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Blizzard Buries Midwest
24 ^ THE HERALD. Fri„ Jan. 22, 1962 Federal restrictions seen David Rinas: Super Sunday Labor agency Gets diploma Is tomorrow closing office HARTFORD — Cornelius T. Duggan Jr. of 216 Class A machinist Hollister St., ... page 10 Manchester, has Tax-free bonds sure to change ... page 11 page 8 received the Chartered Life By Lisa Shepard INDUSTRIAL REVENUE BONDS are freely issued be in the president’s 1983 budget and tax package i^e n Underwriter early February. Talk has centered on forcing firms to diploma and Herald Washington Correspon dent by state and local governments (which bear no financial professional designa- responsibility), making them attractive as a develop choose between tax-exempt financing tion from the WASHINGTON — High interest rates hurt everybody, ment tool. What makes IDBs so attractive to business is provisions in the 1981 tax law for accelerated deprecia- American College. but no one knows that better than business. For that that they provide tax-free financing of development, Duggan is life sales reason alone, tax-exempt industrial revenue bonds are therefore lowering the cost of borrowing money Right now firms can use the tends and the faster tax training manager at extremely attractive to businesses of all sizes. In fact, anywhere from 4 to 7 percentage points. write-off to defray the cost of new business ventures. too attractive. The Hartford In “This is a pure interest-rate issue,” said a staff OBSERVERS FAMILIAR with the Manchester, Conn. surance Group. The bonds have been around since 1936, when Winter watch Mississippi issued one for a manufacturing plant. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
THE 7KADEWINDS Pg.3 BMMP * -* *
- »'<V > * >•/. THE 7KADEWINDS Pg.3 | » « B n g^ygjEATURES GREAT 11:36 ©LAST OF ¿ § g u > ©FOOTIALL&TUROAY •MOWE-(ORAMA) f l u s s i " “ 12:38* IQ9 (ANQMM0Y 11:18 ©SOLID GOLD _ OMOVC-(OOj£DY) ì r 1 LEHRER a w & S s s * “ " Ä S S f“ ® * 100“ " NEWS THÉ C0MM000RE8 M 100 O FARM R E M IT THROUGH THE WEST __ NEWS ....... ANYA OOAST-TO- 4R86UPERFUNHOUR r0O4VGHT ** t u "“ ï I M B i S s F " «»JEWS » I K©QCY KOALA SHOW; 4HPW W PH ____________ IBUDME8 «TOMOItom orrSw OOAST-TO- © T B S NEWS® - .___L m o vie © BENNY HILL QMOWE-fMYSTERY) (MOVC^S&MA) 8 mc8 eHO&MA) É ^ W & S lV I L L E MUSIC ©TMEOUTTHEAT ©SAN JOSE ROOEO {SPORTS PRORE 1246 S&a d e w S amer^ to r y 1:45 . 8:20 O CHICO ANO THE MAN 8.-06 QMOVIE -(COMEDY) OTB 8 NEW8 12:30 0 PARTRIDGE FAMILY i H ö r " 2:30 8:30 0 MOVIE-(DRAMA) S a a c S c a n s to r y O NEWS 4 CM TAXI 12:36 12Ä 3:10 ÜCK FAIRBANKS OFACES B am * ™ * ° * OMOVIE -(MUSICAL- OMOVIE-(WESTERN) 12:40 C K S S v ) 3:19 ____ THE NFL ©NEW S ©VALDELM ?* O WORLD AT LARGE SPORTS LOOK g D O g O O N n V E REPEAT CHAM- SM U R fí;^ ASK NBC S in s h ip s u Iä m^TROLLKINS; IN THE O l iounrPH l i CMAM- 8 m 8 £h £u r . -
1001 Classic Commercials 3 DVDS
1001 classic commercials 3 DVDS. 16 horas de publicidad americana de los años 50, 60 y 70, clasificada por sectores. En total, 1001 spots. A continuación, una relación de los spots que puedes disfrutar: FOOD (191) BEVERAGES (47) 1. Coca-Cola: Arnold Palmer, Willie Mays, etc. (1960s) 2. Coca-Cola: Mary Ann Lynch - Stewardess (1960s) 3. Coca-Cola: 7 cents off – Animated (1960s) 4. Coca-Cola: 7 cents off – Animated (1960s) 5. Coca-Cola: “Everybody Need a Little Sunshine” (1960s) 6. Coca-Cola: Fortunes Jingle (1960s) 7. Coca-Cola: Take 5 – Animated (1960s) 8. Pet Milk: Mother and Child (1960s) 9. 7UP: Wet and Wild (1960s) 10. 7UP: Fresh Up Freddie – Animated (1960s) 11. 7UP: Peter Max-ish (1960s) 12. 7UP: Roller Coaster (1960s) 13. Kool Aid: Bugs Bunny and the Monkees (1967) 14. Kool Aid: Bugs Bunny and Elmer Fudd Winter Sports (1965) 15. Kool Aid: Mom and kids in backyard singing (1950s) 16. Shasta Orange: Frankenstein parody Narrated by Tom Bosley and starring John Feidler (1960s) 17. Shasta Cola: R. Crumb-ish animation – Narrated by Tom Bosley (1960s) 18. Shasta Cherry Cola: Car Crash (1960s) 19. Nestle’s Quick: Jimmy Nelson, Farfel & Danny O’Day (1950s) 20. Tang: Bugs Bunny & Daffy Duck Shooting Gallery (1960s) 21. Gallo Wine: Grenache Rose (1960s) 22. Tea Council: Ed Roberts (1950s) 23. Evaporated Milk: Ed & Helen Prentiss (1950s) 24. Prune Juice: Olan Soule (1960s) 25. Carnation Instant Breakfast: Outer Space (1960s) 26. Carnation Instant Breakfast: “Really Good Days!” (1960s) 27. Carnation: “Annie Oakley” 28. Carnation: Animated on the Farm (1960s) 29. Carnation: Fresh From the Dairy (1960s) 30. -
DRAGNET the Big Blast
CD 8A: “The Big Hands” - 11/22/1951 Who strangled a well-to-do woman in a cheap hotel? DRAGNET CD 8B: “The Big Affair” - 11/29/1951 Friday and Romero investigate a violent jewel robbery. The Big Blast CD 9A: “The Big Canaries” - 12/06/1951 A forty-year-old divorcee with a sixteen-year-old daughter Program Guide by Elizabeth McLeod has been murdered. Jack Webb Whenever vintage radio or television programs come up for discussion, Dragnet CD 9B: “The Big Overtime” - 12/13/1951 always stands out as broadcast media’s ultimate accomplishment in police Kidnappers hold a banker’s daughter for $30,000 ransom. procedural drama. There is a long line of subsequent programs, right down to the present day, owing a great debt to Jack Webb’s laconic, methodical exploration CD 10A: “The Big Red - Part One” - 01/03/1952 of the daily routine of a typical Los Angeles plainclothes cop. From the premiere Friday infiltrates a major heroin operation. of the radio series in the fall of 1949 to the final network broadcast of the television spin-off in 1970, Jack Webb’s vision shaped how Americans looked CD 10B: “The Big Red - Part Two” - 01/10/1952 at law enforcement. Operating undercover, Friday brings down a heroin ring. Jack Webb (the man) was so inextricably linked to Joe Friday (the character), and Webb’s distinctive approach to acting and directing so indelibly marked ev- ery aspect of Dragnet’s production and presentation, that it’s easy to consider him a unique, singular talent -- perhaps even on a level com- Elizabeth McLeod is a journalist, author, and broadcast historian. -
VISUAL ACOUSTICS Press Notes UPDATED 7.22.20
Presents VISUAL ACOUSTICS “Case Study House #22.” Copyright J. Paul Getty Trust. A film by Eric Bricker RELEASE DATE: Oct. 9, 2009 in NYC at Cinema Village and Oct. 16, 2009 in LA at Landmark Nuart RUNNING TIME: 84 minutes RATING: Unrated OFFICIAL WEBSITE: www.juliusshulmanfilm.com Distributor Contact: Publicity Contact: Eric Bricker Allison Light Shulman Project Partners, L.P. Flash Creative [email protected], [email protected] [email protected] 1.310.770.3286 1.314.368.7960 FILMMAKERS Director ERIC BRICKER Producer ERIC BRICKER Producer BABETTE ZILCH Production Consultant KAREN LEE ARBEENY Executive Producer LISA HUGHES MICHELLE OLIVER Co-Producer WILL PAICE FREDERIC LIEBERT Associate Producer ROSE NIELSEN Director of Photography AIKEN WEISS DANTE SPINOTTI Editor CHARLTON MCMILLAN Composer CHARLIE CAMPAGNA Writer ERIC BRICKER PHIL ETHINGTON Co-Writer JESSICA HUNDLEY LISA HUGHES Design and Animation TROLLBACK + COMPANY 2 FEATURING JULIUS SHULMAN Narrated by DUSTIN HOFFMAN with FRANCES ANDERTON CATHERINE MEYLER WIM DE WIT KIMBERLI MEYER HERNAN DIAZ-ALONSO RAYMOND RICHARD NEUTRA FRANK ESCHER ROSE NIELSEN GEORGE FENNEMAN JUERGEN NOGAI TOM FORD MARK SCHINDLER CARLOS VON FRANKENBERG CHRIS SHANLEY FRANK O. GEHRY DANTE SPINOTTI MITCH GLAZER PIERLUIGI SERRAINO BETH EDWARDS HARRIS BUCK STAHL THOMAS S. HINES CARLOTTA STAHL SHARON JOHNSTON JOSEPH ROSA RAY KAPPE ROB ROTHBLATT CRAIG KRULL ED RUSCHA MARK LEE ANGELIKA TASCHEN RICARDO LEGORRETA BENEDIKT TASCHEN IRENE LOTSPEICH-PHILLIPS KAZYS VARNELIS JANICE LYLE MICHAEL WEBB KELLY LYNCH LEIGH WIENER LEO MARMOL E. STEWART WILLIAMS JUDY MCKEE ALINKA ZABLUDOVSKY 3 SYNOPSIS Narrated by Dustin Hoffman, VISUAL ACOUSTICS celebrates the life and career of Julius Shulman, acclaimed by many as “the world’s most influential architectural photographer.” Shulman’s images embody the energy and optimism of Southern California in the second half of the 20th century and brought its iconic architecture to the attention of an international audience. -
Pub Type Edrs Price Descriptors
DOCUMENT RESUME ED 233 705 IR 010 796' TITLE Children and Television. Hearing Before the Subcommittee on Telecommunications, Consumer Protection, and Finance of the Committee on Energy and ComMerce, House of Representatives, Ninety-Eighth Congress, First Session. Serial No. 98-3. INSTITUTION Congress of the U.S., Washington, DC. House Committee on Eneygy and Commerce. PUB DATE- 16 Mar 83 NOTE 221p.; Photographs and small print of some pages may not reproduce well. PUB TYPE --Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF01/PC09'Plus Postage. DESCRIPTORS Cable Television; *Childrens Television; Commercial Television; Educational Television; Federal Legislation; Hearings; Mass Media Effects; *ProgrAming (Broadcast); *Public Television; * Television Research; *Television Viewing; Violence IDENTIFIERS Congress 98th ABSTRACT Held, during National Children and Television Week, this hearing addressed the general topic of television and its impact on children, including specific ,children's televisionprojects and ideas for improving :children's television. Statements and testimony (when given) are presented for the following individuals and organizations: (1) John Blessington,-vice president, personnel, CBS/Broadcast Group; (2) LeVar Burton, host, Reading Rainbow; (3) Peggy Charren, president, National Action for Children's Television; (4) Bruce Christensen, president, National Association of;Public Television Stations; (5) Edward 0. Fritts, president, National Association of Broadcasters; (6) Honorable John A. Heinz, United States Senator, Pennsylvania; (7) Robert Keeshan, Captain Kangaroo; \(8) Keith W. Mielke, associate vice president for research, Children's Television Workshop; (9) Henry M. Rivera, Commissioner, , Federal Communications Commission; (10) Sharon Robinson, director, instruction and Professional Development, National Education Association; (11) Squire D. Rushnell, vice president, Long Range Planning and Children's Television, ABC; (12) John A. -
Dragnet Anthology Document.Pdf
Dragnet Anthology Table of Contents Dragnet in a sentence .......................................................................................................................................... 1 The search for Premier missing episodes, 3/16/07: ............................................................................................ 2 Great Link to Music Origins ............................................................................................................................... 2 Newspaper Posting, Thursday, July 7, 1949 ....................................................................................................... 2 Dragnet TV Series 1951 through 2003 ............................................................................................................... 3 Dragnet (1951) .................................................................................................................................................... 3 Dragnet (1967) .................................................................................................................................................... 4 MCA Logo for Dragnet Movie ........................................................................................................................... 4 Dragnet (1989) .................................................................................................................................................... 5 L.A. Dragnet ...................................................................................................................................................... -
Finding Aid for The
1 FINDING AID FOR THE ANSEL ADAMS ARCHIVE AG31 Center for Creative Photography The University of Arizona Tucson, AZ 85721-0103 For further information about the archives at the Center for Creative Photography, please contact the Archivist: phone 520-621-6273; fax 520-621-9444 TABLE OF CONTENTS page number Description, Provenance, Restrictions 2 Scope and Content 2-3 Organization of the Collection 3-4 Correspondence 5-25 Correspondence Index 25-30 Biographical materials 30-33 Music related materials 34-36 Activity Files 36-97 Clippings 97 Publications 97-101 Audio-visual Materials 101-106 Memorabilia 106-107 Photographic Materials 107-118 Photographic Equipment 118-122 Appendix A: Periodicals and miscellaneous, by and about Adams Appendix B: Monographs by and about Adams Appendix C: Personal library: monographs by others Appendix D: Index to photographs in the Ansel Adams Archive Ansel Adams Archive, Center for Creative Photography, The University of Arizona 1 2 DESCRIPTION Papers, photographic materials, and memorabilia, 1920s -1984, of Ansel Adams (1902 - 1984), photographer, author, teacher and conservationist. Includes correspondence (1906 - 1984) between Adams and his family, friends, business associates, and other artists; activity files documenting his commercial projects (1930s - 1977); exhibitions (1936 - 1983); his associations with the Sierra Club (1937 - 1984), Friends of Photography (1967 - 1984), and Images and Words Workshop (1967 - 1972); writings, lectures, and interviews (1931 - 1982); publications with Morgan and Morgan (1950 - 1975), 5 Associates (1952 - 1979), and New York Graphic Society (1973 - 1983); photographic materials including work, reproduction, and exhibition prints; printed materials including reproductions of his work in periodicals and a portion of his personal library; audio and visual materials relating to interviews with him; and memorabilia including awards, certificates, equipment, and clothing. -
Orth Jersey's Only Weekly Pictorial- Magazine
WEEK'S .MPLETE TELEVISION PROGRAMS THE SUNDAY ORTH JERSEY'S ONLY WEEKLY PICTORIAL- MAGAZINE Clifton ii:: •:"':' "•..`*•..:•?•'.`.•.``'''.`.•`•`•.``'•'<•...`•'•;`•'•i•*``•.``•'•`•%.•?•.:•`.•'.•1•`1`•.•`•.```.•.`:"•"• '•"•'•:*'"'""•"•'•'•"'"•:"'"":'"' '•:': st Paterson Fair Lawn ß ......:-.::::::: ::::.::: ... :.: :::;.:::..::::::::.:::::::::: .:::::.:::.::::::::::::::::::::::::::: ======================================== ::::::::::., Garfield :.•i:i•i.::i•'i::':::!'i•!• i::ii?•.... ::" ili•i:.::::::::..?:i•:•::•....11".. :.11i:::::/:::::i'•?•!•!•i•.•?•i•.:•i•.*i•i•.•.•..•..•:•i•*.•i*.•ii•..• ?:::i::i::::?•'.:.: ..... *'""".............. """?i!:'iii :"':!::: Haledon :. * :....:: .::-:..::...:-::: :.:.:.-. ..%- .-.:.:....:..:..:.:.:.:.:.:.:.:.:.:.:•..:.. :...:.:....:.:.:.:.: :.:.:.:..:.:.:.:..: .:.:.:.:.:.:.:.:.--. •.:.:.:.:.:.:•...:...:.-.:+:•.c..:•.:.:.:..-.: .'.'.:.•'c••.- ...-:-.-•.•'-:... H_wthorne ß.. !::::•::.:•. :i:•i!. •i.' •.'!iii'i•iii?:•111ii!ililili!iiiiiii:•11:•!}:•./iii!•..?.,..-':•i:::.•:•:•':::::ii•!i::i:i•i•i•i::":":.*::::i••:•' '":::-'"•:•:•:•. ..•::•':..•:-:-•':-'::-•::•:•::::'• ............ •::i•.:i•::?:::•::i::i•'*::.i"•i::?:::::::::::::i::::::?•:•:::'.'.. ß............. ß•::i:• L•Ji L•tfle Falls •!!!i•.•i•..•..•:•i:•i•i•:•.•...•:•.:::::::•.•:!•?•*.:•?..i?•.*•.*•i•?•ii•:•:•11:-•-,..':,:•.-..'•::..:i!i•....... •.:•:!ii?•..•.•.*.•i•?•::.•:•?:•::•.•.•:•.:•.•!•..•!!•i•?•!•i..::•.•.:•?.•i•:..*% '/::::::::i":::ii'::.*:::..::::ii:.::::.:•........... Mountain View .-.:...•:½-...================================================================================== -
State of the News Media Report for 2014
NUMBERS, FACTS AND TRENDS SHAPING THE WORLD FOR RELEASE March 26, 2014 FOR FURTHER INFORMATION ON THIS REPORT: Amy Mitchell, Director of Journalism Research Dana Page, Communications Manager 202.419.4372 www.pewresearch.org RECOMMENDED CITATION: Pew Research Center, March, 2014, “State of the News Media 2014: Overview” 1 PEW RESEARCH CENTER About This Report State of the News Media 2014 report is the eleventh edition of the annual report by the Pew Research Center examining the landscape of American journalism. This year’s study includes special reports about the revenue picture for news, the growth in digital reporting, the role of acquisitions and content sharing in local news and how digital video affects the news landscape. In addition, it provides the latest data on audience, economic, news investment and ownership trends for key sectors of news media. The full study is available online and includes a database with news industry trend data and a slideshow about how news functions on social media. This report is a collaborative effort based on the input and analysis of the following individuals. Find related reports about trends in journalism at pewresearch.org/journalism. Amy Mitchell, Director of Journalism Research Kenneth Olmstead, Research Associate Mark Jurkowitz, Associate Director Katerina Eva Matsa, Research Analyst Monica Anderson, Researcher Jan Lauren Boyles, Research Associate Emily Guskin, Research Analyst Nancy Vogt, Researcher Jesse Holcomb, Senior Researcher Michael Keegan, Graphics Director Dana Page, Communications Manager Russell Heimlich, Web Developer Diana Yoo, Art Director Michael Piccorossi, Director of Digital Strategy About Pew Research Center Pew Research Center is a nonpartisan fact tank that informs the public about the issues, attitudes and trends shaping America and the world.