The E-Volving Picturebook: Examining the Impact of New E- Media/Technologies on Its Form, Content and Function (And on the Child Reader)
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Keyword Analysis of Bruno Mars' Song Lyrics
Materialism Construction: Keyword Analysis of Bruno Mars’ Song Lyrics Arisara Thongnopphakhun Wannapa Trakulkasemsuk Thanis Bunsom King Mongkut’s University of Technology Thonburi, Bangkok, Thailand Corresponding author’s email: [email protected] Received 21 January 2019; revised 26 June 2019; accepted 31 July 2019; online 30 August 2019 Abstract Music has long been an effective way to communicate to the masses, and lyrics play an essential role in delivering this communication. Lyrics may contain an ideology and influence listeners. This study aims to conduct a keyword analysis to investigate the materialistic ideology connoted in Bruno Mars’ song lyrics. The corpus of Bruno Mars’ lyrics was compiled from lyrics of 30 Bruno Mars songs in three albums released between 2010 and 2016. The corpus was then compared against the British National Corpus (BNC) to obtain a keyword list. The top 100 keywords were selected based on their statistical values for further analysis. They were classified according to their part of speech, and concordance lines of each keyword were obtained so as to discuss the representation of Bruno Mars’ songs. Materialistic concepts found in the corpus include an emphasis on, or preference for, 49 Vol. 14 No. 2 (2019) luxury objects, brand-name items, a lavish lifestyle, parties, economic power, physical appearance, and objectifying women. Keywords: Aboutness, Bruno Mars lyrics, Keyword analysis, Materialism Introduction In this age of great technological advancement, popular culture (or pop culture) is widespread. As citizens of the globalised world, it is difficult for us to escape from the influence of mass media and popular culture (Monk, Winslade & Sinclair, 2008). -
Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Against Expression?: Avant-garde Aesthetics in Satie’s Parade A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF MUSIC In the division of Composition, Musicology, and Theory of the College-Conservatory of Music 2020 By Carissa Pitkin Cox 1705 Manchester Street Richland, WA 99352 [email protected] B.A. Whitman College, 2005 M.M. The Boston Conservatory, 2007 Committee Chair: Dr. Jonathan Kregor, Ph.D. Abstract The 1918 ballet, Parade, and its music by Erik Satie is a fascinating, and historically significant example of the avant-garde, yet it has not received full attention in the field of musicology. This thesis will provide a study of Parade and the avant-garde, and specifically discuss the ways in which the avant-garde creates a dialectic between the expressiveness of the artwork and the listener’s emotional response. Because it explores the traditional boundaries of art, the avant-garde often resides outside the normal vein of aesthetic theoretical inquiry. However, expression theories can be effectively used to elucidate the aesthetics at play in Parade as well as the implications for expressability present in this avant-garde work. The expression theory of Jenefer Robinson allows for the distinction between expression and evocation (emotions evoked in the listener), and between the composer’s aesthetical goal and the listener’s reaction to an artwork. This has an ideal application in avant-garde works, because it is here that these two categories manifest themselves as so grossly disparate. -
Matisse Dance with Joy Ebook
MATISSE DANCE WITH JOY PDF, EPUB, EBOOK Susan Goldman Rubin | 26 pages | 03 Jun 2008 | CHRONICLE BOOKS | 9780811862882 | English | San Francisco, United States Matisse Dance with Joy PDF Book Sell your art. Indeed, Matisse, with its use of strong colors and long, curved lines will initially influenced his acolytes Derain and Vlaminck, then expressionist and surrealist painters same. Jun 13, Mir rated it liked it Shelves: art. He starts using this practice since the title, 'Tonight at Noon' as it is impossible because noon can't ever be at night as it is during midday. Tags: h mastisse, matisse henri, matisse joy of life, matisse goldfish, matisse for kids, matisse drawing, drawings, artsy, matisse painting, henri matisse paintings, masterpiece, artist, abstract, matisse, famous, popular, vintage, expensive, henri matisse, womens, matisse artwork. Welcome back. Master's or higher degree. Matisse had a daughter with his model Caroline Joblau in and in he married Amelie Noelie Parayre with whom he raised Marguerite and their own two sons. Henri Matisse — La joie de vivre Essay. Tags: matisse, matisse henri, matisse art, matisse paintings, picasso, picasso matisse, matisse painting, henri matisse art, artist matisse, henri matisse, la danse, matisse blue, monet, mattise, matisse cut outs, matisse woman, van gogh, matisse moma, moma, henry matisse, matisse artwork, mattisse, henri matisse painting, matisse nude, matisse goldfish, dance, the dance, le bonheur de vivre, joy of life, the joy of life, matisse joy of life, bonheur de vivre, the joy of life matisse. When political protest is read as epidemic madness, religious ecstasy as nervous disease, and angular dance moves as dark and uncouth, the 'disorder' being described is choreomania. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Buchskulpturen – Zerstörung als produktives Schaffensmoment“ Verfasserin Constanze Anna Sabine Stahr angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2013 Studienkennzahl lt. Studienblatt: A 315 Studienrichtung lt. Studienblatt: Kunstgeschichte Betreuer: Dr. Sebastian Egenhofer „Ein Buch muss die Axt sein für das gefrorene Meer in uns.“ Franz Kafka Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Diplomarbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, am 9.01.2013 Danksagung Ich möchte an dieser Stelle einigen Personen meinen Dank aussprechen, ohne deren Unterstützung die Erstellung dieser Diplomarbeit nur schwerlich möglich gewesen wäre. Auf fachlicher Seite danke ich vor allem Frau Prof. Dr. Julia Gelshorn und Herrn Dr. Sebastian Egenhofer für die Betreuung und maßgebliche Hilfe bei der Themenfindung. Für die Unterstützung in persönlicher und moralischer Art und Weise danke ich meiner Familie, besonders meinen Eltern, Dr. Ernst-Heinrich Stahr und Sabine Stahr, die mir das Studium erst ermöglichten und mir das Interesse für Kunst in die Wiege gelegt haben, sowie meiner Großmutter Josefa Henning und meinem Onkel Thomas Henning. Außerdem danke ich meinen -
There's Even More to Explore!
Background artwork: SPECIAL COLLECTIONS UCHICAGO LIBRARY Kaplan and Fridkin, Agit No. 2 MUSIC THEATER ART MUSIC THEATER LECTURE / CLASS MUSIC MUSIC MUSIC / FILM LECTURE / CLASS MUSIC University of Chicago Presents University Theater/Theater and Performance Studies The University of Chicago Library Symphony Center Presents Goodman Theatre University of Chicago Presents Roosevelt University Rockefeller Chapel University of Chicago Presents TOKYO STRING QUARTET THEATER 24 PLAY SERIES: GULAG ART Orchestra Series CHEKHOv’S THE SEAGULL LECTURE / DEmoNSTRATioN PAciFicA QUARTET: 19TH ANNUAL SILENT FiLM LECTURE / DEmoNSTRATioN BY MARiiNskY ORCHESTRA FRIDAY, OCTOBER 1, 2010 A CLOUD WITH TROUSERS THROUGH DECEMBER 2010 OCTOber 16 – NOVEMBER 14, 2010 BY PACIFICA QUARTET SHOSTAKOVICH CYCLE WITH ORGAN AccomPANimENT: MAsumi RosTAD, VioLA, AND (FORMERLY KIROV ORCHESTRA) Mandel Hall, 1131 East 57th Street SATURDAY, OCTOBER 2, 2010, 8 PM The Joseph Regenstein Library, 170 North Dearborn Street SATURDAY, OCTOBER 16, 2 PM SUNDAY OCTOBER 17, 2010, 2 AND 7 PM AELITA: QUEEN OF MARS AMY BRIGGS, PIANO th nd chicagopresents.uchicago.edu, 773.702.8068 First Floor Theater, Reynolds Club, 1100 East 57 Street, 2 Floor Reading Room Valery Gergiev, conductor Goodmantheatre.org, 312.443.3800 Fulton Recital Hall, 1010 East 59th Street SUNDAY OCTOBER 31, 2010, 2 AND 7 PM Jay Warren, organ SATURDAY, OCTOBER 30, 2 PM 5706 South University Avenue Lib.uchicago.edu Denis Matsuev, piano Chicagopresents.uchicago.edu, 773.702.8068 FRIDAY, OCTOBER 29, 2010, 8 PM Fulton Recital Hall, 1010 East 59th Street Mozart: Quartet in C Major, K. 575 As imperialist Russia was falling apart, playwright Anton SUNDAY JANUARY 30, 2011, 2 AND 7 PM ut.uchicago.edu TUESDAY, OCTOBER 12, 2010, 8 PM Rockefeller Chapel, 5850 South Woodlawn Avenue Chicagopresents.uchicago.edu, 773.702.8068 Lera Auerbach: Quartet No. -
Consulta Il Programma Completo POP
POP-APP. International Conference 16-19 February 2021 POP-APP. International Centre POP-APP MUSLI POP-APP 2O21 ON INTERACTIVE BOOKS POP-APP Exhibitions LINE Il convegno si svolgerà online sulla piattaforma Zoom Webinar Il nuovo allestimento POP-APP MUSLI e le POP-APP Exhibitions verranno inaugurati il 17 febbraio 2021 durante il convegno online. Sul sito www.pop-app.org sarà possibile effettuare la visita virtuale di tutto il percorso tramite contenuti video. Se le condizioni generali lo permetteranno, il POP-APP MUSLI e le mostre saranno visitabili anche in presenza secondo gli orari, le modalità e i costi che verranno comunicati sui siti www.pop-app.org e www.fondazionetancredidibarolo.com. The conference will be hosted online on Zoom Webinar The new set up POP-APP MUSLI and POP-APP Exhibitions will be opened on February 17, 2021 during the online conference. On www.pop-app.org you could virtually visit the entire exhibition with the support of video content. If conditions will permit, you could visit POP-APP MUSLI and the Torino, Palazzo Barolo exhibitions in person following the scheduled times, modalities Santo Alligo MUSLI Museo della Scuola e del Libro per l’Infanzia and fees that will be notified on the websites www.pop-app.org and www.fondazionetancredidibarolo.com. Via Corte d’Appello 20/C Con il sostegno di Con il contributo di Con il Patrocinio di Società Italiana di Scienze Bibliografiche e Biblioteconomiche DIPARTIMENTO DI LETTERE E (SISBB) CULTURE MODERNE POP-APP 2021 POP-APP 2021 È la prosecuzione di un progetto intorno ai libri animati avviato nel 2017 in collaborazione tra la Fondazione POP-APP 2021 is the continuation of a project on animated books launched in 2017 by Fondazione Tancredi di Barolo e Sapienza Università di Roma. -
Henri Matisse, Textile Artist by Susanna Marie Kuehl
HENRI MATISSE, TEXTILE ARTIST COSTUMES DESIGNED FOR THE BALLETS RUSSES PRODUCTION OF LE CHANT DU ROSSIGNOL, 1919–1920 Susanna Marie Kuehl Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art + Design 2011 ©2011 Susanna Marie Kuehl All Rights Reserved To Marie Muelle and the anonymous fabricators of Le Chant du Rossignol TABLE OF CONTENTS Page Acknowledgements . ii List of Figures . iv Chapter One: Introduction: The Costumes as Matisse’s ‘Best Spokesman . 1 Chapter Two: Where Matisse’s Art Meets Textiles, Dance, Music, and Theater . 15 Chapter Three: Expression through Color, Movement in a Line, and Abstraction as Decoration . 41 Chapter Four: Matisse’s Interpretation of the Orient . 65 Chapter Five: Conclusion: The Textile Continuum . 92 Appendices . 106 Notes . 113 Bibliography . 134 Figures . 142 i ACKNOWLEDGEMENTS As in all scholarly projects, it is the work of not just one person, but the support of many. Just as Matisse created alongside Diaghilev, Stravinsky, Massine, and Muelle, there are numerous players that contributed to this thesis. First and foremost, I want to thank my thesis advisor Dr. Heidi Näsström Evans for her continual commitment to this project and her knowledgeable guidance from its conception to completion. Julia Burke, Textile Conservator at the National Gallery of Art in Washington DC, was instrumental to gaining not only access to the costumes for observation and photography, but her energetic devotion and expertise in the subject of textiles within the realm of fine arts served as an immeasurable inspiration. -
Kuenzig Books
. SPRING 2020 VOLUME XXIV NUMBER 1 journal of Th e Fe llow shi p of Amer ican BIB LIO PHI LIC SOC IETIE S Contents Letter from the Chair 3 Contributions Sought: Robert H. Jackson Endowment 5 A Tribute to John Carson by Arthur Cheslock 6 How My Library was Assembled by Leonid Chertkov, Part I 7 CLUB NEWS 19 The Fellowship of American Bibliophilic Societies OFFICERS William E. Butler, Chair The Grolier Club: [email protected] Alexander Ames, Vice-Chair Philobiblon Club: [email protected] Jennifer Larson, Treasurer Miniature Book Society: [email protected] Ronald K. Smeltzer, Secretary The Grolier Club: [email protected] Arthur S. Cheslock, Membership Chair The Baltimore Bibliophiles: [email protected] William E. Butler, International Affiliates Chair The Grolier Club: [email protected] JOURNAL Annie Rowlenson, Editor [email protected] Scott Ellwood, Assistant Editor [email protected] Scott Vile, Production Designer [email protected] Copyright ©2020 by The Fellowship of American Bibliophilic Societies. The FABS Newsletter is published twice annually and 6,000 copies distributed during the spring and fall to our North American Member Clubs and International Affiliates. LETTER FROM THE CHAIR he officers and trustees of FABS met on 5 March 2020 at The Grolier TClub for their annual meeting. There are several matters to report. The Officers replaced Susan Hanes as Vice Chairman, who has had to resign for family reasons, with Alex Ames, of The Philobiblon Club, and also having found a Treasurer, Professor Jennifer Larson, the Officers relieved our Sec - retary, Ronald Smeltzer, of his double duties – with our gratitude to all for having served in their respective positions. -
Autumn 2012 Catalogue:1 20/4/12 10:28 Page 1
Autumn 12 Cat. Cover multiple bags:1 16/4/12 12:19 Page 1 YaleBooks www.yalebooks.co.uk twitter.com/yalebooks yalebooks.wordpress.com Yale facebook.com/yalebooks autumn & winter 2012 Yale autumn & winter 2012 Autumn 2012 Cat. Inside Cover:1 20/4/12 10:23 Page 1 Yale sales representatives and overseas agents Great Britain Central Europe China, Hong Kong Scotland and the North Ewa Ledóchowicz & The Philippines Peter Hodgkiss PO Box 8 Ed Summerson 16 The Gardens 05-520 Konstancin-Jeziorna Asia Publishers Services Ltd Whitley Bay NE25 8BG Poland Units B & D Tel. 0191 281 7838 Tel. (+48) 22 754 17 64 17/F Gee Chang Hong Centre Mobile ’phone 07803 012 461 Fax. (+48) 22 756 45 72 65 Wong Chuk Hang Road e-mail: [email protected] Mobile ’phone (+48) 606 488 122 Aberdeen e-mail: [email protected] Hong Kong North West England, inc. Staffordshire Tel. (+852) 2553 9289/9280 Sally Sharp Australia, New Zealand, Fax. (+852) 2554 2912 53 Southway Fiji & Papua New Guinea e-mail: [email protected] Eldwick, Bingley Inbooks West Yorkshire BD16 3DT Locked Bag 535 Singapore, Thailand, Vietnam, Tel. 01274 511 536 Frenchs Forest Cambodia, Indonesia & Brunei Mobile ’phone 07803 008 218 NSW 2086 APD Singapore Ptd Ltd e-mail: [email protected] Australia 52 Genting Lane #06-05 Tel: (+61) 2 8988 5082 Ruby Land Complex 1 South Wales, South and South West Fax: (+61) 2 8988 5090 Singapore 349560 England, inc. South London e-mail: [email protected] Tel. (+65) 6749 3551 Josh Houston Fax. -
Edward Petry 84 Co., Inc. Sers 0 111S
35 Cents 'V3!`t B Giorr.lrig9lde :walicge Linrary Y lOD Sioax City 6 lama 7J1 THE BUSIN D2H ma+yD RADIO NEWSPAPER __EMBER 17, 1962 Tv's biggest customers will spend even more Code board bucks cigarette ad controversy in 1963 27 to tv board 30 Radio -tv homes: county -by- county breakdown Cox appointment to FCC may bring an even released by Nielsen 85 tougher era of regulation 58 COMPLETE INDEX PAGE 7 MORiVINGSfDE E.OL.LE+A. LIBRARY IIILIUx CITY IOWA EDWARD PETRY 84 CO., INC. SERS 0 111S GREETIflBS BIG AGGIE LAND from BIG AGGIE LAND AMERICA'S 40'" ß11D10 MARKET Season's greetings from the management and staff or WNAX -570 and from the 2v4 million residents of Big Aggie Land who have been listen- ing to the reliable voice of WNAX -570 regularly for over 40 years. ',THE KATZ AGENTS', ,.c PEOPLES BROADCASTING CORPORATION 0 WNAX-570 CBS RADIO WNAX, Yankton, S. Dak KVTV, Sioux City. Iowa PROGRAMMING FOR ADULTS OF ALL AGES WGAR, Cleveland. Ohio WRFD, Columbus - PEOPLES BROADCASTING CORPORATION Worthington. Ohio WTTM, Trenton, N I. Sioux City, Iowa, Sioux Falls and Yankton, South Dakota WMMN, Fairmont, W.Va. Represented by Katz Pon II o n k TORONTO L I e ORLEANS N I AGAR A oAlb:n HAMILTON olra,d.auir (mimed O ',Medina Te.nTom. W nNord Sc Ca,Aann..r Mugu. Falls Magma Falla New G E N ESE E M O N R O E O N A R I O We.nd o I.I. .+ N L. Rey oann.abo Karr calbo BUFFALO C.n.nd.ó . -
Alessandro Ludovico
POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of every- day life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avant- garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art. ISBN 9789078454878 90000 > 9 789078 454878 POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 1 2 contents Introduction. 7 Chapter 1 – The death of paper (which never happened). 15 1.1 Early threats to the printed medium.