Logos Vol7 Full.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Load more

LOGOS A Journal of Undergraduate Research Volume 7 Fall 2014 Editorial Statement • iii Editorial Statement LOGOS: A Journal of Undergraduate Research is dedicated to the publication © Copyright 2014 of scholarship and artistry by undergraduate students (or undergraduate stu- Missouri State University dents coauthoring with faculty) of Missouri State University. It is open to submissions from all undergraduate students at the university and conforms ISSN 2153-1560 (print) to the highest standards of scholastic integrity in a blind, peer-review process ISSN 2153-1579 (online) conducted by distinguished undergraduate students and faculty. LOGOS LOGOS is sponsored by the Missouri State Honors College, with faculty Honors College oversight and governance provided by a Faculty Advisory Board. The journal Missouri State University is produced by a managing editor, a chief editor, associate editors, and a small 901 South National Avenue student editorial board, all of whom are part of the Honors College. Springfield, MO 65897 [email protected] LOGOS encourages submissions from all undergraduate students of Missouri State University (or former undergraduate students) who are seek- ing a professional venue for publication of their undergraduate research. Prospective contributors may contact the editor and associate editors with specific questions about publication standards and the peer review process at [email protected]. iv • LOGOS: A Journal of Undergraduate Research Editorial Staff Managing Editors: Jade Johnson, Hanna Landgrebe Chief Editor: Lydia Welker Copy Editor: Ana Berkovich Faculty Advisory Board John F. Chuchiak IV, Ph.D: Director of the Honors College / Professor, Department of History, College of Humanities and Public Affairs Tracy Dalton: Senior Instructor, Department of English, College of Arts and Letters Joshua J. Smith, Ph.D: Associate Professor, Department of Biomedical Dedication Sciences, College of Health and Human Services In Memory of Kyle Chown (1993-2014): A dedicated student, aspiring researcher, and a friend to many. Associate Editors Ana Berkovich Debra Horn Claire Bise Tucker Robinson Lauren Davison Jesse Speer Mary Haller Kathleen Sanders Peer Reviewers Elizabeth Armbrecht Dan Jones Preston Pederson Kyle Chown Bethany Kelly Shaylynn Rackers Shannon Dulz Erin Kroeger Daniel Senn Rachelle Hayes Haesoo Moon Faculty Reviewers Dr. Leslie Baynes Dr. Jane Hoogestraat Dr. Kevin Pybas Dr. Daniel Beckman Mara Cohen Ioannides Dr. Pamela Sailors Joseph Borovicka Dr. Judith John Dr. Joshua Smith Dr. Amanda Brodeur Dr. Andrew Johnson Dr. Elizbeth Sobel Dr. Marcus Cafagna Dr. Catherine Jolivette Andrea Taylor Sherry Cook Dr. Lanya Lamouria Dr. Margaret Weaver Dr. Richard Garrad Dr. Maggie Marlin-Hess Dr. William Wedenoja Dr. Janice Greene Dr. Victor Matthews Dr. Carly Yadon Dr. Fred Groves Dr. Gabriel Ondetti Dr. Edward Gutting Dr. Indira Palacios-Valladares Dr. Christopher Herr Dr. Angela Plank Reflection in Honor of Kyle Chown There are many students, faculty and other friends here on and off campus that will miss Kyle Chown. His friends and fellow Scholars House residents “My name is Kyle Chown and I have cancer, but this fact does not define will miss their long conversations, and his sense of humor. His jokes and his me…” with these introductory words written in an autobiography assignment company comforted many with their own problems. in my UHC 110 Freshman Seminar class in the fall of 2012 Kyle introduced I myself came to know Kyle fairly well during his brief time here at MSU. himself to me. The goal of the autobiography assignment focused on each Through my interactions with Kyle, more than anything else, I will miss his student initially introducing themselves by focusing on one thing or aspect inspiration and his passion for life. I have known few people who had more that they believed helped to best define them as an individual. passion for living life than Kyle Chown. Kyle touched the lives of so many His essay served as an excellent introduction to Kyle as a brilliant, thought- people at MSU, more than I think he even realized. Kyle will be dearly missed ful and compassionate young man. I became quickly struck by how maturely by all who knew him. My sincerest condolences go out to his friends and fam- Kyle presented his battle with cancer, and how very hopeful and positive he ily, for he was taken from us too soon. remained about his future academic career. What impressed me even more about Kyle was his indefatigable drive and desire to get as much out of every day and every interaction he had. He John F. Chuchiak IV, PH.D. very quickly became passionate about getting engaged in undergraduate Director of the Honors College research on and off campus. More than any other student that fall semester Professor of Colonial Latin American History he embraced the idea of starting on a research project as soon as he could. I remember receiving an excited email in October from Kyle mentioning a possible research opportunity that he had pursued on his own at Mercy Hos- pital. He wrote, “I met with Dr. Whetstone, a neuropsychologist from Mercy Hospital, this morning to interview for a possible shadowing/research position with him.” He continued with passion about how well his meeting had gone and added, “I even got a chance to talk to one of his partners as well.” Kyle concluded, very thoughtfully, “While the opportunities there aren't as broad as they may be for a graduate student, they are both very willing to have me do a variety of things with them.” Apparently, these healthcare professionals had been very impressed with Kyle’s passion and drive and offered to allow him to observe patient appointments, help out in testing and consultations, as well as allowing him to engage in reading neuropsychological material that they offered to direct him in interpreting. I also remember on another occasion when a student had come to the Hon- ors College with a serious life threatening health issue and Kyle very quickly offered to speak with her, so that he could, in his own words, “help give her the courage” to go ahead with the procedure she so feared. That was just like Kyle: thinking of others and always trying to find a way to help those around him deal with difficult situations. Kyle gave so selflessly of himself, his time, and his energy to all who surrounded him. Kyle kept his own spirits high, even during the final months when he was battling his cancer even harder. I remember how despite his illness, up into the final weeks of his last semester at MSU, that Kyle still inspired others. viii • LOGOS: A Journal of Undergraduate Research Table of Contents • ix Table of Contents Life Sciences Arts and Humanities Elizabeth Wood 62 Literature Review on the Effects of Offshore Wind Shaylynn Rackers 2 Turbine Noise on Marine Mammals Fresh Aire Rachel Farmer, Abigayle McGrew, and Dr. Joshua Smith 74 Jessica Ball 4 Identification and Cloning of THD13 in Tetrahymena Mattise, Prince of the Fauves: Color, Criticism, thermophila, a Holong of the Histone Deacetylase SIRT2 and The Open Window, Colliure Sarah Greenbaum 14 #EverybodyAllTheTime, A Collaborative Perfomance-Based Installation Social Sciences Bethany Kelly 26 The Creativity Conundrum in the Classroom Peter Jones 42 A Vaccination Theory of Catharsis Jeff Bess 48 Kevin Durant is Not Nice: Understanding Cognitive Dissonance in the Marketing of a Superstar 2 • LOGOS: A Journal of Undergraduate Research Rackers • 3 Shaylynn Rackers Abstract “Colorful, transparent, and overlapping shapes”: this was the requirement for a painting proj- Fresh Aire ect in my design class. I struggled to come up with an idea that I actually liked during my sketchbook brainstorming session. While glancing aimlessly around the classroom, I decided to choose one small thing to use as a specific source of inspiration. Before I came to class that day, I had been listening to the song “Interrupted Thought” on the album Fresh Aire II by Mannheim Steamroller. This group is best known for their instru- mental Christmas music featuring a mix of classical, jazz, and rock themes, and their Fresh Aire albums are musical studies of the four seasons. By the end of that brainstorming session, I chose to base my project on the song Interrupted Thought. I didn’t want to simply make a painting inspired by the emotion of the song; I wanted to paint the song itself. Whenever I listen closely to music, I translate the whirling melodies and sturdy rhythms into colors, shapes, textures, and movement. The best analogy for this mental movie is a colorful animation on an infinite, three-dimensional blackboard. It’s just one of the ways that I remember music. That morning, the Fresh Aire album had struck me with the clearness of the visuals it inspired, and I started to experiment in my sketchbook with the ways that I could express my mental movie as a two-dimensional painting. The painting features highlights from the first thirty-three seconds of Interrupted Thought. The large concentric circles represent the rising crescendo of the cornet, and the starburst shapes are the twinkling of the celeste. Squares and circles—the piano—dance across the rest of the paint, while the almost neon gradient in the background reflects the electronic sounds in the song. There is no way to capture the fullness of music using a paintbrush, but this painting, named Fresh Aire after the Mannheim Steamroller album that inspired it, is a small window into the beauty of song as I picture it. Shaylynn Rackers will be a sophomore at Missouri State University in the fall of 2014. She is studying graphic design and illustration, and is also interested in pursuing her interests in English, literature, metalwork, and new media. A sense of wonder and attention to colorful details inspire Shaylynn’s artwork.
Recommended publications
  • Matisse Dance with Joy Ebook

    Matisse Dance with Joy Ebook

    MATISSE DANCE WITH JOY PDF, EPUB, EBOOK Susan Goldman Rubin | 26 pages | 03 Jun 2008 | CHRONICLE BOOKS | 9780811862882 | English | San Francisco, United States Matisse Dance with Joy PDF Book Sell your art. Indeed, Matisse, with its use of strong colors and long, curved lines will initially influenced his acolytes Derain and Vlaminck, then expressionist and surrealist painters same. Jun 13, Mir rated it liked it Shelves: art. He starts using this practice since the title, 'Tonight at Noon' as it is impossible because noon can't ever be at night as it is during midday. Tags: h mastisse, matisse henri, matisse joy of life, matisse goldfish, matisse for kids, matisse drawing, drawings, artsy, matisse painting, henri matisse paintings, masterpiece, artist, abstract, matisse, famous, popular, vintage, expensive, henri matisse, womens, matisse artwork. Welcome back. Master's or higher degree. Matisse had a daughter with his model Caroline Joblau in and in he married Amelie Noelie Parayre with whom he raised Marguerite and their own two sons. Henri Matisse — La joie de vivre Essay. Tags: matisse, matisse henri, matisse art, matisse paintings, picasso, picasso matisse, matisse painting, henri matisse art, artist matisse, henri matisse, la danse, matisse blue, monet, mattise, matisse cut outs, matisse woman, van gogh, matisse moma, moma, henry matisse, matisse artwork, mattisse, henri matisse painting, matisse nude, matisse goldfish, dance, the dance, le bonheur de vivre, joy of life, the joy of life, matisse joy of life, bonheur de vivre, the joy of life matisse. When political protest is read as epidemic madness, religious ecstasy as nervous disease, and angular dance moves as dark and uncouth, the 'disorder' being described is choreomania.
  • Henri Matisse, Textile Artist by Susanna Marie Kuehl

    Henri Matisse, Textile Artist by Susanna Marie Kuehl

    HENRI MATISSE, TEXTILE ARTIST COSTUMES DESIGNED FOR THE BALLETS RUSSES PRODUCTION OF LE CHANT DU ROSSIGNOL, 1919–1920 Susanna Marie Kuehl Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art + Design 2011 ©2011 Susanna Marie Kuehl All Rights Reserved To Marie Muelle and the anonymous fabricators of Le Chant du Rossignol TABLE OF CONTENTS Page Acknowledgements . ii List of Figures . iv Chapter One: Introduction: The Costumes as Matisse’s ‘Best Spokesman . 1 Chapter Two: Where Matisse’s Art Meets Textiles, Dance, Music, and Theater . 15 Chapter Three: Expression through Color, Movement in a Line, and Abstraction as Decoration . 41 Chapter Four: Matisse’s Interpretation of the Orient . 65 Chapter Five: Conclusion: The Textile Continuum . 92 Appendices . 106 Notes . 113 Bibliography . 134 Figures . 142 i ACKNOWLEDGEMENTS As in all scholarly projects, it is the work of not just one person, but the support of many. Just as Matisse created alongside Diaghilev, Stravinsky, Massine, and Muelle, there are numerous players that contributed to this thesis. First and foremost, I want to thank my thesis advisor Dr. Heidi Näsström Evans for her continual commitment to this project and her knowledgeable guidance from its conception to completion. Julia Burke, Textile Conservator at the National Gallery of Art in Washington DC, was instrumental to gaining not only access to the costumes for observation and photography, but her energetic devotion and expertise in the subject of textiles within the realm of fine arts served as an immeasurable inspiration.
  • Autumn 2012 Catalogue:1 20/4/12 10:28 Page 1

    Autumn 2012 Catalogue:1 20/4/12 10:28 Page 1

    Autumn 12 Cat. Cover multiple bags:1 16/4/12 12:19 Page 1 YaleBooks www.yalebooks.co.uk twitter.com/yalebooks yalebooks.wordpress.com Yale facebook.com/yalebooks autumn & winter 2012 Yale autumn & winter 2012 Autumn 2012 Cat. Inside Cover:1 20/4/12 10:23 Page 1 Yale sales representatives and overseas agents Great Britain Central Europe China, Hong Kong Scotland and the North Ewa Ledóchowicz & The Philippines Peter Hodgkiss PO Box 8 Ed Summerson 16 The Gardens 05-520 Konstancin-Jeziorna Asia Publishers Services Ltd Whitley Bay NE25 8BG Poland Units B & D Tel. 0191 281 7838 Tel. (+48) 22 754 17 64 17/F Gee Chang Hong Centre Mobile ’phone 07803 012 461 Fax. (+48) 22 756 45 72 65 Wong Chuk Hang Road e-mail: [email protected] Mobile ’phone (+48) 606 488 122 Aberdeen e-mail: [email protected] Hong Kong North West England, inc. Staffordshire Tel. (+852) 2553 9289/9280 Sally Sharp Australia, New Zealand, Fax. (+852) 2554 2912 53 Southway Fiji & Papua New Guinea e-mail: [email protected] Eldwick, Bingley Inbooks West Yorkshire BD16 3DT Locked Bag 535 Singapore, Thailand, Vietnam, Tel. 01274 511 536 Frenchs Forest Cambodia, Indonesia & Brunei Mobile ’phone 07803 008 218 NSW 2086 APD Singapore Ptd Ltd e-mail: [email protected] Australia 52 Genting Lane #06-05 Tel: (+61) 2 8988 5082 Ruby Land Complex 1 South Wales, South and South West Fax: (+61) 2 8988 5090 Singapore 349560 England, inc. South London e-mail: [email protected] Tel. (+65) 6749 3551 Josh Houston Fax.
  • Modern Art Music Terms

    Modern Art Music Terms

    Modern Art Music Terms Aria: A lyrical type of singing with a steady beat, accompanied by orchestra; a songful monologue or duet in an opera or other dramatic vocal work. Atonality: In modern music, the absence (intentional avoidance) of a tonal center. Avant Garde: (French for "at the forefront") Modern music that is on the cutting edge of innovation.. Counterpoint: Combining two or more independent melodies to make an intricate polyphonic texture. Form: The musical design or shape of a movement or complete work. Expressionism: A style in modern painting and music that projects the inner fear or turmoil of the artist, using abrasive colors/sounds and distortions (begun in music by Schoenberg, Webern and Berg). Impressionism: A term borrowed from 19th-century French art (Claude Monet) to loosely describe early 20th- century French music that focuses on blurred atmosphere and suggestion. Debussy "Nuages" from Trois Nocturnes (1899) Indeterminacy: (also called "Chance Music") A generic term applied to any situation where the performer is given freedom from a composer's notational prescription (when some aspect of the piece is left to chance or the choices of the performer). Metric Modulation: A technique used by Elliott Carter and others to precisely change tempo by using a note value in the original tempo as a metrical time-pivot into the new tempo. Carter String Quartet No. 5 (1995) Minimalism: An avant garde compositional approach that reiterates and slowly transforms small musical motives to create expansive and mesmerizing works. Glass Glassworks (1982); other minimalist composers are Steve Reich and John Adams. Neo-Classicism: Modern music that uses Classic gestures or forms (such as Theme and Variation Form, Rondo Form, Sonata Form, etc.) but still has modern harmonies and instrumentation.
  • AAR Magazine

    AAR Magazine

    AMERICAN ACADEMY IN ROME MAGAZINE SPRING 2017 Welcome to the Spring 2017 issue of AAR Magazine. This issue of AAR Magazine offers a summation of a very productive year. We feature the scholars and artists in our creative community at the culmination of their research and look at how the Fellows’ Project Fund has expanded their possibilities for collaborat- ing and presenting their work in intriguing ways. We update this year’s exploration of American Classics with reports on a February conference and previews of events still to come, including an exhibition fea- turing new work by artist Charles Ray. You will also find a close look at AAR’s involvement in archaeology and details of a new Italian Fellowship sponsored by Fondazione Sviluppo e Crescita CRT. And, of course, we introduce the Rome Prize win- ners and Italian Fellows for 2017–2018! Vi diamo il benvenuto al numero “Primavera 2017” dell’AAR Magazine. Questo numero dell’AAR Magazine riassume il lavoro prodotto in un anno eccezionale. Vi presentiamo gli studiosi e gli artisti della nostra comunità creativa al culmine della loro ricerca e siamo lieti di mostrare quanto il Fellows’ Project Fund abbia ampliato le loro possibilità di collaborare e presentare le proprie opere in modo affascinante. Aggiorniamo la pan- oramica fatta quest’anno sugli American Classics con il resoconto del convegno tenutosi a febbraio e con le anticipazioni sui prossimi eventi, tra i quali una mostra con una nuova opera dell’artista Charles Ray. Daremo uno sguardo da vicino all’impegno dell’AAR nel campo dell’archeologia e alla nuova Borsa di studio per Italiani finanziata da Fondazione Sviluppo e Crescita CRT.
  • M O MA Highligh Ts M O MA Highligh Ts

    M O MA Highligh Ts M O MA Highligh Ts

    MoMA Highlights MoMA Highlights MoMA This revised and redesigned edition of MoMA Highlights: 350 Works from The Museum of Modern Art presents a new selection from the Museum’s unparalleled collection of modern and contemporary art. Each work receives a vibrant image and an informative text, and 115 works make their first appearance in Highlights, many of them recent acquisitions reflecting the Museum’s commitment to the art of our time. 350 Works from The Museum of Modern Art New York MoMA Highlights 350 Works from The Museum of Modern Art, New York The Museum of Modern Art, New York 2 3 Introduction Generous support for this publication is Produced by the Department of Publications What is The Museum of Modern Art? 53rd Street, from a single curatorial The Museum of Modern Art, New York provided by the Research and Scholarly At first glance, this seems like a rela- department to seven (including the Publications Program of The Museum of Edited by Harriet Schoenholz Bee, Cassandra Heliczer, tively straightforward question. But the most recently established one, Media Modern Art, which was initiated with the sup- and Sarah McFadden Designed by Katy Homans answer is neither simple nor straight- and Performance Art, founded in port of a grant from The Andrew W. Mellon Production by Matthew Pimm forward, and any attempt to answer it 2006), and from a program without a Foundation. Publication is made possible Color separations by Evergreen Colour Separation permanent collection to a collection of by an endowment fund established by The (International) Co., Ltd., Hong Kong almost immediately reveals a complex Printed in China by OGI/1010 Printing International Ltd.
  • Timeline Fauvism Henri Matisse Matisse and Picasso

    Timeline Fauvism Henri Matisse Matisse and Picasso

    Henri Matisse a biography Timeline Henri-Emile-Benoît Matisse was born in a small town in northern North Africa to explore ornamental arabesques and flat patterns of color. From roughly 1913 to 1917 he France on December 31, 1869. His mother introduced him to experimented with and reacted against Cubism, the leading avant-garde movement in France at the time. painting at age 21 by bringing art supplies to his bedside while he During his early stay in Nice, France, from about 1917 to 1930, his subjects largely focused on the female 1869 Henri Matisse is born on recovered from appendicitis. He promptly gave up pursuing a law figure and his works were infused with bright colors, southern light, and decorative patterns. 1870 December 31 in Le Cateau, France career and moved to Paris to study traditional nineteenth-century In 1930, Matisse traveled to the United States and received a mural commission from Dr. Albert academic painting. He enrolled at the Académie Julian as a student Barnes, the art-collector who established the Barnes Foundation in Pennsylvania. Destined for the main hall of artist William-Adolphe Bouguereau (1825–1905), but struggled of the Foundation and installed in 1933, Matisse’s masterpiece The Dance II is renowned for its simplicity, under the conservative teacher. Matisse continued his studies with flatness, and use of color. In preparation for the mural, he began using the technique of composing with cut- Gustave Moreau (1826–1898) in 1892, a Symbolist painter at the out pieces of colored paper, which soon became his preferred exploratory method.
  • Henri Matisse: the Cut-Outs the Museum of Modern Art, New York, October 12, 2014–February 08, 2015

    Henri Matisse: the Cut-Outs the Museum of Modern Art, New York, October 12, 2014–February 08, 2015

    Henri Matisse: The Cut-Outs The Museum of Modern Art, New York, October 12, 2014–February 08, 2015 HENRI MATISSE (French, 1869–1954) The Dance (La Danse) 1938 Maquette for a lithographic reproduction for the journal Verve 1, no. 4 (1938) Gouache on paper, cut and pasted, and ink 19 1/8 x 24 3/16" (48.5 x 61.5 cm) The Perl Collection HENRI MATISSE (French, 1869–1954) Two Dancers (Deux Danseurs) 1937–38 Stage curtain design for the ballet Rouge et Noir Gouache on paper, cut and pasted, notebook papers, pencil, and thumbtacks 31 9/16 x 25 3/8" (80.2 x 64.5 cm) Musée national d'art moderne/Centre de création industrielle, Centre Georges Pompidou, Paris. Dation, 1991 HENRI MATISSE (French, 1869–1954) Small Dancer on Red Background (Petit Danseur sur fond rouge) 1937–38 Gouache on paper, cut and pasted 23 1/2 x 18 1/4" (59.7 x 46.4 cm) Private collection, Houston, Texas HENRI MATISSE (French, 1869–1954) Dancer (Le Danseur) 1937–38 Gouache and pencil on paper, cut and pasted 29 1/2 x 24 1/2" (74.9 x 62.2 cm) Private collection HENRI MATISSE (French, 1869–1954) Two Dancers (Deux Danseurs) 1937–38 Stage curtain design for the ballet Rouge et Noir Gouache on paper, cut and pasted, mounted on board 24 13/16 × 25 3/8" (63 × 64.5 cm) Private collection 9/27/2014 Henri Matisse: The Cut-Outs HENRI MATISSE (French, 1869–1954) Still Life with Shell (Nature morte au coquillage) 1940 Gouache, colored pencil, and charcoal on cut paper, and string, pinned to canvas 32 7/8 × 45 1/4" (83.5 × 115 cm) Private collection HENRI MATISSE (French, 1869–1954) The Dance (La Danse) 1931–33 Study for the Barnes Mural (Paris version) Gouache and pencil on paper 11 x 29 7/8" (27.9 x 75.9 cm) The Metropolitan Museum of Art.
  • Artists' Books : a Critical Anthology and Sourcebook

    Artists' Books : a Critical Anthology and Sourcebook

    Anno 1778 PHILLIPS ACADEMY OLIVER-WENDELL-HOLMES % LI B R ARY 3 #...A _ 3 i^per ampUcm ^ -A ag alticrxi ' JZ ^ # # # # >%> * j Gift of Mark Rudkin Artists' Books: A Critical Anthology and Sourcebook ARTISTS’ A Critical Anthology Edited by Joan Lyons Gibbs M. Smith, Inc. Peregrine Smith Books BOOKS and Sourcebook in association with Visual Studies Workshop Press n Grateful acknowledgement is made to the publications in which the following essays first appeared: “Book Art,” by Richard Kostelanetz, reprinted, revised from Wordsand, RfC Editions, 1978; “The New Art of Making Books,” by Ulises Carrion, in Second Thoughts, Amsterdam: VOID Distributors, 1980; “The Artist’s Book Goes Public,” by Lucy R. Lippard, in Art in America 65, no. 1 (January-February 1977); “The Page as Al¬ ternative Space: 1950 to 1969,” by Barbara Moore and Jon Hendricks, in Flue, New York: Franklin Furnace (December 1980), as an adjunct to an exhibition of the same name; “The Book Stripped Bare,” by Susi R. Bloch, in The Book Stripped Bare, Hempstead, New York: The Emily Lowe Gallery and the Hofstra University Library, 1973, catalogue to an exhibition of books from the Arthur Cohen and Elaine Lustig col¬ lection supplemented by the collection of the Hofstra Fine Arts Library. Copyright © Visual Studies Workshop, 1985. All rights reserved. Printed in the United States of America. Except in the case of brief quotations in reviews and critical articles, no part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.
  • Art and Design

    Art and Design

    Art + De sig n S S World Art History Certificate elective: Earn 1 credit E R G N O C F O Surrealism Y R A R B I The Canvas of Dreams L Surrealism: The chance meeting on a dissecting table of a sewing machine and an umbrella! —Les Chants de Maldoror, Comte de Lautreamont, 1869 One of the major art movements of the 20th century, surre - alism opened the door to the exploration of the unconscious and the creation of art based on inner reality. Freud’s dream research liberated surrealist artists to see the truth of who we really are, and in their work, dreams became equivalent to imagination itself. Artist and art historian Joseph Cassar explores the origins of surrealism, its widespread influence, and many of its most prominent artists including Max Ernst, Jean Arp, Joan Miro, Andre Masson, Rene Magritte, Alberto Giacometti, and Salvador Dali. Salvador Dali with Babou, the ocelot, and cane, 1965 9:30 a.m. Metaphysical Art and the Anxieties of the 20th Century 11 a.m. Andre Breton and the Surrealist Manifesto 12:30 p.m. Lunch (participants provide their own) 1:30 p.m. The Surrealist Revolution: Magritte, Ernst, Masson, and Others Woman and Bird, 1982, by Joan 2:45 p.m. Salvador Dali and the Paranoiac-Critical Method Miró, in Barcelona, Spain Sat., June 2, 9:30 a.m.–4 p.m.; Ripley Center; CODE 1H0-341; Members $90; Nonmembers $140 World Art History Certificate core course: Earn 1 credit Italian Renaissance Art The arts blossomed in Renaissance Italy, an era that encompassed the innovations of perspective and oil paint, a new emphasis on the study of anatomy and antiquity, and the growing independ - ence of the artist.
  • Christopher G. Bakriges, Ph.D

    Christopher G. Bakriges, Ph.D

    Christopher G. Bakriges, Ph.D. www.bakriges.com Areas of Concentration Ethnomusicology: World Music; Ethnography (analysis, field/lab methods, area studies) Jazz: Improvisation, Theory, Arranging, History, Ensemble, Performance, Piano, MIDI Popular Music Studies: American and non-Western Music; Global Pop; Modernism; Avant-gardism Professional Qualifications/Teaching History 2013-present, Massachusetts College of Art and Design, 621 Huntington Avenue, Boston, MA 02115 ​ Visiting Lecturer, Liberal Arts Department, teaching The World of Music; supervise directed study in music theory and composition; 2013, MassArt, Studio for Interrelated Media, Multimedia & Performing Arts Dept., Boston, MA ​ Artist in Residence; conduct workshops in musicianship and theory for Projects in Sound, Choreography and Performance, Recording Arts Studio courses, and an Art History independent study 2003-present, Elms College, 291 Springfield Street, Chicopee, MA 01013 ​ Lecturer, Humanities and Fine Arts and Creative Artist in Residence; coordinate music minor curriculum; teach classes; conduct ensembles; stage recitals; departmental and divisional initiatives; music director, Elms Theater for Social Justice 2014-present, Elms College Partnership, Berkshire Medical Center, Pittsfield, MA [summer] ​ ​ *Lecturer, RN/BS Nursing Program; teach Music Cultures of the World, Berkshire Campus (‘17) *Lecturer, Performing Arts Department, Holyoke Community College, Holyoke, MA; teach The World of Music in the accelerated bachelor's degree program for students in accounting
  • Henri Matisse | Rhythm and Meaning from Thando Nkosi, Total Exposure

    25 JANUARY 2016 Henri Matisse | Rhythm and Meaning From Thando Nkosi, Total Exposure HENRI MATISSE | RHYTHM AND MEANING ‘Jazz is rhythm and meaning’ – Henri Matisse, 1947 Henri Matisse, Jazz Paris, Tériade, 1947 Stencil prints Pl. VIII. Icare Donation Alice Tériade, 2000 Musée départemental Matisse, Le Cateau-Cambrésis © Succession H. Matisse Photo Philip Bernard The Standard Bank Gallery will be hosting an exhibition of works by the French modern master, Henri Matisse (1869-1954) from 13 July to 17 September 2016. The exhibition will include a number of paintings, drawings, collages and prints covering all the dominant themes in the artist’s body of work, from his early Fauvist years, through his interest in exoticism and orientalism, to the paper cut-outs that he produced in the last years of his life. The core work in the exhibition will be the full suite of twenty impressions for the prints in the artist’s book Jazz - some of the best known and most celebrated of the artist’s works. Henri Matisse | Rhythm and Meaning will be the first wide-ranging exhibition of Matisse’s work to be held in South Africa, and the fourth exhibition of important twentieth-century modernists to be held at the Standard Bank Gallery. The Gallery previously hosted monographic exhibitions focusing on the work of Marc Chagall, Joan Miró and Pablo Picasso. Commented Ben Kruger CEO Standard Bank “The Henri Matisse exhibition will give South Africans the rare opportunity to experience the work of one of the twentieth century’s modern masters first hand. The exhibition forms part of our continued commitment to the support and development of the arts in South Africa from the multi disciplinary Standard Bank Young Artist Awards to grass roots jazz development at the Standard Bank Youth Jazz Festival.