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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Fondren Plans Changes for Finals Hours Ers Would Benefit the by Jeremy Huang Temporarily Increase the [Amount Have Increasingly Expressed a Need College Junior, Said
Helping sexual assault [title of show] Club soccer Goes victims to Nationals INSIDE Five students argue for more re- Hanszen and McMurtry Col- Men’s club soccer qualified sources for victims of sexual assault lege Theatre collaborated for a national tournament Rice football had a at Rice. harmoniously on this comedy. with an 8-2 record. decisive 52-14 win over LA Tech. see Ops p. 5 see A&E p. 6 See Sports p. 9 See P. 9 Volume CI, Issue No. 12 StudeNt-RuN sINCe 1916 wedNesday, NoVembeR 20, 2013 H&D aims to eliminate paper waste by ANIta Alem ThResheR Staff Housing and Dining is cur- rently working to create a sus- tainable takeout container system for use in the serveries, according to H&D Senior Busi- ness Director David McDonald. “One of the things we’ve been grappling with for years is a defined takeout program,” Mc- Donald said. “We don’t have a [policy] more defined than just a paper plate and a paper cup and some plastic utensils. We’ve been really struggling with this over the years to find a middle ground that works for everybody, and we haven’t figured it out yet. Hope- fully, we can create some dia- logue among the students, which is hard to do on this campus be- cause of the 11 distinct college governments [that come with the residential college system].” Jeffrey Piccirillo/thresher I strongly believe Rice Dancing the night Martel College sophomore Itzak Hinojosa and Jones College sophomore Sophia Beltran share a dance at students wouldn’t away at Esperanza Esperanza, Rice’s annual homecoming dance. -
Arcansiel - Swimming in the Sand
arcsits Arcansiel - Swimming In The Sand It has been ten years since Italian band Arcansiel released an album and that was Normality Of Perversion in 1994. 2004 sees the release of Swimming In The Sand, which is a sort of 'best of' compilation. I say 'sort of' because five of the six tracks here have appeared on past studio albums but, for this release, the band returned to the studio in 2003 to re-record the songs. With so much progressive rock to choose from these days, those of us with limited time (and finances) can not be expected to be familiar with everything out there so tend to stick with music from bands we know. A compilation such as this makes a lot of sense, giving those you have yet to hear the band a selection of the best tracks and for the existing fans of Arcansiel, a new version of these tracks. The band personnel has changed once again but original guitarist Gianni Opezzo is still there, Sandro Marinoni (tenor sax, flute) is back and Paolo Baltaro (vocals, bass, drums, keyboards, bagpipes) who joined the band for Normality, remains. Arcansiel came onto the scene at the time when Fish period Marillion was coming to an end and http://www.hairlessheartherald.co.uk/arcsits.htm (1 of 2)27/07/2004 17.42.11 arcsits inevitably they got labelled as neo prog with seventies influences from Genesis to PFM and Banco. Perhaps the neo prog tag fitted at the beginning of the band's career but it was polished neo prog, lacking the harshness of typical neo prog of the time. -
May 2015 Orange County Breeze • Darts • Page 1
MAY 2015 ORANGE COUNTY BREEZE • DARTS • WWW.OC-BREEZE.COM PAGE 1 MAY 2015 ORANGE COUNTY BREEZE • DARTS • WWW.OC-BREEZE.COM PAGE 2 ',1,1*s$576s(17(57$,10(17 Neighbors and friends invited to 2015 Titl e Spponsor Jooin Uss!s annual Rossmoor Community Festival Coming soon — don’t miss it! Dress up your dog for the famous dog The 2015 Rossmoor Community Festival parade! Sign up on site, no entrance fee — Suunddayy,, MaMayy 33,, 2015 will be held on Sunday, May 3 , from 10 a.m. great prizes! to 5 p.m. at Rush Park , 3021 Blume Dr. in Come early to join in the fun of the High 10 amm - 5 pmpm Rossmoor. Heel Dash sponsored by We Care. Join the Rossmoor Homeowners Visit rossmoorfestival.com online for RUUSHH PAAARRKK 30011 BluBlme Drive,Ros ssmm oor Association, the Rossmoor Community non-food vendor applications and Services District, your neighbors and your sponsorship opportunities. For more friends for a day filled with rides, games, information call 562- 799-1401 or email FUN FOOR AALL AGGES!! vendors, food trucks, live entertainment, a [email protected] . Sign up at dog parade and a car show. This event is co-sponsored by the W eCareLosAlamitos.a sorgo Foodd Truucks Sign-up for the free car show by emailing Rossmoor Homeowners Association and the Lee Lindquist at [email protected] Rossmoor Community Service District. Rock Climbbing Locaal Entertainmment — trophies awarded in many categories! Wall Venddor Fair Trackless TTrain FRiDAy , M Ay 1 Rewind , 7pm, Sports Trivia , 11am, Pony Rides Schooner at Sunset, Karaoke , 5:30pm, -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
March 2019 Highlights
Vol. 62, Issue 3 March 2019 HIGHLIGHTS To create the Beloved Community by inspiring and empowering all souls to live bold and compassionate lives. The Interim Journey The Unknown Journey By Rev. Kathleen Rolenz By Rev. John T. Crestwell, Jr. At my first service with you in January In August 2018 I had a biopsy to see if I 2018, then President Ken Apfel presented had prostate cancer. I do. Stage 1. It was me with a walking stick – the same walk- caught early enough to give me several ing stick given to me by the Fox Valley UU treatment options. I feel fine. In June and Unitarian Universalist Church of Annapolis Fellowship in Appleton, WI. That service July I will be receiving proton beam thera- marked the beginning of my 30 month py in Baltimore for eight weeks, Monday journey with you, knowing that our time through Friday. That’s 40 trips back and had a beginning, a middle and an end in forth to B-more and I bet it will be tedious. June 2020. I have that walking stick in my office as a vis- However, I will be taking some days off during the treat- ual reminder of what it means to live and work and walk ments; I don’t expect to miss any major time at church. through this interim time. That could change though—I really don’t know at this point. The metaphor of journey runs deep throughout reli- I expect to have a full recovery but I know my life will gious and spiritual traditions because all journeys have change in this process. -
W Piano Tussen Blues En Bach
Zaterdag 28 februari, zondag 1 maart 1998 De Standaard Piano tussen blues en Bach John Lewis, legendarisch leider Modern Jazz Quartet, solo in deSingel Van onze redacteur was deel van het kwartet, dat was al zwaar de ik nog veel met hem. Charlie Parker en BRUSSEL — De 77-jarige jazzpianist genoeg. Dit is een nieuwe uitdaging.” Miles Davis waren intieme vrienden. Onze John Lewis komt voor een soloconcert We willen weten of zijn sobere stijl beïn voornaamste interesse was muziek. Mu naar deSingel in Antwerpen. Dat is uit vloed is door een pianist als Count Basie? ziek, daar draaide ons leven om.” zonderlijk, want hij geeft zelden nog „Niet echt. Ik was veel meer geïnteres Lewis schreef diverse belangrijke compo concerten. Ook het beroemde Modem seerd in Lester Young en in zijn solo’s, ik sities, maar Django, opgedragen aan de Jazz Quartet (MJQ), waarvan hij de luisterde meer naar de grote saxofonisten Belgisch-Franse gitarist Django Reinhardt, pianist, muzikale directeur en voor en trompettisten. Het globale muzikale springt eruit, door de vorm en de wijze naamste componist was, treedt niet beeld boeide me meer dan muzikaaltechni- waarop Lewis dat gypsy-gevoel weergeeft. meer op. „Er zou iets ongewoons moe sche aspecten.” „Hij was een van de eerste grote Europese ten gebeuren om het kwartet samen te Dat hij veel suggereert, je ook tussen de jazzmusici”, zegt Lewis. brengen”, vertelt hij. lijnen moet lezen, vindt hij vanzelfspre Van Django Reinhardt naar Parijs is een kend. „Muziek moet de verbeelding prik kleine stap. Aftemoon in Paris, Concorde, Interview kelen. Niet alles moet zomaar openlijk Vendome, Versailles, het zijn enkele titels worden gezegd, de luisteraar moet kunnen van Lewiscomposities. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
The Providence Phoenix | February 22, 2013 3
february 22–28, 2013 | rhode island’s largest weekly | free VOTE NOW! support your favorites at thephoenix. com/best THE NEW ABOLITIONISTS Why the climate-justice movement must embrace its radical side _by Wen Stephenson | p 6 tHis drum circles and porn beer on a budget Just in A weekend at the RI Men’s Gathering | p6 !Warming up to ‘craft lite’ | p10 North Bowl has been nominated by The Phoenix readers for: BEST PLACE TO BOWL Please vote for us! SCAN HERE Or vote online: thephoenix.com/BEST 71 E Washington St North Attleboro, MA 02760 508.695.BOWL providence.thephoenix.com | the providence phoenix | February 22, 2013 3 february 22, 2013 Contents on the cover F PHOTO-ILLUSTRATION By jANET SMITH TAyLOR IN THIS ISSUE p 6 p 10 p 24 6 the new abolitionists _wen stephenson For the second time in American history, a generation has to choose between an entrenched system of industrial profit — and saving millions of human lives. 14 homegrown product _by chris conti All killer, no filler: theo martins offers a guided tour of Wonderland. 15 art _by chris conti Serious comics: “story/line: narrative form in six graphic novelists” at RIC. 16 theater _by bill rodriguez Mind games: Epic Theatre Company’s six degrees of separation. 24 film _by peter keough If Argo doesn’t win the Oscar for Best Picture, it means the terrorists have won. Plus, a “Short Take” on identity thief. IN EVERY ISSUE 46 phillipe & Jorge’s cool, cool world Ronzo gets the boot | Public enemy #1 | Who’s right, who’s wrong? | 6 Seekonk rocks 4 the city _by derf 7 5 this Just in In the woods with the Rhode Island 10 Men’s Gathering | WPRO cans Ron St.