on producing a desired result without taking the process of creation into account. This project, however, is more about the journey taken than the product achieved. Behind all of my research on Golem, personal questions about the roles of language and creativity have motivated my work. The four separate parts of the following project are intended to highlight the distinct paths I have taken over the last two years to get to this point. -
Complete Stories by Franz Kafka
The Complete Stories by Franz Kafka Back Cover: "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. The foreword by John Updike was originally published in The New Yorker. -
Children's Drawings from the Terezín Ghetto, 1942-1944
The Jewish Museum in Prague JMP Explore Permanent collection Children’s Drawings from the Terezín Ghetto, 1942-1944 Children’s Drawings from the Terezín Ghetto, 1942-1944 The exhibition is on the first floor of the Pinkas Synagogue The story of children deported to the Terezín ghetto Comprised of 19 sections, this exhibition outlines the story of Jewish children deported to the Terezín ghetto during the Second World War. In 1941–1945, Terezín served as a way station to the concentration and death camps in the east. The story begins with reflections on the events immediately following 15 March 1939, when Bohemia and Moravia were occupied by the Nazis and transformed into a Protectorate. This is followed by a description of transports to the Terezín ghetto (starting on 24 November 1941), everyday ghetto life and the conditions in the children's homes. There are also depictions of holiday celebrations and of the dreams that the imprisoned children had of returning home or of travelling to Palestine. This section provides a sort of poetic interlude between the brutal uprooting from their homes and deportation to Auschwitz, which is the final and most tragic chapter of the whole story. Friedl Dicker-Brandeis and art classes in Terezín The story is depicted through children’s drawings which were created in the Terezín ghetto between 1942 and 1944. These drawings were made during art classes that were organized by Friedl Dicker-Brandeis (1898–1944), a painter, interior and stage designer, graduate of the Bauhaus, and pupil of Franz Čížek, Johann Itten, Lyonel Feininger, Oskar Schlemmer and Paul Klee. -
Jewish Museum in Prague 2018 Annual Report Obsah
Jewish Museum in Prague 2018 Annual Report Obsah 1 Legal framework for the JMP’s activities and bodies | 2 2 Basic information about the JMP | 4 a) Properties and sites overseen by the JMP | 4 b) Services provided by the JMP | 5 3 Visitor numbers and visitor services | 6 4 Organizational structure and staff | 8 5 Exhibitions | 10 a) Exhibitions at the Robert Guttmann Gallery | 10 b) Exhibitions at the Department for Education and Culture | 11 c) Exhibitions held in co-operation with other institutions | 11 6 Collections and their documentation | 13 a) Care of the collections | 13 b) Collections management | 14 c) Archives | 15 d) Library | 16 e) Shoah History Department | 17 7 Academic and research work | 19 a) Collections Department | 19 b) Shoah History Department | 21 c) Department of Jewish History and Jewish Studies | 22 d) Archives | 24 e) Library | 25 f) Representation in other organizations in the Czech Republic and abroad | 26 8 Preparation of new exhibitions and modernization | 27 9 Acquisitions | 29 10 Educational activities | 31 11 Cultural activities | 34 a) Evening programmes at the Department for Education and Culture | 34 b) Concerts and other cultural events in the Spanish Synagogue | 37 12 Publications | 38 13 Co-operation with institutions | 40 a) Loans | 40 b) Not-for-profit sector, information, consultation and media | 40 c) Involvement in other projects | 41 14 Maintenance and reconstruction | 44 15 Security | 46 16 Investments | 47 17 Grants and donations | 48 18 Finances | 49 Appendix 1 – 2018 budget implementation | 50 Appendix 2 – Profit and loss statement (CZK ’000) | 51 Appendix 3 – Balance sheet (CZK ’000) | 52 Appendix 4 – Staff structure | 53 Appendix 5 – Building repairs and reconstruction (CZK ’000) | 54 Legal framework for the JMP’s activities and bodies The Jewish Museum in Prague (JMP), an association of legal entities with common interests, was reg- istered by the Prague 1 District Authority on the 30th of September 1994. -
How the Golem Came to Prague EDAN DEKEL and DAVID GANTT GURLEY
T HE J EWISH Q UARTERLY R EVIEW, Vol. 103, No. 2 (Spring 2013) 241–258 How the Golem Came to Prague EDAN DEKEL AND DAVID GANTT GURLEY THE LEGEND OF THE G OLEM, the mute clay servant brought to life by Rabbi Judah Loew of Prague and who ran amok one Sabbath, is one of the most enduring and imaginative tales in modern Jewish folklore. Although its roots ultimately lie in late antique rabbinic literature, the story dilates somewhat dramatically in the nineteenth century.1 While 1. On the Golem tradition in general, see Elaine L. Graham, ‘‘Body of Clay, Body of Glass,’’ in Representations of the Post/Human: Monsters, Aliens, and Others in Popular Culture (Manchester, 2002), 84–108; Lewis Glinert, ‘‘Golem: The Making of a Modern Myth,’’ Symposium 55 (2001): 78–94; Peter Scha¨fer, ‘‘The Magic of the Golem: The Early Development of the Golem Legend,’’ Journal of Jewish Stud- ies 46 (1995): 249–61; Moshe Idel, Golem: Jewish Magical and Mystical Traditions on the Artificial Anthropoid (Albany, N.Y., 1990); Emily D. Bilski, Golem! Danger, Deliverance, and Art (New York, 1988); Byron L. Sherwin, The Golem Legend: Ori- gins and Implications (Lanham, Md., 1985); Gershom Scholem, ‘‘The Idea of the Golem,’’ in On the Kabbalah and Its Symbolism (New York, 1965), 158–204; Fred- eric Thieberger, The Great Rabbi Loew of Prague: His Life and Work and the Legend of the Golem (London, 1955); Hans L. Held, Das Gespenst des Golem (Munich, 1927); Chaim Bloch, Der Prager Golem (Berlin, 1920); Konrad Mu¨ ller, ‘‘Die Golemsage und die Sage von der lebenden Statue,’’ Mitteilungen der Schlesischen Gesellschaft fu¨r Volkskunde 20 (1919): 1–40; Nathan Gru¨ n, Der hohe Rabbi Lo¨w und sein Sagenkreis (Prague, 1885); and passim the various essays in Alexander Putik, ed., Path of Life: Rabbi Judah Loew ben Bezalel (Prague, 2009). -
The Europe Trip
TEMPLE ISAIAH • HERITAGE JOURNEY TO PRAGUE, KOLIN AND BERLIN • LED BY CANTOR LISA DOOB GE JOURN A 2 0 2 0 E IT 2 3 , Y R 6 - E 1 i l H r H p A IA A S I E THE L P EUROPE M E TRIP T TOLL FREE 888-811-2812 | Search on arzaworld.com for more details 888.811.2812 New York: 500 7th Ave | 8th Floor | New York, NY 10018 Prague: Soukenicka 1194/13 | 110 00 Prague 1 | Czech Republic Jerusalem: 19 Washington Street | P.O. Box 71047 | Jerusalem, Israel 9171000 Tel Aviv: 6 Beit Hillel Street | Tel Aviv, Israel 6701709 YOUR TOUR EDUCATOR Every journey we offer is accompanied by a Tour Educator (TE) who brings your itinerary to life. Some of our TE’s have decades of firsthand experience leading people to particular places. Your TE will provide you with an authentic understanding of the locations you will visit, will introduce you to the locals, and will share his/her enthusiasm and passion for the local culture. The result is a journey that transforms your understanding of a place, connecting you to the people and places you encounter in a way that is palpable and unforgettable. Our TE's are like no other: intelligent, knowledgeable, engaging and fun. They will become an indispensable part of your experience and some might just become lifetime friends. OUR TRIP APRIL 16-23, 2020 FROM $2,995 LAND ONLY HIGHLIGHTS A journey of inspiration and education Connect to Jewish history in Prague, Kolin, and Berlin Bauer Villa, Prague's Castle District, and Berlin’s Brandenburg Gate: European gems Explore Czech and European art Shabbat in Prague Outstanding service with expert tour educator DAY 1 DEPARTURE were buried here. -
Czech Republic Today
Rich in History 1 2 Magic Crossroads Whenever European nations were set in motion, they met in a rather small area called the Czech Republic today. Since the early Middle Ages, this area was crossed by long trade routes from the severe North to the sunny South; at the beginning of the first millennium, Christianity emerged from the West, and at its end communism arrived from the East. For six hundred years, the country was an independent Czech kingdom, for three hundred years, it belonged among Austro-Hungarian Empire lands, and since 1918 it has been a republic. In the 14th century, under the Bohemian and German King and Roman Emperor Charles IV, as well as in the 16th century under the Emperor Rudolf II, the country enjoyed a favourable position in European history and also played a great role internationally in the arts and in social affairs. In 1989, the whole world admired the Czechoslovak “velvet revolution” lead by charismatic dramatist Václav Havel, which put an end to socialist experimentation. Numerous famous architects, who built Romanesque churches in Germany but were no longer commissioned to build in their home countries due to the coming Gothic period, succeeded there; at the same time, the French type of Gothic architecture took root in Bohemia. A number of Italian Renaissance or Baroque architects, painters and sculptors, who crossed the Alps to find new opportunity for creating master works and look for well-paid jobs, were hired by members of Czech nobility and clergy; astonished by the mastery of Czech builders and craftsmen with whom they cooperated, they created wonderful castles and breathtaking Catholic churches. -
Where to Go 365 90 Dní Dní V Praze Na February – April 2020 Moravě S Dětmi 2 I-Prague What’S Going on in Prague
information and sights Pragi Praguei where to go 365 90 dní dní v Praze na february – april 2020 Moravě s dětmi 2 i-Prague What’s Going On in Prague DEPARTMENT Free admission to the National Gallery • a chance to see the collections on exhibit free of charge National Gallery, 1 and 2 February, 29 March www . ngprague.cz Holiday World • 29th annual central European tourism trade fair, presenting leisure opportunities STORE in the Czech Republic and at foreign destinations • PVA EXPO Prague, from 13 to 16 February www . holidayworld.cz Luboš Andršt & Energit • an appearance by the jazz and blues guitarist with a band Malostranská beseda, 3 March www . malostranska-beseda.cz Observatory • daytime and evening observations of the sun, moon, planets, and other celestial objects • Prague Planetarium, various dates www . planetum.cz Onegin • a ballet production based on A. S. Pushkin’s famed novel in verse National Theatre, various dates www . narodni-divadlo.cz SHOP UNIQUE Dan Bárta & Illustratosphere • a concert by the award-winning Czech multi-genre musician Archa Theatre, 15 March www . divadloarcha.cz PRODUCTS Czech Portraits over Two Centuries • an exhibition of portrait paintings from the period of High Classicism to the present • Prague Castle, until 22 March www . kulturanahrade.cz & BRANDS! Soup Festival • a tasting of soups from around the world and of soups typical of this country • Hořejší nábřeží, 7 March www . facebook.com/foodeventcz Stoves from Špaček • an exhibition of tiles and stove-making in Prague during the Renaissance • House at the Golden Ring, to 29 March www . muzeumprahy.cz I’m Here • an exhibition of works by the contemporary Czech visual artist Jiří David • DOX Centre for Contemporary Art, until March www . -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Israeli Educational Programs 44 Centropa Staff 68 North American Public Schools 50 North American Jewish Schools 56
WHERE NEW TECHNOLOGIES MEET THE OLD-FASHIONED ART OF STORYTELLING 1 CENTROPA ANNUAL REPORTS 2012 & 2013 WHEN I WAS A BOY, I WOULD LISTEN TO THE STORIES OF THE ELDERS OF MY TRIBE Nelson Mandela 2 CENTROPA ANNUAL REPORT 2012 & 2013 3 THE CENTROPA ANNUAL Report 2012–2013 TABLE OF CONTENTS PART 01 PART 02 PART 03 PART 04 Centropa In 2012 & 2013 06 Exhibition Openings And Public Readings 14 Centropa Education Programs 24 Expenses 2012 & 2013 62 The Only Oral History Institute With A Social Club 10 The Re-Discovery Of A Lost Master Of Photography 16 European Public Schools 26 Income 2012 & 2013 64 The Ones We Lost In 2012 And 2013 12 Centropa.org – A Jewish Museum That Visits You 18 Centropa Balkan Network 32 Donors 2012 & 2013 65 Centropa Film Program 22 CJN: The Centropa Network Of European Jewish Schools 38 Advocacy 67 Israeli Educational Programs 44 Centropa Staff 68 North American Public Schools 50 North American Jewish Schools 56 4 CENTROPA ANNUAL REPORT 2012 & 2013 5 INTRODUCTION This annual report describes Centropa’s activities from January 2012 until the end of six, times or more, and most interviews lasted between six to twenty hours. We never 2013. The figures on the opposite page provide a glimpse of our accomplishments, used video in those interviews. Rather, we audio-taped and transcribed every word, which translate into thousands of students in twenty countries learning about other then digitized their family pictures while we quizzed them about the people in those CENTROPA IN 2012 AND 2013 cultures and working with students across borders and oceans; educators in those pictures: who are they; what’s going on here; whose wedding/school class/dinner countries creating projects that teach tolerance over intolerance, civic values over table is that; what happened to all these people and where are they now? prejudice and compassion for others. -
Updated Policy of the City of Prague for the Integration of Foreign Nationals
Annex No. 1 to the resolution of the Prague City Assembly No. 33/45 dated 25 January 2018 Updated Policy of the City of Prague for the Integration of Foreign Nationals Updated in cooperation with the Prague City Hall, Integration Centre Prague o.p.s., cooperating organizations and institutions1 in the period from October 2016 to December 2017. The update of the Policy of the City of Prague for the Integration of Foreign Nationals was coordinated within the project by the Integration Centre Prague (AMIF/1/02 and AMIF/10/03) with the financial support of the national program of the Asylum, Migration and Integration Fund and the budget of the Ministry of the Interior of the Czech Republic. FINANCED BY THE EUROPEAN UNION MINISTRY OF THE ASYLUM, MIGRATION AND INTEGRATION INTERIOR OF THE CZECH FUND REPUBLIC 1 List of all cooperating organizations and institutions in Annex No. 1: Overview of organizations and institutions working together on the update of the Prague policy. 2 Contents List of abbreviations used .................................................................................................................................. 4 List of tables ....................................................................................................................................................... 5 Foreword ........................................................................................................................................................... 6 Introduction ......................................................................................................................................................