Sheryl Crow Released Her Tenth Studio Album, Be Myself.] Sheryl Crow

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[In April 2017, Sheryl Crow released her tenth studio album, Be Myself.] Sheryl Crow... arriving on stage in some impressively sparkly teal jeans and top (the former apparently an eBay purchase, she would later tell a very interested crowd member in between tunes). Infinitely more impressive, though, was the radio mainstay’s easy yet energetic set, which was personable and provided the kind of sunny but still raw, real and rustic conversational Americana music that’s made her a hitmaker for decades now... Crow did her best by mixing in pretty much all of the hits, opening with “Everyday Is A Winding Road” and “My Favorite Mistake,” before eventually getting to “Strong Enough,” “If It Makes You Happy” and “Soak Up The Sun” (a song, I’ll admit, I found overplayed and insufferable until last night’s suitably sunny and relaxed performance). In between, she played some of her more country tunes (“Best of Times”) and preached the importance of vinyl and weed (“because it gives you something to do with your hands other than take pictures”) for the future of the music industry. Hey, better than Tidal! She eventually wrapped up her set by also bringing out the younger Nelson, as well as Promise of the Real, for a cover of the Allman Brothers’ “Midnight Rider,” before ceding the stage to Jason Isbell and the 400 Unit. - onmilwaukee.com SHERYL CROW + + + + + Outlaw Music Festival at Summerfest American Family Insurance Amphitheater Thanks to indykid for sharing the HDTV webcast at Dime. Milwaukee, Wisconsin July 9, 2017 MP3 Version 01 Everyday Is a Winding Road 6:05 02 My Favorite Mistake 5:18 03 Can’t Cry Anymore 7:14 04 Be Myself 4:23 2017 Milwaukee Sheryl Crow 05 There Goes the Neighborhood 6:10 06 Long Way Back 5:46 07 Strong Enough 3:50 08 Best of Times 6:09 09 If It Makes You Happy 5:15 10 Soak Up the Sun 5:49 11 Midnight Rider 5:46 62 mins Sheryl Crow Milwaukee 2017 Milwaukee Sheryl Crow Naughty Dog Naughty Dog Trade Freely. Not For Sale..

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Master's Recital in Jazz Pedagogy
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2019 Master's recital in jazz pedagogy: A performance-demonstration of rhythm section instruments, trumpet, electric wind instrument, synthesizer, compositions, and arrangements by DeMetrio Lyle DeMetrio Lyle University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2019 DeMetrio Lyle Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Composition Commons, and the Music Pedagogy Commons Recommended Citation Lyle, DeMetrio, "Master's recital in jazz pedagogy: A performance-demonstration of rhythm section instruments, trumpet, electric wind instrument, synthesizer, compositions, and arrangements by DeMetrio Lyle" (2019). Dissertations and Theses @ UNI. 997. https://scholarworks.uni.edu/etd/997 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. MASTER’S RECITAL IN JAZZ PEDAGOGY: A PERFORMANCE-DEMONSTRATION OF RHYTHM SECTION INSTRUMENTS, TRUMPET, ELECTRIC WIND INSTRUMENT, SYNTHESIZER, COMPOSITIONS, AND ARRANGEMENTS BY DEMETRIO LYLE An Abstract of a Recital Submitted In Partial Fulfillment of the Requirements of the Degree Master of Music in Jazz Pedagogy DeMetrio Lyle University of Northern Iowa December 2019 This Recital Abstract by: DeMetrio Lyle Entitled: Master’s Recital in Jazz Pedagogy: A Performance-Demonstration of Rhythm Section Instruments, Trumpet, Electric Wind Instrument, Synthesizer, Compositions, and Arrangements by DeMetrio Lyle Has been approved as meeting the thesis requirement for the Degree of Master of Music Jazz Pedagogy Date Prof.
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Course Syllabus
Course Syllabus Jump to Today The Basics Applied Behavioral Economics for Information Systems (Info 232) meets Tuesdays and Thursdays from 23:30 p.m. in 210 South Hall. Your instructors, Steve Weber (stevew@ischool (mailto:[email protected]) ) and Galen Panger (galen@ischool (mailto:[email protected]) ) are available for office hours by appointment. Just send one of us a note when you'd like to meet. Download the course reading packet from the "Files" link to your left. Please purchase or borrow Thinking, Fast and Slow because we are excerpting heavily from it in Week 3. You should be able to find films on this syllabus available widely for streaming, rent or purchase. Team up and watch them in groups! Each week, please review the core readings, and then read one or two cases of interest to you. If you're stumped on which cases to choose, just read the first two. You do not have to read all of the cases. We've selected readings and cases that are meant to be interesting, useful and occasionally provocative—they're not a broad review of the literature, but rather are meant to highlight key concepts and opportunities for application. There is a group assignment each week, two individual experiential assignments, and one final group presentation. You'll get full points on an assignment if it's been completed on time; however, your final grade will be based on an overall assessment of your individual effort and engagement in the class. More details about assignments. Please be mindful of your Internet use during class.
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An Investigation of Novice Middle and High School Band Directors’ Knowledge of Techniques and Pedagogy Specific to the Horn
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Miranda Lambert
Miranda Lambert Biography On the caution-vs.-candor scale, it’s not hard to figure out where Miranda Lambert comes down. “I’m really not careful at all,” she says. “I probably should be. I pretty much don’t have anything to hide, though. I never hid anything growing up. My parents were PIs, so I really couldn’t.” She may have become a songbird instead of snooper, but in her own fashion, Lambert is following in the family business, as a private investigator of the heart—a trade she recommences with relish in her third album, Revolution. The 25-year-old star’s biggest hits have tended to be her boldest songs, so she’s not about to put a lid on her plain- spokenness now. “I mean every word I say in every lyric of every song on this record, and every record I’ve ever done,” she declares. “I would never take back one word or lyric or point I’ve ever made, because it’s part of who I am. And there are plenty of artists who wouldn’t do so much of that, if that’s the kind of music you’re into. But if you’re into honesty, I have the records for you,” she laughs. In her most successful single to date, “Gunpowder and Lead,” Lambert declared that some little girls are made less of sugar and spice than more combustible substances. And the title track of her 2005 platinum debut, Kerosene, established her in the country music firmament as a figuratively and maybe even literally incendiary personality.
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Music for Guitar
So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour
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The Band Director's Guide To
the band director’s guide to student retention contents The S.M.A.R.T. Approach to Music Ensemble Student Retention 4 5 No-Fail Beginning Band Retention Activities 6 Tips for Music Student Retention 12 Don’t Wait until Spring to Think about Retention 14 Your retention program should begin the instant a beginning band student first walks into your room. To keep them engaged your program has to be rewarding and fun. We’ve asked top directors across the country how they keep students excited about their programs. In this ebook you’ll learn the techniques and activities used to sustain the leading programs in the country. the S.M.A.R.T. approach to music ensemble student retention Once students are in your program, it’s vital that you retain them. Retention What’s more, when we ask high school students – or even our older band starts with our very beginning-level students and it is vital that we focus on students in the same building – to participate in some kind of a modeling keeping them once they have started in the program. activity, they really enjoy it! Many students welcome an opportunity to develop their leadership skills through positive modeling. There are five pillars to effective retention and I offer an acronym to help remember them by. I call this the S.M.A.R.T. approach to student retention. A = Activities These aren’t the actual activities you’ll plan as part of your retention tactics Of course, one of the most important approaches to the recruitment of (we will look at those in the next article), these are the underlying strategies to beginners is ensuring that these youngest musicians are actively involved in guide all of your retention efforts.
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lifestyle MONDAY, APRIL 10, 2017 GOSSIP Gallager once threatened Third Blind Eye guitarist Cadogan iam Gallagher reportedly “threat- After the show he said, ‘You could have ened” Third Blind Eye guitarist Kevin gotten stabbed.’ Literally said that. I said, LCadogan after a show in the US. The ‘What are you talking about?’ He was like, former Oasis frontman is known for his ‘You threw that can at me, man’. I did not outspoken ways, and 46-year-old Kevin throw a can at him.” And the ‘Semi has now claimed that the rocker once Charmed Life’ hitmaker also claims Liam, threatened to stab him after the star acci- 44, told him his band would “never make dently hit him with an empty can of Coca- it”, although he praised Liam’s brother Cola when his band supported the and Oasis guitarist Noel - who Liam fre- ‘Wonderwall’ hitmakers in 1996. He quently blasts on social media despite recalled: “That was a really cool move to the band splitting in 2009 - as being “the get us that opening gig in San Francisco. serious one”. Kevin added to Billboard It was pretty ballsy. It was just incredible. magazine: “Noel [Gallagher] was studying “I got threatened by Liam that night with one of my guitars, geeking out on it, and I physical violence. I was drinking a can of could tell he was the serious one. Liam Coke and had finished it and crumpled it afterwards said, ‘You guys are shite, you’ll up and was going to throw it, basketball- never make it’.
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Media® JUNE 1, 2002 / VOLUME 20 / ISSUE 23 / £3.95 / EUROS 6.5
Music Media® JUNE 1, 2002 / VOLUME 20 / ISSUE 23 / £3.95 / EUROS 6.5 THE MUCH ANTICIPATED NEW ALBUM 10-06-02 INCLUDES THE SINGLE 'HERE TO STAY' Avukr,m',L,[1] www.korntv.com wwwamymusweumpecun IMMORTam. AmericanRadioHistory.Com System Of A Down AerialscontainsThe forthcoming previously single unreleased released and July exclusive 1 Iostprophetscontent.Soldwww.systemofadown.com out AtEuropean radio now. tour. theFollowing lostprophets massive are thefakesoundofprogressnow success on tour in thethroughout UK and Europe.the US, featuredCatch on huge the new O'Neill single sportwear on"thefakesoundofprogress", MTVwww.lostprophets.com competitionEurope during running May. CreedOne Last Breath TheCommercialwww.creednet.com new single release from fromAmerica's June 17.biggest band. AmericanRadioHistory.Com TearMTVDrowning Europe Away Network Pool Priority! Incubuswww.drowningpool.comCommercialOn tour in Europe release now from with June Ozzfest 10. and own headlining shows. CommercialEuropean release festivals fromAre in JuneAugust.You 17.In? www.sonymusiceurope.cornSONY MUSIC EUROPE www.enjoyincubus.com Music Mediae JUNE 1, 2002 / VOLUME 20 / ISSUE 23 / £3.95 / EUROS 6.5 AmericanRadioHistory.Com T p nTA T_C ROCK Fpn"' THE SINGLE THE ALBUM A label owned by Poko Rekords Oy 71e um!010111, e -e- Number 1in Finland for 4 weeks Number 1in Finland Certified gold Certified gold, soon to become platinum Poko Rekords Oy, P.O. Box 483, FIN -33101 Tampere, Finland I Tel: +358 3 2136 800 I Fax: +358 3 2133 732 I Email: [email protected] I Website: www.poko.fi I www.pariskills.com Two rriot girls and a boy present: Album A label owned by Poko Rekords Oy \member of 7lit' EMI Cji0//p "..rriot" AmericanRadioHistory.Com UPFRONT Rock'snolonger by Emmanuel Legrand, Music & Media editor -in -chief Welcome to Music & Media's firstspecial inahard place issue of the year-an issue that should rock The fact that Ozzy your socks off.
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ABCDEFGHIJKLMNOPSTUVW Y Beatles Who
AAA BBB CCC DDD EEE FFF GGG HHH III JJJ KKK LLL MMM NNN OOO PPP QQQ RRR SSS TTT UUU VVV WWW YYY Beatles Pink Floyd Who Assorted AAA BBB CCC DDD EEE FFF GGG HHH III JJJ KKK LLL MMM NNN OOO PPP QQQ RRR SSS TTT UUU VVV WWW YYY Beatles Pink Floyd Who Assorted Abbey Road Medley - You Never Give Me Your Money Intro | Am7 / / / | Dm7 / / / | G7 / / / | C / / / | Fmaj7 / / / | Bm7 -5 / E7 / | Am / / / | % | | Am7 / / / |Dm7 / / / |G7 / / / |C / / / |Fmaj7 / / / |Bm7 -5 / E7 / |Am / / / | % | You never give me your money, you only give me your funny paper and in the middle of negotiations you break down. | Am7 / / / |Dm7 / / / |G7 / / / |C / / / |Fmaj7 / / / |Bm7 -5 / E7 / |Am / / / | C (G) / G7 / | I never give you my number I only give my situation and in the middle of investigation I break down 2 x || C / E7 / |Am / C7 / |F / G7 / |C / / / :| | Out of college, money spent See no future, pay no rent All the money's gone, nowhere to go Any jobber got the sack Monday morning, turning back Yellow lorry slow, nowhere to go 5 x || : Bb / / / |F / / / | C / / / :| | 1) But, oh, that magic feeling Nowhere to go, 2) Oh, that magic feeling Nowhere to go 3) , ahh………. , 4) ahh. ……... 5) ahh ……. Instrumental |D7 / / / | Eb7 / G7 / | C7 / A7 / | E b7 / C7 / | F# / E b / |F#m / G A | | A / / / | B / / / | C / E / | A / / / | Dm / G (D) / | Am (D) / G(D) / | One sweet dream pick up the bags and get in the limousine Soon we'll be away from here step on the gas and wipe that tear away (Repeat and fade 15 times) 2 (B) | A / / / | /4 B / || : C / G / | A / / /
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The Revels Repertoire
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