Landscape Architecture and Art
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
National China Garden Foundation
MEMORANDUM OF AGREEMENT AMONG THE U.S. DEPARTMENT OF AGRICULTURE, AGRICULTURAL RESEARCH SERVICE, THE DISTRICT OF COLUMBIA STATE HISTORIC PRESERVATION OFFICER, THE NATIONAL CAPITAL PLANNING COMMISSION, AND THE NATIONAL CHINA GARDEN FOUNDATION REGARDING THE NATIONAL CHINA GARDEN AT THE U.S. NATIONAL ARBORETUM, WASHINGTON, D.C. This Memorandum of Agreement (MOA) is made as of this 18th day of November 2016, by and among the U.S. Department of Agriculture’s (USDA) Agricultural Research Service (ARS), the District of Columbia State Historic Preservation Officer (DCSHPO), the National Capital Planning Commission (NCPC), and the National China Garden Foundation (NCGF), (referred to collectively herein as the “Parties” or “Signatories” or individually as a “Party” or “Signatory”) pursuant to Section 106 of the National Historic Preservation Act (NHPA), 16 U.S.C. §470f and its implementing regulations 36 CFR Part 800, and Section 110 of the NHPA, 16 U.S.C. § 470h-2. WHEREAS, the United States National Arboretum (USNA) is a research and education institution, public garden and living museum, whose mission is to enhance the economic, environmental, and aesthetic value of landscape plants through long-term, multidisciplinary research, conservation of genetic resources, and interpretative gardens and educational exhibits. Established in 1927, and opened to the public in 1959, the USNA is the only federally-funded arboretum in the United States and is open to the public free of charge; and, WHEREAS, the USNA, located at 3501 New York Avenue, NE, is owned by the United States government and under the administrative jurisdiction of the USDA’s ARS and occupies approximately 446 acres in Northeast Washington, DC and bound by Bladensburg Road on the west, New York Avenue on the north, and M Street on the south. -
Another World Lies Beyond Three Chinese Gardens in the US by Han Li
Another World Lies Beyond Three Chinese Gardens in the US By Han Li Moon door entrance to the Astor Court garden in New York’s Metropolitan Museum of Art. Source: Wikimedia Commons at https://tinyurl.com/y6w8oggy, photo by Sailko. The Astor Court fter more than a decade in the making, a groundbreaking ceremo- Located in the north wing of the Metropolitan Museum of Art, the Astor ny took place for a grand classical Chinese garden in Washington, Court is the smallest yet arguably the most exquisite Chinese garden in DC, in October 2016. The US $100 million project, expected to be the US. The garden project was initiated for practical purposes. In 1976, Acompleted by the end of this decade, will transform a twelve-acre site at the Met purchased a set of Ming dynasty (1368–1644) furniture and con- the National Arboretum into the biggest overseas Chinese garden to date. templated a proper “Chinese” place to exhibit the new collection. This idea Interestingly, the report allures that the garden project is meant to implant of building a garden court was enthusiastically endorsed by Mrs. Brooke “a bold presence” of China near the US Capitol and “achieve for Sino-US Astor (1902–2007), a Metropolitan trustee and Astor Foundation chair- relations what the gift of the Tidal Basin’s cherry trees has done for Japa- person, who spent part of her childhood in Beijing due to her father’s nese-American links.”1 It is clear that such overseas Chinese gardens, in ad- naval posting. Thus, the genesis of the Astor Court project stems from dition to showcasing Chinese artistic and cultural expressions, also reflect the convergence of an institutional maneuvering and a sense of personal the particular social-historical circumstances under which they were con- nostalgia.2 The project was delegated to two Chinese architectural expert structed. -
DOMAIN of CHAUMONT-SUR-LOIRE Ans/Years INTERNATIONAL GARDEN FESTIVAL
DOMAIN OF CHAUMONT-SUR-LOIRE ans/years INTERNATIONAL GARDEN FESTIVAL 2016 2 1 APRIL 02 NOVEMBER GARDENS FROM THE COMING CENTURY WWW.DOMAINE-CHAUMONT.FR T. +33 (0) 254 209 922 FLAMIA Création DOMAIN OF CHAUMONT-SUR-LOIRE CENTRE OF ARTS AND NATURE 25TH ANNIVERSARY OF THE GARDEN FESTIVAL CONTENTS INTRODUCTION Page 3 I. 2016 EDITION - "GARDENS FROM THE COMING CENTURY" Page 5 II. THE "CARTES VERTES" Page 7 Jean-Claude Ellena - "le jardin du parfumeur" Mathieu Lehanneur - "le jardin du designer" Beijing’s Chinese Garden Museum "le jardin anglais" The tropical greenhouse metamorphosis III. THE 2016 JURY Page 15 Maryvonne Pinault Members of the 2016 Jury IV. THE FESTIVAL GARDENS Page 19 V. THE PERMANENT GARDENS Page 43 VI. THE DOMAIN OF CHAUMONT-SUR-LOIRE Page 47 1. A multifaceted mission 2. A range of objectives 3. The Domaine’s leading actors 4. Diary for 2016 VII. UNWAVERING COMMITMENT TO RESPECT FOR THE ENVIRONMENT Page 55 VIII. PARTNERS / CERTIFICATIONS AND NETWORKS Page 59 IX. USEFUL INFORMATION Page 67 X. SELECTION OF VISUALS AVAILABLE FOR THE PRESS Page 71 www.domaine-chaumont.fr 1 DOMAIN OF CHAUMONT-SUR-LOIRE CENTRE OF ARTS AND NATURE 25TH ANNIVERSARY OF THE GARDEN FESTIVAL INTRODUCTION Every year, more than 400,000 visitors flock to Domaine de Chaumont-sur-Loire, which has hosted the International Garden Festival since 1992. It will therefore be celebrating its 25th anniversary in 2016! This event paints a panoramic picture of landscape design from around the world every year. Over 25 seasons, more than 700 gardens have been designed in the Festival grounds – all prototypes of the gardens of tomorrow, for the Festival, as a trendsetter, treasure trove of ideas and breeding ground for talent, breathes fresh life into these "living works of art" that gardens represent, by constantly showcasing new plants, new materials, original approaches and innovative concepts. -
A Dimensional Comparison Between Classical Chinese Gardens And
Yiwen Xu, Jon Bryan Burley, WSEAS TRANSACTIONS on ENVIRONMENT and DEVELOPMENT Patricia Machemer, April Allen A Dimensional Comparison between Classical Chinese Gardens and Modern Chinese Gardens YIWEN XU, JON BRYAN BURLEY, PATRICIA MACHEMER, AND APRIL ALLEN School of Planning, Design and Construction Michigan State University 552 West Circle Drive, 302 B Human Ecology Building, East Lansing, MI 48824, USA [email protected] http:/www.msu.edu/%7Eburleyj/ Abstract: Garden designers and scholars are interested in metrics that define the differences and similarities between traditional design and modern designs. This investigation examines the similarities and differences of classical Chinese gardens and modern Chinese gardens. The comparison is accomplished by ordinating the design elements and basic normative planning and design principles for each garden. Three classical Chinese gardens in Suzhou, Jiangsu, China and five modern gardens in Xiamen, Fujian, China were selected for study. A mathematical method called Principal Component Analysis (PCS) was applied in this research. The objective of this method is to define the dimensions that characterize the gardens and plot these gardens along the dimensions/gradients. Seventy-five variables were selected from a literature review, site visits, and site photos. According to the results of the PCA, there are potentially seven meaningful dimensions suitable for analysis, which explain 100% of the variance. This research focused on studying the first three principal components, explaining 81.54% of the variance. The first two principal components reveal a clear pattern between the two sets of environments. The results indicate that the first principal component can be a way to identify the difference between classical Chinese gardens and modern Chinese gardens. -
Garden and Park Structures Listing Selection Guide Summary
Garden and Park Structures Listing Selection Guide Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https://www.gov.uk/government/publications/principles-of- selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide looks at buildings and other structures found in gardens, parks and indeed designed landscapes of all types from the Middle Ages to the twentieth century. -
The RHS Lindley Library IBRARY L INDLEY RHS, L
Occasional Papers from The RHS Lindley Library IBRARY L INDLEY RHS, L VOLUME NINE DECEMBER 2012 The history of garden history Cover illustration: Engraved illustration of the gardens at Versailles, from Les Jardins: histoire et description by Arthur Mangin (c.1825–1887), published in 1867. Occasional Papers from the RHS Lindley Library Editor: Dr Brent Elliott Production & layout: Richard Sanford Printed copies are distributed to libraries and institutions with an interest in horticulture. Volumes are also available on the RHS website (www. rhs.org.uk/occasionalpapers). Requests for further information may be sent to the Editor at the address (Vincent Square) below, or by email (brentelliottrhs.org.uk). Access and consultation arrangements for works listed in this volume The RHS Lindley Library is the world’s leading horticultural library. The majority of the Library’s holdings are open access. However, our rarer items, including many mentioned throughout this volume, are fragile and cannot take frequent handling. The works listed here should be requested in writing, in advance, to check their availability for consultation. Items may be unavailable for various reasons, so readers should make prior appointments to consult materials from the art, rare books, archive, research and ephemera collections. It is the Library’s policy to provide or create surrogates for consultation wherever possible. We are actively seeking fundraising in support of our ongoing surrogacy, preservation and conservation programmes. For further information, or to request an appointment, please contact: RHS Lindley Library, London RHS Lindley Library, Wisley 80 Vincent Square RHS Garden Wisley London SW1P 2PE Woking GU23 6QB T: 020 7821 3050 T: 01483 212428 E: library.londonrhs.org.uk E : library.wisleyrhs.org.uk Occasional Papers from The RHS Lindley Library Volume 9, December 2012 B. -
Serenity Pervades a Chinese Garden of the Ming Dynasty, for This Is a Place of Retreat from the Doings of Humankind
Serenity pervades a Chinese garden of the Ming dynasty, for this is a place of retreat from the doings of humankind. It is where the functionary of the kingdom could indulge his "longing for mountains and water" without turning his back on his unrelenting obligations to state and family. Yet serenity is only the first of infinite layers that reveal themselves. The object of the garden is to capture all the elements of the natural landscape--mountains, rivers, lakes, trees, valleys, hills--and, by bringing them together in a small space, to concentrate the life force, the qi, that animates them. It is a harmony of contrasts, of dark and light, solid and empty, hard and soft, straight and undulating, yin and yang. This place was created to be savoured ever a lifetime. New meanings would be found in the symbolic objects and plants, new pictures seen as shadows placed across the rocks. The garden unfolded itself slowly. In this site, the Garden comes to life. The Dr. Sun Yat-Sen Classical Chinese Garden in Vancouver, British Columbia is the only full-sized classical Chinese garden outside China and though it was built in the 1980s, it employed the ancient techniques of the originals. For the architect, the botanist, the student of history, the lover of beauty, this site provides insights into the subtle wonders to be found within the walls of this living treasure. A Walk Through the Garden The Garden's Layers of Meaning Originally designed by Taoist poets, classical gardens were meant to create an atmosphere of tranquility for contemplation and inspiration. -
Forty Years Among the Natives Page 1
LNewsletteret’s of the San DiegoT Horticulturalalk Society Plants! April 2016, Number 259 Forty Years among the Natives PAGE 1 See the Huntington Chinese Garden – page 2 Our Spring Garden Tour – pages 3 & 10 Local Garden Tours – page 9 On the Cover: Meadow of native plants Luxury Kauai Garden Tour with Dr. McDougall Kauai is known as “The Garden Isle” for its tropical rainforests, fertile valleys and lush flora; it is not surprising to find some of the world’s gardens most beautiful there. This our t includes hree t of the nation’s five onal Nati Tropical Botanical Gardens along spectacular with other gardens and farms. http://ntbg.org/tours/kauai-‐south This is an ALL INCLUSIVE tour: Lodging at the oceanfront Sheraton Poipu Beach Resort, transportation, gourmet plant based meals by master chef, one daily lecture by world famous physician, Dr. John McDougall, who has specialized in the use of a whole food, plant based diet to prevent and treat chronic disease. LIMITED SPACE Reserve early Trip Price: $4520-‐$4760 not including airfare Discount of $200 signed up before June 30, 2016 Additional $100 discount SDHS members Dates: January 28 to Feb 4, 2017 For more information: www.drmcdougall.com/health/travel/kauai GREEN THUMB SUPER GARDEN CENTERS 1019 W. San Marcos Blvd. • 760-744-3822 ▼SDHS SPONSOR (Off the 78 Frwy. near Via Vera Cruz) • CALIFORNIA NURSERY PROFESSIONALS ON STAFF • HOME OF THE NURSERY EXPERTS • GROWER DIRECT www.supergarden.com Now on Facebook WITH THIS GREEN THUMB VALUABLE Coupon SUPER GARDEN CENTERS $ 00 1019 W. San Marcos Blvd. -
E PARK of RUNDĀLE PALACE the Grounds of Rundāle Palace Ensemble Amount to Shuvalov Ordered Chestnut Tree Alleys to Be Planted the Eighteenth Century
LAYOUT OF THE RUNDĀLE PALACE BAROQUE GARDEN 20 20 !e Park 14 14 of Rundāle Palace 15 16 19 11 12 18 13 17 5 6 9 8 8 7 10 4 3 2 2 1 Entrance 1 Ornamental parterre 2 Rose garden Ticket o"ce 3 Collection of peonies 4 Blue Rose Garden Information 5 Picnic Area 6 Bosquet of Decorative Souvenirs Fruit Trees Exhibition 7 Blue Bosquet 8 Bosquets of Lilacs Study room 9 Dutch Bosquet 10 Green Theatre Indoor plants 11 Bosquet of Lilies 12 Memorial Bosquet Café 13 Oriental Bosquet Drinking water 14 Bosquets of Blooming Trees and Shrubs Toilets 15 Golden Vase Bosquet 16 Bosquet of Hydrangeas 17 Water Fountain Bosquet 18 Playground Bosquet 19 Labyrinth Bosquet 20 Promenade Bosquets in a formative stage RUNDĀLES PILS MUZEJS Pilsrundāle, Rundāles novads, LV-3921, Latvija T. +371 63962274, +371 63962197, +371 26499151, [email protected], www.rundale.net © Rundāles pils muzejs, 2018 The location map of Rundāle Palace The baroque garden of Rundāle Palace Climbing-rose arcade Pavilion in the Picnic Area Pavilion in the Oriental Bosquet Memorial Bosquet by Rastrelli, 1735/1736 THE PARK OF RUNDĀLE PALACE The grounds of Rundāle Palace ensemble amount to Shuvalov ordered chestnut tree alleys to be planted the eighteenth century. Donations made by visitors have to reconstruct it in order to nurture plants required for 85 hectares including the French baroque garden which beside the palace, yet the last remnants of theses alleys made it possible to build both a historical seesaw and the garden as well as to provide winter storage for covers 10 hectares and fully retains its original layout were removed in 1975. -
A Synopsis of the Culture of Chinese Gardens..Pdf
A Synopsis of the Culture of Chinese Gardens Prepared by Malcolm Wong – Chairman of the Dunedin Chinese Gardens Trust (February 2009) Introduction In his book Yuan Ye, which was completed in 1634, Ji Cheng wrote that although the garden is made with the hand of man it must look as though it was made in heaven. To fully understand the concept of the Chinese garden is to understand how the Chinese view the universe. This may seem a bold statement but over two thousand years of history gives it some credence. What then makes this so and why have Chinese gardens so fascinated the West? When did this fascination begin and why can’t these Gardens be recreated by western gardeners? In the 1920’s an educated Chinese gentlemen, on visiting Europe, commented when shown a “mown and bordered lawn which, while no doubt would be of interest to a cow, offers no interest to human beings”. Therein lies the fundamental difference in gardening between East and West. Chinese build gardens whereas the West plant gardens. However, if the difference was as simple as that to master, Chinese gardens would have been replicated with ease by the great western landscape architects. The fascination by the West of things Chinese began on the eve of 1699 when the Court of France held a Chinese festival to commemorate the coming new year. The term “chinoiserie” was coined at this time and so began the West’s great desire for all things Chinese. This interest included porcelain, artwork, furniture and ceramics and then extended to gardening. -
The Ukrainian Weekly 1997, No.5
www.ukrweekly.com INSIDE: • Trade union leaders stage strike — page 2. • Ukraine opens new Permanent Mission to U.N. in Geneva — page 3. • Ternopil institute: a glimpse into private education in Ukraine — page 8. HE KRAINI A N EEKLY T PublishedU by the Ukrainian National Association Inc., a fraternal non-profitW association Vol. LXV No. 5 THE UKRAINIAN WEEKLY SUNDAY, FEBRUARY 2, 1997 $1.25/$2 in Ukraine Senate confirms secretaries of state, defense Verkhovna Rada chairman calls by Volodymyr Chornodolsky increased concern toward the security of Ukrainian National Information Service countries in Central and East Europe. legislative session a success John Hillen, a defense policy analyst at WASHINGTON – For both the United the Heritage Foundation, said he believes by Roman Woronowycz He did admit that the Parliament and the States Senate and the Clinton administra- Secretaries Cohen and Albright are good Kyiv Press Bureau Cabinet of Ministers had continued to tion, Wednesday, January 22, was a monu- squabble over political power and the direc- choices for their respective positions. KYIV — Oleksander Moroz, chairman mental day. The Senate’s Republican “Secretary Albright is a strong candi- tion of economic reform, which he said was majority officially confirmed the appoint- of the Verkhovna Rada, called the work of no more than the disagreements that have date for Eastern Europe,” said Mr. the recently completed sixth session of ment of Madeleine Albright as secretary of Hillen, “especially with the expansion of plagued relations between the two bodies Ukraine’s legislature a success. Speaking state – the first woman to hold this high NATO moving from theory to reality.” for years. -
Flower Garden, the Vault of the Central Dome Is Divided Into Eight Boxes fi Lled with 8 20 1691 Murals, Whose Motifs Are Based on Ovid’S Metamorphoses
4 In the center of the garden, there is an octagonal pavilion, now called The Rotunda, built between 1666–1668 according to a design by 21 22 G. P. Tencalla. Originally, it was a central structure, with all walls open to the garden and a a central hall, followed by four artifi cial caves 5 (grottos) and four lounges (Flint rooms). It can boast a valuable artistic 7 6 J. van den interior decoration consisting of rich sculpture, painting and stucco Nypoort and components. The current look with the portico and only two functional G. M. Vischer, entrances was given to the Rotunda in the early 20th century when the 19 A view of the building was modifi ed to a museum. Flower Garden, The vault of the central dome is divided into eight boxes fi lled with 8 20 1691 murals, whose motifs are based on Ovid’s Metamorphoses. The original work of the Italian Giovanni Giacomo Tencalla (1644–1690) The Flower Garden, established in the late 17th century, is a unique was unfortunately painted over in the early 20th century. In contrast, the 2 1 example of the early baroque garden. It harmonized older renaissance rich stucco decorations by Quirico Castelli and his group of plasterers Italian and Western European patterns with emerging French baroque have retained their originality as well as four sculptures depicting the spacial atmosphere of the Louise XIV era. The Flower Garden is unique An agricultural exposition, 1908 The north-western view of the garden, about 1750 seasons by the sculptor Michael Mandík. Four grottos - artifi cial caves 99 3 in the European and worldwide context due to the rate of preservation – lead to the central hall.